Canon M200 vs Nikon D7200
The Canon EOS M200 and the Nikon D7200 are two digital cameras that were announced, respectively, in September 2019 and March 2015. The M200 is a mirrorless interchangeable lens camera, while the D7200 is a DSLR. Both cameras are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M200 and the Nikon D7200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon M200 and the Nikon D7200 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The M200 can be obtained in two different colors (black, white), while the D7200 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D7200 is considerably larger (101 percent) than the Canon M200. Moreover, the D7200 is substantially heavier (156 percent) than the M200. It is noteworthy in this context that the D7200 is splash and dust-proof, while the M200 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon M200||108 mm||67 mm||35 mm||299 g||315||n||Sep 2019||549|
|2.||Nikon D7200||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199|
|3.||Canon M50 Mark II||116 mm||88 mm||59 mm||387 g||305||n||Oct 2020||599|
|4.||Canon 250D||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599|
|5.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899|
|6.||Canon G7 X Mark III||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749|
|7.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|8.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|9.||Canon SX70||127 mm||91 mm||117 mm||608 g||325||n||Sep 2018||549|
|10.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|11.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|12.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499|
|13.||Fujifilm XF10||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499|
|14.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299|
|15.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|16.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299|
|17.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The M200 was launched at a markedly lower price (by 54 percent) than the D7200, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the D7200 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (M200) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Even though the D7200 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the D7200 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.91μm versus 3.72μm for the M200), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the M200 is much more recent (by 4 years and 6 months) than the D7200, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the D7200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The M200 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M200 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Nikon D7200 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|3.||Canon M50 Mark II||APS-C||24.0||6000||4000||4K/24p||..||..||..||..|
|5.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|6.||Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|16.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the M200 provides a higher video resolution than the D7200. It can shoot video footage at 4k/25p, while the Nikon is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the D7200 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the M200 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon M200 and Nikon D7200 in connection with corresponding information for a sample of similar cameras.
|1.||Canon M200||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1||Y||n|
|2.||Nikon D7200||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|3.||Canon M50 Mark II||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0||Y||n|
|4.||Canon 250D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|5.||Canon G5 X Mark II||2360||n||3.0 / 1040||tilting||Y||1/2000s||30||Y||Y|
|6.||Canon G7 X Mark III||none||n||3.0 / 1040||tilting||Y||1/2000s||30||Y||Y|
|7.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0||Y||n|
|8.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0||Y||Y|
|9.||Canon SX70||2360||n||3.0 / 922||swivel||n||1/2000s||10.0||Y||Y|
|10.||Canon M100||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1||Y||n|
|11.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|12.||Canon M10||none||n||3.0 / 1040||tilting||Y||1/4000s||4.6||Y||n|
|13.||Fujifilm XF10||none||n||3.0 / 1040||fixed||Y||1/4000s||6.0||Y||n|
|14.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0||Y||n|
|15.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|16.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0||Y||n|
|17.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The M200 has a touchscreen, while the D7200 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The M200 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the D7200 does not have a selfie-screen.
The Nikon D7200 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M200 and the D7200 write their files to SDXC cards. The D7200 features dual card slots, which can be very useful in case a memory card fails. In contrast, the M200 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M200 and Nikon D7200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon M200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|2.||Nikon D7200||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|3.||Canon M50 Mark II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|4.||Canon 250D||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|5.||Canon G5 X Mark II||-||stereo / mono||-||-||micro||3.1||Y||-||Y|
|6.||Canon G7 X Mark III||-||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|7.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|8.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|9.||Canon SX70||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|10.||Canon M100||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|11.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|12.||Canon M10||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|13.||Fujifilm XF10||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|14.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|15.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|16.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|17.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
It is notable that the D7200 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The M200 lacks such a headphone port.
The M200 is a recent model that features in the current product line-up of Canon. In contrast, the D7200 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the D7200 was succeeded by the Nikon D7500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So what is the bottom line? Which of the two cameras – the Canon M200 or the Nikon D7200 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS M200:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4k/25p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (108x67mm vs 136x107mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 466g or 61 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (54 percent cheaper at launch).
- More modern: Reflects 4 years and 6 months of technical progress since the D7200 launch.
Advantages of the Nikon D7200:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (1110 versus 315) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in March 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the D7200 emerges as the winner of the match-up (15 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M200 and the Nikon D7200 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the M200 or the D7200 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon M200||..||+||3/5||79/100||4/5||4/5||Sep 2019||549|
|2.||Nikon D7200||4/5||+ +||..||84/100||4.5/5||4.5/5||Mar 2015||1,199|
|3.||Canon M50 Mark II||4/5||..||4/5||..||4.5/5||3.5/5||Oct 2020||599|
|4.||Canon 250D||..||o||4.5/5||79/100||4/5||4/5||Apr 2019||599|
|5.||Canon G5 X Mark II||4/5||+||4/5||82/100||..||4/5||Jul 2019||899|
|6.||Canon G7 X Mark III||..||+ +||4/5||81/100||4/5||..||Jul 2019||749|
|7.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779|
|8.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399|
|9.||Canon SX70||..||+ +||3.5/5||..||3.5/5||3.5/5||Sep 2018||549|
|10.||Canon M100||3/5||+||..||..||4/5||3.5/5||Aug 2017||499|
|11.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|12.||Canon M10||..||..||..||..||..||4/5||Oct 2015||499|
|13.||Fujifilm XF10||..||..||4/5||75/100||4/5||4.5/5||Jul 2018||499|
|14.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299|
|15.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|16.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299|
|17.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1200D vs Canon M200
- Canon 350D vs Nikon D7200
- Canon 5D Mark IV vs Nikon D7200
- Canon G9 X vs Canon M200
- Canon M200 vs Leica V-LUX 5
- Canon M200 vs Panasonic G95
- Canon M200 vs Pentax K-5
- Canon M200 vs Sony A58
- Canon T6s vs Nikon D7200
- Nikon D2X vs Nikon D7200
- Nikon D7200 vs Olympus E-PL8
- Nikon D7200 vs Panasonic GF3
Specifications: Canon M200 vs Nikon D7200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M200||Nikon D7200|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Canon EF-M mount lenses||Nikon F mount lenses|
|Launch Date||September 2019||March 2015|
|Launch Price||USD 549||USD 1,199|
|Sensor Specs||Canon M200||Nikon D7200|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.5 x 15.6 mm|
|Sensor Area||332.27 mm2||366.6 mm2|
|Sensor Diagonal||26.8 mm||28.2 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.72 μm||3.91 μm|
|Pixel Density||7.22 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4k/25p Video||1080/60p Video|
|ISO Setting||100 - 25,600 ISO||100 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 102,400 ISO|
|Image Processor||DIGIC 8||EXPEED 4|
|DXO Sensor Quality (score)||..||87|
|DXO Color Depth (bits)||..||24.5|
|DXO Dynamic Range (EV)||..||14.6|
|DXO Low Light (ISO)||..||1333|
|Screen Specs||Canon M200||Nikon D7200|
|Viewfinder Type||no viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon M200||Nikon D7200|
|Focus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||6.1 shutter flaps/s||6 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||150 000 actuations|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon M200||Nikon D7200|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon M200||Nikon D7200|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||315 shots per charge||1110 shots per charge|
108 x 67 x 35 mm
(4.3 x 2.6 x 1.4 in)
136 x 107 x 76 mm
(5.4 x 4.2 x 3.0 in)
|Camera Weight||299 g (10.5 oz)||765 g (27.0 oz)|
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