Canon G7 X vs Olympus E-520
The Canon PowerShot G7 X and the Olympus E-520 are two digital cameras that were officially introduced, respectively, in September 2014 and May 2008. The G7X is a fixed lens compact, while the E-520 is a DSLR. The cameras are based on an one-inch (G7X) and a Four Thirds (E-520) sensor. The Canon has a resolution of 20 megapixels, whereas the Olympus provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G7 X and the Olympus E-520? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Canon G7 X and the Olympus E-520. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-520 is considerably larger (102 percent) than the Canon G7 X. In this context, it is worth noting that neither the G7X nor the E-520 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G7X has a lens built in, whereas the E-520 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-520 and their specifications in the Four Thirds Lens Catalog.
Concerning battery life, the G7X gets 210 shots out of its Canon NB-13L battery, while the E-520 can take 750 images on a single charge of its Olympus BLM-1 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G7 X | 103 mm | 60 mm | 40 mm | 304 g | 210 | n | Sep 2014 | 699 | ebay.com | |
2. | Olympus E-520 | 136 mm | 92 mm | 68 mm | 535 g | 750 | n | May 2008 | 699 | ebay.com | |
3. | Canon G7 X Mark III | 105 mm | 61 mm | 41 mm | 304 g | 235 | n | Jul 2019 | 749 | amazon.com | |
4. | Canon G7 X Mark II | 106 mm | 61 mm | 42 mm | 319 g | 265 | n | Feb 2016 | 699 | ebay.com | |
5. | Canon G5 X | 112 mm | 76 mm | 44 mm | 353 g | 210 | n | Oct 2015 | 799 | ebay.com | |
6. | Canon G9 X | 98 mm | 58 mm | 31 mm | 209 g | 220 | n | Oct 2015 | 529 | ebay.com | |
7. | Canon M3 | 111 mm | 68 mm | 44 mm | 366 g | 250 | n | Feb 2015 | 679 | ebay.com | |
8. | Canon M10 | 108 mm | 67 mm | 35 mm | 301 g | 255 | n | Oct 2015 | 499 | ebay.com | |
9. | Canon T6i | 132 mm | 101 mm | 78 mm | 555 g | 440 | n | Feb 2015 | 749 | ebay.com | |
10. | Olympus E-600 | 130 mm | 94 mm | 60 mm | 535 g | 500 | n | Aug 2009 | 449 | ebay.com | |
11. | Olympus E-620 | 130 mm | 94 mm | 60 mm | 521 g | 500 | n | Feb 2009 | 699 | ebay.com | |
12. | Olympus E-420 | 130 mm | 91 mm | 53 mm | 440 g | 500 | n | Mar 2008 | 599 | ebay.com | |
13. | Olympus E-410 | 130 mm | 91 mm | 53 mm | 435 g | 500 | n | Mar 2007 | 699 | ebay.com | |
14. | Olympus E-510 | 136 mm | 92 mm | 68 mm | 538 g | 750 | n | Mar 2007 | 799 | ebay.com | |
15. | Sony RX100 IV | 102 mm | 58 mm | 41 mm | 298 g | 280 | n | Jun 2015 | 999 | ebay.com | |
16. | Sony RX100 III | 102 mm | 58 mm | 41 mm | 290 g | 320 | n | May 2014 | 799 | ebay.com | |
17. | Sony RX100 II | 102 mm | 58 mm | 38 mm | 281 g | 350 | n | Jun 2013 | 749 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon G7 X features an one-inch sensor and the Olympus E-520 a Four Thirds sensor. The sensor area in the E-520 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the G7X has a native 3:2 aspect ratio, while the one in the E-520 offers a 4:3 aspect.
Despite having a smaller sensor, the Canon G7 X offers a higher resolution of 20 megapixels, compared with 10 MP of the Olympus E-520. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.74μm for the E-520). However, it should be noted that the G7X is much more recent (by 6 years and 4 months) than the E-520, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon G7 X implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G7X for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Olympus E-520 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Canon PowerShot G7 X has a native sensitivity range from ISO 125 to ISO 12800. The corresponding ISO settings for the Olympus E-520 are ISO 100 to ISO 1600 (no boost).
