Canon G7 X Mark II vs Nikon D500
The Canon PowerShot G7 X Mark II and the Nikon D500 are two digital cameras that were announced, respectively, in February 2016 and January 2016. The G7X Mark II is a fixed lens compact, while the D500 is a DSLR. The cameras are based on an one-inch (G7X Mark II) and an APS-C (D500) sensor. The Canon has a resolution of 20 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G7 X Mark II and the Nikon D500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon G7 X Mark II and the Nikon D500 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D500 is considerably larger (161 percent) than the Canon G7 X Mark II. It is noteworthy in this context that the D500 is splash and dust-proof, while the G7X Mark II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G7X Mark II has a lens built in, whereas the D500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D500 and their specifications in the Nikon Lens Catalog.
Concerning battery life, the G7X Mark II gets 265 shots out of its NB-13L battery, while the D500 can take 1240 images on a single charge of its EN-EL15 power pack. The power pack in the G7X Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon G7 X Mark II||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699|
|Nikon D500||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999|
|Canon G7 X Mark III||4.1 in||2.4 in||1.6 in||10.7 oz||235||n||Jul 2019||749|
|Canon G5 X||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799|
|Canon G9 X||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529|
|Canon M3||4.4 in||2.7 in||1.7 in||12.9 oz||250||n||Feb 2015||679|
|Canon G7 X||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699|
|Nikon D7500||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299|
|Nikon D3400||4.9 in||3.9 in||3.0 in||15.7 oz||1200||n||Aug 2016||499|
|Nikon D5500||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899|
|Nikon D7200||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199|
|Nikon D300S||5.8 in||4.5 in||3.2 in||33.1 oz||950||Y||Jul 2009||1,799|
|Panasonic LX10||4.2 in||2.4 in||1.7 in||10.9 oz||260||n||Sep 2016||699|
|Sony RX100 V||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999|
|Sony RX100 IV||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999|
|Sony RX100 III||4.0 in||2.3 in||1.6 in||10.2 oz||320||n||May 2014||799|
|Sony RX100 II||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G7X Mark II was launched at a lower price than the D500, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G7 X Mark II features an one-inch sensor and the Nikon D500 an APS-C sensor. The sensor area in the D500 is 218 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 20.7MP, the D500 offers a higher resolution than the G7X Mark II (20MP), but the D500 nevertheless has larger individual pixels (pixel pitch of 4.22μm versus 2.41μm for the G7X Mark II) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the D500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Canon PowerShot G7 X Mark II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Nikon D500 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-1640000.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D500 provides a better video resolution than the G7X Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the D500 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the G7X Mark II relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon G7 X Mark II, the Nikon D500, and comparable cameras.
|Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y|
|Canon G7 X Mark III||none||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|Canon G5 X||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y|
|Canon G9 X||none||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y|
|Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y|
|Sony RX100 V||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
|Sony RX100 III||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y|
|Sony RX100 II||optional||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The G7X Mark II has one, while the D500 does not. While the built-in flash of the G7X Mark II is not very powerful, it can at times be useful as a fill-in light.The G7X Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the D500 does not have a selfie-screen.
The Canon G7 X Mark II and the Nikon D500 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G7X Mark II writes its imaging data to SDXC cards, while the D500 uses SDHC or XQD cards. The D500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G7X Mark II only has one slot. The D500 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the G7X Mark II can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G7 X Mark II and Nikon D500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Canon G7 X Mark III||-||stereo||mono||Y||-||micro||3.1||Y||-||Y|
|Canon G5 X||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
|Canon G9 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Sony RX100 V||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Sony RX100 III||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Sony RX100 II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the D500 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G7X Mark II does not feature such a mic input.
Studio photographers will appreciate that the Nikon D500 (unlike the G7X Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The D500 is a recent model that features in the current product line-up of Nikon. In contrast, the G7X Mark II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the G7X Mark II was succeeded by the Canon G7 X Mark III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So how do things add up? Which of the two cameras – the Canon G7 X Mark II or the Nikon D500 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon PowerShot G7 X Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Comes with a built-in lens, while the D500 requires a separate lens.
