Canon M10 versus Sony A6500
The Canon EOS M10 and the Sony Alpha A6500 are two digital cameras that were revealed to the public, respectively, in October 2015 and October 2016. Both the M10 and the A6500 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. The Canon has a resolution of 17.9 megapixel, whereas the Sony provides 24 MP.
An illustration of the physical size and weight of the Canon M10 and the Sony A6500 is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the M10 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is notably larger (11 percent) than the Canon M10. Moreover, the A6500 is substantially heavier (50 percent) than the M10. It is noteworthy in this context that the A6500 is splash and dust-proof, while the M10 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon M10 (⇒ rgt)||108 mm||67 mm||35 mm||301 g||255||no||2015||499||discont.||check|
|Sony A6500 (⇒ lft)||120 mm||67 mm||53 mm||453 g||350||YES||2016||1,399||latest||check|
|Canon M100 (⇒ lft | rgt)||108 mm||67 mm||35 mm||302 g||295||no||2017||499||latest||check|
|Canon M5 (⇒ lft | rgt)||116 mm||89 mm||61 mm||427 g||295||no||2016||979||latest||check|
|Canon G9 X (⇒ lft | rgt)||98 mm||58 mm||31 mm||209 g||220||no||2015||529||discont.||check|
|Canon M3 (⇒ lft | rgt)||111 mm||68 mm||44 mm||366 g||250||no||2015||679||discont.||check|
|Canon T5 (⇒ lft | rgt)||130 mm||100 mm||78 mm||480 g||500||no||2014||449||discont.||check|
|Canon G7 X (⇒ lft | rgt)||103 mm||60 mm||40 mm||304 g||210||no||2014||699||discont.||check|
|Canon SL1 (⇒ lft | rgt)||117 mm||91 mm||69 mm||407 g||380||no||2013||549||discont.||check|
|Canon M (⇒ lft | rgt)||109 mm||66 mm||32 mm||298 g||230||no||2012||599||discont.||check|
|Olympus PEN-F (⇒ lft | rgt)||125 mm||72 mm||37 mm||427 g||330||no||2016||1,199||latest||check|
|Panasonic GX8 (⇒ lft | rgt)||133 mm||78 mm||63 mm||487 g||330||YES||2015||1,199||discont.||check|
|Sony A9 (⇒ lft | rgt)||127 mm||96 mm||63 mm||673 g||650||YES||2017||4,499||latest||check|
|Sony A6300 (⇒ lft | rgt)||120 mm||67 mm||49 mm||404 g||400||YES||2016||999||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
|Sony A5000 (⇒ lft | rgt)||110 mm||63 mm||36 mm||269 g||420||no||2014||449||discont.||check|
|Sony A7 (⇒ lft | rgt)||127 mm||94 mm||48 mm||474 g||340||YES||2013||1,699||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The M10 was launched at a markedly lower price (by 64 percent) than the A6500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the A6500 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (M10) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A6500 offers a higher resolution than the M10 (17.9MP), but the A6500 has smaller individual pixels (pixel pitch of 3.91μm versus 4.31μm for the M10). Yet, the A6500 is a somewhat more recent model (by 11 months) than the M10, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A6500 offers substantially better image quality than the M10 (overall score 20 points higher). The advantage is based on 2.3 bits higher color depth, 2.3 EV in additional dynamic range, and 0.9 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon M10 (⇒ rgt)||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65|
|Sony A6500 (⇒ lft)||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85|
|Canon M100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Canon G9 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|Canon M3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72|
|Canon T5 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63|
|Canon G7 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Canon SL1 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63|
|Canon M (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.1||11.2||827||65|
|Olympus PEN-F (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Panasonic GX8 (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Sony A9 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|Sony A6300 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony A5000 (⇒ lft | rgt)||APS-C||19.8||5456||3632||1080/60i||23.8||13.0||1089||79|
|Sony A7 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6500 provides a better video resolution than the M10. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6500 has an electronic viewfinder (2300k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M10 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon M10 and Sony A6500 in connection with corresponding information for a sample of similar cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Canon M10 (⇒ rgt)||no||no||3.0||1040||tilting||YES||4000||4.6||5||no|
