Canon M200 vs Pentax K-1
The Canon EOS M200 and the Pentax K-1 are two digital cameras that were revealed to the public, respectively, in September 2019 and February 2016. The M200 is a mirrorless interchangeable lens camera, while the K-1 is a DSLR. The cameras are based on an APS-C (M200) and a full frame (K-1) sensor. The Canon has a resolution of 24 megapixels, whereas the Pentax provides 36.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M200 and the Pentax K-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon M200 and the Pentax K-1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The M200 can be obtained in two different colors (black, white), while the K-1 is also available in two color-versions, but different ones (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-1 is considerably larger (108 percent) than the Canon M200. Moreover, the K-1 is substantially heavier (238 percent) than the M200. It is noteworthy in this context that the K-1 is splash and dust-proof, while the M200 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon M200||108 mm||67 mm||35 mm||299 g||315||n||Sep 2019||549|
|2.||Pentax K-1||137 mm||110 mm||86 mm||1010 g||760||Y||Feb 2016||1,799|
|3.||Canon M50 Mark II||116 mm||88 mm||59 mm||387 g||305||n||Oct 2020||599|
|4.||Canon 250D||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599|
|5.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899|
|6.||Canon G7 X Mark III||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749|
|7.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|8.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|9.||Canon SX70||127 mm||91 mm||117 mm||608 g||325||n||Sep 2018||549|
|10.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|11.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|12.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499|
|13.||Fujifilm XF10||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499|
|14.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|15.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|16.||Pentax K-1 II||137 mm||110 mm||86 mm||1010 g||670||Y||Feb 2018||1,999|
|17.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The M200 was launched at a markedly lower price (by 69 percent) than the K-1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon M200 features an APS-C sensor and the Pentax K-1 a full frame sensor. The sensor area in the K-1 is 160 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 36.2MP, the K-1 offers a higher resolution than the M200 (24MP), but the K-1 nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 3.72μm for the M200) due to its larger sensor. However, the M200 is a much more recent model (by 3 years and 7 months) than the K-1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax K-1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-1 for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Canon M200 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The M200 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the M200, the K-1 has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS M200 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Pentax K-1 are ISO 100 to ISO 204800 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|2.||Pentax K-1||Full Frame||36.2||7360||4912||1080/60i||25.4||14.6||3280||96|
|3.||Canon M50 Mark II||APS-C||24.0||6000||4000||4K/24p||..||..||..||..|
|5.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|6.||Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|11.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|15.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|16.||Pentax K-1 II||Full Frame||36.2||7360||4912||1080/60i||..||..||..||..|
|17.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the M200 provides a higher video resolution than the K-1. It can shoot video footage at 4k/25p, while the Pentax is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the K-1 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the M200 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon M200 and Pentax K-1 along with similar information for a selection of comparators.
|3.||Canon M50 Mark II||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n|
|5.||Canon G5 X Mark II||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|6.||Canon G7 X Mark III||none||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|11.||Canon 5D Mark IV||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n|
|15.||Olympus E-M1 II||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y|
|16.||Pentax K-1 II||optical||Y||3.2||1037||full-flex||n||1/8000s||4.4||n||Y|
|17.||Sony A99 II||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The M200 has one, while the K-1 does not. While the built-in flash of the M200 is not very powerful, it can at times be useful as a fill-in light.The M200 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the K-1 does not have a selfie-screen.
The Pentax K-1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M200 and the K-1 write their files to SDXC cards. The K-1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the M200 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M200 and Pentax K-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|3.||Canon M50 Mark II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|5.||Canon G5 X Mark II||-||stereo||mono||-||-||micro||3.1||Y||-||Y|
|6.||Canon G7 X Mark III||-||stereo||mono||Y||-||micro||3.1||Y||-||Y|
|11.||Canon 5D Mark IV||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-|
|15.||Olympus E-M1 II||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
|16.||Pentax K-1 II||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-|
|17.||Sony A99 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y|
It is notable that the K-1 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The M200 lacks such a headphone port.
