Canon M vs Fujifilm X-A5
The Canon EOS M and the Fujifilm X-A5 are two digital cameras that were announced, respectively, in July 2012 and January 2018. Both the Canon M and the X-A5 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. The Canon has a resolution of 17.9 megapixels, whereas the Fujifilm provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon M||Fujifilm X-A5|
|Mirrorless system camera||Mirrorless system camera|
|Canon EF-M mount lenses||Fujifilm X mount lenses|
|17.9 MP, APS-C Sensor||24 MP, APS-C Sensor|
|1080/30p Video||4K/15p Video|
|ISO 100-12800 (100-25600)||ISO 200-12800 (200-51200)|
|No viewfinder, LCD framing||No viewfinder, LCD framing|
|3.0" LCD, 1040k dots||3.0" LCD, 1040k dots|
|Fixed touchscreen||Tilting touchscreen|
|4.3 shutter flaps per second||6 shutter flaps per second|
|230 shots per battery charge||450 shots per battery charge|
|109 x 66 x 32 mm, 298 g||117 x 68 x 40 mm, 361 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M and the Fujifilm X-A5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon M and the Fujifilm X-A5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The Canon M can be obtained in two different colors (black, white), while the X-A5 is available in three color-versions (silver, brown, pink).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-A5 is notably larger (11 percent) than the Canon M. Moreover, the X-A5 is markedly heavier (21 percent) than the Canon M. In this context, it is worth noting that neither the Canon M nor the X-A5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the Canon M gets 230 shots out of its LP-E12 battery, while the X-A5 can take 450 images on a single charge of its NP-W126S power pack. The power pack in the X-A5 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon M»||4.3 in||2.6 in||1.3 in||10.5 oz||230||n||Jul 2012||599||-||Canon M|
|Fujifilm X-A5«||4.6 in||2.7 in||1.6 in||12.7 oz||450||n||Jan 2018||399||-||Fujifilm X-A5|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||-||Canon M100|
|Canon M10« »||4.3 in||2.6 in||1.4 in||10.6 oz||255||n||Oct 2015||499||-||Canon M10|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||-||Canon G7 X|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon SL1|
|Canon T5i« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||-||Canon T5i|
|Canon T3i« »||5.2 in||3.9 in||3.1 in||20.1 oz||440||n||Feb 2011||599||-||Canon T3i|
|Fujifilm X-T30« »||4.6 in||3.3 in||1.9 in||13.5 oz||380||n||Feb 2019||899||Fujifilm X-T30|
|Fujifilm X-A7« »||4.7 in||2.7 in||1.6 in||11.3 oz||440||n||Sep 2019||499||Fujifilm X-A7|
|Fujifilm X-E3« »||4.8 in||2.9 in||1.7 in||11.9 oz||350||n||Sep 2017||899||Fujifilm X-E3|
|Fujifilm X-T20« »||4.6 in||3.3 in||1.6 in||13.5 oz||350||n||Jan 2017||899||Fujifilm X-T20|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399||-||Fujifilm X-A3|
|Panasonic GF6« »||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499||-||Panasonic GF6|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||-||Panasonic G3|
|Sony NEX-3N« »||4.3 in||2.4 in||1.4 in||9.5 oz||480||n||Feb 2013||499||-||Sony NEX-3N|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-A5 was launched at a markedly lower price (by 33 percent) than the Canon M, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the X-A5 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (Canon M) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24MP, the X-A5 offers a higher resolution than the Canon M (17.9MP), but the X-A5 has smaller individual pixels (pixel pitch of 3.92μm versus 4.31μm for the Canon M). Yet, the X-A5 is a much more recent model (by 5 years and 6 months) than the Canon M, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Fujifilm X-A5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-A5 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Canon M are 25.9 x 17.3 inch or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inch or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inch or 43.9 x 29.3 cm for excellent quality prints.
