Canon G9 X Mark II vs Leica V-LUX 5
The Canon PowerShot G9 X Mark II and the Leica V-LUX 5 are two digital cameras that were announced, respectively, in January 2017 and July 2019. Both the G9X Mark II and the V-LUX 5 are fixed lens compact cameras that are equipped with an one-inch sensor. Both cameras offer a resolution of 20 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G9 X Mark II and the Leica V-LUX 5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon G9 X Mark II and the Leica V-LUX 5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The G9X Mark II can be obtained in two different colors (black, silver), while the V-LUX 5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica V-LUX 5 is considerably larger (132 percent) than the Canon G9 X Mark II. Moreover, the V-LUX 5 is substantially heavier (294 percent) than the G9X Mark II. In this context, it is worth noting that neither the G9X Mark II nor the V-LUX 5 are weather-sealed.
Concerning battery life, the G9X Mark II gets 235 shots out of its NB-13L battery, while the V-LUX 5 can take 350 images on a single charge of its BP-DC12 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|2.||Leica V-LUX 5||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249|
|3.||Canon 2000D||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|4.||Canon SX70||127 mm||91 mm||117 mm||608 g||325||n||Sep 2018||549|
|5.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|6.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|7.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|8.||Canon SX620||97 mm||57 mm||28 mm||182 g||295||n||May 2016||279|
|9.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529|
|10.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|11.||Leica D-LUX 7||115 mm||66 mm||65 mm||392 g||300||n||Nov 2018||1,195|
|12.||Leica C-LUX||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049|
|13.||Leica V-LUX Typ 114||137 mm||99 mm||131 mm||830 g||360||n||Sep 2014||1,349|
|14.||Panasonic FZ2000||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199|
|15.||Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199|
|16.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449|
|17.||Sony HX95||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G9X Mark II was launched at a markedly lower price (by 58 percent) than the V-LUX 5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an one-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 2.7. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20 megapixels. This similarity in sensor specs implies that both the G9X Mark II and the V-LUX 5 have the same pixel density, as well as the same pixel size. It should, however, be noted that the V-LUX 5 is much more recent (by 2 years and 6 months) than the G9X Mark II, and its sensor will have benefitted from technological advances during this time.
The Canon PowerShot G9 X Mark II has a native sensitivity range from ISO 125 to ISO 12800. The corresponding ISO settings for the Leica V-LUX 5 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|2.||Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||584||65|
|9.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|11.||Leica D-LUX 7||Four Thirds||16.8||4736||3552||4K/30p||22.9||12.8||1002||72|
|13.||Leica V-LUX Typ 114||1-inch||20.0||5472||3648||4K/30p||21.6||11.7||127||60|
|15.||Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||22.1||12.3||478||64|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the V-LUX 5 provides a better video resolution than the G9X Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the V-LUX 5 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G9X Mark II relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon G9 X Mark II, the Leica V-LUX 5, and comparable cameras.
|1.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2||Y||Y|
|2.||Leica V-LUX 5||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0||Y||Y|
|3.||Canon 2000D||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|4.||Canon SX70||2360||n||3.0 / 922||swivel||n||1/2000s||10.0||Y||Y|
|5.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|6.||Canon 200D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|7.||Canon M100||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1||Y||n|
|8.||Canon SX620||none||n||3.0 / 922||fixed||n||1/2000s||2.5||Y||Y|
|9.||Canon G9 X||none||n||3.0 / 1040||fixed||Y||1/2000s||6.0||Y||Y|
|10.||Canon S120||none||n||3.0 / 922||fixed||Y||1/2000s||12.1||Y||Y|
|11.||Leica D-LUX 7||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0||n||Y|
|12.||Leica C-LUX||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0||Y||Y|
|13.||Leica V-LUX Typ 114||2359||n||3.0 / 921||swivel||n||1/4000s||12.0||Y||Y|
|14.||Panasonic FZ2000||2360||n||3.0 / 1040||swivel||Y||1/4000s||12.0||Y||Y|
|15.||Sony RX100 VI||2359||n||3.0 / 1229||tilting||Y||1/2000s||24.0||Y||Y|
|16.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0||Y||Y|
|17.||Sony HX95||638||n||3.0 / 922||tilting||n||1/2000s||10.0||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the V-LUX 5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G9 X Mark II and the Leica V-LUX 5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the G9X Mark II and the V-LUX 5 have zoom lenses built in. The G9X Mark II has a 28-84mm f/2.0-4.9 optic and the V-LUX 5 offers a 25-400mm f/2.8-4.0 (focal lengths in full frame equivalent terms). Hence, the Leica provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Canon. The G9X Mark II offers the faster maximum aperture.
Concerning the storage of imaging data, both the G9X Mark II and the V-LUX 5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G9 X Mark II and Leica V-LUX 5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|2.||Leica V-LUX 5||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|3.||Canon 2000D||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon SX70||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|5.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon 200D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|7.||Canon M100||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|8.||Canon SX620||-||mono / mono||-||-||micro||2.0||Y||Y||-|
|9.||Canon G9 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|10.||Canon S120||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|11.||Leica D-LUX 7||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|12.||Leica C-LUX||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Leica V-LUX Typ 114||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|14.||Panasonic FZ2000||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|15.||Sony RX100 VI||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|16.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|17.||Sony HX95||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
It is notable that the V-LUX 5 has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The G9X Mark II does not feature such an accessory-socket.
