Canon G9 X Mark II vs Fujifilm XP130
The Canon PowerShot G9 X Mark II and the Fujifilm FinePix XP130 are two digital cameras that were announced, respectively, in January 2017 and January 2018. Both the G9X Mark II and the XP130 are fixed lens compact cameras that are based on an one-inch (G9X Mark II) and a 1/2.3-inch (XP130) sensor. The Canon has a resolution of 20 megapixels, whereas the Fujifilm provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon G9 X Mark II||Fujifilm XP130|
|Fixed lens compact camera||Fixed lens compact camera|
|28-84mm f/2.0-4.9||28-140mm f/3.9-4.9|
|20 MP, 1" Sensor||15.9 MP, 1/2.3" Sensor|
|1080/60p Video||1080/60p Video|
|ISO 125-12800||ISO 100-3200|
|No viewfinder, LCD framing||No viewfinder, LCD framing|
|3.0" LCD, 1040k dots||3.0" LCD, 920k dots|
|Fixed touchscreen||Fixed screen (not touch-sensitive)|
|8.2 shutter flaps per second||10 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|235 shots per battery charge||240 shots per battery charge|
|98 x 58 x 31 mm, 206 g||110 x 71 x 28 mm, 207 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G9 X Mark II and the Fujifilm FinePix XP130? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon G9 X Mark II and the Fujifilm XP130 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The G9X Mark II can be obtained in two different colors (black, silver), while the XP130 is available in five color-versions (black, blue, yellow, green, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm XP130 is notably larger (37 percent) than the Canon G9 X Mark II. Moreover, the XP130 is slightly heavier (0 percent) than the G9X Mark II. More than that, the XP130 is water-proof up to 20m and can, thus, be used for underwater photography.
Concerning battery life, the G9X Mark II gets 235 shots out of its NB-13L battery, while the XP130 can take 240 images on a single charge of its NP-45S power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon G9 X Mark II»||3.9 in||2.3 in||1.2 in||7.3 oz||235||n||Jan 2017||529||Canon G9 X Mark II|
|Fujifilm XP130«||4.3 in||2.8 in||1.1 in||7.3 oz||240||n||Jan 2018||229||-||Fujifilm XP130|
|Canon SX70« »||5.0 in||3.6 in||4.6 in||21.4 oz||325||n||Sep 2018||549||Canon SX70|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||-||Canon M100|
|Canon SL2« »||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||-||Canon SL2|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||-||Canon G7 X Mark II|
|Canon G9 X« »||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529||-||Canon G9 X|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||-||Canon G7 X|
|Fujifilm XP140« »||4.3 in||2.8 in||1.1 in||7.3 oz||240||Y||Feb 2019||229||Fujifilm XP140|
|Fujifilm XP120« »||4.3 in||2.8 in||1.1 in||7.2 oz||210||Y||Jan 2017||229||-||Fujifilm XP120|
|Olympus TG-4« »||4.4 in||2.6 in||1.2 in||8.7 oz||380||Y||Apr 2015||379||-||Olympus TG-4|
|Ricoh WG-60« »||4.8 in||2.4 in||1.2 in||6.8 oz||300||Y||Oct 2018||279||Ricoh WG-60|
|Sony HX99« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||449||Sony HX99|
|Sony HX95« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||429||Sony HX95|
|Sony WX800« »||4.0 in||2.3 in||1.4 in||8.2 oz||370||n||Oct 2018||399||Sony WX800|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999||Sony RX100 V|
|Sony RX100« »||4.0 in||2.3 in||1.4 in||8.5 oz||330||n||Jun 2012||649||-||Sony RX100|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The XP130 was launched at a markedly lower price (by 57 percent) than the G9X Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G9 X Mark II features an one-inch sensor and the Fujifilm XP130 a 1/2.3-inch sensor. The sensor area in the XP130 is 76 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 5.6. The sensor in the G9X Mark II has a native 3:2 aspect ratio, while the one in the XP130 offers a 4:3 aspect.