The Canon M has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Fujifilm X-A5 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 200-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon M»||APS-C||17.9||5184||3456||1080/30p||22.1||11.2||827||65||Canon M|
|Fujifilm X-A5«||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm X-A5|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon M10« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65||Canon M10|
|Canon G7 X« »||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon SL1« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Canon T5i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon T5i|
|Canon T3i« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||793||65||Canon T3i|
|Fujifilm X-T30« »||APS-C||26.0||6240||4160||4K/30p||-||-||-||-||Fujifilm X-T30|
|Fujifilm X-A7« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-A7|
|Fujifilm X-E3« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-E3|
|Fujifilm X-T20« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T20|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-A3|
|Panasonic GF6« »||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54||Panasonic GF6|
|Panasonic G3« »||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Sony NEX-3N« »||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-A5 provides a better video resolution than the Canon M. It can shoot movie footage at 4K/15p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The Canon M and the X-A5 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The adjacent table lists some of the other core features of the Canon M and Fujifilm X-A5 along with similar information for a selection of comparators.
|Canon M»||-||n||3.0||1040||fixed||Y||1/4000s||4.3||n||n||Canon M|
|Fujifilm X-A5«||-||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A5|
|Canon M100« »||-||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon M10« »||-||n||3.0||1040||tilting||Y||1/4000s||4.6||Y||n||Canon M10|
|Canon G7 X« »||-||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon SL1« »||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon SL1|
|Canon T5i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T5i|
|Canon T3i« »||optical||n||3.0||1040||swivel||n||1/4000s||3.7||Y||n||Canon T3i|
|Fujifilm X-T30« »||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X-T30|
|Fujifilm X-A7« »||-||n||3.5||2760||swivel||Y||1/4000s||6.0||Y||n||Fujifilm X-A7|
|Fujifilm X-E3« »||2360||n||3.0||1040||fixed||Y||1/4000s||8.0||n||n||Fujifilm X-E3|
|Fujifilm X-T20« »||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X-T20|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A3|
|Panasonic GF6« »||-||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Panasonic GF6|
|Panasonic G3« »||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Sony NEX-3N« »||-||n||3.0||460||tilting||n||1/4000s||4.0||Y||n||Sony NEX-3N|
One difference between the cameras concerns the presence of an on-board flash. The X-A5 has one, while the Canon M does not. While the built-in flash of the X-A5 is not very powerful, it can at times be useful as a fill-in light.The X-A5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the Canon M does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-A5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-A5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the Canon M and the X-A5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M and Fujifilm X-A5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon M»||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon M|
|Fujifilm X-A5«||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Fujifilm X-A5|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon M10« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon M10|
|Canon G7 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon SL1« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Canon T5i« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T5i|
|Canon T3i« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon T3i|
|Fujifilm X-T30« »||Y||stereo||mono||Y||-||micro||3.1||Y||-||Y||Fujifilm X-T30|
|Fujifilm X-A7« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Fujifilm X-A7|
|Fujifilm X-E3« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-E3|
|Fujifilm X-T20« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T20|
|Fujifilm X-A3« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X-A3|
|Panasonic GF6« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GF6|
|Panasonic G3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Sony NEX-3N« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
It is notable that the X-A5 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the Canon M does not offer wifi capability.
Both the Canon M and the X-A5 have been discontinued, but can regularly be found used on eBay. The Canon M was replaced by the Canon EOS M3, while the X-A5 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So how do things add up? Is there a clear favorite between the Canon M and the Fujifilm X-A5? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS M:
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Less heavy: Is lighter (by 63g or 17 percent) and hence easier to carry around.
- More heavily discounted: Has been available for much longer (launched in July 2012).
Advantages of the Fujifilm X-A5:
- More detail: Has more megapixels (24 vs 17.9MP), which boosts linear resolution by 16%.
- Better video: Provides higher definition movie capture (4K/15p vs 1080/30p).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6 vs 4.3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (450 versus 230) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More modern: Reflects 5 years and 6 months of technical progress since the Canon M launch.