Both the G9X Mark II and the V-LUX 5 are recent models that are part of the current product line-up. The G9X Mark II replaced the earlier Canon G9 X, while the V-LUX 5 followed on from the Leica V-LUX Typ 114. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Leica websites.
So how do things add up? Which of the two cameras – the Canon G9 X Mark II or the Leica V-LUX 5 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon PowerShot G9 X Mark II:
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/2.8).
- More compact: Is smaller (98x58mm vs 136x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 606g or 75 percent) and hence easier to carry around.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (58 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in January 2017).
Reasons to prefer the Leica V-LUX 5:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1040k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 8.2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (350 versus 235) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More modern: Reflects 2 years and 6 months of technical progress since the G9X Mark II launch.
If the count of relative strengths (bullet points above) is taken as a measure, the V-LUX 5 is the clear winner of the contest (14 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G9 X Mark II and the Leica V-LUX 5 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the G9X Mark II or the V-LUX 5 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529|
|2.||Leica V-LUX 5||..||..||..||..||4/5||4/5||Jul 2019||1,249|
|3.||Canon 2000D||..||o||..||..||3.5/5||3.5/5||Feb 2018||449|
|4.||Canon SX70||..||+ +||3.5/5||..||3.5/5||3.5/5||Sep 2018||549|
|5.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899|
|6.||Canon 200D||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549|
|7.||Canon M100||3/5||+||..||..||4/5||3.5/5||Aug 2017||499|
|8.||Canon SX620||..||..||..||..||..||4/5||May 2016||279|
|9.||Canon G9 X||3.5/5||+ +||..||..||4.5/5||4.5/5||Oct 2015||529|
|10.||Canon S120||..||+ +||..||..||4.5/5||4.5/5||Aug 2013||449|
|11.||Leica D-LUX 7||..||..||..||..||..||4.5/5||Nov 2018||1,195|
|12.||Leica C-LUX||..||..||3.5/5||..||4.5/5||4/5||Jun 2018||1,049|
|13.||Leica V-LUX Typ 114||..||..||..||..||..||5/5||Sep 2014||1,349|
|14.||Panasonic FZ2000||..||+||..||82/100||4.5/5||5/5||Sep 2016||1,199|
|15.||Sony RX100 VI||4.5/5||+ +||..||83/100||4/5||4.5/5||Jun 2018||1,199|
|16.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449|
|17.||Sony HX95||..||..||..||..||..||..||Aug 2018||429|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 80D vs Leica V-LUX 5
- Canon G9 X Mark II vs Fujifilm X-A2
- Canon G9 X Mark II vs Nikon Z5
- Canon G9 X Mark II vs Panasonic TZ100
- Canon G9 X Mark II vs Pentax 645D
- Canon G9 X Mark II vs Sony A5100
- Canon G9 X Mark II vs Sony NEX-7
- Fujifilm XP140 vs Leica V-LUX 5
- Leica D-LUX 6 vs Leica V-LUX 5
- Leica V-LUX 5 vs Nikon D40X
- Leica V-LUX 5 vs Sony A77
- Leica V-LUX 5 vs Sony A7S II
Specifications: Canon G9 X Mark II vs Leica V-LUX 5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G9 X Mark II||Leica V-LUX 5|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||28-84mm f/2.0-4.9||25-400mm f/2.8-4.0|
|Launch Date||January 2017||July 2019|
|Launch Price||USD 529||USD 1,249|
|Sensor Specs||Canon G9 X Mark II||Leica V-LUX 5|
|Sensor Format||1" Sensor||1" Sensor|
|Sensor Size||13.2 x 8.8 mm||13.2 x 8.8 mm|
|Sensor Area||116.16 mm2||116.16 mm2|
|Sensor Diagonal||15.9 mm||15.9 mm|
|Sensor Resolution||20 Megapixels||20 Megapixels|
|Image Resolution||5472 x 3648 pixels||5472 x 3648 pixels|
|Pixel Pitch||2.41 μm||2.41 μm|
|Pixel Density||17.18 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||125 - 12,800 ISO||125 - 12,800 ISO|
|ISO Boost||no Enhancement||80 - 25,600 ISO|
|DXO Sensor Quality (score)||65||..|
|DXO Color Depth (bits)||21.9||..|
|DXO Dynamic Range (EV)||12.5||..|
|DXO Low Light (ISO)||522||..|
|Screen Specs||Canon G9 X Mark II||Leica V-LUX 5|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1240k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Canon G9 X Mark II||Leica V-LUX 5|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||8.2 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon G9 X Mark II||Leica V-LUX 5|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon G9 X Mark II||Leica V-LUX 5|
|Battery Life (CIPA)||235 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||USB charging|
98 x 58 x 31 mm
(3.9 x 2.3 x 1.2 in)
136 x 97 x 131 mm
(5.4 x 3.8 x 5.2 in)
|Camera Weight||206 g (7.3 oz)||812 g (28.6 oz)|
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