Canon G7 X Mark II vs Sony A1

The Canon PowerShot G7 X Mark II and the Sony A1 are two digital cameras that were officially introduced, respectively, in February 2016 and January 2021. The G7X Mark II is a fixed lens compact, while the A1 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (G7X Mark II) and a full frame (A1) sensor. The Canon has a resolution of 20 megapixels, whereas the Sony provides 49.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon G7 X Mark II		Sony A1
Fixed lens compact camera		Mirrorless system camera
24-100mm f/1.8-2.8		Sony E mount lenses
20 MP – 1" sensor		49.8 MP – Full Frame sensor
1080/60p Video		8k/30p Video
ISO 125-12,800 (125 - 25,600)		ISO 100-32,000 (50 - 102,400)
No viewfinder, LCD framing		Electronic viewfinder (9437k dots)
3.0" LCD – 1040k dots		3.0" LCD – 1440k dots
Tilting touchscreen		Tilting touchscreen
8 shutter flaps per second		10 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
265 shots per battery charge		530 shots per battery charge
106 x 61 x 42 mm, 319 g		129 x 97 x 81 mm, 737 g

Check G7X Mark II offers at
ebay.com
Check A1 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G7 X Mark II and the Sony A1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon G7 X Mark II and the Sony A1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A1 is considerably larger (94 percent) than the Canon G7 X Mark II. It is noteworthy in this context that the A1 is splash and dust-proof, while the G7X Mark II does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G7X Mark II has a lens built in, whereas the A1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A1 and their specifications in the Sony FE Lens Catalog.

Concerning battery life, the G7X Mark II gets 265 shots out of its Canon NB-13L battery, while the A1 can take 530 images on a single charge of its Sony NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon G7 X Mark II	106 mm	61 mm	42 mm	319 g	265	n	Feb 2016	699	ebay.com
2.		Sony A1	129 mm	97 mm	81 mm	737 g	530	Y	Jan 2021	6,499	amazon.com
3.		Canon G7 X Mark III	105 mm	61 mm	41 mm	304 g	235	n	Jul 2019	749	amazon.com
4.		Canon G5 X	112 mm	76 mm	44 mm	353 g	210	n	Oct 2015	799	ebay.com
5.		Canon G9 X	98 mm	58 mm	31 mm	209 g	220	n	Oct 2015	529	ebay.com
6.		Canon M3	111 mm	68 mm	44 mm	366 g	250	n	Feb 2015	679	ebay.com
7.		Canon G7 X	103 mm	60 mm	40 mm	304 g	210	n	Sep 2014	699	ebay.com
8.		Panasonic LX10	106 mm	60 mm	42 mm	310 g	260	n	Sep 2016	699	amazon.com
9.		Sony A7R V	131 mm	97 mm	82 mm	723 g	530	Y	Oct 2022	3,899	amazon.com
10.		Sony A7 IV	131 mm	96 mm	80 mm	659 g	580	Y	Oct 2021	2,499	amazon.com
11.		Sony A7R IIIA	127 mm	96 mm	74 mm	650 g	650	Y	Apr 2021	3,199	amazon.com
12.		Sony A7R IVA	129 mm	96 mm	78 mm	665 g	670	Y	Apr 2021	3,499	amazon.com
13.		Sony A7S III	127 mm	97 mm	81 mm	699 g	600	Y	Jul 2020	3,499	amazon.com
14.		Sony RX100 V	102 mm	58 mm	41 mm	299 g	220	n	Oct 2016	999	ebay.com
15.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	999	ebay.com
16.		Sony RX100 III	102 mm	58 mm	41 mm	290 g	320	n	May 2014	799	ebay.com
17.		Sony RX100 II	102 mm	58 mm	38 mm	281 g	350	n	Jun 2013	749	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G7X Mark II was launched at a lower price than the A1, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon G7 X Mark II features an one-inch sensor and the Sony A1 a full frame sensor. The sensor area in the A1 is 643 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 49.8MP, the A1 offers a higher resolution than the G7X Mark II (20MP), but the A1 nevertheless has larger individual pixels (pixel pitch of 4.16μm versus 2.41μm for the G7X Mark II) due to its larger sensor. Moreover, the A1 is a much more recent model (by 4 years and 11 months) than the G7X Mark II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A1 for good quality output (200 dots per inch) amounts to 43.2 x 28.8 inches or 109.7 x 73.2 cm, for very good quality (250 dpi) 34.6 x 23 inches or 87.8 x 58.5 cm, and for excellent quality (300 dpi) 28.8 x 19.2 inches or 73.2 x 48.8 cm. The corresponding values for the Canon G7 X Mark II are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.