- More compact: Is smaller (106x61mm vs 147x115mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the D500).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
Reasons to prefer the Nikon D500:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (1240 versus 265) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
If the count of individual advantages (bullet points above) is taken as a guide, the D500 is the clear winner of the contest (23 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G7 X Mark II and the Nikon D500 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G7X Mark II or the D500. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon G7 X Mark II||+ +||81/100||4.5/5||4/5||4.5/5||Feb 2016||699|
|Nikon D500||+ +||91/100||4.5/5||5/5||5/5||Jan 2016||1,999|
|Canon G7 X Mark III||+ +||81/100||4/5||..||..||Jul 2019||749|
|Canon G5 X||+ +||78/100||4.5/5||4/5||4.5/5||Oct 2015||799|
|Canon G9 X||+ +||..||4.5/5||4/5||4.5/5||Oct 2015||529|
|Canon M3||o||75/100||4.5/5||4.5/5||4/5||Feb 2015||679|
|Canon G7 X||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699|
|Nikon D7500||+ +||86/100||5/5||4.5/5||4.5/5||Apr 2017||1,299|
|Nikon D3400||+||76/100||4/5||4.5/5||4.5/5||Aug 2016||499|
|Nikon D5500||+||79/100||4.5/5||5/5||4.5/5||Jan 2015||899|
|Nikon D7200||+ +||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199|
|Nikon D300S||+ +||82/100||4/5||5/5||4.5/5||Jul 2009||1,799|
|Panasonic LX10||+ +||81/100||4/5||4.5/5||4.5/5||Sep 2016||699|
|Sony RX100 V||+ +||83/100||4/5||5/5||4.5/5||Oct 2016||999|
|Sony RX100 IV||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999|
|Sony RX100 III||+ +||82/100||4.5/5||4.5/5||5/5||May 2014||799|
|Sony RX100 II||+ +||79/100||4.5/5||5/5||4.5/5||Jun 2013||749|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 7D II vs Nikon D500
- Canon G5 X vs Canon G7 X Mark II
- Canon G7 X Mark II vs Fujifilm X-T1
- Canon G7 X Mark II vs Hasselblad X1D
- Canon G7 X Mark II vs Leica V-LUX Typ 114
- Canon G7 X Mark II vs Olympus E-510
- Canon G7 X Mark II vs Panasonic LX5
- Leica D-LUX 7 vs Nikon D500
- Nikon D500 vs Olympus E-M10
- Nikon D500 vs Olympus E-M1X
- Nikon D500 vs Panasonic G2
- Nikon D500 vs Panasonic LX5
Specifications: Canon G7 X Mark II vs Nikon D500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G7 X Mark II||Nikon D500|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-100mm f/1.8-2.8||Nikon F mount lenses|
|Launch Date||February 2016||January 2016|
|Launch Price||USD 699||USD 1,999|
|Sensor Specs||Canon G7 X Mark II||Nikon D500|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.5 x 15.7 mm|
|Sensor Area||116.16 mm2||368.95 mm2|
|Sensor Diagonal||15.9 mm||28.3 mm|
|Sensor Resolution||20 Megapixels||20.7 Megapixels|
|Image Resolution||5472 x 3648 pixels||5568 x 3712 pixels|
|Pixel Pitch||2.41 μm||4.22 μm|
|Pixel Density||17.18 MP/cm2||5.60 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||125 - 12,800 ISO||100 - 51,200 ISO|
|ISO Boost||125 - 25,600 ISO||50 - 1,640,000 ISO|
|Image Processor||DIGIC 7||EXPEED 5|
|DXO Sensor Quality (score)||..||83|
|DXO Color Depth (bits)||..||24.0|
|DXO Dynamic Range (EV)||..||14.0|
|DXO Low Light (ISO)||..||1324|
|Screen Specs||Canon G7 X Mark II||Nikon D500|
|Viewfinder Type||no viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||2359k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Canon G7 X Mark II||Nikon D500|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||8 shutter flaps/s||10 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC or XQD cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Canon G7 X Mark II||Nikon D500|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon G7 X Mark II||Nikon D500|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||265 shots per charge||1240 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
106 x 61 x 42 mm
(4.2 x 2.4 x 1.7 in)
147 x 115 x 81 mm
(5.8 x 4.5 x 3.2 in)
|Camera Weight||319 g (11.3 oz)||860 g (30.3 oz)|
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