Canon G9 X Mark II vs Fujifilm X10
The Canon PowerShot G9 X Mark II and the Fujifilm X10 are two digital cameras that were announced, respectively, in January 2017 and September 2011. Both the G9X Mark II and the X10 are fixed lens compact cameras that are based on an one-inch (G9X Mark II) and a 2/3 (X10) sensor. The Canon has a resolution of 20 megapixels, whereas the Fujifilm provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon G9 X Mark II||Fujifilm X10|
|Fixed lens compact camera||Fixed lens compact camera|
|28-84mm f/2.0-4.9||28-112mm f/2.0-2.8|
|20 MP, 1" Sensor||12 MP, Two Thirds Sensor|
|1080/60p Video||1080/30p Video|
|ISO 125-12800||ISO 100-3200 (100-12800)|
|No viewfinder, LCD framing||Optical viewfinder|
|3.0" LCD, 1040k dots||2.8" LCD, 460k dots|
|Fixed touchscreen||Fixed screen (not touch-sensitive)|
|8.2 shutter flaps per second||10 shutter flaps per second|
|235 shots per battery charge||270 shots per battery charge|
|98 x 58 x 31 mm, 206 g||117 x 70 x 57 mm, 350 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G9 X Mark II and the Fujifilm X10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon G9 X Mark II and the Fujifilm X10 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X10 is considerably larger (44 percent) than the Canon G9 X Mark II. Moreover, the X10 is substantially heavier (70 percent) than the G9X Mark II. In this context, it is worth noting that neither the G9X Mark II nor the X10 are weather-sealed.
Concerning battery life, the G9X Mark II gets 235 shots out of its NB-13L battery, while the X10 can take 270 images on a single charge of its NP-50 power pack. The power pack in the G9X Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon G9 X Mark II»||3.9 in||2.3 in||1.2 in||7.3 oz||235||n||Jan 2017||529||Canon G9 X Mark II|
|Fujifilm X10«||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||Fujifilm X10|
|Canon SX70« »||5.0 in||3.6 in||4.6 in||21.4 oz||325||n||Sep 2018||549||Canon SX70|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||Canon M100|
|Canon SL2« »||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||Canon SL2|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||Canon G7 X Mark II|
|Canon G9 X« »||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529||Canon G9 X|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||Canon G7 X|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon G15« »||4.2 in||3.0 in||1.6 in||12.4 oz||350||n||Sep 2012||499||Canon G15|
|Canon G12« »||4.4 in||3.0 in||1.9 in||14.1 oz||370||n||Sep 2010||499||Canon G12|
|Fujifilm X20« »||4.6 in||2.8 in||2.2 in||12.5 oz||270||n||Jan 2013||599||Fujifilm X20|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||Panasonic LX7|
|Sony HX99« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||449||Sony HX99|
|Sony HX95« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||429||Sony HX95|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999||Sony RX100 V|
|Sony RX100« »||4.0 in||2.3 in||1.4 in||8.5 oz||330||n||Jun 2012||649||Sony RX100|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G9X Mark II was launched at a somewhat lower price (by 12 percent) than the X10, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G9 X Mark II features an one-inch sensor and the Fujifilm X10 a 2/3 sensor. The sensor area in the X10 is 50 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 3.9. The sensor in the G9X Mark II has a native 3:2 aspect ratio, while the one in the X10 offers a 4:3 aspect.
With 20MP, the G9X Mark II offers a higher resolution than the X10 (12MP), but the G9X Mark II nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 2.20μm for the X10) due to its larger sensor. Moreover, the G9X Mark II is a much more recent model (by 5 years and 4 months) than the X10, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X10 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon G9 X Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G9X Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Fujifilm X10 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Canon PowerShot G9 X Mark II has a native sensitivity range from ISO 125 to ISO 12800. The corresponding ISO settings for the Fujifilm X10 are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 100-12800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the G9X Mark II provides substantially higher image quality than the X10, with an overall score that is 15 points higher. This advantage is based on 1.4 bits higher color depth, 1.2 EV in additional dynamic range, and 1.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Fujifilm X10||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Canon SX70||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Canon SX70|
|Canon M100||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon SL2||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon SL2|
|Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..||Canon G7 X Mark II|
|Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63||Canon G9 X|
|Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Canon G16||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon G15||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Canon G12||1/1.7||10.0||3648||2736||720/24p||20.4||11.2||161||47||Canon G12|
|Fujifilm X20||2/3||12.0||4000||3000||1080/60p||..||..||..||..||Fujifilm X20|
|Panasonic LX7||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Sony HX99||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Sony HX99|
|Sony HX95||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Sony HX95|
|Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Sony RX100||1-inch||20.0||5472||3648||1080/60p||22.6||12.4||390||66||Sony RX100|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G9X Mark II provides a higher frame rate than the X10. It can shoot video footage at 1080/60p, while the Fujifilm is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X10 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the G9X Mark II relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon G9 X Mark II and Fujifilm X10 in connection with corresponding information for a sample of similar cameras.
