Canon G7 X Mark II vs G1X Mark III
The Canon PowerShot G7 X Mark II and the Canon PowerShot G1 X Mark III are two digital cameras that were officially introduced, respectively, in February 2016 and October 2017. Both the G7X Mark II and the G1X Mark III are fixed lens compact cameras that are based on an one-inch (G7X Mark II) and an APS-C (G1X Mark III) sensor. The G7X Mark II has a resolution of 20 megapixels, whereas the G1X Mark III provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G7 X Mark II and the Canon PowerShot G1 X Mark III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon G7 X Mark II and the Canon G1 X Mark III are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G1 X Mark III is notably larger (39 percent) than the Canon G7 X Mark II. Moreover, the G1X Mark III is markedly heavier (25 percent) than the G7X Mark II. It is noteworthy in this context that the G1X Mark III is splash and dust-proof, while the G7X Mark II does not feature any corresponding weather-sealing.
The power pack in the G7X Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G7 X Mark II | 106 mm | 61 mm | 42 mm | 319 g | 265 | n | Feb 2016 | 699 | ebay.com | |
2. | Canon G1 X Mark III | 115 mm | 78 mm | 51 mm | 399 g | 200 | Y | Oct 2017 | 1,299 | ebay.com | |
3. | Canon G7 X Mark III | 105 mm | 61 mm | 41 mm | 304 g | 235 | n | Jul 2019 | 749 | amazon.com | |
4. | Canon 80D | 139 mm | 105 mm | 79 mm | 730 g | 960 | Y | Feb 2016 | 1,199 | ebay.com | |
5. | Canon G5 X | 112 mm | 76 mm | 44 mm | 353 g | 210 | n | Oct 2015 | 799 | ebay.com | |
6. | Canon G9 X | 98 mm | 58 mm | 31 mm | 209 g | 220 | n | Oct 2015 | 529 | ebay.com | |
7. | Canon M3 | 111 mm | 68 mm | 44 mm | 366 g | 250 | n | Feb 2015 | 679 | ebay.com | |
8. | Canon G7 X | 103 mm | 60 mm | 40 mm | 304 g | 210 | n | Sep 2014 | 699 | ebay.com | |
9. | Fujifilm X100V | 128 mm | 75 mm | 53 mm | 478 g | 420 | Y | Feb 2020 | 1,399 | ebay.com | |
10. | Fujifilm X100F | 127 mm | 75 mm | 52 mm | 469 g | 390 | n | Jan 2017 | 1,299 | ebay.com | |
11. | Panasonic LX10 | 106 mm | 60 mm | 42 mm | 310 g | 260 | n | Sep 2016 | 699 | amazon.com | |
12. | Sony A6300 | 120 mm | 67 mm | 49 mm | 404 g | 400 | Y | Feb 2016 | 999 | ebay.com | |
13. | Sony A6500 | 120 mm | 67 mm | 53 mm | 453 g | 350 | Y | Oct 2016 | 1,399 | ebay.com | |
14. | Sony RX100 V | 102 mm | 58 mm | 41 mm | 299 g | 220 | n | Oct 2016 | 999 | ebay.com | |
15. | Sony RX100 IV | 102 mm | 58 mm | 41 mm | 298 g | 280 | n | Jun 2015 | 999 | ebay.com | |
16. | Sony RX100 III | 102 mm | 58 mm | 41 mm | 290 g | 320 | n | May 2014 | 799 | ebay.com | |
17. | Sony RX100 II | 102 mm | 58 mm | 38 mm | 281 g | 350 | n | Jun 2013 | 749 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G7X Mark II was launched at a markedly lower price (by 46 percent) than the G1X Mark III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G7 X Mark II features an one-inch sensor and the Canon G1 X Mark III an APS-C sensor. The sensor area in the G1X Mark III is 186 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the G1X Mark III offers a higher resolution than the G7X Mark II (20MP), but the G1X Mark III nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 2.41μm for the G7X Mark II) due to its larger sensor. Moreover, the G1X Mark III is a somewhat more recent model (by 1 year and 7 months) than the G7X Mark II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Canon G1 X Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G1X Mark III for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon G7 X Mark II are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The G1X Mark III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon PowerShot G7 X Mark II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Canon PowerShot G1 X Mark III are ISO 100 to ISO 25600 (no boost).
