Canon G9 X Mark II vs G1X Mark III
The Canon PowerShot G9 X Mark II and the Canon PowerShot G1 X Mark III are two digital cameras that were announced, respectively, in January 2017 and October 2017. Both the G9X Mark II and the G1X Mark III are fixed lens compact cameras that are based on an one-inch (G9X Mark II) and an APS-C (G1X Mark III) sensor. The G9X Mark II has a resolution of 20 megapixels, whereas the G1X Mark III provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G9 X Mark II and the Canon PowerShot G1 X Mark III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon G9 X Mark II and the Canon G1 X Mark III are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The G9X Mark II can be obtained in two different colors (black, silver), while the G1X Mark III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G1 X Mark III is considerably larger (58 percent) than the Canon G9 X Mark II. Moreover, the G1X Mark III is substantially heavier (94 percent) than the G9X Mark II. It is noteworthy in this context that the G1X Mark III is splash and dust-proof, while the G9X Mark II does not feature any corresponding weather-sealing.
The power pack in the G9X Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G9 X Mark II | 98 mm | 58 mm | 31 mm | 206 g | 235 | n | Jan 2017 | 529 | ebay.com | |
2. | Canon G1 X Mark III | 115 mm | 78 mm | 51 mm | 399 g | 200 | Y | Oct 2017 | 1,299 | ebay.com | |
3. | Canon 80D | 139 mm | 105 mm | 79 mm | 730 g | 960 | Y | Feb 2016 | 1,199 | ebay.com | |
4. | Canon G7 X | 103 mm | 60 mm | 40 mm | 304 g | 210 | n | Sep 2014 | 699 | ebay.com | |
5. | Canon G7 X Mark II | 106 mm | 61 mm | 42 mm | 319 g | 265 | n | Feb 2016 | 699 | ebay.com | |
6. | Canon G9 X | 98 mm | 58 mm | 31 mm | 209 g | 220 | n | Oct 2015 | 529 | ebay.com | |
7. | Canon M100 | 108 mm | 67 mm | 35 mm | 302 g | 295 | n | Aug 2017 | 499 | ebay.com | |
8. | Canon SL2 | 122 mm | 93 mm | 70 mm | 453 g | 650 | n | Jun 2017 | 549 | ebay.com | |
9. | Canon SX70 | 127 mm | 91 mm | 117 mm | 608 g | 325 | n | Sep 2018 | 549 | amazon.com | |
10. | Fujifilm X100F | 127 mm | 75 mm | 52 mm | 469 g | 390 | n | Jan 2017 | 1,299 | ebay.com | |
11. | Fujifilm X100V | 128 mm | 75 mm | 53 mm | 478 g | 420 | Y | Feb 2020 | 1,399 | ebay.com | |
12. | Sony A6300 | 120 mm | 67 mm | 49 mm | 404 g | 400 | Y | Feb 2016 | 999 | ebay.com | |
13. | Sony A6500 | 120 mm | 67 mm | 53 mm | 453 g | 350 | Y | Oct 2016 | 1,399 | ebay.com | |
14. | Sony HX95 | 102 mm | 58 mm | 36 mm | 242 g | 370 | n | Aug 2018 | 429 | ebay.com | |
15. | Sony HX99 | 102 mm | 58 mm | 36 mm | 242 g | 370 | n | Aug 2018 | 449 | ebay.com | |
16. | Sony RX100 | 102 mm | 58 mm | 36 mm | 240 g | 330 | n | Jun 2012 | 649 | ebay.com | |
17. | Sony RX100 V | 102 mm | 58 mm | 41 mm | 299 g | 220 | n | Oct 2016 | 999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G9X Mark II was launched at a markedly lower price (by 59 percent) than the G1X Mark III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G9 X Mark II features an one-inch sensor and the Canon G1 X Mark III an APS-C sensor. The sensor area in the G1X Mark III is 186 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the G1X Mark III offers a higher resolution than the G9X Mark II (20MP), but the G1X Mark III nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 2.41μm for the G9X Mark II) due to its larger sensor. Moreover, the G1X Mark III is a somewhat more recent model (by 9 months) than the G9X Mark II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Canon G1 X Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G1X Mark III for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon G9 X Mark II are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The G1X Mark III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon PowerShot G9 X Mark II has a native sensitivity range from ISO 125 to ISO 12800. The corresponding ISO settings for the Canon PowerShot G1 X Mark III are ISO 100 to ISO 25600 (no boost).
