Canon M200 vs Leica V-LUX 5
The Canon EOS M200 and the Leica V-LUX 5 are two digital cameras that were revealed to the public, respectively, in September 2019 and July 2019. The M200 is a mirrorless interchangeable lens camera, while the V-LUX 5 is a fixed lens compact. The cameras are based on an APS-C (M200) and an one-inch (V-LUX 5) sensor. The Canon has a resolution of 24 megapixels, whereas the Leica provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon M200||Leica V-LUX 5|
|Mirrorless system camera||Fixed lens compact camera|
|Canon EF-M mount lenses||25-400mm f/2.8-4.0|
|24 MP, APS-C Sensor||20 MP, 1" Sensor|
|4k/25p Video||4K/30p Video|
|ISO 100-25600||ISO 125-12800 (80-25600)|
|No viewfinder, LCD framing||Electronic viewfinder (2360k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1240k dots|
|Tilting touchscreen||Swivel touchscreen|
|6.1 shutter flaps per second||12 shutter flaps per second|
|315 shots per battery charge||350 shots per battery charge|
|108 x 67 x 35 mm, 299 g||136 x 97 x 131 mm, 812 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M200 and the Leica V-LUX 5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon M200 and the Leica V-LUX 5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The M200 can be obtained in two different colors (black, white), while the V-LUX 5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica V-LUX 5 is considerably larger (82 percent) than the Canon M200. In this context, it is worth noting that neither the M200 nor the V-LUX 5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX 5 has a lens built in, whereas the M200 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the M200 gets 315 shots out of its LP-E12 battery, while the V-LUX 5 can take 350 images on a single charge of its BP-DC12 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon M200»||108 mm||67 mm||35 mm||299 g||315||n||Sep 2019||549||Canon M200|
|Leica V-LUX 5«||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249||Leica V-LUX 5|
|Canon 250D« »||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599||Canon 250D|
|Canon G5 X Mark II« »||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899||Canon G5 X Mark II|
|Canon G7 X Mark III« »||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749||Canon G7 X Mark III|
|Canon M50« »||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779||Canon M50|
|Canon SX740« »||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399||Canon SX740|
|Canon SX70« »||127 mm||91 mm||117 mm||608 g||325||n||Sep 2018||549||Canon SX70|
|Canon M100« »||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499||Canon M100|
|Canon M10« »||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499||Canon M10|
|Fujifilm X-A7« »||119 mm||68 mm||41 mm||320 g||440||n||Sep 2019||499||Fujifilm X-A7|
|Fujifilm XF10« »||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499||Fujifilm XF10|
|Leica D-LUX 7« »||115 mm||66 mm||65 mm||392 g||300||n||Nov 2018||1,195||Leica D-LUX 7|
|Leica C-LUX« »||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049||Leica C-LUX|
|Leica V-LUX Typ 114« »||137 mm||99 mm||131 mm||830 g||360||n||Sep 2014||1,349||Leica V-LUX Typ 114|
|Panasonic FZ2000« »||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199||Panasonic FZ2000|
|Sony RX100 VI« »||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199||Sony RX100 VI|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon M200 features an APS-C sensor and the Leica V-LUX 5 an one-inch sensor. The sensor area in the V-LUX 5 is 65 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the M200 offers a higher resolution than the V-LUX 5 (20MP), but the M200 nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 2.41μm for the V-LUX 5) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation.
The resolution advantage of the Canon M200 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M200 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Leica V-LUX 5 are 27.4 x 18.2 inch or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inch or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inch or 46.3 x 30.9 cm for excellent quality prints.
The M200 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M200 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Leica V-LUX 5 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon M200||APS-C||24.0||6000||4000||4k/25p||..||..||..||..||Canon M200|
|Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Leica V-LUX 5|
|Canon 250D||APS-C||24.0||6000||4000||4K/25p||..||..||..||..||Canon 250D|
|Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Canon G5 X Mark II|
|Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Canon G7 X Mark III|
|Canon M50||APS-C||24.0||6000||4000||4K/24p||..||..||..||..||Canon M50|
|Canon SX740||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Canon SX740|
|Canon SX70||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Canon SX70|
|Canon M100||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon M10||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65||Canon M10|
|Fujifilm X-A7||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-A7|
|Fujifilm XF10||APS-C||24.0||6000||4000||4K/15p||..||..||..||..||Fujifilm XF10|
|Leica D-LUX 7||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..||Leica D-LUX 7|
|Leica C-LUX||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Leica C-LUX|
|Leica V-LUX Typ 114||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Leica V-LUX Typ 114|
|Panasonic FZ2000||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic FZ2000|
|Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Sony RX100 VI|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the V-LUX 5 provides a faster frame rate than the M200. It can shoot movie footage at 4K/30p, while the Canon is limited to 4k/25p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the V-LUX 5 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M200 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon M200 and Leica V-LUX 5 along with similar information for a selection of comparators.
