Canon G7 X Mark II versus Canon G16
The Canon PowerShot G7 X Mark II and the Canon PowerShot G16 are two digital cameras that were revealed to the public, respectively, in February 2016 and August 2013. Both the G7X Mark II and the G16 are fixed lens compact cameras that are based on an one-inch (G7X Mark II) and a 1/1.7-inch sensor. The G7X Mark II has a resolution of 20 megapixel, whereas the G16 provides 12 MP.
The physical size and weight of the Canon G7 X Mark II and the Canon G16 are illustrated in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the G7X Mark II – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G16 is notably larger (28 percent) than the Canon G7 X Mark II. Moreover, the G16 is markedly heavier (12 percent) than the G7X Mark II. In this context, it is worth noting that neither the G7X Mark II nor the G16 are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon G7 X Mark II (⇒ rgt)||106 mm||61 mm||42 mm||319 g||265||no||2016||699||latest||check|
|Canon G16 (⇒ lft)||109 mm||76 mm||40 mm||356 g||360||no||2013||549||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||98 mm||58 mm||31 mm||206 g||235||no||2017||529||latest||check|
|Canon SX730 (⇒ lft | rgt)||110 mm||64 mm||40 mm||300 g||250||no||2017||399||latest||check|
|Canon M6 (⇒ lft | rgt)||112 mm||68 mm||45 mm||390 g||295||no||2017||779||latest||check|
|Canon G9 X (⇒ lft | rgt)||98 mm||58 mm||31 mm||209 g||220||no||2015||529||discont.||check|
|Canon 750D (⇒ lft | rgt)||132 mm||101 mm||78 mm||555 g||440||no||2015||749||discont.||check|
|Canon 760D (⇒ lft | rgt)||132 mm||101 mm||78 mm||565 g||440||no||2015||849||discont.||check|
|Canon M3 (⇒ lft | rgt)||111 mm||68 mm||44 mm||366 g||250||no||2015||679||discont.||check|
|Canon G5 X (⇒ lft | rgt)||112 mm||76 mm||44 mm||353 g||210||no||2015||799||latest||check|
|Canon G1 X Mark II (⇒ lft | rgt)||116 mm||74 mm||66 mm||553 g||240||no||2014||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||103 mm||60 mm||40 mm||304 g||210||no||2014||699||discont.||check|
|Canon G1 X (⇒ lft | rgt)||117 mm||81 mm||65 mm||534 g||250||no||2012||799||discont.||check|
|Fujifilm X70 (⇒ lft | rgt)||113 mm||64 mm||44 mm||340 g||330||no||2016||799||latest||check|
|Fujifilm X30 (⇒ lft | rgt)||119 mm||72 mm||60 mm||423 g||470||no||2014||599||latest||check|
|Fujifilm X20 (⇒ lft | rgt)||117 mm||70 mm||57 mm||353 g||270||no||2013||599||discont.||check|
|Fujifilm X10 (⇒ lft | rgt)||117 mm||70 mm||57 mm||350 g||270||no||2011||599||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G16 was launched at a somewhat lower price (by 21 percent) than the G7X Mark II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon G7 X Mark II features an one-inch sensor and the Canon G16 a 1/1.7-inch sensor. The sensor area in the G16 is 64 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 4.65. The sensor in the G7X Mark II has a native 3:2 aspect ratio, while the one in the G16 offers a 4:3 aspect.