|Canon G9 X Mark II||none||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y||Canon G9 X Mark II|
|Fujifilm X10||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Canon SX70||2360||n||3.0||922||swivel||n||1/2000s||10.0||Y||Y||Canon SX70|
|Canon M100||none||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon SL2||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL2|
|Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y||Canon G7 X Mark II|
|Canon G9 X||none||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y||Canon G9 X|
|Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Canon G16||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon G15||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Canon G12||optical||n||2.8||461||swivel||n||1/4000s||1.1||Y||Y||Canon G12|
|Fujifilm X20||optical||n||2.8||460||fixed||n||1/4000s||12.0||Y||Y||Fujifilm X20|
|Panasonic LX7||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Sony HX99||638||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony HX99|
|Sony HX95||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX95|
|Sony RX100 V||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y||Sony RX100 V|
|Sony RX100||none||n||3.0||1229||fixed||n||1/2000s||10.0||Y||Y||Sony RX100|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G9X Mark II has a touchscreen, while the X10 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The Canon G9 X Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the G9X Mark II and the X10 have zoom lenses built in. The G9X Mark II has a 28-84mm f/2.0-4.9 optic and the X10 offers a 28-112mm f/2.0-2.8 (focal lengths in full frame equivalent terms). Hence, the Canon and Fujifilm provide the same view at the wide-angle end, but the Fujifilm has more tele-photo reach at the long end. Both cameras offer the same maximum aperture.
Concerning the storage of imaging data, both the G9X Mark II and the X10 write their files to SDXC cards. The G9X Mark II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the X10 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G9 X Mark II and Fujifilm X10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon G9 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Fujifilm X10||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Canon SX70||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Canon SX70|
|Canon M100||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon SL2||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon SL2|
|Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon G9 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G9 X|
|Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Canon G16||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon G15||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Canon G12||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G12|
|Fujifilm X20||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X20|
|Panasonic LX7||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Sony HX99||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX99|
|Sony HX95||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX95|
|Sony RX100 V||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Sony RX100||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony RX100|
It is notable that the G9X Mark II offers wifi support, while the X10 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The G9X Mark II is a recent model that features in the current product line-up of Canon. In contrast, the X10 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the X10 was succeeded by the Fujifilm X20. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what is the bottom line? Which of the two cameras – the Canon G9 X Mark II or the Fujifilm X10 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon PowerShot G9 X Mark II:
- More detail: Offers more megapixels (20 vs 12MP) with a 32% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (15 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.4 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.2 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.1 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (98x58mm vs 117x70mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 144g or 41 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced segment (12 percent cheaper at launch).
- More modern: Reflects 5 years and 4 months of technical progress since the X10 launch.
Reasons to prefer the Fujifilm X10:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 8.2 flaps/sec) to capture the decisive moment.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (270 versus 235) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in September 2011).
If the count of individual advantages (bullet points above) is taken as a guide, the G9X Mark II is the clear winner of the match-up (19 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G9 X Mark II and the Fujifilm X10 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G9X Mark II or the X10. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G9 X Mark II vs Fujifilm X-T4
- Canon G9 X Mark II vs Fujifilm XP140
- Canon G9 X Mark II vs Leica D-LUX 7
- Canon G9 X Mark II vs Panasonic FZ82
- Canon SX70 vs Fujifilm X10
- Fujifilm X-T1 vs Fujifilm X10
- Fujifilm X10 vs Leica D-LUX 7
- Fujifilm X10 vs Nikon D5300
- Fujifilm X10 vs Nikon P900
- Fujifilm X10 vs Panasonic LX5
- Fujifilm X10 vs Sony A68
- Fujifilm X10 vs Sony RX10 II
Specifications: Canon G9 X Mark II vs Fujifilm X10
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G9 X Mark II||Fujifilm X10|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||28-84mm f/2.0-4.9||28-112mm f/2.0-2.8|
|Launch Date||January 2017||September 2011|
|Launch Price||USD 529||USD 599|
|Sensor Specs||Canon G9 X Mark II||Fujifilm X10|
|Sensor Format||1" Sensor||Two Thirds Sensor|
|Sensor Size||13.2 x 8.8 mm||8.8 x 6.6 mm|
|Sensor Area||116.16 mm2||58.08 mm2|
|Sensor Diagonal||15.9 mm||11 mm|
|Sensor Resolution||20 Megapixels||12 Megapixels|
|Image Resolution||5472 x 3648 pixels||4000 x 3000 pixels|
|Pixel Pitch||2.41 μm||2.20 μm|
|Pixel Density||17.18 MP/cm2||20.66 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/30p Video|
|ISO Setting||125-12800 ISO||100-3200 ISO|
|ISO Boost||no Enhancement||100-12800 ISO|
|Image Processor||DIGIC 7||EXR Processor II|
|DXO Sensor Quality (score)||65||50|
|DXO Color Depth (bits)||21.9||20.5|
|DXO Dynamic Range (EV)||12.5||11.3|
|DXO Low Light (ISO)||522||245|
|Screen Specs||Canon G9 X Mark II||Fujifilm X10|
|Viewfinder Type||No viewfinder||Optical viewfinder|
|Viewfinder Field of View||85%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||2.8 inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G9 X Mark II||Fujifilm X10|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||8.2 shutter flaps/s||10 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon G9 X Mark II||Fujifilm X10|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon G9 X Mark II||Fujifilm X10|
|Battery Life (CIPA)||235 shots per charge||270 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
98 x 58 x 31 mm
(3.9 x 2.3 x 1.2 in)
117 x 70 x 57 mm
(4.6 x 2.8 x 2.2 in)
|Camera Weight||206 g (7.3 oz)||350 g (12.3 oz)|
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