Canon G7 X Mark III vs Sony A77 II

The Canon PowerShot G7 X Mark III and the Sony Alpha SLT-A77 II are two digital cameras that were revealed to the public, respectively, in July 2019 and May 2014. The G7X Mark III is a fixed lens compact, while the A77 II is a DSLR. The cameras are based on an one-inch (G7X Mark III) and an APS-C (A77 II) sensor. The Canon has a resolution of 20 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon G7 X Mark III		Sony A77 II
Fixed lens compact camera		Digital single lens reflex
24-100mm f/1.8-2.8		Sony A mount lenses
20 MP – 1" sensor		24 MP – APS-C sensor
4K/30p Video		1080/60p Video
ISO 125-12,800 (125 - 25,600)		ISO 100-25,600 (50 - 51,200)
No viewfinder, LCD framing		Electronic viewfinder (2359k dots)
3.0" LCD – 1040k dots		3.0" LCD – 1229k dots
Tilting touchscreen		Fully flexible screen (no touchscreen)
30 shutter flaps per second		12 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
235 shots per battery charge		480 shots per battery charge
105 x 61 x 41 mm, 304 g		143 x 104 x 81 mm, 647 g

Check G7X Mark III price at
amazon.com
Check A77 II offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G7 X Mark III and the Sony Alpha SLT-A77 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon G7 X Mark III and the Sony A77 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The G7X Mark III can be obtained in two different colors (black, silver), while the A77 II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A77 II is considerably larger (132 percent) than the Canon G7 X Mark III. It is noteworthy in this context that the A77 II is splash and dust-proof, while the G7X Mark III does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G7X Mark III has a lens built in, whereas the A77 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the G7X Mark III gets 235 shots out of its Canon NB-13L battery, while the A77 II can take 480 images on a single charge of its Sony NP-FM500H power pack. The power pack in the G7X Mark III can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon G7 X Mark III	105 mm	61 mm	41 mm	304 g	235	n	Jul 2019	749	amazon.com
2.		Sony A77 II	143 mm	104 mm	81 mm	647 g	480	Y	May 2014	1,199	ebay.com
3.		Canon G5 X	112 mm	76 mm	44 mm	353 g	210	n	Oct 2015	799	ebay.com
4.		Canon G5 X Mark II	111 mm	61 mm	46 mm	340 g	230	n	Jul 2019	899	ebay.com
5.		Canon G7 X	103 mm	60 mm	40 mm	304 g	210	n	Sep 2014	699	ebay.com
6.		Canon G7 X Mark II	106 mm	61 mm	42 mm	319 g	265	n	Feb 2016	699	ebay.com
7.		Canon SX740	110 mm	64 mm	40 mm	299 g	265	n	Jul 2018	399	amazon.com
8.		Leica C-LUX	113 mm	67 mm	46 mm	340 g	370	n	Jun 2018	1,049	ebay.com
9.		Nikon D7100	136 mm	107 mm	76 mm	765 g	950	Y	Feb 2013	1,199	ebay.com
10.		Panasonic FZ1000 II	136 mm	97 mm	131 mm	810 g	350	n	Feb 2019	899	amazon.com
11.		Panasonic ZS200	111 mm	65 mm	45 mm	340 g	370	n	Feb 2018	799	amazon.com
12.		Sony A58	129 mm	95 mm	78 mm	492 g	690	n	Feb 2013	599	ebay.com
13.		Sony A68	143 mm	104 mm	81 mm	610 g	540	n	Nov 2015	699	ebay.com
14.		Sony A77	143 mm	104 mm	81 mm	732 g	470	Y	Aug 2011	1,399	ebay.com
15.		Sony A6600	120 mm	67 mm	69 mm	503 g	810	Y	Aug 2019	1,399	amazon.com
16.		Sony RX100 VI	102 mm	58 mm	43 mm	301 g	240	n	Jun 2018	1,199	ebay.com
17.		Sony ZV-1	105 mm	60 mm	44 mm	294 g	260	n	May 2020	799	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G7X Mark III was launched at a lower price than the A77 II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon G7 X Mark III features an one-inch sensor and the Sony A77 II an APS-C sensor. The sensor area in the A77 II is 216 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 24MP, the A77 II offers a higher resolution than the G7X Mark III (20MP), but the A77 II nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.41μm for the G7X Mark III) due to its larger sensor. However, the G7X Mark III is a much more recent model (by 5 years and 2 months) than the A77 II, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A77 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A77 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon G7 X Mark III are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.

