Canon G9 X Mark II vs Fujifilm X-Pro2
The Canon PowerShot G9 X Mark II and the Fujifilm X-Pro2 are two digital cameras that were announced, respectively, in January 2017 and January 2016. The G9X Mark II is a fixed lens compact, while the X-Pro2 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (G9X Mark II) and an APS-C (X-Pro2) sensor. The Canon has a resolution of 20 megapixels, whereas the Fujifilm provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon G9 X Mark II||Fujifilm X-Pro2|
|Fixed lens compact camera||Mirrorless system camera|
|28-84mm f/2.0-4.9||Fujifilm X mount lenses|
|20 MP, 1" Sensor||24 MP, APS-C Sensor|
|1080/60p Video||1080/60p Video|
|ISO 125-12800||ISO 200-12800 (100-51200)|
|No viewfinder, LCD framing||Electronic viewfinder (2360k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1620k dots|
|Fixed touchscreen||Fixed screen (not touch-sensitive)|
|8.2 shutter flaps per second||8 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|235 shots per battery charge||350 shots per battery charge|
|98 x 58 x 31 mm, 206 g||141 x 83 x 46 mm, 495 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G9 X Mark II and the Fujifilm X-Pro2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon G9 X Mark II and the Fujifilm X-Pro2. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The G9X Mark II can be obtained in two different colors (black, silver), while the X-Pro2 is also available in two color-versions, but different ones (black, graphite).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro2 is considerably larger (106 percent) than the Canon G9 X Mark II. It is noteworthy in this context that the X-Pro2 is splash and dust-proof, while the G9X Mark II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G9X Mark II has a lens built in, whereas the X-Pro2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-Pro2 and their specifications in the Fujinon X Lens Catalog.
Concerning battery life, the G9X Mark II gets 235 shots out of its NB-13L battery, while the X-Pro2 can take 350 images on a single charge of its NP-W126 power pack. The power pack in the G9X Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon G9 X Mark II»||3.9 in||2.3 in||1.2 in||7.3 oz||235||n||Jan 2017||529||Canon G9 X Mark II|
|Fujifilm X-Pro2«||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Canon SX70« »||5.0 in||3.6 in||4.6 in||21.4 oz||325||n||Sep 2018||549||Canon SX70|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||Canon M100|
|Canon SL2« »||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||-||Canon SL2|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||-||Canon G7 X Mark II|
|Canon G9 X« »||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529||-||Canon G9 X|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||-||Canon G7 X|
|Fujifilm X-T3« »||5.2 in||3.7 in||2.3 in||19.0 oz||390||Y||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399||-||Fujifilm X-A3|
|Fujifilm X-T2« »||5.2 in||3.6 in||1.9 in||17.9 oz||340||Y||Jul 2016||1,599||-||Fujifilm X-T2|
|Fujifilm X-Pro1« »||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Sony HX99« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||449||Sony HX99|
|Sony HX95« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||429||Sony HX95|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999||Sony RX100 V|
|Sony RX100« »||4.0 in||2.3 in||1.4 in||8.5 oz||330||n||Jun 2012||649||-||Sony RX100|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G9X Mark II was launched at a lower price than the X-Pro2, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G9 X Mark II features an one-inch sensor and the Fujifilm X-Pro2 an APS-C sensor. The sensor area in the X-Pro2 is 217 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the X-Pro2 offers a higher resolution than the G9X Mark II (20MP), but the X-Pro2 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 2.41μm for the G9X Mark II) due to its larger sensor. However, the G9X Mark II is a somewhat more recent model (by 11 months) than the X-Pro2, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-Pro2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro2 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Canon G9 X Mark II are 27.4 x 18.2 inch or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inch or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inch or 46.3 x 30.9 cm for excellent quality prints.
