Canon G7 X Mark II vs Panasonic GX85
The Canon PowerShot G7 X Mark II and the Panasonic Lumix DMC-GX85 (labelled Panasonic GX80 in some countries) are two digital cameras that were announced, respectively, in February 2016 and April 2016. The G7X Mark II is a fixed lens compact, while the GX85 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (G7X Mark II) and a Four Thirds (GX85) sensor. The Canon has a resolution of 20 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G7 X Mark II and the Panasonic Lumix DMC-GX85? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon G7 X Mark II and the Panasonic GX85 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The GX85 can be obtained in two different colors (black, silver), while the G7X Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX85 is notably larger (34 percent) than the Canon G7 X Mark II. In this context, it is worth noting that neither the G7X Mark II nor the GX85 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G7X Mark II has a lens built in, whereas the GX85 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GX85 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the G7X Mark II gets 265 shots out of its NB-13L battery, while the GX85 can take 290 images on a single charge of its DMW-BLG10 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|2.||Panasonic GX85||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|3.||Canon G7 X Mark III||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749|
|4.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|5.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529|
|6.||Canon M3||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679|
|7.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|8.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|9.||Panasonic GX9||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849|
|10.||Panasonic G85||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|11.||Panasonic LX10||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699|
|12.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|13.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|14.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|15.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|16.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799|
|17.||Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G7X Mark II was launched at a lower price than the GX85, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G7 X Mark II features an one-inch sensor and the Panasonic GX85 a Four Thirds sensor. The sensor area in the GX85 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the G7X Mark II has a native 3:2 aspect ratio, while the one in the GX85 offers a 4:3 aspect.
Despite having a smaller sensor, the Canon G7 X Mark II offers a higher resolution of 20 megapixels, compared with 15.8 MP of the Panasonic GX85. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 3.77μm for the GX85). It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the GX85 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon G7 X Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G7X Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic GX85 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The Canon PowerShot G7 X Mark II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GX85 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|1.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|2.||Panasonic GX85||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|3.||Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|4.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|5.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|7.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|8.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|9.||Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|10.||Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|12.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|13.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|14.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|15.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|16.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|17.||Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GX85 provides a better video resolution than the G7X Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GX85 has an electronic viewfinder (2765k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G7X Mark II relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon G7 X Mark II, the Panasonic GX85, and comparable cameras.
|1.||Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y|
|3.||Canon G7 X Mark III||none||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|4.||Canon G5 X||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y|
|5.||Canon G9 X||none||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y|
|7.||Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y|
|8.||Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y|
|14.||Sony RX100 V||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y|
|15.||Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
|16.||Sony RX100 III||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y|
|17.||Sony RX100 II||optional||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX85 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G7 X Mark II and the Panasonic GX85 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G7X Mark II and the GX85 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G7 X Mark II and Panasonic Lumix DMC-GX85 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon G7 X Mark III||-||stereo||mono||Y||-||micro||3.1||Y||-||Y|
|4.||Canon G5 X||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon G9 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|7.||Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|8.||Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-|
|14.||Sony RX100 V||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX100 III||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX100 II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the GX85 has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The G7X Mark II does not feature such an accessory-socket.
The GX85 is a recent model that features in the current product line-up of Panasonic. In contrast, the G7X Mark II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the G7X Mark II was succeeded by the Canon G7 X Mark III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Canon G7 X Mark II and the Panasonic GX85? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon PowerShot G7 X Mark II:
- More detail: Offers more megapixels (20 vs 15.8MP) with a 15% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has a lens built-in, whereas the GX85 requires a separate lens.
- More compact: Is smaller (106x61mm vs 122x71mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GX85).
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
Arguments in favor of the Panasonic Lumix DMC-GX85:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
If the count of individual advantages (bullet points above) is taken as a guide, the GX85 emerges as the winner of the match-up (11 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G7 X Mark II and the Panasonic GX85 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the G7X Mark II and the GX85 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G7 X Mark II||4.5/5||+ +||81/100||4.5/5||4.5/5||Feb 2016||699|
|2.||Panasonic GX85||4.5/5||+ +||82/100||5/5||5/5||Apr 2016||799|
|3.||Canon G7 X Mark III||..||+ +||81/100||4/5||..||Jul 2019||749|
|4.||Canon G5 X||5/5||+ +||78/100||4.5/5||4.5/5||Oct 2015||799|
|5.||Canon G9 X||3.5/5||+ +||..||4.5/5||4.5/5||Oct 2015||529|
|6.||Canon M3||4/5||o||75/100||4.5/5||4/5||Feb 2015||679|
|7.||Canon G7 X||4/5||+ +||77/100||4.5/5||4.5/5||Sep 2014||699|
|8.||Olympus E-M10 II||4.5/5||+ +||80/100||5/5||5/5||Aug 2015||649|
|9.||Panasonic GX9||4/5||+||84/100||4.5/5||4.5/5||Feb 2018||849|
|10.||Panasonic G85||..||+ +||84/100||5/5||4.5/5||Sep 2016||899|
|11.||Panasonic LX10||..||+ +||81/100||4/5||4.5/5||Sep 2016||699|
|12.||Panasonic GX7||4/5||+||79/100||5/5||5/5||Aug 2013||999|
|13.||Panasonic GH2||5/5||+ +||79/100||4.5/5||5/5||Sep 2010||899|
|14.||Sony RX100 V||4.5/5||+ +||83/100||4/5||4.5/5||Oct 2016||999|
|15.||Sony RX100 IV||4.5/5||+ +||85/100||4/5||4.5/5||Jun 2015||999|
|16.||Sony RX100 III||5/5||+ +||82/100||4.5/5||5/5||May 2014||799|
|17.||Sony RX100 II||5/5||+ +||79/100||4.5/5||4.5/5||Jun 2013||749|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Canon G7 X Mark II vs Panasonic GX85
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G7 X Mark II||Panasonic GX85|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-100mm f/1.8-2.8||Micro Four Thirds lenses|
|Launch Date||February 2016||April 2016|
|Launch Price||USD 699||USD 799|
|Sensor Specs||Canon G7 X Mark II||Panasonic GX85|
|Sensor Format||1" Sensor||Four Thirds Sensor|
|Sensor Size||13.2 x 8.8 mm||17.3 x 13.0 mm|
|Sensor Area||116.16 mm2||224.9 mm2|
|Sensor Diagonal||15.9 mm||21.6 mm|
|Sensor Resolution||20 Megapixels||15.8 Megapixels|
|Image Resolution||5472 x 3648 pixels||4592 x 3448 pixels|
|Pixel Pitch||2.41 μm||3.77 μm|
|Pixel Density||17.18 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||125 - 12,800 ISO||200 - 25,600 ISO|
|ISO Boost||125 - 25,600 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC 7||Venus|
|DXO Sensor Quality (score)||..||71|
|DXO Color Depth (bits)||..||22.9|
|DXO Dynamic Range (EV)||..||12.6|
|DXO Low Light (ISO)||..||662|
|Screen Specs||Canon G7 X Mark II||Panasonic GX85|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2765k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Canon G7 X Mark II||Panasonic GX85|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||8 shutter flaps/s||8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon G7 X Mark II||Panasonic GX85|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon G7 X Mark II||Panasonic GX85|
|Battery Life (CIPA)||265 shots per charge||290 shots per charge|
|In-Camera Charging||USB charging||USB charging|
106 x 61 x 42 mm
(4.2 x 2.4 x 1.7 in)
122 x 71 x 44 mm
(4.8 x 2.8 x 1.7 in)
|Camera Weight||319 g (11.3 oz)||426 g (15.0 oz)|
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