Canon M50 Mark II vs Fujifilm GFX 100S
The Canon EOS M50 Mark II and the Fujifilm GFX 100S are two digital cameras that were announced, respectively, in October 2020 and January 2021. Both the M50 Mark II and the GFX 100S are mirrorless interchangeable lens cameras that are based on an APS-C (M50 Mark II) and a medium format (GFX 100S) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 101.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M50 Mark II and the Fujifilm GFX 100S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon M50 Mark II and the Fujifilm GFX 100S are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The M50 Mark II can be obtained in two different colors (black, white), while the GFX 100S is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 100S is considerably larger (53 percent) than the Canon M50 Mark II. Moreover, the GFX 100S is substantially heavier (133 percent) than the M50 Mark II. It is noteworthy in this context that the GFX 100S is splash and dust-proof, while the M50 Mark II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the M50 Mark II gets 305 shots out of its LP-E12 battery, while the GFX 100S can take 460 images on a single charge of its NP-W235 power pack. The power pack in the GFX 100S can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon M50 Mark II||116 mm||88 mm||59 mm||387 g||305||n||Oct 2020||599||amazon.com|
|2.||Fujifilm GFX 100S||150 mm||104 mm||87 mm||900 g||460||Y||Jan 2021||5,999||amazon.com|
|3.||Canon R3||150 mm||143 mm||87 mm||1015 g||760||Y||Sep 2021||5,999||amazon.com|
|4.||Canon M200||108 mm||67 mm||35 mm||299 g||315||n||Sep 2019||549||amazon.com|
|5.||Canon 250D||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599||amazon.com|
|6.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899||amazon.com|
|7.||Canon M6 Mark II||120 mm||70 mm||49 mm||408 g||305||n||Aug 2019||849||amazon.com|
|8.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779||ebay.com|
|9.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549||ebay.com|
|10.||Canon M6||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779||ebay.com|
|11.||Canon M3||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679||ebay.com|
|12.||Fujifilm GFX 50S II||150 mm||104 mm||87 mm||900 g||440||Y||Sep 2021||3,999||amazon.com|
|13.||Fujifilm X-T200||121 mm||84 mm||55 mm||370 g||270||n||Jan 2020||699||amazon.com|
|14.||Fujifilm GFX 100||156 mm||144 mm||75 mm||1320 g||800||Y||May 2019||9,999||amazon.com|
|15.||Fujifilm X-A7||119 mm||68 mm||41 mm||320 g||440||n||Sep 2019||499||amazon.com|
|16.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499||amazon.com|
|17.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The M50 Mark II was launched at a markedly lower price (by 90 percent) than the GFX 100S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon M50 Mark II features an APS-C sensor and the Fujifilm GFX 100S a medium format sensor. The sensor area in the GFX 100S is 334 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the M50 Mark II has a native 3:2 aspect ratio, while the one in the GFX 100S offers a 4:3 aspect.
With 101.8MP, the GFX 100S offers a higher resolution than the M50 Mark II (24MP), but the GFX 100S nevertheless has marginally larger individual pixels (pixel pitch of 3.76μm versus 3.72μm for the M50 Mark II) due to its larger sensor. Moreover, the GFX 100S is a somewhat more recent model (by 3 months) than the M50 Mark II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 100S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 100S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100S for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Canon M50 Mark II are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
Unlike the M50 Mark II, the GFX 100S has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS M50 Mark II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm GFX 100S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
In terms of underlying technology, the M50 Mark II is build around a CMOS sensor, while the GFX 100S uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Canon M50 Mark II||APS-C||24.0||6000||4000||4K/24p||24.0||13.6||1939||83|
|2.||Fujifilm GFX 100S||Medium Format||101.8||11648||8736||4K/30p||25.8||14.7||3391||100|
|3.||Canon R3||Full Frame||24.0||6000||4000||6K/60p||25.0||14.7||4086||96|
|6.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||583||65|
|7.||Canon M6 Mark II||APS-C||32.3||6960||4640||4K/30p||24.0||13.5||1848||83|
|12.||Fujifilm GFX 50S II||Medium Format||51.1||8256||6192||1080/30p||25.9||14.8||3456||100|
|14.||Fujifilm GFX 100||Medium Format||101.8||11648||8736||4K/30p||25.7||14.5||3227||99|
|16.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||25.7||14.4||3169||98|
|17.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||25.4||14.1||2977||96|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GFX 100S provides a faster frame rate than the M50 Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 4K/24p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GFX 100S offers a substantially higher resolution than the one in the M50 Mark II (3690k vs 2360k dots). The adjacent table lists some of the other core features of the Canon M50 Mark II and Fujifilm GFX 100S along with similar information for a selection of comparators.