Studio photographers will appreciate that the Pentax K-1 (unlike the M200) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the K-1 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The M200 is a recent model that features in the current product line-up of Canon. In contrast, the K-1 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the K-1 was succeeded by the Pentax K-1 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Pentax websites.
So what is the bottom line? Is the Canon M200 better than the Pentax K-1 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS M200:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4k/25p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6.1 vs 4.4 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (108x67mm vs 137x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 711g or 70 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (69 percent cheaper at launch).
- More modern: Reflects 3 years and 7 months of technical progress since the K-1 launch.
Advantages of the Pentax K-1:
- More detail: Has more megapixels (36.2 vs 24MP), which boosts linear resolution by 23%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (760 versus 315) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in February 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the K-1 is the clear winner of the contest (19 : 13 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M200 and the Pentax K-1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the M200 or the K-1. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon M200||..||+||79/100||4/5||4/5||Sep 2019||549|
|2.||Pentax K-1||5/5||..||84/100||5/5||5/5||Feb 2016||1,799|
|3.||Canon M50 Mark II||4/5||..||..||4.5/5||3.5/5||Oct 2020||599|
|4.||Canon 250D||..||o||79/100||4/5||4/5||Apr 2019||599|
|5.||Canon G5 X Mark II||4/5||+||82/100||..||4/5||Jul 2019||899|
|6.||Canon G7 X Mark III||..||+ +||81/100||4/5||..||Jul 2019||749|
|7.||Canon M50||..||+||79/100||..||3.5/5||Feb 2018||779|
|8.||Canon SX740||..||+||..||4/5||4/5||Jul 2018||399|
|9.||Canon SX70||..||+ +||..||3.5/5||3.5/5||Sep 2018||549|
|10.||Canon M100||3/5||+||..||4/5||3.5/5||Aug 2017||499|
|11.||Canon 5D Mark IV||4.5/5||+ +||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|12.||Canon M10||..||..||..||..||4/5||Oct 2015||499|
|13.||Fujifilm XF10||..||..||75/100||4/5||4.5/5||Jul 2018||499|
|14.||Nikon D500||5/5||+ +||91/100||4.5/5||5/5||Jan 2016||1,999|
|15.||Olympus E-M1 II||5/5||+ +||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|16.||Pentax K-1 II||..||..||79/100||4.5/5||4.5/5||Feb 2018||1,999|
|17.||Sony A99 II||..||..||85/100||4.5/5||4.5/5||Sep 2016||3,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon M200 vs Pentax K-1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M200||Pentax K-1|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Canon EF-M mount lenses||Pentax K mount lenses|
|Launch Date||September 2019||February 2016|
|Launch Price||USD 549||USD 1,799|
|Sensor Specs||Canon M200||Pentax K-1|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.3 x 14.9 mm||35.9 x 24.0 mm|
|Sensor Area||332.27 mm2||861.6 mm2|
|Sensor Diagonal||26.8 mm||43.2 mm|
|Sensor Resolution||24 Megapixels||36.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||7360 x 4912 pixels|
|Pixel Pitch||3.72 μm||4.88 μm|
|Pixel Density||7.22 MP/cm2||4.20 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4k/25p Video||1080/60i Video|
|ISO Setting||100 - 25,600 ISO||100 - 204,800 ISO|
|Image Processor||DIGIC 8||PRIME IV|
|DXO Sensor Quality (score)||..||96|
|DXO Color Depth (bits)||..||25.4|
|DXO Dynamic Range (EV)||..||14.6|
|DXO Low Light (ISO)||..||3280|
|Screen Specs||Canon M200||Pentax K-1|
|Viewfinder Type||no viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Tilting screen||Fully flexible screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon M200||Pentax K-1|
|Focus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||6.1 shutter flaps/s||4.4 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||300 000 actuations|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon M200||Pentax K-1|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Canon M200||Pentax K-1|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||315 shots per charge||760 shots per charge|
108 x 67 x 35 mm
(4.3 x 2.6 x 1.4 in)
137 x 110 x 86 mm
(5.4 x 4.3 x 3.4 in)
|Camera Weight||299 g (10.5 oz)||1010 g (35.6 oz)|
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