Canon G9 X Mark II vs Panasonic G5
The Canon PowerShot G9 X Mark II and the Panasonic Lumix DMC-G5 are two digital cameras that were announced, respectively, in January 2017 and July 2012. The G9X Mark II is a fixed lens compact, while the G5 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (G9X Mark II) and a Four Thirds (G5) sensor. The Canon has a resolution of 20 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G9 X Mark II and the Panasonic Lumix DMC-G5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon G9 X Mark II and the Panasonic G5. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G5 is considerably larger (75 percent) than the Canon G9 X Mark II. In this context, it is worth noting that neither the G9X Mark II nor the G5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G9X Mark II has a lens built in, whereas the G5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G5 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the G9X Mark II gets 235 shots out of its NB-13L battery, while the G5 can take 320 images on a single charge of its DMW-BLC12 power pack. The power pack in the G9X Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|2.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599|
|3.||Canon SX70||127 mm||91 mm||117 mm||608 g||325||n||Sep 2018||549|
|4.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|5.||Canon SL2||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|6.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|7.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529|
|8.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|9.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|10.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|11.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|12.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|13.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|14.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449|
|15.||Sony HX95||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429|
|16.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|17.||Sony RX100||102 mm||58 mm||36 mm||240 g||330||n||Jun 2012||649|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G9X Mark II was launched at a lower price than the G5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon G9 X Mark II features an one-inch sensor and the Panasonic G5 a Four Thirds sensor. The sensor area in the G5 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the G9X Mark II has a native 3:2 aspect ratio, while the one in the G5 offers a 4:3 aspect.
Despite having a smaller sensor, the Canon G9 X Mark II offers a higher resolution of 20 megapixels, compared with 15.9 MP of the Panasonic G5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 3.76μm for the G5). However, it should be noted that the G9X Mark II is much more recent (by 4 years and 5 months) than the G5, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon G9 X Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G9X Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic G5 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Canon PowerShot G9 X Mark II has a native sensitivity range from ISO 125 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-G5 are ISO 160 to ISO 12800 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|2.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||22.3||11.9||643||66|
|6.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||260||62|
|7.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|8.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|9.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|10.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|11.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|12.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|13.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|16.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G5 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G9X Mark II relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon G9 X Mark II and Panasonic G5 along with similar information for a selection of comparators.
|1.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2||Y||Y|
|2.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0||Y||n|
|3.||Canon SX70||2360||n||3.0 / 922||swivel||n||1/2000s||10.0||Y||Y|
|4.||Canon M100||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1||Y||n|
|5.||Canon SL2||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|6.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0||Y||Y|
|7.||Canon G9 X||none||n||3.0 / 1040||fixed||Y||1/2000s||6.0||Y||Y|
|8.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5||Y||Y|
|9.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0||Y||n|
|10.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|11.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0||Y||n|
|12.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2||Y||n|
|13.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6||Y||n|
|14.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0||Y||Y|
|15.||Sony HX95||638||n||3.0 / 922||tilting||n||1/2000s||10.0||Y||Y|
|16.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0||Y||Y|
|17.||Sony RX100||none||n||3.0 / 1229||fixed||n||1/2000s||10.0||Y||Y|
The Canon G9 X Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G9X Mark II and the G5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G9 X Mark II and Panasonic Lumix DMC-G5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|2.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon SX70||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|4.||Canon M100||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|5.||Canon SL2||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|7.||Canon G9 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|8.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|9.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|10.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|11.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|14.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|15.||Sony HX95||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|16.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX100||-||stereo / mono||-||-||micro||2.0||-||-||-|
It is notable that the G9X Mark II offers wifi support, while the G5 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The G9X Mark II is a recent model that features in the current product line-up of Canon. In contrast, the G5 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the G5 was succeeded by the Panasonic G6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Which of the two cameras – the Canon G9 X Mark II or the Panasonic G5 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon PowerShot G9 X Mark II:
- More detail: Offers more megapixels (20 vs 15.9MP) with a 14% higher linear resolution.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Faster burst: Shoots at higher frequency (8.2 vs 6 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the G5 requires a separate lens.
- More compact: Is smaller (98x58mm vs 120x83mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the G5).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 4 years and 5 months of technical progress since the G5 launch.
Advantages of the Panasonic Lumix DMC-G5:
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (320 versus 235) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in July 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the G9X Mark II is the clear winner of the match-up (14 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G9 X Mark II and the Panasonic G5 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the G9X Mark II and the G5 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529|
|2.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599|
|3.||Canon SX70||..||+ +||3.5/5||..||3.5/5||3.5/5||Sep 2018||549|
|4.||Canon M100||3/5||+||..||..||4/5||3.5/5||Aug 2017||499|
|5.||Canon SL2||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549|
|6.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699|
|7.||Canon G9 X||3.5/5||+ +||..||..||4.5/5||4.5/5||Oct 2015||529|
|8.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699|
|9.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|10.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|11.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|12.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699|
|13.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|14.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449|
|15.||Sony HX95||..||..||..||..||..||..||Aug 2018||429|
|16.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999|
|17.||Sony RX100||5/5||+ +||..||78/100||4/5||5/5||Jun 2012||649|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 50D vs Panasonic G5
- Canon G9 X Mark II vs Fujifilm GFX 100S
- Canon G9 X Mark II vs Fujifilm X-H1
- Canon G9 X Mark II vs Fujifilm X-T2
- Canon G9 X Mark II vs Fujifilm X-T20
- Canon G9 X Mark II vs Leica M Typ 262
- Canon G9 X Mark II vs Olympus E-M1 III
- Canon SL2 vs Panasonic G5
- Leica S3 vs Panasonic G5
- Nikon D70 vs Panasonic G5
- Panasonic G3 vs Panasonic G5
- Panasonic G5 vs Panasonic G85
Specifications: Canon G9 X Mark II vs Panasonic G5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G9 X Mark II||Panasonic G5|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-84mm f/2.0-4.9||Micro Four Thirds lenses|
|Launch Date||January 2017||July 2012|
|Launch Price||USD 529||USD 599|
|Sensor Specs||Canon G9 X Mark II||Panasonic G5|
|Sensor Format||1" Sensor||Four Thirds Sensor|
|Sensor Size||13.2 x 8.8 mm||17.3 x 13.0 mm|
|Sensor Area||116.16 mm2||224.9 mm2|
|Sensor Diagonal||15.9 mm||21.6 mm|
|Sensor Resolution||20 Megapixels||15.9 Megapixels|
|Image Resolution||5472 x 3648 pixels||4608 x 3456 pixels|
|Pixel Pitch||2.41 μm||3.76 μm|
|Pixel Density||17.18 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||125 - 12,800 ISO||160 - 12,800 ISO|
|Image Processor||DIGIC 7||Venus VII FHD|
|DXO Sensor Quality (score)||65||..|
|DXO Color Depth (bits)||21.9||..|
|DXO Dynamic Range (EV)||12.5||..|
|DXO Low Light (ISO)||522||..|
|Screen Specs||Canon G9 X Mark II||Panasonic G5|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Canon G9 X Mark II||Panasonic G5|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||8.2 shutter flaps/s||6 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon G9 X Mark II||Panasonic G5|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon G9 X Mark II||Panasonic G5|
|Battery Life (CIPA)||235 shots per charge||320 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
98 x 58 x 31 mm
(3.9 x 2.3 x 1.2 in)
120 x 83 x 71 mm
(4.7 x 3.3 x 2.8 in)
|Camera Weight||206 g (7.3 oz)||396 g (14.0 oz)|
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