|Canon M200||none||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M200|
|Leica V-LUX 5||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Leica V-LUX 5|
|Canon 250D||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 250D|
|Canon G5 X Mark II||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y||Canon G5 X Mark II|
|Canon G7 X Mark III||none||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y||Canon G7 X Mark III|
|Canon M50||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n||Canon M50|
|Canon SX740||none||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon SX70||2360||n||3.0||922||swivel||n||1/2000s||10.0||Y||Y||Canon SX70|
|Canon M100||none||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon M10||none||n||3.0||1040||tilting||Y||1/4000s||4.6||Y||n||Canon M10|
|Fujifilm X-A7||none||n||3.5||2760||swivel||Y||1/4000s||6.0||Y||n||Fujifilm X-A7|
|Fujifilm XF10||none||n||3.0||1040||fixed||Y||1/4000s||6.0||Y||n||Fujifilm XF10|
|Leica D-LUX 7||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Leica D-LUX 7|
|Leica C-LUX||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Leica C-LUX|
|Leica V-LUX Typ 114||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Leica V-LUX Typ 114|
|Panasonic FZ2000||2360||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ2000|
|Sony RX100 VI||2359||n||3.0||1229||tilting||Y||1/2000s||24.0||Y||Y||Sony RX100 VI|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the V-LUX 5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica V-LUX 5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M200 and the V-LUX 5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M200 and Leica V-LUX 5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon M200||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Canon M200|
|Leica V-LUX 5||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica V-LUX 5|
|Canon 250D||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon 250D|
|Canon G5 X Mark II||-||stereo||mono||-||-||micro||3.1||Y||-||Y||Canon G5 X Mark II|
|Canon G7 X Mark III||-||stereo||mono||Y||-||micro||3.1||Y||-||Y||Canon G7 X Mark III|
|Canon M50||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Canon SX740||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon SX70||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Canon SX70|
|Canon M100||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon M10||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon M10|
|Fujifilm X-A7||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Fujifilm X-A7|
|Fujifilm XF10||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm XF10|
|Leica D-LUX 7||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica D-LUX 7|
|Leica C-LUX||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Leica V-LUX Typ 114||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Leica V-LUX Typ 114|
|Panasonic FZ2000||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2000|
|Sony RX100 VI||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
It is notable that the V-LUX 5 has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The M200 does not feature such an accessory-socket.
Both the M200 and the V-LUX 5 are recent models that are part of the current product line-up. The V-LUX 5 replaced the earlier Leica V-LUX Typ 114, while the M200 followed on from the Canon M100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Leica websites.
So how do things add up? Which of the two cameras – the Canon M200 or the Leica V-LUX 5 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS M200:
- More detail: Offers more megapixels (24 vs 20MP) with a 10% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (108x67mm vs 136x97mm) and thus needs less room in the bag.
Arguments in favor of the Leica V-LUX 5:
- Better video: Provides higher movie framerates (4K/30p versus 4k/25p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1040k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (12 vs 6.1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has an integrated lens, whereas the M200 necessitates an extra lens.
- Longer lasting: Gets more shots (350 versus 315) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
If the count of relative strengths (bullet points above) is taken as a measure, the V-LUX 5 is the clear winner of the contest (12 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M200 and the Leica V-LUX 5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the M200 or the V-LUX 5 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon M200 vs Nikon D780
- Canon M200 vs Panasonic FZ300
- Canon M200 vs Ricoh WG-60
- Canon SX540 vs Leica V-LUX 5
- Fujifilm X-E3 vs Leica V-LUX 5
- Leica CL vs Leica V-LUX 5
- Leica V-LUX 5 vs Nikon D300S
- Leica V-LUX 5 vs Nikon W150
- Leica V-LUX 5 vs Olympus E-PL6
- Leica V-LUX 5 vs Panasonic GH4
- Leica V-LUX 5 vs Panasonic S1H
- Leica V-LUX 5 vs Sony A5000
Specifications: Canon M200 vs Leica V-LUX 5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M200||Leica V-LUX 5|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Canon EF-M mount lenses||25-400mm f/2.8-4.0|
|Launch Date||September 2019||July 2019|
|Launch Price||USD 549||USD 1249|
|Sensor Specs||Canon M200||Leica V-LUX 5|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||22.3 x 14.9 mm||13.2 x 8.8 mm|
|Sensor Area||332.27 mm2||116.16 mm2|
|Sensor Diagonal||26.8 mm||15.9 mm|
|Sensor Resolution||24 Megapixels||20 Megapixels|
|Image Resolution||6000 x 4000 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.72 μm||2.41 μm|
|Pixel Density||7.22 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4k/25p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||125-12800 ISO|
|ISO Boost||no Enhancement||80-25600 ISO|
|Screen Specs||Canon M200||Leica V-LUX 5|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1240k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Shooting Specs||Canon M200||Leica V-LUX 5|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||6.1 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon M200||Leica V-LUX 5|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon M200||Leica V-LUX 5|
|Battery Life (CIPA)||315 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||USB charging|
108 x 67 x 35 mm
(4.3 x 2.6 x 1.4 in)
136 x 97 x 131 mm
(5.4 x 3.8 x 5.2 in)
|Camera Weight||299 g (10.5 oz)||812 g (28.6 oz)|
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