With 20MP, the G7X Mark II offers a higher resolution than the G16 (12MP), but the G7X Mark II nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.87μm for the G16) due to its larger sensor. Moreover, the G7X Mark II is a somewhat more recent model (by 2 years and 5 months) than the G16, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon G7 X Mark II (⇒ rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G16 (⇒ lft)||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54|
|Canon G9 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Canon SX730 (⇒ lft | rgt)||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-|
|Canon M6 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon G9 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|Canon 750D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon 760D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Canon M3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G1 X Mark II (⇒ lft | rgt)||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|Canon G7 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Canon G1 X (⇒ lft | rgt)||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|Fujifilm X70 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X30 (⇒ lft | rgt)||2/3||12.0||4000||3000||1080/60p||-||-||-||-|
|Fujifilm X20 (⇒ lft | rgt)||2/3||12.0||4000||3000||1080/60p||-||-||-||-|
|Fujifilm X10 (⇒ lft | rgt)||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G16 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the G7X Mark II relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon G7 X Mark II, the Canon G16, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Canon G7 X Mark II (⇒ rgt)||no||no||3.0||1040||tilting||YES||2000||8.0||7||YES|
|Canon G16 (⇒ lft)||optical||no||3.0||922||fixed||no||4000||2.2||7||YES|
|Canon G9 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||8.2||6||YES|
|Canon SX730 (⇒ lft | rgt)||no||no||3.0||922||tilting||no||3200||5.9||4||YES|
|Canon M6 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||9.0||5||no|
|Canon G9 X (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||6.0||6||YES|
|Canon 750D (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon 760D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon M3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.2||5||no|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||YES|
|Canon G1 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||5.2||6.8||YES|
|Canon G7 X (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||6.5||7||YES|
|Canon G1 X (⇒ lft | rgt)||optical||no||3.0||922||Swivel||no||4000||1.9||7||YES|
|Fujifilm X70 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||8.0||7.9||..|
|Fujifilm X30 (⇒ lft | rgt)||2360||no||3.0||920||tilting||no||4000||12.0||7||YES|
|Fujifilm X20 (⇒ lft | rgt)||optical||no||2.8||460||fixed||no||4000||12.0||7||YES|
|Fujifilm X10 (⇒ lft | rgt)||optical||no||2.8||460||fixed||no||4000||10.0||9||YES|
Both the G7X Mark II and the G16 have zoom lenses build in. The G7X Mark II has a 24-100mm f/1.8-2.8 optic and the G16 offers a 28-140mm f/1.8-2.8 (focal lengths in full frame equivalent terms). Hence, the G7X Mark II provides a wider angle of view at the short end than the G16, but less tele-photo reach at the long end. Both cameras offer the same maximum aperture.
Both the G7X Mark II and the G16 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The G16 replaced the earlier Canon G15, while the G7X Mark II followed on from the Canon G7 X.
So what conclusions can be drawn? Which of the two cameras – the Canon G7 X Mark II or the Canon G16 – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon PowerShot G7 X Mark II:
- More detail: Offers more megapixels (20 vs 12MP) with a 32% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (8 vs 2.2 flaps/sec) to capture the decisive moment.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (106x61mm vs 109x76mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 37g or 10 percent) and hence easier to carry around.
- More modern: Reflects 2 years and 5 months of technical progress since the G16 launch.
Arguments in favor of the Canon PowerShot G16:
- Easier framing: Has an optical viewfinder for image framing and settings control.
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (360 versus 265) out of a single battery charge.
- More affordable: Was released into a lower priced segment (21 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in August 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the G7X Mark II is the clear winner of the match-up (10 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the G7X Mark II and the G16 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon G7 X Mark II (⇒ rgt)||HiRec||81/100 Silver||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Canon G16 (⇒ lft)||Rec||-||4.5/5||4.5/5||4.5/5||2013||549||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||..||75/100||4.5/5||4.5/5||4.5/5||2017||529||latest||check|
|Canon SX730 (⇒ lft | rgt)||Rec||-||4/5||-||4/5||2017||399||latest||check|
|Canon M6 (⇒ lft | rgt)||-||80/100 Silver||4/5||4.5/5||4/5||2017||779||latest||check|
|Canon G9 X (⇒ lft | rgt)||HiRec||-||4.5/5||4/5||4.5/5||2015||529||discont.||check|
|Canon 750D (⇒ lft | rgt)||-||75/100||4.5/5||4.5/5||4.5/5||2015||749||discont.||check|
|Canon 760D (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2015||849||discont.||check|
|Canon M3 (⇒ lft | rgt)||reviewed||75/100||4.5/5||4.5/5||4/5||2015||679||discont.||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Canon G1 X Mark II (⇒ lft | rgt)||Rec||77/100 Silver||4/5||4/5||4.5/5||2014||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||3.5/5||4.5/5||2014||699||discont.||check|
|Canon G1 X (⇒ lft | rgt)||79/100 Rec||76/100 Silver||4/5||4/5||4.5/5||2012||799||discont.||check|
|Fujifilm X70 (⇒ lft | rgt)||-||76/100||4.5/5||4/5||4.5/5||2016||799||latest||check|
|Fujifilm X30 (⇒ lft | rgt)||-||76/100||4.5/5||4/5||4.5/5||2014||599||latest||check|
|Fujifilm X20 (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||-||5/5||2013||599||discont.||check|
|Fujifilm X10 (⇒ lft | rgt)||-||76/100 Silver||4/5||3.5/5||4.5/5||2011||599||discont.||check|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you do not see the camera that you are looking for, kindly get in touch, and I will try to locate and add the respective data to the application.
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