Canon G5 X Mark II vs Ricoh WG-6
The Canon PowerShot G5 X Mark II and the Ricoh WG-6 are two digital cameras that were revealed to the public, respectively, in July 2019 and February 2019. Both the G5X Mark II and the WG-6 are fixed lens compact cameras that are based on an one-inch (G5X Mark II) and a 1/2.3-inch (WG-6) sensor. The Canon has a resolution of 20 megapixels, whereas the Ricoh provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G5 X Mark II and the Ricoh WG-6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon G5 X Mark II and the Ricoh WG-6. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The WG-6 can be obtained in two different colors (black, orange), while the G5X Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Ricoh WG-6 is notably larger (15 percent) than the Canon G5 X Mark II. However, the WG-6 is markedly lighter (28 percent) than the G5X Mark II. It is noteworthy in this context that the WG-6 is splash and dust-proof, while the G5X Mark II does not feature any corresponding weather-sealing. More than that, the WG-6 is water-proof up to 20m and can, thus, be used for underwater photography.
Concerning battery life, the G5X Mark II gets 230 shots out of its NB-13L battery, while the WG-6 can take 340 images on a single charge of its DB-110 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899|
|2.||Ricoh WG-6||118 mm||66 mm||33 mm||246 g||340||Y||Feb 2019||399|
|3.||Canon G7 X Mark III||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749|
|4.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|5.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|6.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|7.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|8.||Leica C-LUX||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049|
|9.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|10.||Panasonic TS7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449|
|11.||Panasonic ZS200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|12.||Sony ZV-1||105 mm||60 mm||44 mm||294 g||260||n||May 2020||799|
|13.||Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199|
|14.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449|
|15.||Sony HX95||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429|
|16.||Sony WX800||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The WG-6 was launched at a markedly lower price (by 56 percent) than the G5X Mark II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon G5 X Mark II features an one-inch sensor and the Ricoh WG-6 a 1/2.3-inch sensor. The sensor area in the WG-6 is 76 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 5.6. The sensor in the G5X Mark II has a native 3:2 aspect ratio, while the one in the WG-6 offers a 4:3 aspect.
Despite having a smaller sensor, the WG-6 offers a slightly higher resolution of 20.2 megapixels, compared with 20 MP of the G5X Mark II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 2.41μm for the G5X Mark II). Moreover, it should be noted that the G5X Mark II is a somewhat more recent model (by 4 months) than the WG-6, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the WG-6 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Canon PowerShot G5 X Mark II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Ricoh WG-6 are ISO 125 to ISO 6400 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||583||65|
|3.||Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||583||65|
|6.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||260||62|
|7.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||227||61|
|9.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||22.8||12.7||979||72|
|13.||Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||22.1||12.3||478||64|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G5X Mark II has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the WG-6 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon G5 X Mark II, the Ricoh WG-6, and comparable cameras.
|1.||Canon G5 X Mark II||2360||n||3.0 / 1040||tilting||Y||1/2000s||30/s||Y||Y|
|2.||Ricoh WG-6||none||n||3.0 / 1040||fixed||n||1/4000s||1.0/s||Y||n|
|3.||Canon G7 X Mark III||none||n||3.0 / 1040||tilting||Y||1/2000s||30/s||Y||Y|
|4.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0/s||Y||n|
|5.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0/s||Y||Y|
|6.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0/s||Y||Y|
|7.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9/s||Y||Y|
|8.||Leica C-LUX||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|9.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|10.||Panasonic TS7||1170||n||3.0 / 1040||fixed||n||1/1300s||10.0/s||Y||Y|
|11.||Panasonic ZS200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|12.||Sony ZV-1||none||n||3.0 / 922||swivel||Y||1/2000s||24.0/s||n||Y|
|13.||Sony RX100 VI||2359||n||3.0 / 1229||tilting||Y||1/2000s||24.0/s||Y||Y|
|14.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|15.||Sony HX95||638||n||3.0 / 922||tilting||n||1/2000s||10.0/s||Y||Y|
|16.||Sony WX800||none||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G5X Mark II has a touchscreen, while the WG-6 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G5X Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the WG-6 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G5X Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G5 X Mark II and the Ricoh WG-6 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the G5X Mark II and the WG-6 have zoom lenses built in. The G5X Mark II has a 24-120mm f/1.8-2.8 optic and the WG-6 offers a 28-140mm f/3.5-5.5 (focal lengths in full frame equivalent terms). Hence, the Canon provides a wider angle of view at the short end than the Ricoh, but less tele-photo reach at the long end. The G5X Mark II offers the faster maximum aperture.