|1.||Canon M50 Mark II||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0/s||Y||n|
|2.||Fujifilm GFX 100S||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0/s||n||Y|
|3.||Canon R3||5760||Y||3.2 / 4150||swivel||Y||1/8000s||12.0/s||n||Y|
|4.||Canon M200||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1/s||Y||n|
|5.||Canon 250D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|6.||Canon G5 X Mark II||2360||n||3.0 / 1040||tilting||Y||1/2000s||30/s||Y||Y|
|7.||Canon M6 Mark II||optional||n||3.0 / 1040||tilting||Y||1/4000s||14.0/s||Y||n|
|8.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0/s||Y||n|
|9.||Canon 200D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|10.||Canon M6||optional||n||3.0 / 1040||tilting||Y||1/4000s||9.0/s||Y||n|
|11.||Canon M3||optional||n||3.0 / 1040||tilting||Y||1/4000s||4.2/s||Y||n|
|12.||Fujifilm GFX 50S II||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||Y|
|13.||Fujifilm X-T200||2360||n||3.5 / 2780||swivel||Y||1/4000s||8.0/s||Y||n|
|14.||Fujifilm GFX 100||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0/s||n||Y|
|15.||Fujifilm X-A7||none||n||3.5 / 2760||swivel||Y||1/4000s||6.0/s||Y||n|
|16.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0/s||n||n|
|17.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The M50 Mark II has one, while the GFX 100S does not. While the built-in flash of the M50 Mark II is not very powerful, it can at times be useful as a fill-in light.The M50 Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 100S does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon M50 Mark II and the Fujifilm GFX 100S both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M50 Mark II and the GFX 100S write their files to SDXC cards. The GFX 100S features dual card slots, which can be very useful in case a memory card fails. In contrast, the M50 Mark II only has one slot. The GFX 100S supports UHS-II cards (on both slots), while the M50 Mark II can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M50 Mark II and Fujifilm GFX 100S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon M50 Mark II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|2.||Fujifilm GFX 100S||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|3.||Canon R3||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Canon M200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|5.||Canon 250D||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|6.||Canon G5 X Mark II||-||stereo / mono||-||-||micro||3.1||Y||-||Y|
|7.||Canon M6 Mark II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|8.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|9.||Canon 200D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|10.||Canon M6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|11.||Canon M3||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|12.||Fujifilm GFX 50S II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||-|
|13.||Fujifilm X-T200||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|14.||Fujifilm GFX 100||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|15.||Fujifilm X-A7||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|16.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|17.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
It is notable that the GFX 100S has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The M50 Mark II lacks such a headphone port.
Studio photographers will appreciate that the Fujifilm GFX 100S (unlike the M50 Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the M50 Mark II and the GFX 100S are recent models that are part of the current product line-up. The M50 Mark II replaced the earlier Canon M50, while the GFX 100S followed on from the Fujifilm GFX 100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what conclusions can be drawn? Is the Canon M50 Mark II better than the Fujifilm GFX 100S or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS M50 Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (116x88mm vs 150x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 513g or 57 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (90 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in October 2020).