In terms of underlying technology, the G7X Mark II is build around a BSI-CMOS sensor, while the G1X Mark III uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G7 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.8 | 11.9 | 260 | 62 | |
2. | Canon G1 X Mark III | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 13.2 | 1649 | 81 | |
3. | Canon G7 X Mark III | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.4 | 583 | 65 | |
4. | Canon 80D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.2 | 1135 | 79 | |
5. | Canon G5 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.4 | 12.3 | 471 | 62 | |
6. | Canon G9 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.5 | 12.3 | 495 | 63 | |
7. | Canon M3 | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.8 | 11.8 | 1169 | 72 | |
8. | Canon G7 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 23.0 | 12.7 | 556 | 71 | |
9. | Fujifilm X100V | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.2 | 13.6 | 1996 | 84 | |
10. | Fujifilm X100F | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.9 | 13.2 | 1704 | 81 | |
11. | Panasonic LX10 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.5 | 581 | 70 | |
12. | Sony A6300 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.4 | 13.7 | 1437 | 85 | |
13. | Sony A6500 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.5 | 13.7 | 1405 | 85 | |
14. | Sony RX100 V | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.4 | 586 | 70 | |
15. | Sony RX100 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.6 | 591 | 70 | |
16. | Sony RX100 III | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.4 | 12.3 | 495 | 67 | |
17. | Sony RX100 II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.5 | 12.4 | 483 | 67 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G1X Mark III has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G7X Mark II relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon G7 X Mark II and Canon G1 X Mark III along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G7 X Mark II | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 8.0/s | Y | Y | |
2. | Canon G1 X Mark III | 2360 | n | 3.0 / 1040 | swivel | Y | 1/2000s | 9.0/s | Y | Y | |
3. | Canon G7 X Mark III | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 30/s | Y | Y | |
4. | Canon 80D | optical | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 7.0/s | Y | n | |
5. | Canon G5 X | 2360 | n | 3.0 / 1040 | swivel | Y | 1/2000s | 5.9/s | Y | Y | |
6. | Canon G9 X | none | n | 3.0 / 1040 | fixed | Y | 1/2000s | 6.0/s | Y | Y | |
7. | Canon M3 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
8. | Canon G7 X | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 6.5/s | Y | Y | |
9. | Fujifilm X100V | 3690 | n | 3.0 / 1620 | tilting | Y | 1/4000s | 11.0/s | n | n | |
10. | Fujifilm X100F | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 8.0/s | Y | n | |
11. | Panasonic LX10 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 10.0/s | Y | Y | |
12. | Sony A6300 | 2359 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
13. | Sony A6500 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | Y | Y | |
14. | Sony RX100 V | 2359 | n | 3.0 / 1229 | tilting | n | 1/2000s | 24.0/s | Y | Y | |
15. | Sony RX100 IV | 2359 | n | 3.0 / 1228 | tilting | n | 1/2000s | 16.0/s | Y | Y | |
16. | Sony RX100 III | 1440 | n | 3.0 / 1229 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
17. | Sony RX100 II | optional | n | 3.0 / 1229 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The Canon G7 X Mark II and the Canon G1 X Mark III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the G7X Mark II and the G1X Mark III have zoom lenses built in. The G7X Mark II has a 24-100mm f/1.8-2.8 optic and the G1X Mark III offers a 24-72mm f/2.8-5.6 (focal lengths in full frame equivalent terms). Hence, the G7X Mark II and G1X Mark III provide the same view at the wide-angle end, but the G1X Mark III has less tele-photo reach at the long end. The G7X Mark II offers the faster maximum aperture.
Concerning the storage of imaging data, both the G7X Mark II and the G1X Mark III write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G7 X Mark II and Canon PowerShot G1 X Mark III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G7 X Mark II | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
2. | Canon G1 X Mark III | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
3. | Canon G7 X Mark III | - | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
4. | Canon 80D | Y | stereo / mono | Y | Y | mini | 2.0 | Y | Y | - | |
5. | Canon G5 X | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
6. | Canon G9 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
7. | Canon M3 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
8. | Canon G7 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
9. | Fujifilm X100V | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
10. | Fujifilm X100F | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
11. | Panasonic LX10 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
12. | Sony A6300 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
13. | Sony A6500 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
14. | Sony RX100 V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
15. | Sony RX100 IV | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony RX100 III | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
17. | Sony RX100 II | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the G1X Mark III has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The G7X Mark II does not feature such an accessory-socket.
Both the G7X Mark II and the G1X Mark III have been discontinued, but can regularly be found used on ebay. The G7X Mark II was replaced by the Canon G7 X Mark III, while the G1X Mark III does not have a direct successor. Further information on the features and operation of the G7X Mark II and G1X Mark III can be found, respectively, in the Canon G7 X Mark II Manual (free pdf) or the online Canon G1 X Mark III Manual.
Review summary
So how do things add up? Which of the two cameras – the Canon G7 X Mark II or the Canon G1 X Mark III – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon PowerShot G7 X Mark II:
- Better light gathering: Has a lens with a wider maximum aperture (f/1.8 vs f/2.8).
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More compact: Is smaller (106x61mm vs 115x78mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 80g or 20 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (265 versus 200) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- More affordable: Was introduced into a lower priced category (46 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in February 2016).