In terms of underlying technology, the G7X is build around a BSI-CMOS sensor, while the E-520 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the G7X provides substantially higher image quality than the E-520, with an overall score that is 16 points higher. This advantage is based on 1.6 bits higher color depth, 2.3 EV in additional dynamic range, and 0 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G7 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 23.0 | 12.7 | 556 | 71 | |
2. | Olympus E-520 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.4 | 10.4 | 548 | 55 | |
3. | Canon G7 X Mark III | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.4 | 583 | 65 | |
4. | Canon G7 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.8 | 11.9 | 260 | 62 | |
5. | Canon G5 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.4 | 12.3 | 471 | 62 | |
6. | Canon G9 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.5 | 12.3 | 495 | 63 | |
7. | Canon M3 | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.8 | 11.8 | 1169 | 72 | |
8. | Canon M10 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.2 | 11.4 | 753 | 65 | |
9. | Canon T6i | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.7 | 12.0 | 919 | 71 | |
10. | Olympus E-600 | Four Thirds | 12.2 | 4032 | 3024 | none | 21.5 | 10.3 | 541 | 55 | |
11. | Olympus E-620 | Four Thirds | 12.2 | 4032 | 3024 | none | 21.3 | 10.3 | 536 | 55 | |
12. | Olympus E-420 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.5 | 10.4 | 527 | 56 | |
13. | Olympus E-410 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.1 | 10.0 | 494 | 51 | |
14. | Olympus E-510 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.2 | 10.0 | 442 | 52 | |
15. | Sony RX100 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.6 | 591 | 70 | |
16. | Sony RX100 III | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.4 | 12.3 | 495 | 67 | |
17. | Sony RX100 II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.5 | 12.4 | 483 | 67 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The G7X indeed provides movie recording capabilities, while the E-520 does not. The highest resolution format that the G7X can use is 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-520 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the G7X relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon G7 X and Olympus E-520 in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G7 X | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 6.5/s | Y | Y | |
2. | Olympus E-520 | optical | n | 2.7 / 215 | fixed | n | 1/4000s | 3.5/s | Y | Y | |
3. | Canon G7 X Mark III | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 30/s | Y | Y | |
4. | Canon G7 X Mark II | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 8.0/s | Y | Y | |
5. | Canon G5 X | 2360 | n | 3.0 / 1040 | swivel | Y | 1/2000s | 5.9/s | Y | Y | |
6. | Canon G9 X | none | n | 3.0 / 1040 | fixed | Y | 1/2000s | 6.0/s | Y | Y | |
7. | Canon M3 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
8. | Canon M10 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.6/s | Y | n | |
9. | Canon T6i | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
10. | Olympus E-600 | optical | n | 2.7 / 230 | swivel | n | 1/4000s | 4.0/s | Y | Y | |
11. | Olympus E-620 | optical | n | 2.7 / 230 | swivel | n | 1/4000s | 4.0/s | Y | Y | |
12. | Olympus E-420 | optical | n | 2.7 / 215 | fixed | n | 1/4000s | 3.5/s | Y | n | |
13. | Olympus E-410 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 3.0/s | Y | n | |
14. | Olympus E-510 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 3.0/s | Y | Y | |
15. | Sony RX100 IV | 2359 | n | 3.0 / 1228 | tilting | n | 1/2000s | 16.0/s | Y | Y | |
16. | Sony RX100 III | 1440 | n | 3.0 / 1229 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
