Canon M50 Mark II vs Epson R-D1
The Canon EOS M50 Mark II and the Epson R-D1 are two digital cameras that were announced, respectively, in October 2020 and March 2004. The M50 Mark II is a mirrorless interchangeable lens camera, while the R-D1 is a rangefinder-style mirrorless. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 24 megapixels, whereas the Epson provides 6 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M50 Mark II and the Epson R-D1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon M50 Mark II and the Epson R-D1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The M50 Mark II can be obtained in two different colors (black, white), while the R-D1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Epson R-D1 is notably larger (24 percent) than the Canon M50 Mark II. Moreover, the R-D1 is substantially heavier (60 percent) than the M50 Mark II. In this context, it is worth noting that neither the M50 Mark II nor the R-D1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon M50 Mark II||116 mm||88 mm||59 mm||387 g||305||n||Oct 2020||599|
|2.||Epson R-D1||142 mm||89 mm||40 mm||620 g||..||n||Mar 2004||2,999|
|3.||Canon M200||108 mm||67 mm||35 mm||299 g||315||n||Sep 2019||549|
|4.||Canon SL3||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599|
|5.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899|
|6.||Canon M6 Mark II||120 mm||70 mm||49 mm||408 g||305||n||Aug 2019||849|
|7.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|8.||Canon M6||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779|
|9.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|10.||Canon SL2||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|11.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979|
|12.||Canon M3||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679|
|13.||Canon Rebel||142 mm||99 mm||72 mm||649 g||400||n||Aug 2003||899|
|14.||Leica X Vario||133 mm||73 mm||95 mm||680 g||450||n||Jun 2013||2,850|
|15.||Nikon D50||133 mm||102 mm||76 mm||620 g||400||n||Apr 2005||749|
|16.||Nikon D70s||140 mm||111 mm||78 mm||679 g||500||n||Apr 2005||899|
|17.||Nikon D70||140 mm||111 mm||78 mm||679 g||400||n||Jan 2004||999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The M50 Mark II was launched at a markedly lower price (by 80 percent) than the R-D1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the R-D1 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (M50 Mark II) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon M50 Mark II offers a higher resolution of 24 megapixels, compared with 6 MP of the Epson R-D1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.72μm versus 7.85μm for the R-D1). However, it should be noted that the M50 Mark II is much more recent (by 16 years and 7 months) than the R-D1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon M50 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M50 Mark II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Epson R-D1 are 15 x 10 inches or 38.2 x 25.4 cm for good quality, 12 x 8 inches or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inches or 25.5 x 16.9 cm for excellent quality prints.
The M50 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M50 Mark II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Epson R-D1 are ISO 200 to ISO 1600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|1.||Canon M50 Mark II||APS-C||24.0||6000||4000||4K/24p||..||..||..||..|
|5.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|6.||Canon M6 Mark II||APS-C||32.3||6960||4640||4K/30p||..||..||..||..|
|14.||Leica X Vario||APS-C||16.1||4928||3272||1080/30p||23.4||12.7||1320||78|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The M50 Mark II indeed provides movie recording capabilities, while the R-D1 does not. The highest resolution format that the M50 Mark II can use is 4K/24p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the M50 Mark II has an electronic viewfinder (2360k dots), while the R-D1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Canon M50 Mark II and Epson R-D1 along with similar information for a selection of comparators.
|1.||Canon M50 Mark II||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n|
|5.||Canon G5 X Mark II||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|6.||Canon M6 Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||14.0||Y||n|
|14.||Leica X Vario||optional||n||3.0||920||fixed||n||1/2000s||5.0||Y||n|
One difference between the cameras concerns the presence of an on-board flash. The M50 Mark II has one, while the R-D1 does not. While the built-in flash of the M50 Mark II is not very powerful, it can at times be useful as a fill-in light.The M50 Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the R-D1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the M50 Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon M50 Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The M50 Mark II writes its imaging data to SDXC cards, while the R-D1 uses SDHC cards. The M50 Mark II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the R-D1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M50 Mark II and Epson R-D1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Canon M50 Mark II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|5.||Canon G5 X Mark II||-||stereo||mono||-||-||micro||3.1||Y||-||Y|
|6.||Canon M6 Mark II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|14.||Leica X Vario||Y||stereo||mono||-||-||mini||2.0||-||-||-|
It is notable that the M50 Mark II offers wifi support, while the R-D1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Epson R-D1 (unlike the M50 Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The M50 Mark II is a recent model that features in the current product line-up of Canon. In contrast, the R-D1 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the R-D1 from Epson. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Epson websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon M50 Mark II and the Epson R-D1? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS M50 Mark II:
- More detail: Offers more megapixels (24 vs 6MP) with a 100% higher linear resolution.