In terms of underlying technology, the G9X Mark II is build around a BSI-CMOS sensor, while the G1X Mark III uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G9 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.9 | 12.5 | 522 | 65 | |
2. | Canon G1 X Mark III | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 13.2 | 1649 | 81 | |
3. | Canon 80D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.2 | 1135 | 79 | |
4. | Canon G7 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 23.0 | 12.7 | 556 | 71 | |
5. | Canon G7 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.8 | 11.9 | 260 | 62 | |
6. | Canon G9 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.5 | 12.3 | 495 | 63 | |
7. | Canon M100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.5 | 12.9 | 1272 | 78 | |
8. | Canon SL2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.4 | 1041 | 79 | |
9. | Canon SX70 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1063 | 51 | |
10. | Fujifilm X100F | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.9 | 13.2 | 1704 | 81 | |
11. | Fujifilm X100V | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.2 | 13.6 | 1996 | 84 | |
12. | Sony A6300 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.4 | 13.7 | 1437 | 85 | |
13. | Sony A6500 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.5 | 13.7 | 1405 | 85 | |
14. | Sony HX95 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.1 | 1057 | 51 | |
15. | Sony HX99 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.1 | 1058 | 51 | |
16. | Sony RX100 | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.6 | 12.4 | 390 | 66 | |
17. | Sony RX100 V | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.4 | 586 | 70 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G1X Mark III has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G9X Mark II relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon G9 X Mark II and Canon G1 X Mark III along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G9 X Mark II | none | n | 3.0 / 1040 | fixed | Y | 1/2000s | 8.2/s | Y | Y | |
2. | Canon G1 X Mark III | 2360 | n | 3.0 / 1040 | swivel | Y | 1/2000s | 9.0/s | Y | Y | |
3. | Canon 80D | optical | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 7.0/s | Y | n | |
4. | Canon G7 X | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 6.5/s | Y | Y | |
5. | Canon G7 X Mark II | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 8.0/s | Y | Y | |
6. | Canon G9 X | none | n | 3.0 / 1040 | fixed | Y | 1/2000s | 6.0/s | Y | Y | |
7. | Canon M100 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.1/s | Y | n | |
8. | Canon SL2 | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
9. | Canon SX70 | 2360 | n | 3.0 / 922 | swivel | n | 1/2000s | 10.0/s | Y | Y | |
10. | Fujifilm X100F | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 8.0/s | Y | n | |
11. | Fujifilm X100V | 3690 | n | 3.0 / 1620 | tilting | Y | 1/4000s | 11.0/s | n | n | |
12. | Sony A6300 | 2359 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
13. | Sony A6500 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | Y | Y | |
14. | Sony HX95 | 638 | n | 3.0 / 922 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
15. | Sony HX99 | 638 | n | 3.0 / 922 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
16. | Sony RX100 | none | n | 3.0 / 1229 | fixed | n | 1/2000s | 10.0/s | Y | Y | |
17. | Sony RX100 V | 2359 | n | 3.0 / 1229 | tilting | n | 1/2000s | 24.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The Canon G9 X Mark II and the Canon G1 X Mark III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the G9X Mark II and the G1X Mark III have zoom lenses built in. The G9X Mark II has a 28-84mm f/2.0-4.9 optic and the G1X Mark III offers a 24-72mm f/2.8-5.6 (focal lengths in full frame equivalent terms). Hence, the G1X Mark III provides a wider angle of view at the short end than the G9X Mark II, but less tele-photo reach at the long end. The G9X Mark II offers the faster maximum aperture.
