Canon M200 vs Nikon Z50
The Canon EOS M200 and the Nikon Z50 are two digital cameras that were officially introduced, respectively, in September 2019 and October 2019. Both the M200 and the Z50 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. The Canon has a resolution of 24 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon M200||Nikon Z50|
|Mirrorless system camera||Mirrorless system camera|
|Canon EF-M mount lenses||Nikon Z mount lenses|
|24 MP, APS-C Sensor||20.7 MP, APS-C Sensor|
|4k/25p Video||4K/30p Video|
|ISO 100-25600||ISO 100-51200 (100-204800)|
|No viewfinder, LCD framing||Electronic viewfinder (2360k dots)|
|3.0" LCD, 1040k dots||3.2" LCD, 1040k dots|
|Tilting touchscreen||Tilting touchscreen|
|6.1 shutter flaps per second||11 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|315 shots per battery charge||320 shots per battery charge|
|108 x 67 x 35 mm, 299 g||127 x 94 x 60 mm, 450 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M200 and the Nikon Z50? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon M200 and the Nikon Z50 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The M200 can be obtained in two different colors (black, white), while the Z50 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z50 is considerably larger (65 percent) than the Canon M200. Moreover, the Z50 is substantially heavier (51 percent) than the M200. It is noteworthy in this context that the Z50 is splash and dust-proof, while the M200 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon M200»||4.3 in||2.6 in||1.4 in||10.5 oz||315||n||Sep 2019||549||Canon M200|
|Nikon Z50«||5.0 in||3.7 in||2.4 in||15.9 oz||320||Y||Oct 2019||859||Nikon Z50|
|Canon SL3« »||4.8 in||3.7 in||2.8 in||15.8 oz||1070||n||Apr 2019||599||Canon SL3|
|Canon G5 X Mark II« »||4.4 in||2.4 in||1.8 in||12.0 oz||230||n||Jul 2019||899||Canon G5 X Mark II|
|Canon M50« »||4.6 in||3.5 in||2.3 in||13.8 oz||235||n||Feb 2018||779||Canon M50|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Canon T7« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon T7|
|Canon SX70« »||5.0 in||3.6 in||4.6 in||21.4 oz||325||n||Sep 2018||549||Canon SX70|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||Canon M100|
|Canon M10« »||4.3 in||2.6 in||1.4 in||10.6 oz||255||n||Oct 2015||499||Canon M10|
|Canon M« »||4.3 in||2.6 in||1.3 in||10.5 oz||230||n||Jul 2012||599||Canon M|
|Fujifilm XF10« »||4.4 in||2.5 in||1.6 in||9.8 oz||330||n||Jul 2018||499||Fujifilm XF10|
|Nikon D5500« »||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||Nikon D5500|
|Nikon D5300« »||4.9 in||3.9 in||3.0 in||16.9 oz||600||n||Oct 2013||799||Nikon D5300|
|Sony A6400« »||4.7 in||2.6 in||2.0 in||14.2 oz||410||n||Jan 2019||899||Sony A6400|
|Sony A6100« »||4.7 in||2.6 in||2.3 in||14.0 oz||420||n||Aug 2019||749||Sony A6100|
|Sony A6300« »||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||Sony A6300|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The M200 was launched at a markedly lower price (by 36 percent) than the Z50, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the Z50 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (M200) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the Canon M200 offers a higher resolution of 24 megapixels, compared with 20.7 MP of the Nikon Z50. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.72μm versus 4.22μm for the Z50). It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the Z50 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon M200 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M200 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Nikon Z50 are 27.8 x 18.6 inch or 70.7 x 47.1 cm for good quality, 22.3 x 14.8 inch or 56.6 x 37.7 cm for very good quality, and 18.6 x 12.4 inch or 47.1 x 31.4 cm for excellent quality prints.
The Canon EOS M200 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Nikon Z50 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 100-204800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon M200||APS-C||24.0||6000||4000||4k/25p||..||..||..||..||Canon M200|
|Nikon Z50||APS-C||20.7||5568||3712||4K/30p||..||..||..||..||Nikon Z50|
|Canon SL3||APS-C||24.0||6000||4000||4K/25p||..||..||..||..||Canon SL3|
|Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Canon G5 X Mark II|
|Canon M50||APS-C||24.0||6000||4000||4K/24p||..||..||..||..||Canon M50|
|Canon SX740||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Canon SX740|
|Canon T7||APS-C||24.0||6000||4000||1080/30p||..||..||..||..||Canon T7|
|Canon SX70||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Canon SX70|
|Canon M100||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon M10||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65||Canon M10|
|Canon M||APS-C||17.9||5184||3456||1080/30p||22.1||11.2||827||65||Canon M|
|Fujifilm XF10||APS-C||24.0||6000||4000||4K/15p||..||..||..||..||Fujifilm XF10|
|Nikon D5500||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Nikon D5300||APS-C||24.0||6000||4000||1080/60p||24.0||13.9||1338||83||Nikon D5300|
|Sony A6400||APS-C||24.0||6000||4000||4K/30p||24||13.6||1431||83||Sony A6400|
|Sony A6100||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Sony A6100|
|Sony A6300||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the Z50 provides a faster frame rate than the M200. It can shoot movie footage at 4K/30p, while the Canon is limited to 4k/25p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the Z50 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M200 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon M200 and Nikon Z50 in connection with corresponding information for a sample of similar cameras.
