Canon M200 vs Fujifilm X-A5
The Canon EOS M200 and the Fujifilm X-A5 are two digital cameras that were revealed to the public, respectively, in September 2019 and January 2018. Both the M200 and the X-A5 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M200 and the Fujifilm X-A5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon M200 and the Fujifilm X-A5. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The M200 can be obtained in two different colors (black, white), while the X-A5 is available in three color-versions (silver, brown, pink).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-A5 is notably larger (10 percent) than the Canon M200. Moreover, the X-A5 is markedly heavier (21 percent) than the M200. In this context, it is worth noting that neither the M200 nor the X-A5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the M200 gets 315 shots out of its LP-E12 battery, while the X-A5 can take 450 images on a single charge of its NP-W126S power pack. The power pack in the X-A5 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon M200||108 mm||67 mm||35 mm||299 g||315||n||Sep 2019||549|
|2.||Fujifilm X-A5||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399|
|3.||Canon M50 Mark II||116 mm||88 mm||59 mm||387 g||305||n||Oct 2020||599|
|4.||Canon SL3||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599|
|5.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|6.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|7.||Canon T7||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|8.||Canon SX70||127 mm||91 mm||117 mm||608 g||325||n||Sep 2018||549|
|9.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|10.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499|
|11.||Canon M||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599|
|12.||Fujifilm X-T30||118 mm||83 mm||47 mm||383 g||380||n||Feb 2019||899|
|13.||Fujifilm X-A7||119 mm||68 mm||41 mm||320 g||440||n||Sep 2019||499|
|14.||Fujifilm XF10||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499|
|15.||Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899|
|16.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|17.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-A5 was launched at a markedly lower price (by 27 percent) than the M200, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the X-A5 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (M200) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the X-A5 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the X-A5 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.92μm versus 3.72μm for the M200), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the M200 is a somewhat more recent model (by 1 year and 7 months) than the X-A5, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The Canon EOS M200 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Fujifilm X-A5 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 200-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|3.||Canon M50 Mark II||APS-C||24.0||6000||4000||4K/24p||24.0||13.6||1939||83|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the M200 provides a higher frame rate than the X-A5. It can shoot video footage at 4k/25p, while the Fujifilm is limited to 4K/15p.
Apart from body and sensor, cameras can and do differ across a variety of features. The M200 and the X-A5 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The table below summarizes some of the other core capabilities of the Canon M200 and Fujifilm X-A5 in connection with corresponding information for a sample of similar cameras.
|1.||Canon M200||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1/s||Y||n|
|2.||Fujifilm X-A5||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|3.||Canon M50 Mark II||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0/s||Y||n|
|4.||Canon SL3||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|5.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0/s||Y||n|
|6.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0/s||Y||Y|
|7.||Canon T7||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|8.||Canon SX70||2360||n||3.0 / 922||swivel||n||1/2000s||10.0/s||Y||Y|
|9.||Canon M100||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1/s||Y||n|
|10.||Canon M10||none||n||3.0 / 1040||tilting||Y||1/4000s||4.6/s||Y||n|
|11.||Canon M||none||n||3.0 / 1040||fixed||Y||1/4000s||4.3/s||n||n|
|12.||Fujifilm X-T30||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|13.||Fujifilm X-A7||none||n||3.5 / 2760||swivel||Y||1/4000s||6.0/s||Y||n|
|14.||Fujifilm XF10||none||n||3.0 / 1040||fixed||Y||1/4000s||6.0/s||Y||n|
|15.||Fujifilm X-E3||2360||n||3.0 / 1040||fixed||Y||1/4000s||8.0/s||n||n|
|16.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|17.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-A5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-A5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M200 and the X-A5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M200 and Fujifilm X-A5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon M200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|2.||Fujifilm X-A5||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|3.||Canon M50 Mark II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|4.||Canon SL3||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|5.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|6.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|7.||Canon T7||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|8.||Canon SX70||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|9.||Canon M100||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|10.||Canon M10||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|11.||Canon M||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|12.||Fujifilm X-T30||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|13.||Fujifilm X-A7||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|14.||Fujifilm XF10||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|15.||Fujifilm X-E3||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|16.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|17.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
It is notable that the X-A5 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The M200 does not feature such a mic input.