Concerning the storage of imaging data, both the G9X Mark II and the G1X Mark III write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G9 X Mark II and Canon PowerShot G1 X Mark III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G9 X Mark II | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
2. | Canon G1 X Mark III | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
3. | Canon 80D | Y | stereo / mono | Y | Y | mini | 2.0 | Y | Y | - | |
4. | Canon G7 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
5. | Canon G7 X Mark II | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
6. | Canon G9 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
7. | Canon M100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
8. | Canon SL2 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
9. | Canon SX70 | - | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
10. | Fujifilm X100F | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
11. | Fujifilm X100V | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
12. | Sony A6300 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
13. | Sony A6500 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
14. | Sony HX95 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
15. | Sony HX99 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
16. | Sony RX100 | - | stereo / mono | - | - | micro | 2.0 | - | - | - | |
17. | Sony RX100 V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the G1X Mark III has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The G9X Mark II does not feature such an accessory-socket.
Both the G9X Mark II and the G1X Mark III have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Canon. Further information on the features and operation of the G9X Mark II and G1X Mark III can be found, respectively, in the Canon G9 X Mark II Manual (free pdf) or the online Canon G1 X Mark III Manual.
Review summary
So what is the bottom line? Is the Canon G9 X Mark II better than the Canon G1 X Mark III or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon PowerShot G9 X Mark II:
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/2.8).
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More compact: Is smaller (98x58mm vs 115x78mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 193g or 48 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (235 versus 200) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- More affordable: Was introduced into a lower priced category (59 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2017).
Arguments in favor of the Canon PowerShot G1 X Mark III:
- More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More modern: Was introduced somewhat (9 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the G1X Mark III is the clear winner of the contest (13 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G9 X Mark II and the Canon G1 X Mark III place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the G9X Mark II and the G1X Mark III in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G9 X Mark II | 4/5 | .. | 4/5 | 75/100 | 4.5/5 | 4.5/5 | Jan 2017 | 529 | ebay.com | |
2. | Canon G1 X Mark III | 5/5 | + | 4/5 | 79/100 | 4.5/5 | 4.5/5 | Oct 2017 | 1,299 | ebay.com | |
3. | Canon 80D | 4/5 | + + | 4.5/5 | 84/100 | 4.5/5 | 4.5/5 | Feb 2016 | 1,199 | ebay.com | |
4. | Canon G7 X | 4/5 | + + | .. | 77/100 | 4.5/5 | 4.5/5 | Sep 2014 | 699 | ebay.com | |
5. | Canon G7 X Mark II | 4.5/5 | + + | .. | 81/100 | 4.5/5 | 4.5/5 | Feb 2016 | 699 | ebay.com | |
6. | Canon G9 X | 3.5/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Oct 2015 | 529 | ebay.com | |