|Canon M200||none||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M200|
|Nikon Z50||2360||n||3.2||1040||tilting||Y||1/4000s||11.0||Y||n||Nikon Z50|
|Canon SL3||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL3|
|Canon G5 X Mark II||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y||Canon G5 X Mark II|
|Canon M50||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n||Canon M50|
|Canon SX740||none||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon T7||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon T7|
|Canon SX70||2360||n||3.0||922||swivel||n||1/2000s||10.0||Y||Y||Canon SX70|
|Canon M100||none||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon M10||none||n||3.0||1040||tilting||Y||1/4000s||4.6||Y||n||Canon M10|
|Canon M||none||n||3.0||1040||fixed||Y||1/4000s||4.3||n||n||Canon M|
|Fujifilm XF10||none||n||3.0||1040||fixed||Y||1/4000s||6.0||Y||n||Fujifilm XF10|
|Nikon D5500||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Nikon D5300||optical||n||3.2||1037||swivel||n||1/4000s||5.0||Y||n||Nikon D5300|
|Sony A6400||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||n||Sony A6400|
|Sony A6100||1440||n||3.0||922||tilting||Y||1/4000s||11.0||Y||n||Sony A6100|
|Sony A6300||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
The Nikon Z50 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M200 and the Z50 write their files to SDXC cards. The Z50 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the M200 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M200 and Nikon Z50 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon M200||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Canon M200|
|Nikon Z50||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Nikon Z50|
|Canon SL3||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon SL3|
|Canon G5 X Mark II||-||stereo||mono||-||-||micro||3.1||Y||-||Y||Canon G5 X Mark II|
|Canon M50||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Canon SX740||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon T7||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T7|
|Canon SX70||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Canon SX70|
|Canon M100||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon M10||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon M10|
|Canon M||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon M|
|Fujifilm XF10||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm XF10|
|Nikon D5500||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Nikon D5300||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5300|
|Sony A6400||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony A6400|
|Sony A6100||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony A6100|
|Sony A6300||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
It is notable that the Z50 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The M200 does not feature such a mic input.
Both the M200 and the Z50 are recent models that are part of the current product line-up. The M200 replaced the earlier Canon M100, while the Z50 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So what is the bottom line? Which of the two cameras – the Canon M200 or the Nikon Z50 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS M200:
- More detail: Offers more megapixels (24 vs 20.7MP) with a 8% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (108x67mm vs 127x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 151g or 34 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).
Advantages of the Nikon Z50:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (4K/30p versus 4k/25p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Faster burst: Shoots at higher frequency (11 vs 6.1 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
If the count of relative strengths (bullet points above) is taken as a measure, the Z50 is the clear winner of the contest (10 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M200 and the Nikon Z50 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the M200 and the Z50 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 6D vs Canon M200
- Canon M200 vs Canon SX70
- Canon M200 vs Fujifilm X-T30
- Canon M200 vs Sony A6300
- Canon SX620 vs Nikon Z50
- Fujifilm X-T1 vs Nikon Z50
- Fujifilm X-T20 vs Nikon Z50
- Fujifilm X-T4 vs Nikon Z50
- Nikon D80 vs Nikon Z50
- Nikon Z50 vs Olympus E-M1 III
- Nikon Z50 vs Panasonic LX10
- Nikon Z50 vs Sony A6000
Specifications: Canon M200 vs Nikon Z50
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M200||Nikon Z50|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon EF-M mount lenses|
|Launch Date||September 2019||October 2019|
|Launch Price||USD 549||USD 859|
|Sensor Specs||Canon M200||Nikon Z50|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.5 x 15.7 mm|
|Sensor Area||332.27 mm2||368.95 mm2|
|Sensor Diagonal||26.8 mm||28.3 mm|
|Sensor Resolution||24 Megapixels||20.7 Megapixels|
|Image Resolution||6000 x 4000 pixels||5568 x 3712 pixels|
|Pixel Pitch||3.72 μm||4.22 μm|
|Pixel Density||7.22 MP/cm2||5.60 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4k/25p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||100-51200 ISO|
|ISO Boost||no Enhancement||100-204800 ISO|
|Image Processor||DIGIC 8||EXPEED 6|
|Screen Specs||Canon M200||Nikon Z50|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Canon M200||Nikon Z50|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||6.1 shutter flaps/s||11 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Canon M200||Nikon Z50|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon M200||Nikon Z50|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||315 shots per charge||320 shots per charge|
|In-Camera Charging||USB charging||USB charging|
108 x 67 x 35 mm
(4.3 x 2.6 x 1.4 in)
127 x 94 x 60 mm
(5.0 x 3.7 x 2.4 in)
|Camera Weight||299 g (10.5 oz)||450 g (15.9 oz)|
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