Canon G9 X vs Fujifilm GFX 50R
The Canon PowerShot G9 X and the Fujifilm GFX 50R are two digital cameras that were revealed to the public, respectively, in October 2015 and September 2018. The G9X is a fixed lens compact, while the GFX 50R is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (G9X) and a medium format (GFX 50R) sensor. The Canon has a resolution of 20 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G9 X and the Fujifilm GFX 50R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon G9 X and the Fujifilm GFX 50R. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The G9X can be obtained in two different colors (black, silver), while the GFX 50R is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50R is considerably larger (175 percent) than the Canon G9 X. It is noteworthy in this context that the GFX 50R is splash and dust-proof, while the G9X does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G9X has a lens built in, whereas the GFX 50R is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the G9X gets 220 shots out of its NB-13L battery, while the GFX 50R can take 400 images on a single charge of its NP-T125 power pack. The power pack in the G9X can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529|
|2.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|3.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|4.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|5.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|6.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|7.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499|
|8.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|9.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499|
|10.||Hasselblad X1D II||148 mm||97 mm||70 mm||766 g||..||Y||Jun 2019||5,750|
|11.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995|
|12.||Nikon 1 J4||100 mm||60 mm||29 mm||232 g||300||n||Apr 2014||549|
|13.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|14.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|15.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|16.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799|
|17.||Sony RX100||102 mm||58 mm||36 mm||240 g||330||n||Jun 2012||649|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G9X was launched at a lower price than the GFX 50R, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G9 X features an one-inch sensor and the Fujifilm GFX 50R a medium format sensor. The sensor area in the GFX 50R is 1152 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 0.79. The sensor in the G9X has a native 3:2 aspect ratio, while the one in the GFX 50R offers a 4:3 aspect.
With 51.1MP, the GFX 50R offers a higher resolution than the G9X (20MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 2.41μm for the G9X) due to its larger sensor. Moreover, the GFX 50R is a much more recent model (by 2 years and 11 months) than the G9X, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon G9 X are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The Canon PowerShot G9 X has a native sensitivity range from ISO 125 to ISO 12800. The corresponding ISO settings for the Fujifilm GFX 50R are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|1.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|2.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|3.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|4.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|5.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|6.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|8.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|9.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|10.||Hasselblad X1D II||Medium Format||51.3||8272||6200||none||..||..||..||..|
|11.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|12.||Nikon 1 J4||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||426||53|
|14.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|15.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|16.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G9X provides a higher frame rate than the GFX 50R. It can shoot video footage at 1080/60p, while the Fujifilm is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GFX 50R has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G9X relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon G9 X and Fujifilm GFX 50R along with similar information for a selection of comparators.
|1.||Canon G9 X||none||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y|
|2.||Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n|
|3.||Canon G9 X Mark II||none||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y|
|4.||Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y|
|6.||Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|8.||Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y|
|9.||Fujifilm GFX 50S||optional||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n|
|10.||Hasselblad X1D II||3690||n||3.6||2360||fixed||Y||1/2000s||2.7||n||n|
|12.||Nikon 1 J4||none||n||3.0||1037||Fixed||Y||1/4000s||60.0||Y||n|
|14.||Sony RX100 V||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y|
|15.||Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
|16.||Sony RX100 III||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The G9X has one, while the GFX 50R does not. While the built-in flash of the G9X is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G9 X and the Fujifilm GFX 50R both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G9X and the GFX 50R write their files to SDXC cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the G9X only has one slot. The GFX 50R supports UHS-II cards (on both slots), while the G9X can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G9 X and Fujifilm GFX 50R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Canon G9 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|2.||Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y|
|3.||Canon G9 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||Y|
|4.||Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|6.||Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|8.||Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|9.||Fujifilm GFX 50S||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
|10.||Hasselblad X1D II||Y||stereo||mono||Y||Y||-||3.0||Y||-||-|
|12.||Nikon 1 J4||-||stereo||mono||-||-||mini||2.0||Y||-||-|
|14.||Sony RX100 V||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX100 III||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the GFX 50R has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G9X does not feature such a mic input.
Studio photographers will appreciate that the Fujifilm GFX 50R (unlike the G9X) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GFX 50R is a recent model that features in the current product line-up of Fujifilm. In contrast, the G9X has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the G9X was succeeded by the Canon G9 X Mark II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon G9 X and the Fujifilm GFX 50R? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Canon PowerShot G9 X:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Faster burst: Shoots at higher frequency (6 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the GFX 50R requires a separate lens.
