Canon M50 Mark II vs R3
The Canon EOS M50 Mark II and the Canon EOS R3 are two digital cameras that were officially introduced, respectively, in October 2020 and September 2021. Both the M50 Mark II and the R3 are mirrorless interchangeable lens cameras that are based on an APS-C (M50 Mark II) and a full frame (R3) sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M50 Mark II and the Canon EOS R3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon M50 Mark II and the Canon R3 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The M50 Mark II can be obtained in two different colors (black, white), while the R3 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon R3 is considerably larger (110 percent) than the Canon M50 Mark II. Moreover, the R3 is substantially heavier (162 percent) than the M50 Mark II. It is noteworthy in this context that the R3 is splash and dust-proof, while the M50 Mark II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the M50 Mark II gets 305 shots out of its Canon LP-E12 battery, while the R3 can take 760 images on a single charge of its Canon LP-E19 power pack. As can be seen in the images above, the R3 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the R3 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M50 Mark II | 116 mm | 88 mm | 59 mm | 387 g | 305 | n | Oct 2020 | 599 | ebay.com | |
2. | Canon R3 | 150 mm | 143 mm | 87 mm | 1015 g | 760 | Y | Sep 2021 | 5,999 | amazon.com | |
3. | Canon R50 | 116 mm | 86 mm | 69 mm | 375 g | 230 | n | Feb 2023 | 679 | amazon.com | |
4. | Canon R6 Mark II | 138 mm | 98 mm | 88 mm | 670 g | 450 | Y | Nov 2022 | 2,499 | amazon.com | |
5. | Canon 1D X Mark III | 158 mm | 168 mm | 83 mm | 1440 g | 2850 | Y | Jan 2020 | 6,499 | amazon.com | |
6. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | 3,899 | amazon.com | |
7. | Canon R6 | 138 mm | 98 mm | 88 mm | 680 g | 360 | Y | Jul 2020 | 2,499 | amazon.com | |
8. | Canon M200 | 108 mm | 67 mm | 35 mm | 299 g | 315 | n | Sep 2019 | 549 | ebay.com | |
9. | Canon SL3 | 122 mm | 93 mm | 70 mm | 449 g | 1070 | n | Apr 2019 | 599 | amazon.com | |
10. | Canon M6 Mark II | 120 mm | 70 mm | 49 mm | 408 g | 305 | n | Aug 2019 | 849 | ebay.com | |
11. | Canon M50 | 116 mm | 88 mm | 59 mm | 390 g | 235 | n | Feb 2018 | 779 | ebay.com | |
12. | Canon M6 | 112 mm | 68 mm | 45 mm | 390 g | 295 | n | Feb 2017 | 779 | ebay.com | |
13. | Canon M100 | 108 mm | 67 mm | 35 mm | 302 g | 295 | n | Aug 2017 | 499 | ebay.com | |
14. | Canon SL2 | 122 mm | 93 mm | 70 mm | 453 g | 650 | n | Jun 2017 | 549 | ebay.com | |
15. | Canon M5 | 116 mm | 89 mm | 61 mm | 427 g | 295 | n | Sep 2016 | 979 | ebay.com | |
16. | Canon M3 | 111 mm | 68 mm | 44 mm | 366 g | 250 | n | Feb 2015 | 679 | ebay.com | |
17. | Leica SL2-S | 146 mm | 107 mm | 83 mm | 931 g | 510 | Y | Dec 2020 | 4,895 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The M50 Mark II was launched at a markedly lower price (by 90 percent) than the R3, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon M50 Mark II features an APS-C sensor and the Canon R3 a full frame sensor. The sensor area in the R3 is 160 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, the R3 uses a more advanced image processing engine (DIGIC X) than the M50 Mark II (DIGIC 8), with benefits for noise reduction, color accuracy, and processing speed.
Even though the R3 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the R3 has a lower pixel density and larger individual pixels (with a pixel pitch of 6.00μm versus 3.72μm for the M50 Mark II), which gives it a potential advantage in terms of light gathering capacity. In addition, the R3 is a somewhat more recent model (by 11 months) than the M50 Mark II, and its sensor might have benefitted from technological advances during this time.