The X-Pro2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon PowerShot G9 X Mark II has a native sensitivity range from ISO 125 to ISO 12800. The corresponding ISO settings for the Fujifilm X-Pro2 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon G9 X Mark II»||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Fujifilm X-Pro2«||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Canon SX70« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX70|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon SL2« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon SL2|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G7 X Mark II|
|Canon G9 X« »||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63||Canon G9 X|
|Canon G7 X« »||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Fujifilm X-T3« »||APS-C||26.0||6240||4160||4K/60p||-||-||-||-||Fujifilm X-T3|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X100F|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-A3|
|Fujifilm X-T2« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T2|
|Fujifilm X-Pro1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-Pro1|
|Sony HX99« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX99|
|Sony HX95« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX95|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Sony RX100« »||1-inch||20.0||5472||3648||1080/60p||22.6||12.4||390||66||Sony RX100|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G9X Mark II relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon G9 X Mark II and Fujifilm X-Pro2 in connection with corresponding information for a sample of similar cameras.
|Canon G9 X Mark II»||-||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y||Canon G9 X Mark II|
|Fujifilm X-Pro2«||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Canon SX70« »||2360||n||3.0||922||swivel||n||1/2000s||10.0||Y||Y||Canon SX70|
|Canon M100« »||-||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon SL2« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL2|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y||Canon G7 X Mark II|
|Canon G9 X« »||-||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y||Canon G9 X|
|Canon G7 X« »||-||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Fujifilm X-T3« »||3690||n||3.2||1040||tilting||Y||1/8000s||11.0||n||n||Fujifilm X-T3|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A3|
|Fujifilm X-T2« »||2360||n||3.0||1040||tilting||n||1/8000s||14.0||n||n||Fujifilm X-T2|
|Fujifilm X-Pro1« »||1440||n||3.0||1230||fixed||n||1/4000s||6.0||n||n||Fujifilm X-Pro1|
|Sony HX99« »||638||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony HX99|
|Sony HX95« »||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX95|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y||Sony RX100 V|
|Sony RX100« »||-||n||3.0||1229||fixed||n||1/2000s||10.0||Y||Y||Sony RX100|
One difference between the cameras concerns the presence of an on-board flash. The G9X Mark II has one, while the X-Pro2 does not. While the built-in flash of the G9X Mark II is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G9 X Mark II and the Fujifilm X-Pro2 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G9X Mark II and the X-Pro2 write their files to SDXC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G9X Mark II only has one slot. The X-Pro2 supports UHS-II cards (on its first slot), while the G9X Mark II can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G9 X Mark II and Fujifilm X-Pro2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon G9 X Mark II»||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Fujifilm X-Pro2«||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Canon SX70« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Canon SX70|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon SL2« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon SL2|
|Canon G7 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon G9 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G9 X|
|Canon G7 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Fujifilm X-T3« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm X-T3|
|Fujifilm X100F« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Fujifilm X-A3« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X-A3|
|Fujifilm X-T2« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-T2|
|Fujifilm X-Pro1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X-Pro1|
|Sony HX99« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX99|
|Sony HX95« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX95|
|Sony RX100 V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Sony RX100« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony RX100|
It is notable that the X-Pro2 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G9X Mark II does not feature such a mic input.
Studio photographers will appreciate that the Fujifilm X-Pro2 (unlike the G9X Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the G9X Mark II and the X-Pro2 are recent models that are part of the current product line-up. The X-Pro2 replaced the earlier Fujifilm X-Pro1, while the G9X Mark II followed on from the Canon G9 X. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So how do things add up? Is the Canon G9 X Mark II better than the Fujifilm X-Pro2 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon PowerShot G9 X Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Ready to shoot: Has a lens built-in, whereas the X-Pro2 requires a separate lens.
- More compact: Is smaller (98x58mm vs 141x83mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the X-Pro2).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 11 months after the X-Pro2).
Reasons to prefer the Fujifilm X-Pro2:
- More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (350 versus 235) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been on the market for longer (launched in January 2016).
