Canon M3 vs Panasonic LX5
The Canon EOS M3 and the Panasonic Lumix DMC-LX5 are two digital cameras that were officially introduced, respectively, in February 2015 and July 2010. The M3 is a mirrorless interchangeable lens camera, while the LX5 is a fixed lens compact. The cameras are based on an APS-C (M3) and a 1/1.7-inch (LX5) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M3 and the Panasonic Lumix DMC-LX5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon M3 and the Panasonic LX5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX5 is notably smaller (5 percent) than the Canon M3. In this context, it is worth noting that neither the M3 nor the LX5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX5 has a lens built in, whereas the M3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon M3||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679|
|2.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|3.||Canon M50 Mark II||116 mm||88 mm||59 mm||387 g||305||n||Oct 2020||599|
|4.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|5.||Canon M6||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779|
|6.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|7.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979|
|8.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499|
|9.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|10.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|11.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|12.||Canon M||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599|
|13.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|14.||Olympus XZ-1||111 mm||65 mm||42 mm||275 g||320||n||Jan 2011||499|
|15.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|16.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|17.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX5 was launched at a lower price than the M3, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon M3 features an APS-C sensor and the Panasonic LX5 a 1/1.7-inch sensor. The sensor area in the LX5 is 86 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 4.4. The sensor in the M3 has a native 3:2 aspect ratio, while the one in the LX5 offers a 4:3 aspect. The LX5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 24MP, the M3 offers a higher resolution than the LX5 (10MP), but the M3 nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 2.14μm for the LX5) due to its larger sensor. Moreover, the M3 is a much more recent model (by 4 years and 6 months) than the LX5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon M3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M3 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The M3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M3 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-LX5 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the M3 provides substantially higher image quality than the LX5, with an overall score that is 31 points higher. This advantage is based on 3.2 bits higher color depth, 1 EV in additional dynamic range, and 3.1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|3.||Canon M50 Mark II||APS-C||24.0||6000||4000||4K/24p||24.0||13.6||1939||83|
|11.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|17.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the M3 provides a higher video resolution than the LX5. It can shoot video footage at 1080/30p, while the Panasonic is limited to 720/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The M3 and the LX5 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the EVF-DC1 for the M3 and the DMW-LVF1 for the LX5 – are available as accessories. The adjacent table lists some of the other core features of the Canon M3 and Panasonic LX5 along with similar information for a selection of comparators.
|1.||Canon M3||optional||n||3.0 / 1040||tilting||Y||1/4000s||4.2||Y||n|
|2.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5||Y||Y|
|3.||Canon M50 Mark II||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0||Y||n|
|4.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0||Y||n|
|5.||Canon M6||optional||n||3.0 / 1040||tilting||Y||1/4000s||9.0||Y||n|
|6.||Canon M100||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1||Y||n|
|7.||Canon M5||2360||n||3.2 / 1620||tilting||Y||1/4000s||9.0||Y||n|
|8.||Canon M10||none||n||3.0 / 1040||tilting||Y||1/4000s||4.6||Y||n|
|9.||Canon T6i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|10.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|11.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5||Y||Y|
|12.||Canon M||none||n||3.0 / 1040||fixed||Y||1/4000s||4.3||n||n|
|13.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0||Y||Y|
|14.||Olympus XZ-1||optional||n||3.0 / 614||fixed||n||1/2000s||2.0||Y||Y|
|15.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0||Y||Y|
|16.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0||Y||Y|
|17.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2||Y||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The M3 has a touchscreen, while the LX5 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The M3 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the LX5 does not have a selfie-screen.
Concerning the storage of imaging data, both the M3 and the LX5 write their files to SDXC cards. The M3 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX5 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M3 and Panasonic Lumix DMC-LX5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon M3||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|2.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|3.||Canon M50 Mark II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|4.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|5.||Canon M6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon M100||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|7.||Canon M5||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|8.||Canon M10||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|9.||Canon T6i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|10.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|11.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|12.||Canon M||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|13.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Olympus XZ-1||Y||mono / -||-||-||mini||2.0||-||-||-|
|15.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|17.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the M3 has a microphone port, which is missing on the LX5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the M3 and the LX5 have been discontinued, but can regularly be found used on eBay. The LX5 was replaced by the Panasonic LX7, while the M3 was followed by the Canon M6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Which of the two cameras – the Canon M3 or the Panasonic LX5 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS M3:
- More detail: Offers more megapixels (24 vs 10MP) with a 58% higher linear resolution.