Arguments in favor of the Canon PowerShot G1 X Mark III:
- More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (9 vs 8 flaps/sec) to capture the decisive moment.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Was introduced somewhat (1 year and 7 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the G1X Mark III is the clear winner of the contest (13 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G7 X Mark II and the Canon G1 X Mark III place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the G7X Mark II or the G1X Mark III perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G7 X Mark II | 4.5/5 | + + | .. | 81/100 | 4.5/5 | 4.5/5 | Feb 2016 | 699 | ebay.com | |
2. | Canon G1 X Mark III | 5/5 | + | 4/5 | 79/100 | 4.5/5 | 4.5/5 | Oct 2017 | 1,299 | ebay.com | |
3. | Canon G7 X Mark III | .. | + + | 4/5 | 81/100 | 4/5 | .. | Jul 2019 | 749 | amazon.com | |
4. | Canon 80D | 4/5 | + + | 4.5/5 | 84/100 | 4.5/5 | 4.5/5 | Feb 2016 | 1,199 | ebay.com | |
5. | Canon G5 X | 5/5 | + + | .. | 78/100 | 4.5/5 | 4.5/5 | Oct 2015 | 799 | ebay.com | |
6. | Canon G9 X | 3.5/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Oct 2015 | 529 | ebay.com | |
7. | Canon M3 | 4/5 | o | .. | 75/100 | 4.5/5 | 4/5 | Feb 2015 | 679 | ebay.com | |
8. | Canon G7 X | 4/5 | + + | .. | 77/100 | 4.5/5 | 4.5/5 | Sep 2014 | 699 | ebay.com | |
9. | Fujifilm X100V | 5/5 | + + | 4.5/5 | 86/100 | 5/5 | 4.5/5 | Feb 2020 | 1,399 | ebay.com | |
10. | Fujifilm X100F | 5/5 | + | 3.9/5 | 83/100 | 4.5/5 | 4.5/5 | Jan 2017 | 1,299 | ebay.com | |
11. | Panasonic LX10 | .. | + + | 4/5 | 81/100 | 4/5 | 4.5/5 | Sep 2016 | 699 | amazon.com | |
12. | Sony A6300 | 4.5/5 | + | .. | 85/100 | 5/5 | 5/5 | Feb 2016 | 999 | ebay.com | |
13. | Sony A6500 | 5/5 | + + | 3.5/5 | 85/100 | 4.5/5 | 4.5/5 | Oct 2016 | 1,399 | ebay.com | |
14. | Sony RX100 V | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Oct 2016 | 999 | ebay.com | |
15. | Sony RX100 IV | 4.5/5 | + + | .. | 85/100 | 4/5 | 4.5/5 | Jun 2015 | 999 | ebay.com | |
16. | Sony RX100 III | 5/5 | + + | .. | 82/100 | 4.5/5 | 5/5 | May 2014 | 799 | ebay.com | |
17. | Sony RX100 II | 5/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Jun 2013 | 749 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1100D vs Canon G1 X Mark III
- Canon 600D vs Canon G7 X Mark II
- Canon 650D vs Canon G1 X Mark III
- Canon G1 X Mark III vs Fujifilm X100
- Canon G1 X Mark III vs Panasonic G5
- Canon G1 X Mark III vs Panasonic ZS80
- Canon G1 X Mark III vs Sony A7C
- Canon G7 X Mark II vs Nikon D5
- Canon G7 X Mark II vs Nikon D780
- Canon G7 X Mark II vs Panasonic TS7
- Canon G7 X Mark II vs Ricoh GR
- Canon G7 X Mark II vs Sony A7 III
Specifications: Canon G7 X Mark II vs Canon G1 X Mark III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon G7 X Mark II | Canon G1 X Mark III |
---|---|---|
Camera Type | Fixed lens compact camera | Fixed lens compact camera |
Camera Lens | 24-100mm f/1.8-2.8 | 24-72mm f/2.8-5.6 |
Launch Date | February 2016 | October 2017 |
Launch Price | USD 699 | USD 1,299 |
Sensor Specs | Canon G7 X Mark II | Canon G1 X Mark III |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | 1" Sensor | APS-C Sensor |
Sensor Size | 13.2 x 8.8 mm | 22.3 x 14.9 mm |
Sensor Area | 116.16 mm2 | 332.27 mm2 |
Sensor Diagonal | 15.9 mm | 26.8 mm |
Crop Factor | 2.7x | 1.5x |
Sensor Resolution | 20 Megapixels | 24 Megapixels |
Image Resolution | 5472 x 3648 pixels | 6000 x 4000 pixels |
Pixel Pitch | 2.41 μm | 3.72 μm |
Pixel Density | 17.18 MP/cm2 | 7.22 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | 1080/60p Video |
ISO Setting | 125 - 12,800 ISO | 100 - 25,600 ISO |
ISO Boost | 125 - 25,600 ISO | no Enhancement |
Image Processor | DIGIC 7 | DIGIC 7 |
Screen Specs | Canon G7 X Mark II | Canon G1 X Mark III |
Viewfinder Type | no viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Resolution | 2360k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 1040k dots |
LCD Attachment | Tilting screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Canon G7 X Mark II | Canon G1 X Mark III |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/2000s | 1/2000s |
Continuous Shooting | 8 shutter flaps/s | 9 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Canon G7 X Mark II | Canon G1 X Mark III |
External Flash | no Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | NFC built-in | NFC built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Canon G7 X Mark II | Canon G1 X Mark III |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Canon NB-13L | Canon NB-13L |
Battery Life (CIPA) | 265 shots per charge | 200 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
106 x 61 x 42 mm (4.2 x 2.4 x 1.7 in) |
115 x 78 x 51 mm (4.5 x 3.1 x 2.0 in) |
Camera Weight | 319 g (11.3 oz) | 399 g (14.1 oz) |
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