The M200 is a recent model that features in the current product line-up of Canon. In contrast, the X-A5 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the X-A5 from Fujifilm. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what is the bottom line? Which of the two cameras – the Canon M200 or the Fujifilm X-A5 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS M200:
- Better video: Provides higher movie framerates (4k/25p versus 4K/15p).
- Less heavy: Is lighter (by 62g or 17 percent) and hence easier to carry around.
- More modern: Is somewhat more recent (announced 1 year and 7 months after the X-A5).
Reasons to prefer the Fujifilm X-A5:
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (450 versus 315) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More affordable: Was introduced into a lower priced category (27 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2018).
If the count of individual advantages (bullet points above) is taken as a guide, the X-A5 is the clear winner of the contest (8 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M200 and the Fujifilm X-A5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the M200 or the X-A5. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon M200||..||+||3/5||79/100||4/5||4/5||Sep 2019||549|
|2.||Fujifilm X-A5||..||+||4.1/5||..||4/5||3.5/5||Jan 2018||399|
|3.||Canon M50 Mark II||4/5||..||4/5||..||4.5/5||3.5/5||Oct 2020||599|
|4.||Canon SL3||..||o||4.5/5||79/100||4/5||4/5||Apr 2019||599|
|5.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779|
|6.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399|
|7.||Canon T7||..||o||..||..||3.5/5||3.5/5||Feb 2018||449|
|8.||Canon SX70||..||+ +||3.5/5||..||3.5/5||3.5/5||Sep 2018||549|
|9.||Canon M100||3/5||+||..||..||4/5||3.5/5||Aug 2017||499|
|10.||Canon M10||..||..||..||..||..||4/5||Oct 2015||499|
|11.||Canon M||3/5||+||..||..||4/5||4/5||Jul 2012||599|
|12.||Fujifilm X-T30||5/5||+ +||5/5||84/100||4.5/5||4.5/5||Feb 2019||899|
|13.||Fujifilm X-A7||3/5||..||3.5/5||81/100||4/5||3.5/5||Sep 2019||499|
|14.||Fujifilm XF10||..||..||4/5||75/100||4/5||4.5/5||Jul 2018||499|
|15.||Fujifilm X-E3||4.5/5||+||4.5/5||84/100||4.5/5||4.5/5||Sep 2017||899|
|16.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899|
|17.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5DS R vs Fujifilm X-A5
- Canon G15 vs Canon M200
- Canon G7 X Mark III vs Canon M200
- Canon M200 vs Canon SX740
- Canon M200 vs Fujifilm X-E2S
- Canon M200 vs Pentax Q
- Canon M200 vs Sony RX10 IV
- Canon Rebel vs Fujifilm X-A5
- Canon T100 vs Fujifilm X-A5
- Fujifilm X-A5 vs Nikon Df
- Fujifilm X-A5 vs Panasonic FZ200
- Fujifilm X-A5 vs Panasonic GX1
Specifications: Canon M200 vs Fujifilm X-A5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M200||Fujifilm X-A5|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon EF-M mount lenses||Fujifilm X mount lenses|
|Launch Date||September 2019||January 2018|
|Launch Price||USD 549||USD 399|
|Sensor Specs||Canon M200||Fujifilm X-A5|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.5 x 15.7 mm|
|Sensor Area||332.27 mm2||368.95 mm2|
|Sensor Diagonal||26.8 mm||28.3 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.72 μm||3.92 μm|
|Pixel Density||7.22 MP/cm2||6.50 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4k/25p Video||4K/15p Video|
|ISO Setting||100 - 25,600 ISO||200 - 12,800 ISO|
|ISO Boost||no Enhancement||200 - 51,200 ISO|
|Screen Specs||Canon M200||Fujifilm X-A5|
|Viewfinder Type||no viewfinder||no viewfinder|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Canon M200||Fujifilm X-A5|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||6.1 shutter flaps/s||6 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon M200||Fujifilm X-A5|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon M200||Fujifilm X-A5|
|Battery Life (CIPA)||315 shots per charge||450 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
108 x 67 x 35 mm
(4.3 x 2.6 x 1.4 in)
117 x 68 x 40 mm
(4.6 x 2.7 x 1.6 in)
|Camera Weight||299 g (10.5 oz)||361 g (12.7 oz)|
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