The A1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the G7X Mark II, the A1 has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Canon PowerShot G7 X Mark II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Sony A1 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the G7X Mark II is build around a BSI-CMOS sensor, while the A1 uses a Stacked BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon G7 X Mark II	1-inch	20.0	5472	3648	1080/60p	21.8	11.9	260	62
2.		Sony A1	Full Frame	49.8	8640	5760	8k/30p	25.9	14.5	3163	98
3.		Canon G7 X Mark III	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	583	65
4.		Canon G5 X	1-inch	20.0	5472	3648	1080/60p	21.4	12.3	471	62
5.		Canon G9 X	1-inch	20.0	5472	3648	1080/60p	21.5	12.3	495	63
6.		Canon M3	APS-C	24.0	6000	4000	1080/30p	22.8	11.8	1169	72
7.		Canon G7 X	1-inch	20.0	5472	3648	1080/60p	23.0	12.7	556	71
8.		Panasonic LX10	1-inch	20.0	5472	3648	4K/30p	22.8	12.5	581	70
9.		Sony A7R V	Full Frame	60.2	9504	6336	8k/24p	26.5	14.8	3187	100
10.		Sony A7 IV	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3379	97
11.		Sony A7R IIIA	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
12.		Sony A7R IVA	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
13.		Sony A7S III	Full Frame	12.0	4240	2832	4K/120p	23.7	13.9	2520	86
14.		Sony RX100 V	1-inch	20.0	5472	3648	4K/30p	22.8	12.4	586	70
15.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70
16.		Sony RX100 III	1-inch	20.0	5472	3648	1080/60p	22.4	12.3	495	67
17.		Sony RX100 II	1-inch	20.0	5472	3648	1080/60p	22.5	12.4	483	67
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A1 provides a better video resolution than the G7X Mark II. It can shoot movie footage at 8k/30p, while the Canon is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the A1 has an electronic viewfinder (9437k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G7X Mark II relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon G7 X Mark II, the Sony A1, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon G7 X Mark II	none	n	3.0 / 1040	tilting	Y	1/2000s	8.0/s	Y	Y
2.		Sony A1	9437	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
3.		Canon G7 X Mark III	none	n	3.0 / 1040	tilting	Y	1/2000s	30/s	Y	Y
4.		Canon G5 X	2360	n	3.0 / 1040	swivel	Y	1/2000s	5.9/s	Y	Y
5.		Canon G9 X	none	n	3.0 / 1040	fixed	Y	1/2000s	6.0/s	Y	Y
6.		Canon M3	optional	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
7.		Canon G7 X	none	n	3.0 / 1040	tilting	Y	1/2000s	6.5/s	Y	Y
8.		Panasonic LX10	none	n	3.0 / 1040	tilting	Y	1/4000s	10.0/s	Y	Y
9.		Sony A7R V	9440	n	3.2 / 2100	full-flex	Y	1/8000s	10.0/s	n	Y
10.		Sony A7 IV	3686	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
11.		Sony A7R IIIA	3686	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
12.		Sony A7R IVA	5760	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
13.		Sony A7S III	9440	n	3.0 / 1440	swivel	Y	1/8000s	10.0/s	n	Y
14.		Sony RX100 V	2359	n	3.0 / 1229	tilting	n	1/2000s	24.0/s	Y	Y
15.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
16.		Sony RX100 III	1440	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
17.		Sony RX100 II	optional	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The G7X Mark II has one, while the A1 does not. While the built-in flash of the G7X Mark II is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon G7 X Mark II and the Sony A1 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The G7X Mark II writes its imaging data to SDXC cards, while the A1 uses CFexpress (type A) or SDXC cards. The A1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G7X Mark II only has one slot. The A1 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the G7X Mark II can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G7 X Mark II and Sony A1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon G7 X Mark II	-	stereo / mono	-	-	micro	2.0	Y	Y	-
2.		Sony A1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Canon G7 X Mark III	-	stereo / mono	Y	-	micro	3.1	Y	-	Y
4.		Canon G5 X	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
5.		Canon G9 X	-	stereo / mono	-	-	micro	2.0	Y	Y	-
6.		Canon M3	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
7.		Canon G7 X	-	stereo / mono	-	-	micro	2.0	Y	Y	-
8.		Panasonic LX10	-	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Sony A7R V	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
10.		Sony A7 IV	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
11.		Sony A7R IIIA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
12.		Sony A7R IVA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
13.		Sony A7S III	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Sony RX100 V	-	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-
16.		Sony RX100 III	-	stereo / mono	-	-	micro	2.0	Y	Y	-
17.		Sony RX100 II	Y	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the A1 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G7X Mark II does not feature such a mic input.