17. | Sony RX100 II | optional | n | 3.0 / 1229 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G7X has a touchscreen, while the E-520 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The G7X has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the E-520 does not have a selfie-screen.The Canon G7 X has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G7X writes its imaging data to SDXC cards, while the E-520 uses Compact Flash or xD Picture cards. The E-520 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G7X only has one slot.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G7 X and Olympus E-520 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G7 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
2. | Olympus E-520 | Y | - / - | - | - | - | 2.0 | - | - | - | |
3. | Canon G7 X Mark III | - | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
4. | Canon G7 X Mark II | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
5. | Canon G5 X | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
6. | Canon G9 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
7. | Canon M3 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
8. | Canon M10 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
9. | Canon T6i | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
10. | Olympus E-600 | Y | - / - | - | - | - | 2.0 | - | - | - | |
11. | Olympus E-620 | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Olympus E-420 | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Olympus E-410 | Y | - / - | - | - | - | 2.0 | - | - | - | |
14. | Olympus E-510 | Y | - / - | - | - | - | 2.0 | - | - | - | |
15. | Sony RX100 IV | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony RX100 III | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
17. | Sony RX100 II | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the G7X offers wifi support, while the E-520 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the G7X and the E-520 have been discontinued, but can regularly be found used on ebay. The G7X was replaced by the Canon G7 X Mark II, while the E-520 does not have a direct successor. Further information on the features and operation of the G7X and E-520 can be found, respectively, in the Canon G7 X Manual (free pdf) or the online Olympus E-520 Manual.
Review summary
So how do things add up? Is the Canon G7 X better than the Olympus E-520 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon PowerShot G7 X:
- More detail: Offers more megapixels (20 vs 10MP) with a 44% higher linear resolution.
- Better image quality: Scores substantially higher (16 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.6 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.3 EV of extra DR).
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 215k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6.5 vs 3.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with a built-in lens, while the E-520 requires a separate lens.
- More compact: Is smaller (103x60mm vs 136x92mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the E-520).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 6 years and 4 months of technical progress since the E-520 launch.
Advantages of the Olympus E-520:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (750 versus 210) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in May 2008).
If the number of relative strengths (bullet points above) is taken as a guide, the G7X is the clear winner of the match-up (18 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G7 X and the Olympus E-520 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the G7X or the E-520 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G7 X | 4/5 | + + | .. | 77/100 | 4.5/5 | 4.5/5 | Sep 2014 | 699 | ebay.com | |
2. | Olympus E-520 | .. | 87/100 | .. | + + | 4.5/5 | 4.5/5 | May 2008 | 699 | ebay.com | |
3. | Canon G7 X Mark III | .. | + + | 4/5 | 81/100 | 4/5 | .. | Jul 2019 | 749 | amazon.com | |
4. | Canon G7 X Mark II | 4.5/5 | + + | .. | 81/100 | 4.5/5 | 4.5/5 | Feb 2016 | 699 | ebay.com | |