The Canon PowerShot G7 X Mark III has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Sony Alpha SLT-A77 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.

In terms of underlying technology, the G7X Mark III is build around a BSI-CMOS sensor, while the A77 II uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon G7 X Mark III	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	583	65
2.		Sony A77 II	APS-C	24.0	6000	4000	1080/60p	24.4	13.4	1013	82
3.		Canon G5 X	1-inch	20.0	5472	3648	1080/60p	21.4	12.3	471	62
4.		Canon G5 X Mark II	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	583	65
5.		Canon G7 X	1-inch	20.0	5472	3648	1080/60p	23.0	12.7	556	71
6.		Canon G7 X Mark II	1-inch	20.0	5472	3648	1080/60p	21.8	11.9	260	62
7.		Canon SX740	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1050	51
8.		Leica C-LUX	1-inch	20.0	5472	3648	4K/30p	22.1	12.3	481	64
9.		Nikon D7100	APS-C	24.0	6000	4000	1080/60p	24.2	13.7	1256	83
10.		Panasonic FZ1000 II	1-inch	20.0	5472	3648	4K/30p	22.1	12.4	546	65
11.		Panasonic ZS200	1-inch	20.0	5472	3648	4K/30p	22.0	12.2	449	64
12.		Sony A58	APS-C	19.8	5456	3632	1080/60i	23.3	12.5	753	74
13.		Sony A68	APS-C	24.0	6000	4000	1080/60i	24.1	13.5	701	79
14.		Sony A77	APS-C	24.0	6000	4000	1080/60p	24.0	13.2	801	78
15.		Sony A6600	APS-C	24.0	6000	4000	4K/30p	23.8	13.4	1497	82
16.		Sony RX100 VI	1-inch	20.0	5472	3648	4K/30p	22.1	12.3	478	64
17.		Sony ZV-1	1-inch	20.0	5472	3648	4K/30p	22.2	12.6	669	66
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G7X Mark III provides a higher video resolution than the A77 II. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the A77 II has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G7X Mark III relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon G7 X Mark III, the Sony A77 II, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon G7 X Mark III	none	n	3.0 / 1040	tilting	Y	1/2000s	30/s	Y	Y
2.		Sony A77 II	2359	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	Y	Y
3.		Canon G5 X	2360	n	3.0 / 1040	swivel	Y	1/2000s	5.9/s	Y	Y
4.		Canon G5 X Mark II	2360	n	3.0 / 1040	tilting	Y	1/2000s	30/s	Y	Y
5.		Canon G7 X	none	n	3.0 / 1040	tilting	Y	1/2000s	6.5/s	Y	Y
6.		Canon G7 X Mark II	none	n	3.0 / 1040	tilting	Y	1/2000s	8.0/s	Y	Y
7.		Canon SX740	none	n	3.0 / 922	tilting	n	1/3200s	10.0/s	Y	Y
8.		Leica C-LUX	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
9.		Nikon D7100	optical	Y	3.2 / 1229	fixed	n	1/8000s	6.0/s	Y	n
10.		Panasonic FZ1000 II	2360	n	3.0 / 1240	swivel	Y	1/4000s	12.0/s	Y	Y
11.		Panasonic ZS200	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
12.		Sony A58	1440	n	2.7 / 460	tilting	n	1/4000s	5.0/s	Y	Y
13.		Sony A68	1440	Y	2.7 / 460	tilting	n	1/4000s	8.0/s	Y	Y
14.		Sony A77	2359	Y	3.0 / 921	full-flex	n	1/8000s	12.0/s	Y	Y
15.		Sony A6600	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	n	Y
16.		Sony RX100 VI	2359	n	3.0 / 1229	tilting	Y	1/2000s	24.0/s	Y	Y
17.		Sony ZV-1	none	n	3.0 / 922	swivel	Y	1/2000s	24.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G7X Mark III has a touchscreen, while the A77 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G7X Mark III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon G7 X Mark III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The G7X Mark III writes its imaging data to SDXC cards, while the A77 II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G7 X Mark III and Sony Alpha SLT-A77 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon G7 X Mark III	-	stereo / mono	Y	-	micro	3.1	Y	-	Y
2.		Sony A77 II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
3.		Canon G5 X	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
4.		Canon G5 X Mark II	-	stereo / mono	-	-	micro	3.1	Y	-	Y
5.		Canon G7 X	-	stereo / mono	-	-	micro	2.0	Y	Y	-
6.		Canon G7 X Mark II	-	stereo / mono	-	-	micro	2.0	Y	Y	-
7.		Canon SX740	-	stereo / mono	-	-	micro	2.0	Y	-	Y
8.		Leica C-LUX	-	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Nikon D7100	Y	stereo / mono	Y	Y	mini	2.0	-	-	-
10.		Panasonic FZ1000 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
11.		Panasonic ZS200	-	stereo / mono	-	-	micro	2.0	Y	-	Y
12.		Sony A58	Y	stereo / mono	Y	-	mini	2.0	-	-	-
13.		Sony A68	Y	stereo / mono	Y	-	micro	2.0	-	-	-
14.		Sony A77	Y	stereo / mono	Y	-	mini	2.0	-	-	-
15.		Sony A6600	Y	stereo / mono	Y	Y	YES	2.0	Y	Y	Y
16.		Sony RX100 VI	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
17.		Sony ZV-1	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y