The Canon EOS M50 Mark II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Canon EOS R3 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
In terms of underlying technology, the M50 Mark II is build around a CMOS sensor, while the R3 uses a Stacked BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M50 Mark II | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 24.0 | 13.6 | 1939 | 83 | |
2. | Canon R3 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.0 | 14.7 | 4086 | 96 | |
3. | Canon R50 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.1 | 13.9 | 2168 | 84 | |
4. | Canon R6 Mark II | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 25.4 | 14.6 | 3154 | 96 | |
5. | Canon 1D X Mark III | Full Frame | 20.0 | 5472 | 3648 | 4K/60p | 24.2 | 14.5 | 3248 | 91 | |
6. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
7. | Canon R6 | Full Frame | 20.0 | 5472 | 3648 | 4k/60p | 24.2 | 14.3 | 3394 | 90 | |
8. | Canon M200 | APS-C | 24.0 | 6000 | 4000 | 4k/25p | 24.0 | 13.5 | 1836 | 82 | |
9. | Canon SL3 | APS-C | 24.0 | 6000 | 4000 | 4K/25p | 23.9 | 13.4 | 1791 | 82 | |
10. | Canon M6 Mark II | APS-C | 32.3 | 6960 | 4640 | 4K/30p | 24.0 | 13.5 | 1848 | 83 | |
11. | Canon M50 | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 23.8 | 13.3 | 1684 | 81 | |
12. | Canon M6 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.4 | 12.6 | 1317 | 78 | |
13. | Canon M100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.5 | 12.9 | 1272 | 78 | |
14. | Canon SL2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.4 | 1041 | 79 | |
15. | Canon M5 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.4 | 12.4 | 1262 | 77 | |
16. | Canon M3 | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.8 | 11.8 | 1169 | 72 | |
17. | Leica SL2-S | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.2 | 14.1 | 3504 | 95 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the R3 provides a better video resolution than the M50 Mark II. It can shoot movie footage at 6K/60p, while the M50 Mark II is limited to 4K/24p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the R3 offers a substantially higher resolution than the one in the M50 Mark II (5760k vs 2360k dots). The adjacent table lists some of the other core features of the Canon M50 Mark II and Canon R3 along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M50 Mark II | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
2. | Canon R3 | 5760 | Y | 3.2 / 4150 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
3. | Canon R50 | 2360 | n | 3.0 / 1620 | swivel | Y | 1/4000s | 12.0/s | Y | n | |
4. | Canon R6 Mark II | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
5. | Canon 1D X Mark III | optical | Y | 3.2 / 2100 | fixed | Y | 1/8000s | 20.0/s | n | n | |
6. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
7. | Canon R6 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
8. | Canon M200 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.1/s | Y | n | |
9. | Canon SL3 | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
10. | Canon M6 Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 14.0/s | Y | n | |
11. | Canon M50 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
12. | Canon M6 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 9.0/s | Y | n | |
13. | Canon M100 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.1/s | Y | n | |
14. | Canon SL2 | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
15. | Canon M5 | 2360 | n | 3.2 / 1620 | tilting | Y | 1/4000s | 9.0/s | Y | n | |
16. | Canon M3 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
17. | Leica SL2-S | 5760 | Y | 3.2 / 2100 | fixed | Y | 1/8000s | 20.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The M50 Mark II has one, while the R3 does not. While the built-in flash of the M50 Mark II is not very powerful, it can at times be useful as a fill-in light.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon M50 Mark II and the Canon R3 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The M50 Mark II writes its imaging data to SDXC cards, while the R3 uses CFexpress (type B) or SDXC cards. The R3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the M50 Mark II only has one slot. The R3 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the M50 Mark II can use UHS-I cards (up to 104 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M50 Mark II and Canon EOS R3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M50 Mark II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
2. | Canon R3 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
3. | Canon R50 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
4. | Canon R6 Mark II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
5. | Canon 1D X Mark III | Y | mono / mono | Y | Y | mini | 3.1 | Y | - | Y | |
6. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
7. | Canon R6 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
8. | Canon M200 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
9. | Canon SL3 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | Y | |
10. | Canon M6 Mark II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
11. | Canon M50 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
12. | Canon M6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
13. | Canon M100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
14. | Canon SL2 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
15. | Canon M5 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
16. | Canon M3 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
17. | Leica SL2-S | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y |
It is notable that the R3 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The M50 Mark II lacks such a headphone port.
Studio photographers will appreciate that the Canon R3 (unlike the M50 Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The R3 is a recent model that features in the current product line-up of Canon. In contrast, the M50 Mark II has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the M50 Mark II from Canon. Further information on the features and operation of the M50 Mark II and R3 can be found, respectively, in the Canon M50 Mark II Manual (free pdf) or the online Canon R3 Manual.
Review summary
So what is the bottom line? Is the Canon M50 Mark II better than the Canon R3 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS M50 Mark II:
- More compact: Is smaller (116x88mm vs 150x143mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 628g or 62 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (90 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in October 2020).
Arguments in favor of the Canon EOS R3:
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better jpgs: Has a more modern image processing engine (DIGIC X vs DIGIC 8).
