Canon G7 X Mark II vs Sony A6600
The Canon PowerShot G7 X Mark II and the Sony Alpha A6600 are two digital cameras that were announced, respectively, in February 2016 and August 2019. The G7X Mark II is a fixed lens compact, while the A6600 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (G7X Mark II) and an APS-C (A6600) sensor. The Canon has a resolution of 20 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G7 X Mark II and the Sony Alpha A6600? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon G7 X Mark II and the Sony A6600 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6600 is notably larger (24 percent) than the Canon G7 X Mark II. It is noteworthy in this context that the A6600 is splash and dust-proof, while the G7X Mark II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G7X Mark II has a lens built in, whereas the A6600 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6600 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the G7X Mark II gets 265 shots out of its NB-13L battery, while the A6600 can take 810 images on a single charge of its NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|2.||Sony A6600||120 mm||67 mm||69 mm||503 g||810||Y||Aug 2019||1,399|
|3.||Canon G7 X Mark III||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749|
|4.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|5.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529|
|6.||Canon M3||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679|
|7.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|8.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699|
|9.||Panasonic LX10||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699|
|10.||Sony A7C||124 mm||71 mm||60 mm||509 g||740||Y||Sep 2020||1,799|
|11.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|12.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|13.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|14.||Sony A77 II||143 mm||104 mm||81 mm||647 g||480||Y||May 2014||1,199|
|15.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799|
|16.||Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749|
|17.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G7X Mark II was launched at a lower price than the A6600, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon G7 X Mark II features an one-inch sensor and the Sony A6600 an APS-C sensor. The sensor area in the A6600 is 216 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A6600 offers a higher resolution than the G7X Mark II (20MP), but the A6600 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.41μm for the G7X Mark II) due to its larger sensor. Moreover, the A6600 is a much more recent model (by 3 years and 6 months) than the G7X Mark II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A6600 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6600 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon G7 X Mark II are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The A6600 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon PowerShot G7 X Mark II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Sony Alpha A6600 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|3.||Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|4.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|5.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|7.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|10.||Sony A7C||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3407||95|
|12.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|13.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|14.||Sony A77 II||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|15.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|16.||Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A6600 provides a better video resolution than the G7X Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6600 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G7X Mark II relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon G7 X Mark II and Sony A6600 in connection with corresponding information for a sample of similar cameras.
|1.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0||Y||Y|
|2.||Sony A6600||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||n||Y|
|3.||Canon G7 X Mark III||none||n||3.0 / 1040||tilting||Y||1/2000s||30||Y||Y|
|4.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9||Y||Y|
|5.||Canon G9 X||none||n||3.0 / 1040||fixed||Y||1/2000s||6.0||Y||Y|
|6.||Canon M3||optional||n||3.0 / 1040||tilting||Y||1/4000s||4.2||Y||n|
|7.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5||Y||Y|
|8.||Fujifilm X-T4||3690||n||3.0 / 1620||swivel||Y||1/8000s||15.0||n||Y|
|9.||Panasonic LX10||none||n||3.0 / 1040||tilting||Y||1/4000s||10.0||Y||Y|
|10.||Sony A7C||2360||n||3.0 / 922||swivel||Y||1/4000s||10.0||n||Y|
|11.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||Y||Y|
|12.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0||Y||Y|
|13.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0||Y||Y|
|14.||Sony A77 II||2359||Y||3.0 / 1229||full-flex||n||1/8000s||12.0||Y||Y|
|15.||Sony RX100 III||1440||n||3.0 / 1229||tilting||n||1/2000s||10.0||Y||Y|
|16.||Sony RX100 II||optional||n||3.0 / 1229||tilting||n||1/2000s||10.0||Y||Y|
|17.||Sony A77||2359||Y||3.0 / 921||full-flex||n||1/8000s||12.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The G7X Mark II has one, while the A6600 does not. While the built-in flash of the G7X Mark II is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6600 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G7 X Mark II and the Sony A6600 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G7X Mark II writes its imaging data to SDXC cards, while the A6600 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G7 X Mark II and Sony Alpha A6600 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|2.||Sony A6600||Y||stereo / mono||Y||Y||YES||2.0||Y||Y||Y|
|3.||Canon G7 X Mark III||-||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|4.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon G9 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|6.||Canon M3||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|7.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|8.||Fujifilm X-T4||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|9.||Panasonic LX10||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Sony A7C||Y||stereo / mono||Y||Y||micro||3.2||Y||Y||Y|
|11.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|12.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|13.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Sony A77 II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|15.||Sony RX100 III||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX100 II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony A77||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the A6600 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G7X Mark II does not feature such a mic input.