Concerning the storage of imaging data, both the G5X Mark II and the WG-6 write their files to SDXC cards. The G5X Mark II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the WG-6 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G5 X Mark II and Ricoh WG-6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G5 X Mark II||-||stereo / mono||-||-||micro||3.1||Y||-||Y|
|2.||Ricoh WG-6||-||mono / mono||-||-||micro||3.0||-||-||-|
|3.||Canon G7 X Mark III||-||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|4.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|5.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|6.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|7.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|8.||Leica C-LUX||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|10.||Panasonic TS7||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Panasonic ZS200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|12.||Sony ZV-1||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|13.||Sony RX100 VI||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|14.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|15.||Sony HX95||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|16.||Sony WX800||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the G5X Mark II offers wifi support, while the WG-6 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Travel and landscape photographers will find it useful that the WG-6 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the G5X Mark II and the WG-6 are recent models that are part of the current product line-up. The WG-6 replaced the earlier Ricoh WG-5, while the G5X Mark II followed on from the Canon G5 X. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Ricoh websites.
So what is the bottom line? Is there a clear favorite between the Canon G5 X Mark II and the Ricoh WG-6? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon PowerShot G5 X Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (30 vs 1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.8 vs f/3.5).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (111x61mm vs 118x66mm) and thus needs less room in the bag.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Is somewhat more recent (announced 4 months after the WG-6).
Reasons to prefer the Ricoh WG-6:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Less heavy: Has a lower weight (by 94g or 28 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (340 versus 230) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 20m).
- Easier geotagging: Features an internal GPS sensor to log localization data.
- More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in February 2019).
If the count of individual advantages (bullet points above) is taken as a guide, the G5X Mark II is the clear winner of the match-up (19 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G5 X Mark II and the Ricoh WG-6 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the G5X Mark II or the WG-6 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G5 X Mark II||4/5||+||4/5||82/100||..||4/5||Jul 2019||899|
|2.||Ricoh WG-6||..||..||..||..||3.5/5||3.5/5||Feb 2019||399|
|3.||Canon G7 X Mark III||..||+ +||4/5||81/100||4/5||..||Jul 2019||749|
|4.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779|
|5.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399|
|6.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699|
|7.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799|
|8.||Leica C-LUX||..||..||3.5/5||..||4.5/5||4/5||Jun 2018||1,049|
|9.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999|
|10.||Panasonic TS7||..||+||..||..||..||3.5/5||May 2018||449|
|11.||Panasonic ZS200||..||+ +||..||81/100||4.5/5||4.5/5||Feb 2018||799|
|12.||Sony ZV-1||4/5||..||4.5/5||85/100||4/5||4.5/5||May 2020||799|
|13.||Sony RX100 VI||4.5/5||+ +||..||83/100||4/5||4.5/5||Jun 2018||1,199|
|14.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449|
|15.||Sony HX95||..||..||..||..||..||..||Aug 2018||429|
|16.||Sony WX800||..||..||..||..||..||..||Oct 2018||399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 6D vs Ricoh WG-6
- Canon G5 X Mark II vs Fujifilm GFX 50S
- Canon G5 X Mark II vs Nikon D300
- Canon G5 X Mark II vs Nikon P7800
- Canon G5 X Mark II vs Pentax 645D
- Canon G5 X Mark II vs Sony NEX-3
- Canon G5 X Mark II vs Sony RX100 II
- Fujifilm X-Pro1 vs Ricoh WG-6
- Nikon Z7 vs Ricoh WG-6
- Panasonic GH4 vs Ricoh WG-6
- Ricoh WG-6 vs Samsung NX30
- Ricoh WG-6 vs Sony A900
Specifications: Canon G5 X Mark II vs Ricoh WG-6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G5 X Mark II||Ricoh WG-6|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-120mm f/1.8-2.8||28-140mm f/3.5-5.5|
|Launch Date||July 2019||February 2019|
|Launch Price||USD 899||USD 399|
|Sensor Specs||Canon G5 X Mark II||Ricoh WG-6|
|Sensor Format||1" Sensor||1/2.3" Sensor|
|Sensor Size||13.2 x 8.8 mm||6.17 x 4.55 mm|
|Sensor Area||116.16 mm2||28.0735 mm2|
|Sensor Diagonal||15.9 mm||7.7 mm|
|Sensor Resolution||20 Megapixels||20.2 Megapixels|
|Image Resolution||5472 x 3648 pixels||5184 x 3888 pixels|
|Pixel Pitch||2.41 μm||1.18 μm|
|Pixel Density||17.18 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||125 - 12,800 ISO||125 - 6,400 ISO|
|ISO Boost||125 - 25,600 ISO||no Enhancement|
|Screen Specs||Canon G5 X Mark II||Ricoh WG-6|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G5 X Mark II||Ricoh WG-6|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||30 shutter flaps/s||1 shutter flaps/s|
|Electronic Shutter||up to 1/25600s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon G5 X Mark II||Ricoh WG-6|
|External Flash||no Hotshoe||no Hotshoe|
|USB Connector||USB 3.1||USB 3.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Canon G5 X Mark II||Ricoh WG-6|
|Environmental Sealing||not weather sealed||Waterproof body (20m)|
|Battery Life (CIPA)||230 shots per charge||340 shots per charge|
|In-Camera Charging||USB charging||USB charging|
111 x 61 x 46 mm
(4.4 x 2.4 x 1.8 in)
118 x 66 x 33 mm
(4.6 x 2.6 x 1.3 in)
|Camera Weight||340 g (12.0 oz)||246 g (8.7 oz)|
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