It is notable that the A77 II has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The G7X Mark III does not feature such an accessory-socket.

Studio photographers will appreciate that the Sony A77 II (unlike the G7X Mark III) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The G7X Mark III is a recent model that features in the current product line-up of Canon. In contrast, the A77 II has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the A77 II from Sony. Further information on the features and operation of the G7X Mark III and A77 II can be found, respectively, in the Canon G7 X Mark III Manual (free pdf) or the online Sony A77 II Manual.

Review summary

So how do things add up? Is the Canon G7 X Mark III better than the Sony A77 II or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Canon PowerShot G7 X Mark III:

• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster burst: Shoots at higher frequency (30 vs 12 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Comes with a built-in lens, while the A77 II requires a separate lens.
• More compact: Is smaller (105x61mm vs 143x104mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the A77 II).
• Easier travel charging: Can be conveniently charged via its USB port.
• Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 5 years and 2 months of technical progress since the A77 II launch.

Arguments in favor of the Sony Alpha SLT-A77 II:

• More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
• More flexible: Makes it possible to change lenses and thus to use specialty optics.
• Longer lasting: Gets more shots (480 versus 235) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More heavily discounted: Has been around for much longer (launched in May 2014).

If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (13 points each). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon G7 X Mark III and the Sony A77 II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G7X Mark III or the A77 II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon G7 X Mark III	..	+ +	4/5	81/100	4/5	..	Jul 2019	749	amazon.com
2.		Sony A77 II	4/5	..	..	80/100	4.5/5	5/5	May 2014	1,199	ebay.com
3.		Canon G5 X	5/5	+ +	..	78/100	4.5/5	4.5/5	Oct 2015	799	ebay.com
4.		Canon G5 X Mark II	4/5	+	4/5	82/100	..	4/5	Jul 2019	899	ebay.com
5.		Canon G7 X	4/5	+ +	..	77/100	4.5/5	4.5/5	Sep 2014	699	ebay.com
6.		Canon G7 X Mark II	4.5/5	+ +	..	81/100	4.5/5	4.5/5	Feb 2016	699	ebay.com
7.		Canon SX740	..	+	3.5/5	..	4/5	4/5	Jul 2018	399	amazon.com
8.		Leica C-LUX	..	..	3.5/5	..	4.5/5	4/5	Jun 2018	1,049	ebay.com
9.		Nikon D7100	5/5	+ +	..	85/100	4.5/5	4.5/5	Feb 2013	1,199	ebay.com
10.		Panasonic FZ1000 II	..	..	..	83/100	4.5/5	4.5/5	Feb 2019	899	amazon.com
11.		Panasonic ZS200	..	+ +	4.5/5	81/100	4.5/5	4.5/5	Feb 2018	799	amazon.com
12.		Sony A58	3/5	..	..	..	4.5/5	4.5/5	Feb 2013	599	ebay.com
13.		Sony A68	3/5	..	..	..	4/5	4/5	Nov 2015	699	ebay.com
14.		Sony A77	5/5	91/100	..	81/100	..	5/5	Aug 2011	1,399	ebay.com
15.		Sony A6600	4/5	+	4/5	83/100	4.5/5	4/5	Aug 2019	1,399	amazon.com
16.		Sony RX100 VI	4.5/5	+ +	..	83/100	4/5	4.5/5	Jun 2018	1,199	ebay.com
17.		Sony ZV-1	4/5	+	4/5	85/100	4/5	4.5/5	May 2020	799	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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