With 20MP, the G9X Mark II offers a higher resolution than the XP130 (15.9MP), but the G9X Mark II nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.33μm for the XP130) due to its larger sensor. However, the XP130 is a somewhat more recent model (by 1 year) than the G9X Mark II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the XP130 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon G9 X Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G9X Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Fujifilm XP130 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The Canon PowerShot G9 X Mark II has a native sensitivity range from ISO 125 to ISO 12800. The corresponding ISO settings for the Fujifilm FinePix XP130 are ISO 100 to ISO 3200 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon G9 X Mark II»||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Fujifilm XP130«||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Fujifilm XP130|
|Canon SX70« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX70|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon SL2« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon SL2|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G7 X Mark II|
|Canon G9 X« »||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63||Canon G9 X|
|Canon G7 X« »||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Fujifilm XP140« »||1/2.3||15.9||4608||3456||4K/15p||-||-||-||-||Fujifilm XP140|
|Fujifilm XP120« »||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Fujifilm XP120|
|Olympus TG-4« »||1/2.3||15.9||4608||3456||1080/30p||-||-||-||-||Olympus TG-4|
|Ricoh WG-60« »||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Ricoh WG-60|
|Sony HX99« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX99|
|Sony HX95« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX95|
|Sony WX800« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony WX800|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Sony RX100« »||1-inch||20.0||5472||3648||1080/60p||22.6||12.4||390||66||Sony RX100|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Beyond body and sensor, cameras can and do differ across a range of features. The G9X Mark II and the XP130 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The table below summarizes some of the other core capabilities of the Canon G9 X Mark II and Fujifilm XP130 in connection with corresponding information for a sample of similar cameras.
|Canon G9 X Mark II»||-||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y||Canon G9 X Mark II|
|Fujifilm XP130«||-||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP130|
|Canon SX70« »||2360||n||3.0||922||swivel||n||1/2000s||10.0||Y||Y||Canon SX70|
|Canon M100« »||-||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon SL2« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL2|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y||Canon G7 X Mark II|
|Canon G9 X« »||-||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y||Canon G9 X|
|Canon G7 X« »||-||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Fujifilm XP140« »||-||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP140|
|Fujifilm XP120« »||-||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP120|
|Olympus TG-4« »||-||n||3.0||460||fixed||n||1/2000s||5.0||Y||Y||Olympus TG-4|
|Ricoh WG-60« »||-||n||2.7||230||fixed||n||1/4000s||8.0||Y||n||Ricoh WG-60|
|Sony HX99« »||638||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony HX99|
|Sony HX95« »||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX95|
|Sony WX800« »||-||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony WX800|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y||Sony RX100 V|
|Sony RX100« »||-||n||3.0||1229||fixed||n||1/2000s||10.0||Y||Y||Sony RX100|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G9X Mark II has a touchscreen, while the XP130 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The Canon G9 X Mark II and the Fujifilm XP130 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the G9X Mark II and the XP130 have zoom lenses built in. The G9X Mark II has a 28-84mm f/2.0-4.9 optic and the XP130 offers a 28-140mm f/3.9-4.9 (focal lengths in full frame equivalent terms). Hence, the Canon and Fujifilm provide the same view at the wide-angle end, but the Fujifilm has more tele-photo reach at the long end. The G9X Mark II offers the faster maximum aperture.
Concerning the storage of imaging data, both the G9X Mark II and the XP130 write their files to SDXC cards. The G9X Mark II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the XP130 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G9 X Mark II and Fujifilm FinePix XP130 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon G9 X Mark II»||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Fujifilm XP130«||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP130|
|Canon SX70« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Canon SX70|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon SL2« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon SL2|
|Canon G7 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon G9 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G9 X|
|Canon G7 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Fujifilm XP140« »||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP140|
|Fujifilm XP120« »||-||mono||mono||-||-||micro||2.0||Y||-||-||Fujifilm XP120|
|Olympus TG-4« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-4|
|Ricoh WG-60« »||-||mono||mono||-||-||micro||2.0||-||-||-||Ricoh WG-60|
|Sony HX99« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX99|
|Sony HX95« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX95|
|Sony WX800« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony WX800|
|Sony RX100 V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Sony RX100« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony RX100|
The G9X Mark II is a recent model that features in the current product line-up of Canon. In contrast, the XP130 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the XP130 was succeeded by the Fujifilm XP140. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what conclusions can be drawn? Which of the two cameras – the Canon G9 X Mark II or the Fujifilm XP130 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon PowerShot G9 X Mark II:
- More detail: Offers more megapixels (20 vs 15.9MP) with a 14% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/3.9).
- More compact: Is smaller (98x58mm vs 110x71mm) and thus needs less room in the bag.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been on the market for longer (launched in January 2017).
Arguments in favor of the Fujifilm FinePix XP130:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Faster burst: Shoots at higher frequency (10 vs 8.2 flaps/sec) to capture the decisive moment.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 20m).
- More affordable: Was introduced into a lower priced category (57 percent cheaper at launch).
