Canon M5 vs Nikon D5500
The Canon EOS M5 and the Nikon D5500 are two digital cameras that were officially introduced, respectively, in September 2016 and January 2015. The M5 is a mirrorless interchangeable lens camera, while the D5500 is a DSLR. Both cameras are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M5 and the Nikon D5500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon M5 and the Nikon D5500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The D5500 can be obtained in two different colors (black, red), while the M5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D5500 is notably larger (17 percent) than the Canon M5. However, the D5500 is slightly lighter (2 percent) than the M5. In this context, it is worth noting that neither the M5 nor the D5500 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979|
|2.||Nikon D5500||124 mm||97 mm||70 mm||420 g||820||n||Jan 2015||899|
|3.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|4.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|5.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|6.||Canon M6||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779|
|7.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|8.||Canon 760D||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|9.||Canon M3||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679|
|10.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|11.||Nikon D5600||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699|
|12.||Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499|
|13.||Nikon D3300||124 mm||98 mm||76 mm||430 g||700||n||Jan 2014||499|
|14.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D5500 was somewhat cheaper (by 8 percent) than the M5 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the D5500 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (M5) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the D5500 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the D5500 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.91μm versus 3.72μm for the M5), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the M5 is a somewhat more recent model (by 1 year and 8 months) than the D5500, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the D5500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The M5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M5 has a native sensitivity range from ISO 100 to ISO 25600. The Nikon D5500 offers exactly the same ISO settings.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the D5500 has a markedly higher DXO score than the M5 (overall score 7 points higher), which will translate into better image quality. The advantage is based on 0.7 bits higher color depth, 1.6 EV in additional dynamic range, and 0.2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|5.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).
Beyond body and sensor, cameras can and do differ across a range of features. For example, the M5 has an electronic viewfinder (2360k dots), while the D5500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon M5, the Nikon D5500, and comparable cameras.
|1.||Canon M5||2360||n||3.2 / 1620||tilting||Y||1/4000s||9.0||Y||n|
|2.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0||Y||n|
|3.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|4.||Canon 200D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|5.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2||Y||Y|
|6.||Canon M6||optional||n||3.0 / 1040||tilting||Y||1/4000s||9.0||Y||n|
|7.||Canon M100||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1||Y||n|
|8.||Canon 760D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|9.||Canon M3||optional||n||3.0 / 1040||tilting||Y||1/4000s||4.2||Y||n|
|10.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||n|
|11.||Nikon D5600||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0||Y||n|
|12.||Nikon D3400||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|13.||Nikon D3300||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|14.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0||Y||n|
The Nikon D5500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M5 and the D5500 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M5 and Nikon D5500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon M5||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|2.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|3.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon 200D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|6.||Canon M6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|7.||Canon M100||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|8.||Canon 760D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|9.||Canon M3||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|10.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|11.||Nikon D5600||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|12.||Nikon D3400||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|13.||Nikon D3300||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|14.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
The M5 is a recent model that features in the current product line-up of Canon. In contrast, the D5500 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the D5500 was succeeded by the Nikon D5600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So how do things add up? Which of the two cameras – the Canon M5 or the Nikon D5500 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS M5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1037k dots).
- Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (116x89mm vs 124x97mm) and thus needs less room in the bag.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Is somewhat more recent (announced 1 year and 8 months after the D5500).
Arguments in favor of the Nikon D5500:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores markedly higher (7 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1.6 EV of extra DR).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (820 versus 295) out of a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in January 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the M5 emerges as the winner of the contest (10 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M5 and the Nikon D5500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the M5 or the D5500 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon M5||4/5||+||4/5||82/100||4/5||4/5||Sep 2016||979|
|2.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899|
|3.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899|
|4.||Canon 200D||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549|
|5.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529|
|6.||Canon M6||..||..||..||80/100||4/5||4/5||Feb 2017||779|
|7.||Canon M100||3/5||+||..||..||4/5||3.5/5||Aug 2017||499|
|8.||Canon 760D||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|9.||Canon M3||4/5||o||..||75/100||4.5/5||4/5||Feb 2015||679|
|10.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899|
|11.||Nikon D5600||4/5||..||4/5||79/100||4.5/5||4/5||Nov 2016||699|
|12.||Nikon D3400||4/5||+||4/5||76/100||4/5||4.5/5||Aug 2016||499|
|13.||Nikon D3300||3/5||+||..||77/100||4.5/5||4.5/5||Jan 2014||499|
|14.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 100D vs Canon M5
- Canon M5 vs Canon M50 Mark II
- Canon M5 vs Contax N Digital
- Canon M5 vs Nikon D3200
- Canon M5 vs Panasonic GM5
- Canon M5 vs Sony A7S III
- Leica M Typ 240 vs Nikon D5500
- Leica TL2 vs Nikon D5500
- Nikon D5500 vs Nikon D800
- Nikon D5500 vs Panasonic G3
- Nikon D5500 vs Panasonic G9
- Nikon D5500 vs Panasonic ZS200
Specifications: Canon M5 vs Nikon D5500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M5||Nikon D5500|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Canon EF-M mount lenses||Nikon F mount lenses|
|Launch Date||September 2016||January 2015|
|Launch Price||USD 979||USD 899|
|Sensor Specs||Canon M5||Nikon D5500|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.5 x 15.6 mm|
|Sensor Area||332.27 mm2||366.6 mm2|
|Sensor Diagonal||26.8 mm||28.2 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.72 μm||3.91 μm|
|Pixel Density||7.22 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100 - 25,600 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC 7||EXPEED 4|
|DXO Sensor Quality (score)||77||84|
|DXO Color Depth (bits)||23.4||24.1|
|DXO Dynamic Range (EV)||12.4||14.0|
|DXO Low Light (ISO)||1262||1438|
|Screen Specs||Canon M5||Nikon D5500|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Magnification||.. x||0.57x|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.2inch|
|LCD Resolution||1620k dots||1037k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Shooting Specs||Canon M5||Nikon D5500|
|Focus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||9 shutter flaps/s||5 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||100 000 actuations|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon M5||Nikon D5500|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon M5||Nikon D5500|
|Battery Life (CIPA)||295 shots per charge||820 shots per charge|
116 x 89 x 61 mm
(4.6 x 3.5 x 2.4 in)
124 x 97 x 70 mm
(4.9 x 3.8 x 2.8 in)
|Camera Weight||427 g (15.1 oz)||420 g (14.8 oz)|
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