If the number of relative strengths (bullet points above) is taken as a guide, the X-A5 is the clear winner of the contest (13 : 3 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M and the Fujifilm X-A5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the Canon M or the X-A5 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon M»||+||-||4/5||3.5/5||4/5||Jul 2012||599||-||Canon M|
|Fujifilm X-A5«||+||-||4/5||4/5||3.5/5||Jan 2018||399||-||Fujifilm X-A5|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||-||Canon M100|
|Canon M10« »||-||-||-||o||4/5||Oct 2015||499||-||Canon M10|
|Canon G7 X« »||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699||-||Canon G7 X|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon SL1« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon SL1|
|Canon T5i« »||-||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649||-||Canon T5i|
|Canon T3i« »||o||77/100||4.5/5||5/5||4.5/5||Feb 2011||599||-||Canon T3i|
|Fujifilm X-T30« »||+ +||84/100||4.5/5||-||4.5/5||Feb 2019||899||Fujifilm X-T30|
|Fujifilm X-A7« »||-||-||-||-||-||Sep 2019||499||Fujifilm X-A7|
|Fujifilm X-E3« »||+||84/100||4.5/5||4.5/5||4.5/5||Sep 2017||899||Fujifilm X-E3|
|Fujifilm X-T20« »||+ +||82/100||5/5||-||4.5/5||Jan 2017||899||Fujifilm X-T20|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399||-||Fujifilm X-A3|
|Panasonic GF6« »||+ +||-||4.5/5||-||4.5/5||Apr 2013||499||-||Panasonic GF6|
|Panasonic G3« »||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599||-||Panasonic G3|
|Sony NEX-3N« »||-||-||4.5/5||4/5||4.5/5||Feb 2013||499||-||Sony NEX-3N|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark IV vs Fujifilm X-A5
- Canon 5D Mark II vs Canon M
- Canon 5D vs Canon M
- Canon 77D vs Fujifilm X-A5
- Canon G5 X Mark II vs Fujifilm X-A5
- Canon M vs Canon SL3
- Canon M vs Fujifilm X-Pro2
- Canon M vs Nikon D600
- Canon SX420 vs Fujifilm X-A5
- Fujifilm X-A5 vs Leica M10-P
- Fujifilm X-A5 vs Sony H400
- Fujifilm X-A5 vs Sony NEX-5R
Specifications: Canon M vs Fujifilm X-A5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M||Fujifilm X-A5|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon EF-M mount lenses||Fujifilm X mount lenses|
|Launch Date||July 2012||January 2018|
|Launch Price||USD 599||USD 399|
|Sensor Specs||Canon M||Fujifilm X-A5|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.5 x 15.7 mm|
|Sensor Area||332.27 mm2||368.95 mm2|
|Sensor Diagonal||26.8 mm||28.3 mm|
|Sensor Resolution||17.9 Megapixels||24 Megapixels|
|Image Resolution||5184 x 3456 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.31 μm||3.92 μm|
|Pixel Density||5.39 MP/cm2||6.50 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/15p Video|
|ISO Setting||100-12800 ISO||200-12800 ISO|
|ISO Boost||100-25600 ISO||200-51200 ISO|
|DXO Sensor Quality (score)||65||..|
|DXO Color Depth (bits)||22.1||..|
|DXO Dynamic Range (EV)||11.2||..|
|DXO Low Light (ISO)||827||..|
|Screen Specs||Canon M||Fujifilm X-A5|
|Viewfinder Type||No viewfinder||No viewfinder|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon M||Fujifilm X-A5|
|Autofocus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||4.3 shutter flaps/s||6 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon M||Fujifilm X-A5|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon M||Fujifilm X-A5|
|Battery Life (CIPA)||230 shots per charge||450 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
109 x 66 x 32 mm
(4.3 x 2.6 x 1.3 in)
117 x 68 x 40 mm
(4.6 x 2.7 x 1.6 in)
|Camera Weight||298 g (10.5 oz)||361 g (12.7 oz)|
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