- More compact: Is smaller (98x58mm vs 161x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GFX 50R).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in October 2015).
Arguments in favor of the Fujifilm GFX 50R:
- More detail: Has more megapixels (51.1 vs 20MP), which boosts linear resolution by 57%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (400 versus 220) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 11 months of technical progress since the G9X launch.
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50R is the clear winner of the contest (24 : 12 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G9 X and the Fujifilm GFX 50R place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G9X or the GFX 50R. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G9 X||3.5/5||+ +||..||4.5/5||4.5/5||Oct 2015||529|
|2.||Fujifilm GFX 50R||5/5||..||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|3.||Canon G9 X Mark II||4/5||..||75/100||4.5/5||4.5/5||Jan 2017||529|
|4.||Canon G7 X Mark II||4.5/5||+ +||81/100||4.5/5||4.5/5||Feb 2016||699|
|5.||Canon 5DS||..||+||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|6.||Canon 5DS R||5/5||+||83/100||5/5||4.5/5||Feb 2015||3,699|
|7.||Canon M10||..||..||..||..||4/5||Oct 2015||499|
|8.||Canon G7 X||4/5||+ +||77/100||4.5/5||4.5/5||Sep 2014||699|
|9.||Fujifilm GFX 50S||..||..||85/100||5/5||4.5/5||Sep 2016||6,499|
|10.||Hasselblad X1D II||..||..||..||4/5||4/5||Jun 2019||5,750|
|11.||Leica Q2||..||..||84/100||4.5/5||4/5||Mar 2019||4,995|
|12.||Nikon 1 J4||3/5||..||..||4.5/5||4/5||Apr 2014||549|
|13.||Panasonic FZ1000||4/5||+ +||82/100||4.5/5||4.5/5||Jun 2014||899|
|14.||Sony RX100 V||4.5/5||+ +||83/100||4/5||4.5/5||Oct 2016||999|
|15.||Sony RX100 IV||4.5/5||+ +||85/100||4/5||4.5/5||Jun 2015||999|
|16.||Sony RX100 III||5/5||+ +||82/100||4.5/5||5/5||May 2014||799|
|17.||Sony RX100||5/5||+ +||78/100||4/5||5/5||Jun 2012||649|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon G9 X vs Fujifilm GFX 50R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G9 X||Fujifilm GFX 50R|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-84mm f/2.0-4.9||Fujifilm G mount lenses|
|Launch Date||October 2015||September 2018|
|Launch Price||USD 529||USD 4,499|
|Sensor Specs||Canon G9 X||Fujifilm GFX 50R|
|Sensor Format||1" Sensor||Medium Format Sensor|
|Sensor Size||13.2 x 8.8 mm||44.0 x 33.0 mm|
|Sensor Area||116.16 mm2||1452 mm2|
|Sensor Diagonal||15.9 mm||55 mm|
|Sensor Resolution||20 Megapixels||51.1 Megapixels|
|Image Resolution||5472 x 3648 pixels||8256 x 6192 pixels|
|Pixel Pitch||2.41 μm||5.33 μm|
|Pixel Density||17.18 MP/cm2||3.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/30p Video|
|ISO Setting||125 - 12,800 ISO||100 - 12,800 ISO|
|ISO Boost||no Enhancement||50 - 102,400 ISO|
|Image Processor||DIGIC 6||X Processor Pro|
|DXO Sensor Quality (score)||63||..|
|DXO Color Depth (bits)||21.5||..|
|DXO Dynamic Range (EV)||12.3||..|
|DXO Low Light (ISO)||495||..|
|Screen Specs||Canon G9 X||Fujifilm GFX 50R|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3690k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||2360k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon G9 X||Fujifilm GFX 50R|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||6 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon G9 X||Fujifilm GFX 50R|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon G9 X||Fujifilm GFX 50R|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||220 shots per charge||400 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
98 x 58 x 31 mm
(3.9 x 2.3 x 1.2 in)
161 x 97 x 66 mm
(6.3 x 3.8 x 2.6 in)
|Camera Weight||209 g (7.4 oz)||775 g (27.3 oz)|
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