- More modern: Was introduced somewhat (1 year) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the G9X Mark II is the clear winner of the match-up (13 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G9 X Mark II and the Fujifilm XP130 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the G9X Mark II and the XP130 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon G9 X Mark II»||-||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529||Canon G9 X Mark II|
|Fujifilm XP130«||o||-||3.5/5||-||4/5||Jan 2018||229||-||Fujifilm XP130|
|Canon SX70« »||+ +||-||3.5/5||-||3.5/5||Sep 2018||549||Canon SX70|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||-||Canon M100|
|Canon SL2« »||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||-||Canon SL2|
|Canon G7 X Mark II« »||+ +||81/100||4.5/5||4/5||4.5/5||Feb 2016||699||-||Canon G7 X Mark II|
|Canon G9 X« »||+ +||-||4.5/5||4/5||4.5/5||Oct 2015||529||-||Canon G9 X|
|Canon G7 X« »||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699||-||Canon G7 X|
|Fujifilm XP140« »||+||-||3.5/5||-||4/5||Feb 2019||229||Fujifilm XP140|
|Fujifilm XP120« »||o||-||3.5/5||-||4/5||Jan 2017||229||-||Fujifilm XP120|
|Olympus TG-4« »||+||79/100||4/5||4/5||4/5||Apr 2015||379||-||Olympus TG-4|
|Ricoh WG-60« »||-||-||-||-||-||Oct 2018||279||Ricoh WG-60|
|Sony HX99« »||-||-||4/5||-||4.5/5||Aug 2018||449||Sony HX99|
|Sony HX95« »||-||-||-||-||-||Aug 2018||429||Sony HX95|
|Sony WX800« »||-||-||-||-||-||Oct 2018||399||Sony WX800|
|Sony RX100 V« »||+ +||83/100||4/5||5/5||4.5/5||Oct 2016||999||Sony RX100 V|
|Sony RX100« »||+ +||78/100||4/5||5/5||5/5||Jun 2012||649||-||Sony RX100|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 350D vs Fujifilm XP130
- Canon G1 X vs Fujifilm XP130
- Canon G9 X Mark II vs Leica D-LUX 7
- Canon G9 X Mark II vs Nikon A1000
- Canon G9 X Mark II vs Nikon D5600
- Canon G9 X Mark II vs Nikon D70s
- Canon G9 X Mark II vs Olympus E-PL2
- Canon G9 X Mark II vs Sony NEX-F3
- Canon G9 X Mark II vs Zeiss ZX1
- Fujifilm XP130 vs Nikon D3
- Fujifilm XP130 vs Nikon D3300
- Fujifilm XP130 vs Sony A68
Specifications: Canon G9 X Mark II vs Fujifilm XP130
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G9 X Mark II||Fujifilm XP130|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||28-84mm f/2.0-4.9||28-140mm f/3.9-4.9|
|Launch Date||January 2017||January 2018|
|Launch Price||USD 529||USD 229|
|Sensor Specs||Canon G9 X Mark II||Fujifilm XP130|
|Sensor Format||1" Sensor||1/2.3" Sensor|
|Sensor Size||13.2 x 8.8 mm||6.17 x 4.55 mm|
|Sensor Area||116.16 mm2||28.0735 mm2|
|Sensor Diagonal||15.9 mm||7.7 mm|
|Sensor Resolution||20 Megapixels||15.9 Megapixels|
|Image Resolution||5472 x 3648 pixels||4608 x 3456 pixels|
|Pixel Pitch||2.41 μm||1.33 μm|
|Pixel Density||17.18 MP/cm2||56.73 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||125-12800 ISO||100-3200 ISO|
|DXO Sensor Quality (score)||65||..|
|DXO Color Depth (bits)||21.9||..|
|DXO Dynamic Range (EV)||12.5||..|
|DXO Low Light (ISO)||522||..|
|Screen Specs||Canon G9 X Mark II||Fujifilm XP130|
|Viewfinder Type||No viewfinder||No viewfinder|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G9 X Mark II||Fujifilm XP130|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||8.2 shutter flaps/s||10 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon G9 X Mark II||Fujifilm XP130|
|External Flash||no Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon G9 X Mark II||Fujifilm XP130|
|Battery Life (CIPA)||235 shots per charge||240 shots per charge|
|In-Camera Charging||USB charging||USB charging|
98 x 58 x 31 mm
(3.9 x 2.3 x 1.2 in)
110 x 71 x 28 mm
(4.3 x 2.8 x 1.1 in)
|Camera Weight||206 g (7.3 oz)||207 g (7.3 oz)|
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