- Better video: Provides higher definition movie capture (6K/60p vs 4K/24p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 2360k dots).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (4150k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (760 versus 305) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Was introduced somewhat (11 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the R3 is the clear winner of the contest (23 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M50 Mark II and the Canon R3 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the M50 Mark II or the R3. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M50 Mark II | 4/5 | .. | 4/5 | .. | 4.5/5 | 3.5/5 | Oct 2020 | 599 | ebay.com | |
2. | Canon R3 | 5/5 | o | 4.5/5 | .. | 5/5 | 4.5/5 | Sep 2021 | 5,999 | amazon.com | |
3. | Canon R50 | 4/5 | + + | 4.5/5 | 84/100 | .. | 4.5/5 | Feb 2023 | 679 | amazon.com | |
4. | Canon R6 Mark II | 5/5 | + + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Nov 2022 | 2,499 | amazon.com | |
5. | Canon 1D X Mark III | .. | + + | 5/5 | .. | 4.5/5 | 4/5 | Jan 2020 | 6,499 | amazon.com | |
6. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | 3,899 | amazon.com | |
7. | Canon R6 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Jul 2020 | 2,499 | amazon.com | |
8. | Canon M200 | .. | + | 3/5 | 79/100 | 4/5 | 4/5 | Sep 2019 | 549 | ebay.com | |
9. | Canon SL3 | 4/5 | o | 4.5/5 | 79/100 | 4/5 | 4/5 | Apr 2019 | 599 | amazon.com | |
10. | Canon M6 Mark II | .. | + | 4.5/5 | 85/100 | 4/5 | 4/5 | Aug 2019 | 849 | ebay.com | |
11. | Canon M50 | .. | + | 4/5 | 79/100 | .. | 3.5/5 | Feb 2018 | 779 | ebay.com | |
12. | Canon M6 | .. | .. | .. | 80/100 | 4/5 | 4/5 | Feb 2017 | 779 | ebay.com | |
13. | Canon M100 | 3/5 | + | .. | .. | 4/5 | 3.5/5 | Aug 2017 | 499 | ebay.com | |
14. | Canon SL2 | 4/5 | + + | 4/5 | 78/100 | 4.5/5 | 4.5/5 | Jun 2017 | 549 | ebay.com | |
15. | Canon M5 | 4/5 | + | 4/5 | 82/100 | 4/5 | 4/5 | Sep 2016 | 979 | ebay.com | |
16. | Canon M3 | 4/5 | o | .. | 75/100 | 4.5/5 | 4/5 | Feb 2015 | 679 | ebay.com | |
17. | Leica SL2-S | 4/5 | .. | 4/5 | .. | 4.5/5 | 4.5/5 | Dec 2020 | 4,895 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Canon M50 Mark II vs Canon R3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon M50 Mark II | Canon R3 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Canon EF-M mount lenses | Canon RF mount lenses |
Launch Date | October 2020 | September 2021 |
Launch Price | USD 599 | USD 5,999 |
Sensor Specs | Canon M50 Mark II | Canon R3 |
Sensor Technology | CMOS | Stacked BSI-CMOS |
Sensor Format | APS-C Sensor | Full Frame Sensor |
Sensor Size | 22.3 x 14.9 mm | 36.0 x 24.0 mm |
Sensor Area | 332.27 mm2 | 864 mm2 |
Sensor Diagonal | 26.8 mm | 43.3 mm |
Crop Factor | 1.6x | 1.0x |
Sensor Resolution | 24 Megapixels | 24 Megapixels |
Image Resolution | 6000 x 4000 pixels | 6000 x 4000 pixels |
Pixel Pitch | 3.72 μm | 6.00 μm |
Pixel Density | 7.22 MP/cm2 | 2.78 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/24p Video | 6K/60p Video |
ISO Setting | 100 - 25,600 ISO | 100 - 51,200 ISO |
ISO Boost | 100 - 51,200 ISO | 50 - 204,800 ISO |
Image Processor | DIGIC 8 | DIGIC X |
DXO Sensor Quality (score) | .. | 96 |
DXO Color Depth (bits) | .. | 25 |
DXO Dynamic Range (EV) | .. | 14.7 |
DXO Low Light (ISO) | .. | 4086 |
Screen Specs | Canon M50 Mark II | Canon R3 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.76x | |
Viewfinder Resolution | 2360k dots | 5760k dots |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 1040k dots | 4150k dots |
LCD Attachment | Swivel screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Canon M50 Mark II | Canon R3 |
Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 10 shutter flaps/s | 12 shutter flaps/s |
Electronic Shutter | YES | up to 1/64000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | CFexB or SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-I | UHS-II |
Connectivity Specs | Canon M50 Mark II | Canon R3 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 3.2 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Canon M50 Mark II | Canon R3 |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Canon LP-E12 | Canon LP-E19 |
Battery Life (CIPA) | 305 shots per charge | 760 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
116 x 88 x 59 mm (4.6 x 3.5 x 2.3 in) |
150 x 143 x 87 mm (5.9 x 5.6 x 3.4 in) |
Camera Weight | 387 g (13.7 oz) | 1015 g (35.8 oz) |
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