- Broader imaging potential: Can record not only still images but also 4K/24p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 235k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (116x88mm vs 142x89mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 233g or 38 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (80 percent cheaper at launch).
- More modern: Reflects 16 years and 7 months of technical progress since the R-D1 launch.
Advantages of the Epson R-D1:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in March 2004).
If the count of relative strengths (bullet points above) is taken as a measure, the M50 Mark II is the clear winner of the match-up (21 : 3 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the M50 Mark II or the R-D1 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon M50 Mark II||..||..||..||4.5/5||3.5/5||Oct 2020||599|
|2.||Epson R-D1||..||..||..||..||..||Mar 2004||2,999|
|3.||Canon M200||..||+||79/100||4/5||4/5||Sep 2019||549|
|4.||Canon SL3||..||o||79/100||4/5||4/5||Apr 2019||599|
|5.||Canon G5 X Mark II||4/5||+||82/100||..||4/5||Jul 2019||899|
|6.||Canon M6 Mark II||..||+||85/100||4/5||4/5||Aug 2019||849|
|7.||Canon M50||..||+||79/100||..||3.5/5||Feb 2018||779|
|8.||Canon M6||..||..||80/100||4/5||4/5||Feb 2017||779|
|9.||Canon M100||3/5||+||..||4/5||3.5/5||Aug 2017||499|
|10.||Canon SL2||4/5||+ +||78/100||4.5/5||4.5/5||Jun 2017||549|
|11.||Canon M5||4/5||+||82/100||4/5||4/5||Sep 2016||979|
|12.||Canon M3||4/5||o||75/100||4.5/5||4/5||Feb 2015||679|
|13.||Canon Rebel||..||..||+ +||..||..||Aug 2003||899|
|14.||Leica X Vario||3/5||..||..||4/5||4/5||Jun 2013||2,850|
|15.||Nikon D50||..||78/100||+ +||4/5||4.5/5||Apr 2005||749|
|16.||Nikon D70s||..||..||..||..||5/5||Apr 2005||899|
|17.||Nikon D70||..||..||+ +||..||..||Jan 2004||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon M50 Mark II vs Epson R-D1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M50 Mark II||Epson R-D1|
|Camera Type||Mirrorless system camera||Rangefinder camera|
|Camera Lens||Canon EF-M mount lenses||Leica M mount lenses|
|Launch Date||October 2020||March 2004|
|Launch Price||USD 599||USD 2,999|
|Sensor Specs||Canon M50 Mark II||Epson R-D1|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.7 x 15.6 mm|
|Sensor Area||332.27 mm2||369.72 mm2|
|Sensor Diagonal||26.8 mm||28.4 mm|
|Sensor Resolution||24 Megapixels||6 Megapixels|
|Image Resolution||6000 x 4000 pixels||3008 x 2000 pixels|
|Pixel Pitch||3.72 μm||7.85 μm|
|Pixel Density||7.22 MP/cm2||1.63 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/24p Video||no Video|
|ISO Setting||100 - 25,600 ISO||200 - 1,600 ISO|
|ISO Boost||100 - 51,200 ISO||no Enhancement|
|Screen Specs||Canon M50 Mark II||Epson R-D1|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View|
|Rear LCD Size||3.0inch||2.0inch|
|LCD Resolution||1040k dots||235k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon M50 Mark II||Epson R-D1|
|Focus System||On-Sensor Phase-detect||Manual Focus|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||1 shutter flaps/s|
|Electronic Shutter||YES||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon M50 Mark II||Epson R-D1|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||no USB|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon M50 Mark II||Epson R-D1|
116 x 88 x 59 mm
(4.6 x 3.5 x 2.3 in)
142 x 89 x 40 mm
(5.6 x 3.5 x 1.6 in)
|Camera Weight||387 g (13.7 oz)||620 g (21.9 oz)|
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