The A6600 is a recent model that features in the current product line-up of Sony. In contrast, the G7X Mark II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the G7X Mark II was succeeded by the Canon G7 X Mark III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Canon G7 X Mark II or the Sony A6600 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon PowerShot G7 X Mark II:
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Ready to shoot: Has a lens built-in, whereas the A6600 requires a separate lens.
- More compact: Is smaller (106x61mm vs 120x67mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A6600).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in February 2016).
Advantages of the Sony Alpha A6600:
- More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (11 vs 8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (810 versus 265) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 3 years and 6 months of technical progress since the G7X Mark II launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A6600 is the clear winner of the contest (19 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G7 X Mark II and the Sony A6600 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the G7X Mark II and the A6600 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699|
|2.||Sony A6600||4/5||+||4/5||83/100||4.5/5||4/5||Aug 2019||1,399|
|3.||Canon G7 X Mark III||..||+ +||4/5||81/100||4/5||..||Jul 2019||749|
|4.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799|
|5.||Canon G9 X||3.5/5||+ +||..||..||4.5/5||4.5/5||Oct 2015||529|
|6.||Canon M3||4/5||o||..||75/100||4.5/5||4/5||Feb 2015||679|
|7.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699|
|8.||Fujifilm X-T4||5/5||+ +||5/5||88/100||5/5||5/5||Feb 2020||1,699|
|9.||Panasonic LX10||..||+ +||..||81/100||4/5||4.5/5||Sep 2016||699|
|10.||Sony A7C||3.5/5||..||3.5/5||86/100||4/5||4/5||Sep 2020||1,799|
|11.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|12.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999|
|13.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|14.||Sony A77 II||4/5||..||..||80/100||4.5/5||5/5||May 2014||1,199|
|15.||Sony RX100 III||5/5||+ +||..||82/100||4.5/5||5/5||May 2014||799|
|16.||Sony RX100 II||5/5||+ +||..||79/100||4.5/5||4.5/5||Jun 2013||749|
|17.||Sony A77||5/5||91/100||..||81/100||..||5/5||Aug 2011||1,399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 40D vs Canon G7 X Mark II
- Canon G7 X Mark II vs Canon SX50
- Canon G7 X Mark II vs Canon SX540
- Canon G7 X Mark II vs Nikon Z7 II
- Canon G7 X Mark II vs Panasonic TZ90
- Canon G7 X Mark II vs Sony H300
- Canon M50 vs Sony A6600
- Canon SX420 vs Sony A6600
- Leica D-LUX 7 vs Sony A6600
- Nikon D6 vs Sony A6600
- Olympus E-5 vs Sony A6600
- Sony A6400 vs Sony A6600
Specifications: Canon G7 X Mark II vs Sony A6600
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G7 X Mark II||Sony A6600|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-100mm f/1.8-2.8||Sony E mount lenses|
|Launch Date||February 2016||August 2019|
|Launch Price||USD 699||USD 1,399|
|Sensor Specs||Canon G7 X Mark II||Sony A6600|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.5 x 15.6 mm|
|Sensor Area||116.16 mm2||366.6 mm2|
|Sensor Diagonal||15.9 mm||28.2 mm|
|Sensor Resolution||20 Megapixels||24 Megapixels|
|Image Resolution||5472 x 3648 pixels||6000 x 4000 pixels|
|Pixel Pitch||2.41 μm||3.91 μm|
|Pixel Density||17.18 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||125 - 12,800 ISO||100 - 32,000 ISO|
|ISO Boost||125 - 25,600 ISO||100 - 102,400 ISO|
|Image Processor||DIGIC 7||BIONZ X|
|DXO Sensor Quality (score)||..||82|
|DXO Color Depth (bits)||..||23.8|
|DXO Dynamic Range (EV)||..||13.4|
|DXO Low Light (ISO)||..||1497|
|Screen Specs||Canon G7 X Mark II||Sony A6600|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||922k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Canon G7 X Mark II||Sony A6600|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||8 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon G7 X Mark II||Sony A6600|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||YES HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon G7 X Mark II||Sony A6600|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||265 shots per charge||810 shots per charge|
|In-Camera Charging||USB charging||USB charging|
106 x 61 x 42 mm
(4.2 x 2.4 x 1.7 in)
120 x 67 x 69 mm
(4.7 x 2.6 x 2.7 in)
|Camera Weight||319 g (11.3 oz)||503 g (17.7 oz)|
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