Canon M200 vs Fujifilm GFX 50R
The Canon EOS M200 and the Fujifilm GFX 50R are two digital cameras that were revealed to the public, respectively, in September 2019 and September 2018. Both the M200 and the GFX 50R are mirrorless interchangeable lens cameras that are based on an APS-C (M200) and a medium format (GFX 50R) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M200 and the Fujifilm GFX 50R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon M200 and the Fujifilm GFX 50R. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The M200 can be obtained in two different colors (black, white), while the GFX 50R is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50R is considerably larger (116 percent) than the Canon M200. Moreover, the GFX 50R is substantially heavier (159 percent) than the M200. It is noteworthy in this context that the GFX 50R is splash and dust-proof, while the M200 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon M200||108 mm||67 mm||35 mm||299 g||315||n||Sep 2019||549|
|2.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|3.||Canon M50 Mark II||116 mm||88 mm||59 mm||387 g||305||n||Oct 2020||599|
|4.||Canon SL3||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599|
|5.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|6.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|7.||Canon T7||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|8.||Canon SX70||127 mm||91 mm||117 mm||608 g||325||n||Sep 2018||549|
|9.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|10.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|11.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|12.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499|
|13.||Canon M||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599|
|14.||Fujifilm XF10||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499|
|15.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499|
|16.||Hasselblad X1D II||148 mm||97 mm||70 mm||766 g||..||Y||Jun 2019||5,750|
|17.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The M200 was launched at a markedly lower price (by 88 percent) than the GFX 50R, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon M200 features an APS-C sensor and the Fujifilm GFX 50R a medium format sensor. The sensor area in the GFX 50R is 337 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the M200 has a native 3:2 aspect ratio, while the one in the GFX 50R offers a 4:3 aspect.
With 51.1MP, the GFX 50R offers a higher resolution than the M200 (24MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.72μm for the M200) due to its larger sensor. However, the M200 is a somewhat more recent model (by 1 year) than the GFX 50R, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon M200 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The M200 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M200 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Fujifilm GFX 50R are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|2.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|3.||Canon M50 Mark II||APS-C||24.0||6000||4000||4K/24p||..||..||..||..|
|10.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|11.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|15.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|16.||Hasselblad X1D II||Medium Format||51.3||8272||6200||none||..||..||..||..|
|17.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the M200 provides a higher video resolution than the GFX 50R. It can shoot video footage at 4k/25p, while the Fujifilm is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GFX 50R has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M200 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon M200 and Fujifilm GFX 50R in connection with corresponding information for a sample of similar cameras.
|2.||Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n|
|3.||Canon M50 Mark II||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n|
|11.||Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|15.||Fujifilm GFX 50S||optional||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n|
|16.||Hasselblad X1D II||3690||n||3.6||2360||fixed||Y||1/2000s||2.7||n||n|
One difference between the cameras concerns the presence of an on-board flash. The M200 has one, while the GFX 50R does not. While the built-in flash of the M200 is not very powerful, it can at times be useful as a fill-in light.The M200 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 50R does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M200 and the GFX 50R write their files to SDXC cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the M200 only has one slot. The GFX 50R supports UHS-II cards (on both slots), while the M200 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M200 and Fujifilm GFX 50R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|2.||Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y|
|3.||Canon M50 Mark II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|11.||Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|15.||Fujifilm GFX 50S||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
|16.||Hasselblad X1D II||Y||stereo||mono||Y||Y||-||3.0||Y||-||-|
It is notable that the GFX 50R has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The M200 lacks such a headphone port.
Studio photographers will appreciate that the Fujifilm GFX 50R (unlike the M200) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the M200 and the GFX 50R are recent models that are part of the current product line-up. The M200 replaced the earlier Canon M100, while the GFX 50R does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what is the bottom line? Which of the two cameras – the Canon M200 or the Fujifilm GFX 50R – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS M200:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4k/25p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6.1 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (108x67mm vs 161x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 476g or 61 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (88 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year after the GFX 50R).
Reasons to prefer the Fujifilm GFX 50R:
- More detail: Has more megapixels (51.1 vs 24MP), which boosts linear resolution by 43%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (400 versus 315) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been on the market for longer (launched in September 2018).
If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50R is the clear winner of the contest (21 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M200 and the Fujifilm GFX 50R place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the M200 or the GFX 50R. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon M200||..||+||79/100||4/5||4/5||Sep 2019||549|
|2.||Fujifilm GFX 50R||5/5||..||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|3.||Canon M50 Mark II||4/5||..||..||4.5/5||3.5/5||Oct 2020||599|
|4.||Canon SL3||..||o||79/100||4/5||4/5||Apr 2019||599|
|5.||Canon M50||..||+||79/100||..||3.5/5||Feb 2018||779|
|6.||Canon SX740||..||+||..||4/5||4/5||Jul 2018||399|
|7.||Canon T7||..||o||..||3.5/5||3.5/5||Feb 2018||449|
|8.||Canon SX70||..||+ +||..||3.5/5||3.5/5||Sep 2018||549|
|9.||Canon M100||3/5||+||..||4/5||3.5/5||Aug 2017||499|
|10.||Canon 5DS||..||+||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|11.||Canon 5DS R||5/5||+||83/100||5/5||4.5/5||Feb 2015||3,699|
|12.||Canon M10||..||..||..||..||4/5||Oct 2015||499|
|13.||Canon M||3/5||+||..||4/5||4/5||Jul 2012||599|
|14.||Fujifilm XF10||..||..||75/100||4/5||4.5/5||Jul 2018||499|
|15.||Fujifilm GFX 50S||..||..||85/100||5/5||4.5/5||Sep 2016||6,499|
|16.||Hasselblad X1D II||..||..||..||4/5||4/5||Jun 2019||5,750|
|17.||Leica Q2||..||..||84/100||4.5/5||4/5||Mar 2019||4,995|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon M200 vs Fujifilm GFX 50R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M200||Fujifilm GFX 50R|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon EF-M mount lenses||Fujifilm G mount lenses|
|Launch Date||September 2019||September 2018|
|Launch Price||USD 549||USD 4,499|
|Sensor Specs||Canon M200||Fujifilm GFX 50R|
|Sensor Format||APS-C Sensor||Medium Format Sensor|
|Sensor Size||22.3 x 14.9 mm||44.0 x 33.0 mm|
|Sensor Area||332.27 mm2||1452 mm2|
|Sensor Diagonal||26.8 mm||55 mm|
|Sensor Resolution||24 Megapixels||51.1 Megapixels|
|Image Resolution||6000 x 4000 pixels||8256 x 6192 pixels|
|Pixel Pitch||3.72 μm||5.33 μm|
|Pixel Density||7.22 MP/cm2||3.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4k/25p Video||1080/30p Video|
|ISO Setting||100 - 25,600 ISO||100 - 12,800 ISO|
|ISO Boost||no Enhancement||50 - 102,400 ISO|
|Image Processor||DIGIC 8||X Processor Pro|
|Screen Specs||Canon M200||Fujifilm GFX 50R|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3690k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||2360k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Canon M200||Fujifilm GFX 50R|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||6.1 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon M200||Fujifilm GFX 50R|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon M200||Fujifilm GFX 50R|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||315 shots per charge||400 shots per charge|
108 x 67 x 35 mm
(4.3 x 2.6 x 1.4 in)
161 x 97 x 66 mm
(6.3 x 3.8 x 2.6 in)
|Camera Weight||299 g (10.5 oz)||775 g (27.3 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.