Canon G7 X Mark II versus Canon T5i
The Canon PowerShot G7 X Mark II and the Canon EOS Rebel T5i (labelled Canon 700D in some countries) are two digital cameras that were officially introduced, respectively, in February 2016 and March 2013. The G7X Mark II is a fixed lens compact, while the T5i is a DSLR. The cameras are based on an one-inch (G7X Mark II) and an APS-C sensor. The G7X Mark II has a resolution of 20 megapixel, whereas the T5i provides 17.9 MP.
An illustration of the physical size and weight of the Canon G7 X Mark II and the Canon T5i is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the G7X Mark II – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon T5i is considerably larger (106 percent) than the Canon G7 X Mark II. In this context, it is worth noting that neither the G7X Mark II nor the T5i are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G7X Mark II has a lens build in, whereas the T5i is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can find an overview of optics for the T5i and their specifications in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon G7 X Mark II (⇒ rgt)||106 mm||61 mm||42 mm||319 g||265||no||2016||699||latest||check|
|Canon T5i (⇒ lft)||133 mm||100 mm||79 mm||580 g||440||no||2013||649||discont.||check|
|Canon G9 X Mark II (⇒ lft | rgt)||98 mm||58 mm||31 mm||206 g||235||no||2017||529||latest||check|
|Canon SX730 (⇒ lft | rgt)||110 mm||64 mm||40 mm||300 g||250||no||2017||399||latest||check|
|Canon M6 (⇒ lft | rgt)||112 mm||68 mm||45 mm||390 g||295||no||2017||779||latest||check|
|Canon G9 X (⇒ lft | rgt)||98 mm||58 mm||31 mm||209 g||220||no||2015||529||discont.||check|
|Canon 750D (⇒ lft | rgt)||132 mm||101 mm||78 mm||555 g||440||no||2015||749||discont.||check|
|Canon 760D (⇒ lft | rgt)||132 mm||101 mm||78 mm||565 g||440||no||2015||849||discont.||check|
|Canon M3 (⇒ lft | rgt)||111 mm||68 mm||44 mm||366 g||250||no||2015||679||discont.||check|
|Canon T6i (⇒ lft | rgt)||132 mm||101 mm||78 mm||555 g||440||no||2015||749||discont.||check|
|Canon G5 X (⇒ lft | rgt)||112 mm||76 mm||44 mm||353 g||210||no||2015||799||latest||check|
|Canon T5 (⇒ lft | rgt)||130 mm||100 mm||78 mm||480 g||500||no||2014||449||discont.||check|
|Canon G7 X (⇒ lft | rgt)||103 mm||60 mm||40 mm||304 g||210||no||2014||699||discont.||check|
|Canon T4i (⇒ lft | rgt)||133 mm||100 mm||79 mm||575 g||440||no||2012||849||discont.||check|
|Canon T3i (⇒ lft | rgt)||133 mm||100 mm||80 mm||570 g||440||no||2011||599||discont.||check|
|Canon T2i (⇒ lft | rgt)||129 mm||98 mm||62 mm||530 g||440||no||2010||699||discont.||check|
|Fujifilm X70 (⇒ lft | rgt)||113 mm||64 mm||44 mm||340 g||330||no||2016||799||latest||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon G7 X Mark II features an one-inch sensor and the Canon T5i an APS-C sensor. The sensor area in the T5i is 186 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon G7 X Mark II offers a higher resolution of 20 megapixel, compared with 17.9 MP of the Canon T5i. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.31μm for the T5i). However, it should be noted that the G7X Mark II is much more recent (by 2 years and 10 months) than the T5i, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
For most cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon G7 X Mark II (⇒ rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon T5i (⇒ lft)||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61|
|Canon G9 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Canon SX730 (⇒ lft | rgt)||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-|
|Canon M6 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon G9 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|Canon 750D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon 760D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Canon M3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72|
|Canon T6i (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon T5 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63|
|Canon G7 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Canon T4i (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62|
|Canon T3i (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||793||65|
|Canon T2i (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||784||66|
|Fujifilm X70 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G7X Mark II provides a higher frame rate than the T5i. It can shoot video footage at 1080/60p, while the T5i is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the T5i has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the G7X Mark II relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon G7 X Mark II, the Canon T5i, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Canon G7 X Mark II (⇒ rgt)||no||no||3.0||1040||tilting||YES||2000||8.0||7||YES|
|Canon T5i (⇒ lft)||optical||no||3.0||1040||swivel||YES||4000||5.0||13||no|
|Canon G9 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||8.2||6||YES|
|Canon SX730 (⇒ lft | rgt)||no||no||3.0||922||tilting||no||3200||5.9||4||YES|
|Canon M6 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||9.0||5||no|
|Canon G9 X (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||6.0||6||YES|
|Canon 750D (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon 760D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon M3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.2||5||no|
|Canon T6i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||YES|
|Canon T5 (⇒ lft | rgt)||optical||no||3||460||fixed||no||4000||3.0||9.2||no|
|Canon G7 X (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||6.5||7||YES|
|Canon T4i (⇒ lft | rgt)||optical||no||3||1040||swivel||YES||4000||5.0||13||no|
|Canon T3i (⇒ lft | rgt)||optical||no||3||1040||swivel||no||4000||3.7||13||no|
|Canon T2i (⇒ lft | rgt)||optical||no||3.0||1040||fixed||no||4000||3.7||13||no|
|Fujifilm X70 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||8.0||7.9||..|
The G7X Mark II is a current model that online retailers, such as amazon, will have in stock. In contrast, the T5i has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the T5i was succeeded by the Canon T6i.