5. | Canon G5 X | 5/5 | + + | .. | 78/100 | 4.5/5 | 4.5/5 | Oct 2015 | 799 | ebay.com | |
6. | Canon G9 X | 3.5/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Oct 2015 | 529 | ebay.com | |
7. | Canon M3 | 4/5 | o | .. | 75/100 | 4.5/5 | 4/5 | Feb 2015 | 679 | ebay.com | |
8. | Canon M10 | .. | .. | .. | .. | .. | 4/5 | Oct 2015 | 499 | ebay.com | |
9. | Canon T6i | 5/5 | .. | .. | 75/100 | 4.5/5 | 4.5/5 | Feb 2015 | 749 | ebay.com | |
10. | Olympus E-600 | .. | .. | .. | .. | .. | 4.5/5 | Aug 2009 | 449 | ebay.com | |
11. | Olympus E-620 | 3/5 | 88/100 | .. | 72/100 | 4.5/5 | 5/5 | Feb 2009 | 699 | ebay.com | |
12. | Olympus E-420 | .. | 85/100 | .. | + + | 4/5 | 4.5/5 | Mar 2008 | 599 | ebay.com | |
13. | Olympus E-410 | .. | 86/100 | .. | + + | 4/5 | 4.5/5 | Mar 2007 | 699 | ebay.com | |
14. | Olympus E-510 | .. | 89/100 | .. | + + | 3.5/5 | 4.5/5 | Mar 2007 | 799 | ebay.com | |
15. | Sony RX100 IV | 4.5/5 | + + | .. | 85/100 | 4/5 | 4.5/5 | Jun 2015 | 999 | ebay.com | |
16. | Sony RX100 III | 5/5 | + + | .. | 82/100 | 4.5/5 | 5/5 | May 2014 | 799 | ebay.com | |
17. | Sony RX100 II | 5/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Jun 2013 | 749 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5DS R vs Canon G7 X
- Canon 7D vs Canon G7 X
- Canon G3 X vs Olympus E-520
- Canon G7 X vs Fujifilm X-E2S
- Canon G7 X vs Nikon 1 V2
- Canon G7 X vs Panasonic GX850
- Canon G7 X vs Pentax K-1 II
- Canon SX730 vs Olympus E-520
- Leica X-U Typ 113 vs Olympus E-520
- Olympus E-510 vs Olympus E-520
- Olympus E-520 vs Pentax MX-1
- Olympus E-520 vs Sony NEX-5T
Specifications: Canon G7 X vs Olympus E-520
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon G7 X | Olympus E-520 |
---|---|---|
Camera Type | Fixed lens compact camera | Digital single lens reflex |
Camera Lens | 24-100mm f/1.8-2.8 | Four Thirds lenses |
Launch Date | September 2014 | May 2008 |
Launch Price | USD 699 | USD 699 |
Sensor Specs | Canon G7 X | Olympus E-520 |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | 1" Sensor | Four Thirds Sensor |
Sensor Size | 13.2 x 8.8 mm | 17.3 x 13.0 mm |
Sensor Area | 116.16 mm2 | 224.9 mm2 |
Sensor Diagonal | 15.9 mm | 21.6 mm |
Crop Factor | 2.7x | 2.0x |
Sensor Resolution | 20 Megapixels | 10 Megapixels |
Image Resolution | 5472 x 3648 pixels | 3648 x 2736 pixels |
Pixel Pitch | 2.41 μm | 4.74 μm |
Pixel Density | 17.18 MP/cm2 | 4.44 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | no Video |
ISO Setting | 125 - 12,800 ISO | 100 - 1,600 ISO |
Image Processor | DIGIC 6 | TruePic III |
DXO Sensor Quality (score) | 71 | 55 |
DXO Color Depth (bits) | 23.0 | 21.4 |
DXO Dynamic Range (EV) | 12.7 | 10.4 |
DXO Low Light (ISO) | 556 | 548 |
Screen Specs | Canon G7 X | Olympus E-520 |
Viewfinder Type | no viewfinder | Optical viewfinder |
Viewfinder Field of View | 95% | |
Viewfinder Magnification | 0.46x | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 2.7inch |
LCD Resolution | 1040k dots | 215k dots |
LCD Attachment | Tilting screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Canon G7 X | Olympus E-520 |
Focus System | Contrast-detect AF | Phase-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 6.5 shutter flaps/s | 3.5 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | Lens-based stabilization | In-body stabilization |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | CF or XD cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
Connectivity Specs | Canon G7 X | Olympus E-520 |
External Flash | no Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | no HDMI |
Wifi Support | Wifi built-in | no Wifi |
Near-Field Communication | NFC built-in | no NFC |
Body Specs | Canon G7 X | Olympus E-520 |
Battery Type | Canon NB-13L | Olympus BLM-1 |
Battery Life (CIPA) | 210 shots per charge | 750 shots per charge |
Body Dimensions |
103 x 60 x 40 mm (4.1 x 2.4 x 1.6 in) |
136 x 92 x 68 mm (5.4 x 3.6 x 2.7 in) |
Camera Weight | 304 g (10.7 oz) | 535 g (18.9 oz) |
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