If the count of individual advantages (bullet points above) is taken as a guide, the X-Pro2 is the clear winner of the contest (20 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G9 X Mark II and the Fujifilm X-Pro2 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the G9X Mark II and the X-Pro2 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon G9 X Mark II»||-||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529||Canon G9 X Mark II|
|Fujifilm X-Pro2«||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Canon SX70« »||-||-||3.5/5||-||3.5/5||Sep 2018||549||Canon SX70|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon SL2« »||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||-||Canon SL2|
|Canon G7 X Mark II« »||+ +||81/100||4.5/5||4/5||4.5/5||Feb 2016||699||-||Canon G7 X Mark II|
|Canon G9 X« »||+ +||-||4.5/5||4/5||4.5/5||Oct 2015||529||-||Canon G9 X|
|Canon G7 X« »||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699||-||Canon G7 X|
|Fujifilm X-T3« »||+ +||88/100||5/5||5/5||5/5||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X100F« »||+||83/100||4.5/5||-||4.5/5||Jan 2017||1,299||Fujifilm X100F|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399||-||Fujifilm X-A3|
|Fujifilm X-T2« »||+ +||86/100||4.5/5||5/5||5/5||Jul 2016||1,599||-||Fujifilm X-T2|
|Fujifilm X-Pro1« »||+ +||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Sony HX99« »||-||-||4/5||-||4.5/5||Aug 2018||449||Sony HX99|
|Sony HX95« »||-||-||-||-||-||Aug 2018||429||Sony HX95|
|Sony RX100 V« »||+ +||83/100||4/5||5/5||4.5/5||Oct 2016||999||Sony RX100 V|
|Sony RX100« »||+ +||78/100||4/5||5/5||5/5||Jun 2012||649||-||Sony RX100|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 20D vs Canon G9 X Mark II
- Canon 5DS vs Fujifilm X-Pro2
- Canon G9 X Mark II vs Canon T7i
- Canon G9 X Mark II vs Kodak S-1
- Canon G9 X Mark II vs Sony HX99
- Canon G9 X Mark II vs Sony RX100 IV
- Fujifilm X-Pro2 vs Fujifilm X-T10
- Fujifilm X-Pro2 vs Leica S Typ 007
- Fujifilm X-Pro2 vs Nikon D3S
- Fujifilm X-Pro2 vs Panasonic ZS70
- Fujifilm X-Pro2 vs Pentax K-1
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Specifications: Canon G9 X Mark II vs Fujifilm X-Pro2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G9 X Mark II||Fujifilm X-Pro2|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-84mm f/2.0-4.9||Fujifilm X mount lenses|
|Launch Date||January 2017||January 2016|
|Launch Price||USD 529||USD 1699|
|Sensor Specs||Canon G9 X Mark II||Fujifilm X-Pro2|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.6 x 15.6 mm|
|Sensor Area||116.16 mm2||368.16 mm2|
|Sensor Diagonal||15.9 mm||28.3 mm|
|Sensor Resolution||20 Megapixels||24 Megapixels|
|Image Resolution||5472 x 3648 pixels||6000 x 4000 pixels|
|Pixel Pitch||2.41 μm||3.92 μm|
|Pixel Density||17.18 MP/cm2||6.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||125-12800 ISO||200-12800 ISO|
|ISO Boost||no Enhancement||100-51200 ISO|
|Image Processor||DIGIC 7||X Processor Pro|
|DXO Sensor Quality (score)||65||..|
|DXO Color Depth (bits)||21.9||..|
|DXO Dynamic Range (EV)||12.5||..|
|DXO Low Light (ISO)||522||..|
|Screen Specs||Canon G9 X Mark II||Fujifilm X-Pro2|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1620k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G9 X Mark II||Fujifilm X-Pro2|
|Autofocus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/8000/s|
|Continuous Shooting||8.2 shutter flaps/s||8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Single UHS-II|
|Connectivity Specs||Canon G9 X Mark II||Fujifilm X-Pro2|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon G9 X Mark II||Fujifilm X-Pro2|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||235 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
98 x 58 x 31 mm
(3.9 x 2.3 x 1.2 in)
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
|Camera Weight||206 g (7.3 oz)||495 g (17.5 oz)|
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