Canon G7 X Mark II versus Panasonic FZ2000
The Canon PowerShot G7 X Mark II and the Panasonic Lumix DMC-FZ2000 (labelled Panasonic FZ2500 in some countries) are two digital cameras that were announced, respectively, in February 2016 and September 2016. Both the G7X Mark II and the FZ2000 are fixed lens compact cameras that are equipped with an one-inch sensor. Both cameras offer a resolution of 20 megapixel.
The side-by-side display below illustrates the physical size and weight of the Canon G7 X Mark II and the Panasonic FZ2000. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the G7X Mark II – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2000 is considerably larger (118 percent) than the Canon G7 X Mark II. Moreover, the FZ2000 is substantially heavier (187 percent) than the G7X Mark II. In this context, it is worth noting that neither the G7X Mark II nor the FZ2000 are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon G7 X Mark II (⇒ rgt)||106 mm||61 mm||42 mm||319 g||265||no||2016||699||latest||check|
|Panasonic FZ2000 (⇒ lft)||138 mm||102 mm||135 mm||915 g||350||no||2016||1,199||latest||check|
|Canon SX730 (⇒ lft | rgt)||110 mm||64 mm||40 mm||300 g||250||no||2017||399||latest||check|
|Canon M100 (⇒ lft | rgt)||108 mm||67 mm||35 mm||302 g||295||no||2017||499||latest||check|
|Canon M6 (⇒ lft | rgt)||112 mm||68 mm||45 mm||390 g||295||no||2017||779||latest||check|
|Canon T7i (⇒ lft | rgt)||131 mm||100 mm||76 mm||532 g||600||no||2017||749||latest||check|
|Canon G9 X (⇒ lft | rgt)||98 mm||58 mm||31 mm||209 g||220||no||2015||529||discont.||check|
|Canon M3 (⇒ lft | rgt)||111 mm||68 mm||44 mm||366 g||250||no||2015||679||discont.||check|
|Canon T6i (⇒ lft | rgt)||132 mm||101 mm||78 mm||555 g||440||no||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||132 mm||101 mm||78 mm||565 g||440||no||2015||849||discont.||check|
|Canon G5 X (⇒ lft | rgt)||112 mm||76 mm||44 mm||353 g||210||no||2015||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||103 mm||60 mm||40 mm||304 g||210||no||2014||699||discont.||check|
|Fujifilm X100F (⇒ lft | rgt)||127 mm||75 mm||52 mm||469 g||390||no||2017||1,299||latest||check|
|Panasonic FZ1000 (⇒ lft | rgt)||137 mm||99 mm||131 mm||831 g||360||no||2014||899||discont.||check|
|Sony RX100 V (⇒ lft | rgt)||102 mm||58 mm||41 mm||299 g||220||no||2016||999||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G7X Mark II was launched at a markedly lower price (by 42 percent) than the FZ2000, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an one-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 2.7. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20 megapixel. This similarity in sensor specs implies that both the G7X Mark II and the FZ2000 have the same pixel density, as well as the same pixel size. It should, however, be noted that the FZ2000 is a somewhat more recent model (by 7 months) than the G7X Mark II, and its sensor might have benefitted from technological advances during this time.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon G7 X Mark II (⇒ rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Panasonic FZ2000 (⇒ lft)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Canon SX730 (⇒ lft | rgt)||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-|
|Canon M100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78|
|Canon M6 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon T7i (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon G9 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|Canon M3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72|
|Canon T6i (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon T6s (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G7 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Fujifilm X100F (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Panasonic FZ1000 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64|
|Sony RX100 V (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FZ2000 provides a better video resolution than the G7X Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ2000 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G7X Mark II relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon G7 X Mark II, the Panasonic FZ2000, and comparable cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Canon G7 X Mark II (⇒ rgt)||no||no||3.0||1040||tilting||YES||2000||8.0||7||YES|