Studio photographers will appreciate that the Sony A1 (unlike the G7X Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The A1 is a recent model that features in the current product line-up of Sony. In contrast, the G7X Mark II has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the G7X Mark II was succeeded by the Canon G7 X Mark III. Further information on the features and operation of the G7X Mark II and A1 can be found, respectively, in the Canon G7 X Mark II Manual (free pdf) or the online Sony A1 Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Canon G7 X Mark II and the Sony A1? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Canon PowerShot G7 X Mark II:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Ready to shoot: Has a lens built-in, whereas the A1 requires a separate lens.
• More compact: Is smaller (106x61mm vs 129x97mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the A1).
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been available for much longer (launched in February 2016).

Arguments in favor of the Sony A1:

• More detail: Has more megapixels (49.8 vs 20MP), which boosts linear resolution by 58%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (8k/30p vs 1080/60p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1440k vs 1040k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
• Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Longer lasting: Gets more shots (530 versus 265) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 4 years and 11 months of technical progress since the G7X Mark II launch.

If the count of relative strengths (bullet points above) is taken as a measure, the A1 is the clear winner of the contest (27 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon G7 X Mark II and the Sony A1 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G7X Mark II or the A1. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon G7 X Mark II	4.5/5	+ +	..	81/100	4.5/5	4.5/5	Feb 2016	699	ebay.com
2.		Sony A1	5/5	o	4.5/5	93/100	4.5/5	5/5	Jan 2021	6,499	amazon.com
3.		Canon G7 X Mark III	..	+ +	4/5	81/100	4/5	..	Jul 2019	749	amazon.com
4.		Canon G5 X	5/5	+ +	..	78/100	4.5/5	4.5/5	Oct 2015	799	ebay.com
5.		Canon G9 X	3.5/5	+ +	..	..	4.5/5	4.5/5	Oct 2015	529	ebay.com
6.		Canon M3	4/5	o	..	75/100	4.5/5	4/5	Feb 2015	679	ebay.com
7.		Canon G7 X	4/5	+ +	..	77/100	4.5/5	4.5/5	Sep 2014	699	ebay.com
8.		Panasonic LX10	..	+ +	4/5	81/100	4/5	4.5/5	Sep 2016	699	amazon.com
9.		Sony A7R V	5/5	+ +	4.5/5	92/100	..	..	Oct 2022	3,899	amazon.com
10.		Sony A7 IV	5/5	+ +	4.5/5	89/100	4.5/5	4.5/5	Oct 2021	2,499	amazon.com
11.		Sony A7R IIIA	..	+ +	4/5	90/100	4.5/5	5/5	Apr 2021	3,199	amazon.com
12.		Sony A7R IVA	5/5	+	4.5/5	91/100	4.5/5	5/5	Apr 2021	3,499	amazon.com
13.		Sony A7S III	4.5/5	+ +	5/5	91/100	4.5/5	5/5	Jul 2020	3,499	amazon.com
14.		Sony RX100 V	4.5/5	+ +	..	83/100	4/5	4.5/5	Oct 2016	999	ebay.com
15.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	999	ebay.com
16.		Sony RX100 III	5/5	+ +	..	82/100	4.5/5	5/5	May 2014	799	ebay.com
17.		Sony RX100 II	5/5	+ +	..	79/100	4.5/5	4.5/5	Jun 2013	749	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check G7X Mark II offers at
ebay.com
Check A1 price at
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