Arguments in favor of the Fujifilm GFX 100S:
- More detail: Has more megapixels (101.8 vs 24MP), which boosts linear resolution by 102%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher movie framerates (4K/30p versus 4K/24p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- Longer lasting: Gets more shots (460 versus 305) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Was introduced somewhat (3 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 100S is the clear winner of the contest (22 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M50 Mark II and the Fujifilm GFX 100S place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the M50 Mark II and the GFX 100S in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon M50 Mark II||4/5||..||4/5||..||4.5/5||3.5/5||Oct 2020||599||amazon.com|
|2.||Fujifilm GFX 100S||5/5||+ +||5/5||90/100||5/5||5/5||Jan 2021||5,999||amazon.com|
|3.||Canon R3||5/5||o||4.5/5||..||5/5||4.5/5||Sep 2021||5,999||amazon.com|
|4.||Canon M200||..||+||3/5||79/100||4/5||4/5||Sep 2019||549||amazon.com|
|5.||Canon 250D||..||o||4.5/5||79/100||4/5||4/5||Apr 2019||599||amazon.com|
|6.||Canon G5 X Mark II||4/5||+||4/5||82/100||..||4/5||Jul 2019||899||amazon.com|
|7.||Canon M6 Mark II||..||+||4.5/5||85/100||4/5||4/5||Aug 2019||849||amazon.com|
|8.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779||ebay.com|
|9.||Canon 200D||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549||ebay.com|
|10.||Canon M6||..||..||..||80/100||4/5||4/5||Feb 2017||779||ebay.com|
|11.||Canon M3||4/5||o||..||75/100||4.5/5||4/5||Feb 2015||679||ebay.com|
|12.||Fujifilm GFX 50S II||5/5||..||5/5||87/100||..||5/5||Sep 2021||3,999||amazon.com|
|13.||Fujifilm X-T200||3.5/5||..||4/5||82/100||4/5||4.5/5||Jan 2020||699||amazon.com|
|14.||Fujifilm GFX 100||4.5/5||+ +||4.8/5||90/100||5/5||4.5/5||May 2019||9,999||amazon.com|
|15.||Fujifilm X-A7||3/5||..||3.5/5||81/100||4/5||3.5/5||Sep 2019||499||amazon.com|
|16.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499||amazon.com|
|17.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 40D vs Canon M50 Mark II
- Canon 650D vs Fujifilm GFX 100S
- Canon G16 vs Canon M50 Mark II
- Canon M50 Mark II vs Canon R5 C
- Canon M50 Mark II vs Canon SX400
- Canon M50 Mark II vs Canon XC10
- Canon M50 Mark II vs Nikon D90
- Canon R5 C vs Fujifilm GFX 100S
- Fujifilm GFX 100S vs Kodak AZ901
- Fujifilm GFX 100S vs Nikon Z5
- Fujifilm GFX 100S vs Olympus E-M1X
- Fujifilm GFX 100S vs Sony NEX-5R
Specifications: Canon M50 Mark II vs Fujifilm GFX 100S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M50 Mark II||Fujifilm GFX 100S|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon EF-M mount lenses||Fujifilm G mount lenses|
|Launch Date||October 2020||January 2021|
|Launch Price||USD 599||USD 5,999|
|Sensor Specs||Canon M50 Mark II||Fujifilm GFX 100S|
|Sensor Format||APS-C Sensor||Medium Format Sensor|
|Sensor Size||22.3 x 14.9 mm||43.8 x 32.9 mm|
|Sensor Area||332.27 mm2||1441.02 mm2|
|Sensor Diagonal||26.8 mm||54.8 mm|
|Sensor Resolution||24 Megapixels||101.8 Megapixels|
|Image Resolution||6000 x 4000 pixels||11648 x 8736 pixels|
|Pixel Pitch||3.72 μm||3.76 μm|
|Pixel Density||7.22 MP/cm2||7.06 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/24p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||100 - 12,800 ISO|
|ISO Boost||100 - 51,200 ISO||50 - 102,400 ISO|
|Image Processor||DIGIC 8||X-Processor 4|
|Screen Specs||Canon M50 Mark II||Fujifilm GFX 100S|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||3690k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||2360k dots|
|LCD Attachment||Swivel screen||Fully flexible screen|
|Shooting Specs||Canon M50 Mark II||Fujifilm GFX 100S|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||10 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||YES||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon M50 Mark II||Fujifilm GFX 100S|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.2|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon M50 Mark II||Fujifilm GFX 100S|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||305 shots per charge||460 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
116 x 88 x 59 mm
(4.6 x 3.5 x 2.3 in)
150 x 104 x 87 mm
(5.9 x 4.1 x 3.4 in)
|Camera Weight||387 g (13.7 oz)||900 g (31.7 oz)|
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