Canon M100 vs Panasonic FZ200
The Canon EOS M100 and the Panasonic Lumix DMC-FZ200 are two digital cameras that were officially introduced, respectively, in August 2017 and July 2012. The M100 is a mirrorless interchangeable lens camera, while the FZ200 is a fixed lens compact. The cameras are based on an APS-C (M100) and a 1/2.3-inch (FZ200) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M100 and the Panasonic Lumix DMC-FZ200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon M100 and the Panasonic FZ200 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The M100 can be obtained in two different colors (black, white), while the FZ200 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ200 is considerably larger (50 percent) than the Canon M100. In this context, it is worth noting that neither the M100 nor the FZ200 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ200 has a lens built in, whereas the M100 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|2.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|3.||Canon M200||108 mm||67 mm||35 mm||299 g||315||n||Sep 2019||549|
|4.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|5.||Canon T7||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|6.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|7.||Canon M6||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779|
|8.||Canon SL2||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|9.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979|
|10.||Canon M3||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679|
|11.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499|
|12.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|13.||Canon M||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599|
|14.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|15.||Panasonic FZ300||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599|
|16.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|17.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon M100 features an APS-C sensor and the Panasonic FZ200 a 1/2.3-inch sensor. The sensor area in the FZ200 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the M100 has a native 3:2 aspect ratio, while the one in the FZ200 offers a 4:3 aspect.
With 24MP, the M100 offers a higher resolution than the FZ200 (12MP), but the M100 nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 1.53μm for the FZ200) due to its larger sensor. Moreover, the M100 is a much more recent model (by 5 years and 1 month) than the FZ200, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon M100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M100 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ200 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The M100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M100 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ200 are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the M100 provides substantially higher image quality than the FZ200, with an overall score that is 41 points higher. This advantage is based on 4.4 bits higher color depth, 2.1 EV in additional dynamic range, and 3.5 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|6.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ200 has an electronic viewfinder (1312k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M100 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon M100, the Panasonic FZ200, and comparable cameras.
|1.||Canon M100||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1||Y||n|
|2.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0||Y||Y|
|3.||Canon M200||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1||Y||n|
|4.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0||Y||n|
|5.||Canon T7||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|6.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2||Y||Y|
|7.||Canon M6||optional||n||3.0 / 1040||tilting||Y||1/4000s||9.0||Y||n|
|8.||Canon SL2||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|9.||Canon M5||2360||n||3.2 / 1620||tilting||Y||1/4000s||9.0||Y||n|
|10.||Canon M3||optional||n||3.0 / 1040||tilting||Y||1/4000s||4.2||Y||n|
|11.||Canon M10||none||n||3.0 / 1040||tilting||Y||1/4000s||4.6||Y||n|
|12.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4||Y||Y|
|13.||Canon M||none||n||3.0 / 1040||fixed||Y||1/4000s||4.3||n||n|
|14.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2||Y||Y|
|15.||Panasonic FZ300||1440||n||3.0 / 1040||swivel||Y||1/4000s||12.0||Y||Y|
|16.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0||Y||Y|
|17.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The M100 has a touchscreen, while the FZ200 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
Concerning the storage of imaging data, both the M100 and the FZ200 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M100 and Panasonic Lumix DMC-FZ200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon M100||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|2.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|3.||Canon M200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|5.||Canon T7||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|6.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|7.||Canon M6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|8.||Canon SL2||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|9.||Canon M5||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|10.||Canon M3||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|11.||Canon M10||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|12.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|13.||Canon M||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|14.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Panasonic FZ300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|16.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|17.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the M100 offers wifi support, while the FZ200 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the M100 and the FZ200 have been discontinued, but can regularly be found used on eBay. The FZ200 was replaced by the Panasonic FZ300, while the M100 was followed by the Canon M200. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Is the Canon M100 better than the Panasonic FZ200 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS M100:
- More detail: Offers more megapixels (24 vs 12MP) with a 44% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (41 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (4.4 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.1 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (3.5 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (108x67mm vs 125x87mm) and thus needs less room in the bag.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 5 years and 1 month of technical progress since the FZ200 launch.
Advantages of the Panasonic Lumix DMC-FZ200:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (12 vs 6.1 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the M100 necessitates an extra lens.
- Longer lasting: Gets more shots (540 versus 295) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in July 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the M100 is the clear winner of the match-up (15 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M100 and the Panasonic FZ200 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the M100 or the FZ200 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon M100||3/5||+||..||..||4/5||3.5/5||Aug 2017||499|
|2.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599|
|3.||Canon M200||..||+||3/5||79/100||4/5||4/5||Sep 2019||549|
|4.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779|
|5.||Canon T7||..||o||..||..||3.5/5||3.5/5||Feb 2018||449|
|6.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529|
|7.||Canon M6||..||..||..||80/100||4/5||4/5||Feb 2017||779|
|8.||Canon SL2||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549|
|9.||Canon M5||4/5||+||4/5||82/100||4/5||4/5||Sep 2016||979|
|10.||Canon M3||4/5||o||..||75/100||4.5/5||4/5||Feb 2015||679|
|11.||Canon M10||..||..||..||..||..||4/5||Oct 2015||499|
|12.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|13.||Canon M||3/5||+||..||..||4/5||4/5||Jul 2012||599|
|14.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429|
|15.||Panasonic FZ300||..||+ +||..||..||4.5/5||4.5/5||Jul 2015||599|
|16.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|17.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Canon SX720 vs Panasonic FZ200
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- Olympus E-410 vs Panasonic FZ200
- Panasonic FZ200 vs Panasonic FZ330
Specifications: Canon M100 vs Panasonic FZ200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M100||Panasonic FZ200|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Canon EF-M mount lenses||25-600mm f/2.8|
|Launch Date||August 2017||July 2012|
|Launch Price||USD 499||USD 599|
|Sensor Specs||Canon M100||Panasonic FZ200|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||22.3 x 14.9 mm||6.17 x 4.55 mm|
|Sensor Area||332.27 mm2||28.0735 mm2|
|Sensor Diagonal||26.8 mm||7.7 mm|
|Sensor Resolution||24 Megapixels||12 Megapixels|
|Image Resolution||6000 x 4000 pixels||4000 x 3000 pixels|
|Pixel Pitch||3.72 μm||1.53 μm|
|Pixel Density||7.22 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100 - 25,600 ISO||100 - 3,200 ISO|
|ISO Boost||no Enhancement||100 - 6,400 ISO|
|Image Processor||DIGIC 7||Venus VII FHD|
|DXO Sensor Quality (score)||78||37|
|DXO Color Depth (bits)||23.5||19.1|
|DXO Dynamic Range (EV)||12.9||10.8|
|DXO Low Light (ISO)||1272||114|
|Screen Specs||Canon M100||Panasonic FZ200|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1312k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon M100||Panasonic FZ200|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||6.1 shutter flaps/s||12 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon M100||Panasonic FZ200|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon M100||Panasonic FZ200|
|Battery Life (CIPA)||295 shots per charge||540 shots per charge|
108 x 67 x 35 mm
(4.3 x 2.6 x 1.4 in)
125 x 87 x 110 mm
(4.9 x 3.4 x 4.3 in)
|Camera Weight||302 g (10.7 oz)||588 g (20.7 oz)|
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