7. | Canon M100 | 3/5 | + | .. | .. | 4/5 | 3.5/5 | Aug 2017 | 499 | ebay.com | |
8. | Canon SL2 | 4/5 | + + | 4/5 | 78/100 | 4.5/5 | 4.5/5 | Jun 2017 | 549 | ebay.com | |
9. | Canon SX70 | .. | + + | 3.5/5 | .. | 3.5/5 | 3.5/5 | Sep 2018 | 549 | amazon.com | |
10. | Fujifilm X100F | 5/5 | + | 3.9/5 | 83/100 | 4.5/5 | 4.5/5 | Jan 2017 | 1,299 | ebay.com | |
11. | Fujifilm X100V | 5/5 | + + | 4.5/5 | 86/100 | 5/5 | 4.5/5 | Feb 2020 | 1,399 | ebay.com | |
12. | Sony A6300 | 4.5/5 | + | .. | 85/100 | 5/5 | 5/5 | Feb 2016 | 999 | ebay.com | |
13. | Sony A6500 | 5/5 | + + | 3.5/5 | 85/100 | 4.5/5 | 4.5/5 | Oct 2016 | 1,399 | ebay.com | |
14. | Sony HX95 | .. | .. | .. | .. | .. | .. | Aug 2018 | 429 | ebay.com | |
15. | Sony HX99 | .. | .. | .. | .. | 4/5 | 4.5/5 | Aug 2018 | 449 | ebay.com | |
16. | Sony RX100 | 5/5 | + + | .. | 78/100 | 4/5 | 5/5 | Jun 2012 | 649 | ebay.com | |
17. | Sony RX100 V | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Oct 2016 | 999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 2000D vs Canon G1 X Mark III
- Canon G1 X Mark III vs Canon G5 X
- Canon G1 X Mark III vs Canon R10
- Canon G1 X Mark III vs Fujifilm X-A1
- Canon G1 X Mark III vs Nikon D1
- Canon G1 X Mark III vs Panasonic G85
- Canon G9 X Mark II vs Canon M200
- Canon G9 X Mark II vs Canon T3i
- Canon G9 X Mark II vs Fujifilm X-E4
- Canon G9 X Mark II vs Fujifilm X-T20
- Canon G9 X Mark II vs Panasonic FZ200
- Canon G9 X Mark II vs Pentax Q
Specifications: Canon G9 X Mark II vs Canon G1 X Mark III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon G9 X Mark II | Canon G1 X Mark III |
---|---|---|
Camera Type | Fixed lens compact camera | Fixed lens compact camera |
Camera Lens | 28-84mm f/2.0-4.9 | 24-72mm f/2.8-5.6 |
Launch Date | January 2017 | October 2017 |
Launch Price | USD 529 | USD 1,299 |
Sensor Specs | Canon G9 X Mark II | Canon G1 X Mark III |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | 1" Sensor | APS-C Sensor |
Sensor Size | 13.2 x 8.8 mm | 22.3 x 14.9 mm |
Sensor Area | 116.16 mm2 | 332.27 mm2 |
Sensor Diagonal | 15.9 mm | 26.8 mm |
Crop Factor | 2.7x | 1.5x |
Sensor Resolution | 20 Megapixels | 24 Megapixels |
Image Resolution | 5472 x 3648 pixels | 6000 x 4000 pixels |
Pixel Pitch | 2.41 μm | 3.72 μm |
Pixel Density | 17.18 MP/cm2 | 7.22 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | 1080/60p Video |
ISO Setting | 125 - 12,800 ISO | 100 - 25,600 ISO |
Image Processor | DIGIC 7 | DIGIC 7 |
DXO Sensor Quality (score) | 65 | .. |
DXO Color Depth (bits) | 21.9 | .. |
DXO Dynamic Range (EV) | 12.5 | .. |
DXO Low Light (ISO) | 522 | .. |
Screen Specs | Canon G9 X Mark II | Canon G1 X Mark III |
Viewfinder Type | no viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Resolution | 2360k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 1040k dots |
LCD Attachment | Fixed screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Canon G9 X Mark II | Canon G1 X Mark III |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/2000s | 1/2000s |
Continuous Shooting | 8.2 shutter flaps/s | 9 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Canon G9 X Mark II | Canon G1 X Mark III |
External Flash | no Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | NFC built-in | NFC built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Canon G9 X Mark II | Canon G1 X Mark III |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Canon NB-13L | Canon NB-13L |
Battery Life (CIPA) | 235 shots per charge | 200 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
98 x 58 x 31 mm (3.9 x 2.3 x 1.2 in) |
115 x 78 x 51 mm (4.5 x 3.1 x 2.0 in) |
Camera Weight | 206 g (7.3 oz) | 399 g (14.1 oz) |
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