- Better image quality: Scores substantially higher (31 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (3.2 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (3.1 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/30p vs 720/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (4.2 vs 2.5 flaps/sec) to capture the decisive moment.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 6 months of technical progress since the LX5 launch.
Arguments in favor of the Panasonic Lumix DMC-LX5:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Ready to shoot: Has an integrated lens, whereas the M3 necessitates an extra lens.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the M3).
- Longer lasting: Gets more shots (400 versus 250) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in July 2010).
If the count of relative strengths (bullet points above) is taken as a measure, the M3 is the clear winner of the match-up (18 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M3 and the Panasonic LX5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the M3 or the LX5. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon M3||4/5||o||..||75/100||4.5/5||4/5||Feb 2015||679|
|2.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499|
|3.||Canon M50 Mark II||4/5||..||4/5||..||4.5/5||3.5/5||Oct 2020||599|
|4.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779|
|5.||Canon M6||..||..||..||80/100||4/5||4/5||Feb 2017||779|
|6.||Canon M100||3/5||+||..||..||4/5||3.5/5||Aug 2017||499|
|7.||Canon M5||4/5||+||4/5||82/100||4/5||4/5||Sep 2016||979|
|8.||Canon M10||..||..||..||..||..||4/5||Oct 2015||499|
|9.||Canon T6i||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|10.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|11.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699|
|12.||Canon M||3/5||+||..||..||4/5||4/5||Jul 2012||599|
|13.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599|
|14.||Olympus XZ-1||4/5||..||..||74/100||4.5/5||4.5/5||Jan 2011||499|
|15.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|16.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|17.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Canon M3 vs Samsung NX500
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- Nikon D80 vs Panasonic LX5
- Panasonic LX10 vs Panasonic LX5
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- Panasonic LX5 vs Sony H200
- Panasonic LX5 vs Sony HX99
Specifications: Canon M3 vs Panasonic LX5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M3||Panasonic LX5|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Canon EF-M mount lenses||24-90mm f/2.0-3.3|
|Launch Date||February 2015||July 2010|
|Launch Price||USD 679||USD 499|
|Sensor Specs||Canon M3||Panasonic LX5|
|Sensor Format||APS-C Sensor||1/1.7" Sensor|
|Sensor Size||22.3 x 14.9 mm||7.85 x 5.89 mm|
|Sensor Area||332.27 mm2||46.2365 mm2|
|Sensor Diagonal||26.8 mm||9.8 mm|
|Sensor Resolution||24 Megapixels||10 Megapixels|
|Image Resolution||6000 x 4000 pixels||3648 x 2736 pixels|
|Pixel Pitch||3.72 μm||2.14 μm|
|Pixel Density||7.22 MP/cm2||21.59 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||720/60p Video|
|ISO Setting||100 - 12,800 ISO||80 - 3,200 ISO|
|ISO Boost||100 - 25,600 ISO||80 - 12,800 ISO|
|Image Processor||DIGIC 6||Venus FHD|
|DXO Sensor Quality (score)||72||41|
|DXO Color Depth (bits)||22.8||19.6|
|DXO Dynamic Range (EV)||11.8||10.8|
|DXO Low Light (ISO)||1169||132|
|Screen Specs||Canon M3||Panasonic LX5|
|Viewfinder Type||Viewfinder optional||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon M3||Panasonic LX5|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||4.2 shutter flaps/s||2.5 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon M3||Panasonic LX5|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon M3||Panasonic LX5|
|Battery Life (CIPA)||250 shots per charge||400 shots per charge|
111 x 68 x 44 mm
(4.4 x 2.7 x 1.7 in)
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
|Camera Weight||366 g (12.9 oz)||271 g (9.6 oz)|
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