Canon M10 vs Panasonic G7
The Canon EOS M10 and the Panasonic Lumix DMC-G7 are two digital cameras that were revealed to the public, respectively, in October 2015 and May 2015. Both the M10 and the G7 are mirrorless interchangeable lens cameras that are based on an APS-C (M10) and a Four Thirds (G7) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M10 and the Panasonic Lumix DMC-G7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon M10 and the Panasonic G7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The M10 can be obtained in two different colors (black, white), while the G7 is also available in two color-versions, but different ones (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G7 is considerably larger (49 percent) than the Canon M10. Moreover, the G7 is substantially heavier (36 percent) than the M10. In this context, it is worth noting that neither the M10 nor the G7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499|
|2.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|3.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|4.||Canon T6||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449|
|5.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529|
|6.||Canon M3||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679|
|7.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|8.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|9.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|10.||Canon M||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599|
|11.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|12.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749|
|13.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|14.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749|
|15.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599|
|16.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|17.||Sony A5000||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The M10 was launched at a somewhat lower price (by 23 percent) than the G7, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon M10 features an APS-C sensor and the Panasonic G7 a Four Thirds sensor. The sensor area in the G7 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the M10 has a native 3:2 aspect ratio, while the one in the G7 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 17.9MP, the M10 offers a higher resolution than the G7 (15.8MP), but the M10 nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 3.77μm for the G7) due to its larger sensor. Moreover, the M10 is a somewhat more recent model (by 4 months) than the G7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon M10 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M10 for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Panasonic G7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The M10 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M10 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-G7 are ISO 160 to ISO 25600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|5.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|7.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|12.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|13.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|14.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|15.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..|
|16.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G7 provides a better video resolution than the M10. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G7 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M10 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon M10 and Panasonic G7 in connection with corresponding information for a sample of similar cameras.
|1.||Canon M10||none||n||3.0 / 1040||tilting||Y||1/4000s||4.6||Y||n|
|2.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0||Y||n|
|3.||Canon M100||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1||Y||n|
|4.||Canon T6||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|5.||Canon G9 X||none||n||3.0 / 1040||fixed||Y||1/2000s||6.0||Y||Y|
|6.||Canon M3||optional||n||3.0 / 1040||tilting||Y||1/4000s||4.2||Y||n|
|7.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5||Y||Y|
|8.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|9.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9||Y||n|
|10.||Canon M||none||n||3.0 / 1040||fixed||Y||1/4000s||4.3||n||n|
|11.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7||Y||n|
|12.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8||n||n|
|13.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|14.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0||Y||n|
|15.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0||Y||n|
|16.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
|17.||Sony A5000||none||n||3.0 / 461||tilting||n||1/4000s||3.5||Y||n|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M10 and the G7 write their files to SDXC cards. The G7 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the M10 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M10 and Panasonic Lumix DMC-G7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon M10||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|2.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Canon M100||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|4.||Canon T6||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon G9 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|6.||Canon M3||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|7.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|8.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|9.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon M||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|12.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|14.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Sony A5000||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the G7 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The M10 does not feature such a mic input.
Both the M10 and the G7 have been discontinued, but can regularly be found used on eBay. The G7 was replaced by the Panasonic G85, while the M10 was followed by the Canon M100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Is there a clear favorite between the Canon M10 and the Panasonic G7? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS M10:
- More detail: Offers more megapixels (17.9 vs 15.8MP) with a 8% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More compact: Is smaller (108x67mm vs 125x86mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 109g or 27 percent) and hence easier to carry around.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced segment (23 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 4 months after the G7).
Reasons to prefer the Panasonic Lumix DMC-G7:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (7 vs 4.6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (350 versus 255) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been on the market for longer (launched in May 2015).
If the count of relative strengths (bullet points above) is taken as a measure, the match-up finishes in a tie (11 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M10 and the Panasonic G7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the M10 and the G7 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon M10||..||..||..||..||..||4/5||Oct 2015||499|
|2.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|3.||Canon M100||3/5||+||..||..||4/5||3.5/5||Aug 2017||499|
|4.||Canon T6||4/5||o||4/5||73/100||4/5||4/5||Mar 2016||449|
|5.||Canon G9 X||3.5/5||+ +||..||..||4.5/5||4.5/5||Oct 2015||529|
|6.||Canon M3||4/5||o||..||75/100||4.5/5||4/5||Feb 2015||679|
|7.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699|
|8.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|9.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|10.||Canon M||3/5||+||..||..||4/5||4/5||Jul 2012||599|
|11.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|12.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749|
|13.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|14.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749|
|15.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599|
|16.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899|
|17.||Sony A5000||3/5||+||..||..||4.5/5||4.5/5||Jan 2014||449|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 2000D vs Panasonic G7
- Canon 500D vs Panasonic G7
- Canon M10 vs Fujifilm X10
- Canon M10 vs Kodak S-1
- Canon M10 vs Olympus E-P1
- Canon M10 vs Panasonic GH4
- Canon M10 vs Sony A6300
- Canon M10 vs Sony A7R IV
- Canon T100 vs Panasonic G7
- Olympus E-PL3 vs Panasonic G7
- Olympus E-PL8 vs Panasonic G7
- Panasonic G7 vs Ricoh WG-60
Specifications: Canon M10 vs Panasonic G7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M10||Panasonic G7|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon EF-M mount lenses||Micro Four Thirds lenses|
|Launch Date||October 2015||May 2015|
|Launch Price||USD 499||USD 649|
|Sensor Specs||Canon M10||Panasonic G7|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||17.9 Megapixels||15.8 Megapixels|
|Image Resolution||5184 x 3456 pixels||4592 x 3448 pixels|
|Pixel Pitch||4.31 μm||3.77 μm|
|Pixel Density||5.39 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 12,800 ISO||160 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Image Processor||DIGIC 6||Venus|
|DXO Sensor Quality (score)||65||..|
|DXO Color Depth (bits)||22.2||..|
|DXO Dynamic Range (EV)||11.4||..|
|DXO Low Light (ISO)||753||..|
|Screen Specs||Canon M10||Panasonic G7|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Shooting Specs||Canon M10||Panasonic G7|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||4.6 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Canon M10||Panasonic G7|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon M10||Panasonic G7|
|Battery Life (CIPA)||255 shots per charge||350 shots per charge|
108 x 67 x 35 mm
(4.3 x 2.6 x 1.4 in)
125 x 86 x 77 mm
(4.9 x 3.4 x 3.0 in)
|Camera Weight||301 g (10.6 oz)||410 g (14.5 oz)|
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