|Sony A6500 (⇒ lft)||2300||no||3.0||922||tilting||YES||4000||11.0||6||YES|
|Canon M100 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.1||5||no|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Canon G9 X (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||6.0||6||YES|
|Canon M3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.2||5||no|
|Canon T5 (⇒ lft | rgt)||optical||no||3||460||fixed||no||4000||3.0||9.2||no|
|Canon G7 X (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||6.5||7||YES|
|Canon SL1 (⇒ lft | rgt)||optical||no||3.0||1040||fixed||YES||4000||4.9||9.4||no|
|Canon M (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||4000||4.3||no||no|
|Olympus PEN-F (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Panasonic GX8 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||8000||10.0||no||YES|
|Sony A9 (⇒ lft | rgt)||3686||no||3.0||1440||tilting||YES||8000||20.0||no||YES|
|Sony A6300 (⇒ lft | rgt)||2300||no||3.0||922||tilting||no||4000||11.0||6||no|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
|Sony A5000 (⇒ lft | rgt)||no||no||3.0||461||tilting||no||4000||3.5||4||no|
|Sony A7 (⇒ lft | rgt)||2400||no||3.0||1230||tilting||no||8000||5.0||no||no|
The A6500 is a current model that online retailers, such as amazon, will have in stock. In contrast, the M10 has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the M10 was succeeded by the Canon M100.
So what is the bottom line? Is there a clear favorite between the Canon M10 and the Canon M10? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS M10:
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Less heavy: Is lighter (by 152g or 34 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (64 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in October 2015).
Reasons to prefer the Sony Alpha A6500:
- More detail: Has more megapixels (24 vs 17.9MP), which boosts linear resolution by 16%.
- Better image quality: Scores substantially higher (20 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.3 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.9 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Faster burst: Shoots at higher frequency (11 vs 4.6 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (350 versus 255) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More modern: Was introduced somewhat (11 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the A6500 is the clear winner of the contest (12 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the M10 or the A6500 handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon M10 (⇒ rgt)||-||-||-||reviewed||4/5||2015||499||discont.||check|
|Sony A6500 (⇒ lft)||HiRec||85/100 Silver||4.5/5||5/5||4.5/5||2016||1,399||latest||check|
|Canon M100 (⇒ lft | rgt)||Rec||..||4/5||..||3.5/5||2017||499||latest||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Canon G9 X (⇒ lft | rgt)||HiRec||-||4.5/5||4/5||4.5/5||2015||529||discont.||check|
|Canon M3 (⇒ lft | rgt)||reviewed||75/100||4.5/5||4.5/5||4/5||2015||679||discont.||check|
|Canon T5 (⇒ lft | rgt)||4/5||-||4/5||4/5||4.5/5||2014||449||discont.||check|
|Canon G7 X (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||3.5/5||4.5/5||2014||699||discont.||check|
|Canon SL1 (⇒ lft | rgt)||Rec||78/100 Gold||4/5||4/5||4/5||2013||549||discont.||check|
|Canon M (⇒ lft | rgt)||Rec||-||4/5||3.5/5||4/5||2012||599||discont.||check|
|Olympus PEN-F (⇒ lft | rgt)||-||82/100 Silver||4.5/5||4.5/5||5/5||2016||1,199||latest||check|
|Panasonic GX8 (⇒ lft | rgt)||Rec||82/100 Silver||4.5/5||5/5||4.5/5||2015||1,199||discont.||check|
|Sony A9 (⇒ lft | rgt)||..||89/100 Gold||5/5||5/5||5/5||2017||4,499||latest||check|
|Sony A6300 (⇒ lft | rgt)||Rec||85/100 Gold||5/5||5/5||5/5||2016||999||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
|Sony A5000 (⇒ lft | rgt)||Rec||-||4.5/5||reviewed||4.5/5||2014||449||discont.||check|
|Sony A7 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4.5/5||5/5||2013||1,699||discont.||check|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you do not see the camera that you are looking for, please contact me, and I will try to locate and add the respective data to the application.
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