So what conclusions can be drawn? Is there a clear favorite between the Canon G7 X Mark II and the Canon G7 X Mark II? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon PowerShot G7 X Mark II:
- More detail: Offers more megapixels (20 vs 17.9MP) with a 6% higher linear resolution.
- Better video: Provides higher movie framerates (1080/60p vs 1080/30p).
- Faster burst: Shoots at higher frequency (8 vs 5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with a build-in lens, while the T5i requires a separate lens.
- More compact: Is smaller (106x61mm vs 133x100mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a build-in lens (unlike the T5i).
- More modern: Reflects 2 years and 10 months of technical progress since the T5i launch.
Reasons to prefer the Canon EOS Rebel T5i:
- Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
- Easier framing: Has an optical viewfinder for image framing and settings control.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (440 versus 265) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in March 2013).
If the count of relative strengths (bullet points above) is taken as a measure, the match-up finishes in a tie (7 points each). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the G7X Mark II and the T5i in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon G7 X Mark II (⇒ rgt)||HiRec||81/100 Silver||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Canon T5i (⇒ lft)||-||76/100 Silver||4.5/5||4.5/5||4.5/5||2013||649||discont.||check|
|Canon G9 X Mark II (⇒ lft | rgt)||..||75/100||4.5/5||4.5/5||4.5/5||2017||529||latest||check|
|Canon SX730 (⇒ lft | rgt)||Rec||-||4/5||-||4/5||2017||399||latest||check|
|Canon M6 (⇒ lft | rgt)||-||80/100 Silver||4/5||4.5/5||4/5||2017||779||latest||check|
|Canon G9 X (⇒ lft | rgt)||HiRec||-||4.5/5||4/5||4.5/5||2015||529||discont.||check|
|Canon 750D (⇒ lft | rgt)||-||75/100||4.5/5||4.5/5||4.5/5||2015||749||discont.||check|
|Canon 760D (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2015||849||discont.||check|
|Canon M3 (⇒ lft | rgt)||reviewed||75/100||4.5/5||4.5/5||4/5||2015||679||discont.||check|
|Canon T6i (⇒ lft | rgt)||-||75/100||4.5/5||4.5/5||4.5/5||2015||749||discont.||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Canon T5 (⇒ lft | rgt)||4/5||-||4/5||4/5||4.5/5||2014||449||discont.||check|
|Canon G7 X (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||3.5/5||4.5/5||2014||699||discont.||check|
|Canon T4i (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||4.5/5||4.5/5||2012||849||discont.||check|
|Canon T3i (⇒ lft | rgt)||reviewed||77/100 Silver||4.5/5||5/5||4.5/5||2011||599||discont.||check|
|Canon T2i (⇒ lft | rgt)||88/100 HiRec||77/100 Gold||4/5||5/5||4.5/5||2010||699||discont.||check|
|Fujifilm X70 (⇒ lft | rgt)||-||76/100||4.5/5||4/5||4.5/5||2016||799||latest||check|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If the camera you are interested in is not available, kindly get in touch, and I will try to locate and add the respective data to the application.
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