|Panasonic FZ2000 (⇒ lft)||2360||no||3.0||1040||swivel||YES||4000||12.0||13.2||YES|
|Canon SX730 (⇒ lft | rgt)||no||no||3.0||922||tilting||no||3200||5.9||4||YES|
|Canon M100 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.1||5||no|
|Canon M6 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||9.0||5||no|
|Canon T7i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||6.0||12||no|
|Canon G9 X (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||6.0||6||YES|
|Canon M3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.2||5||no|
|Canon T6i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon T6s (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||YES|
|Canon G7 X (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||6.5||7||YES|
|Fujifilm X100F (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||8.0||4.6||no|
|Panasonic FZ1000 (⇒ lft | rgt)||2359||no||3.0||921||swivel||no||4000||12.0||13.5||YES|
|Sony RX100 V (⇒ lft | rgt)||2359||no||3.0||1229||tilting||no||2000||24.0||10.2||YES|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
Both the G7X Mark II and the FZ2000 have zoom lenses build in. The G7X Mark II has a 24-100mm f/1.8-2.8 optic and the FZ2000 offers a 24-480mm f/2.8-4.5 (focal lengths in full frame equivalent terms). Hence, the Canon and Panasonic provide the same view at the wide-angle end, but the Panasonic has more tele-photo reach at the long end. The G7X Mark II offers the faster maximum aperture.
Both the G7X Mark II and the FZ2000 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The G7X Mark II replaced the earlier Canon G7 X, while the FZ2000 followed on from the Panasonic FZ1000.
So what is the bottom line? Is the Canon G7 X Mark II better than the Panasonic FZ2000 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon PowerShot G7 X Mark II:
- Better light gathering: Has a lens with a wider maximum aperture (f/1.8 vs f/2.8).
- More compact: Is smaller (106x61mm vs 138x102mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 596g or 65 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (42 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in February 2016).
Reasons to prefer the Panasonic Lumix DMC-FZ2000:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (350 versus 265) out of a single battery charge.
- More modern: Was introduced somewhat (7 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the FZ2000 emerges as the winner of the match-up (8 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the G7X Mark II or the FZ2000 handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon G7 X Mark II (⇒ rgt)||HiRec||81/100 Silver||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Panasonic FZ2000 (⇒ lft)||Rec||82/100 Silver||4.5/5||4.5/5||5/5||2016||1,199||latest||check|
|Canon SX730 (⇒ lft | rgt)||Rec||-||4/5||-||4/5||2017||399||latest||check|
|Canon M100 (⇒ lft | rgt)||Rec||..||4/5||..||3.5/5||2017||499||latest||check|
|Canon M6 (⇒ lft | rgt)||-||80/100 Silver||4/5||4.5/5||4/5||2017||779||latest||check|
|Canon T7i (⇒ lft | rgt)||..||80/100 Gold||4.5/5||..||4/5||2017||749||latest||check|
|Canon G9 X (⇒ lft | rgt)||HiRec||-||4.5/5||4/5||4.5/5||2015||529||discont.||check|
|Canon M3 (⇒ lft | rgt)||reviewed||75/100||4.5/5||4.5/5||4/5||2015||679||discont.||check|
|Canon T6i (⇒ lft | rgt)||-||75/100||4.5/5||4.5/5||4.5/5||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2015||849||discont.||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||3.5/5||4.5/5||2014||699||discont.||check|
|Fujifilm X100F (⇒ lft | rgt)||Rec||83/100 Gold||4.5/5||..||4.5/5||2017||1,299||latest||check|
|Panasonic FZ1000 (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||4.5/5||2014||899||discont.||check|
|Sony RX100 V (⇒ lft | rgt)||HiRec||83/100 Silver||4/5||5/5||4.5/5||2016||999||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when refering to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
In case you would like to check on the differences and similarities of other camera models, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you do not see the camera that you are looking for, please send me an email, and I will try to locate and add the respective data to the application.
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