Canon G5 X Mark II vs Pentax K-50
The Canon PowerShot G5 X Mark II and the Pentax K-50 are two digital cameras that were announced, respectively, in July 2019 and June 2013. The G5X Mark II is a fixed lens compact, while the K-50 is a DSLR. The cameras are based on an one-inch (G5X Mark II) and an APS-C (K-50) sensor. The Canon has a resolution of 20 megapixels, whereas the Pentax provides 16.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G5 X Mark II and the Pentax K-50? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon G5 X Mark II and the Pentax K-50. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The K-50 can be obtained in three different colors (black, red, white), while the G5X Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-50 is considerably larger (86 percent) than the Canon G5 X Mark II. It is noteworthy in this context that the K-50 is splash and dust-proof, while the G5X Mark II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G5X Mark II has a lens built in, whereas the K-50 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the G5X Mark II gets 230 shots out of its NB-13L battery, while the K-50 can take 410 images on a single charge of its D-LI109 power pack. The power pack in the G5X Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899|
|2.||Pentax K-50||130 mm||97 mm||71 mm||650 g||410||Y||Jun 2013||599|
|3.||Canon G7 X Mark III||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749|
|4.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|5.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|6.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|7.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|8.||Leica C-LUX||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049|
|9.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|10.||Panasonic ZS200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|11.||Pentax K-70||126 mm||93 mm||74 mm||688 g||410||Y||Jun 2016||649|
|12.||Pentax K-500||130 mm||97 mm||71 mm||646 g||710||n||Jun 2013||549|
|13.||Pentax K-30||130 mm||97 mm||71 mm||650 g||410||Y||May 2012||849|
|14.||Pentax K-5 II||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2012||1,099|
|15.||Pentax K-5||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2010||1,099|
|16.||Sony ZV-1||105 mm||60 mm||44 mm||294 g||260||n||May 2020||799|
|17.||Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G5 X Mark II features an one-inch sensor and the Pentax K-50 an APS-C sensor. The sensor area in the K-50 is 216 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon G5 X Mark II offers a higher resolution of 20 megapixels, compared with 16.1 MP of the Pentax K-50. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.77μm for the K-50). However, it should be noted that the G5X Mark II is much more recent (by 6 years) than the K-50, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon G5 X Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G5X Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Pentax K-50 are 24.6 x 16.3 inches or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.6 cm for excellent quality prints.
The Canon PowerShot G5 X Mark II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Pentax K-50 are ISO 100 to ISO 51200 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|1.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|3.||Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|6.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|7.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|9.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
|14.||Pentax K-5 II||APS-C||16.1||4928||3264||1080/25p||23.8||14.1||1235||82|
|17.||Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G5X Mark II provides a higher video resolution than the K-50. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G5X Mark II has an electronic viewfinder (2360k dots), while the K-50 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon G5 X Mark II, the Pentax K-50, and comparable cameras.
|1.||Canon G5 X Mark II||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|3.||Canon G7 X Mark III||none||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|6.||Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y|
|7.||Canon G5 X||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y|
|9.||Panasonic LX100 II||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y|
|14.||Pentax K-5 II||optical||Y||3.0||921||fixed||n||1/8000s||7.0||Y||Y|
|17.||Sony RX100 VI||2359||n||3.0||1229||tilting||Y||1/2000s||24.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G5X Mark II has a touchscreen, while the K-50 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G5X Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the K-50 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G5X Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G5 X Mark II and the Pentax K-50 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G5X Mark II and the K-50 write their files to SDXC cards. The G5X Mark II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the K-50 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G5 X Mark II and Pentax K-50 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Canon G5 X Mark II||-||stereo||mono||-||-||micro||3.1||Y||-||Y|
|3.||Canon G7 X Mark III||-||stereo||mono||Y||-||micro||3.1||Y||-||Y|
|6.||Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|7.||Canon G5 X||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
|9.||Panasonic LX100 II||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|14.||Pentax K-5 II||Y||stereo||mono||Y||-||mini||2.0||-||-||-|
|17.||Sony RX100 VI||-||stereo||mono||-||-||micro||2.0||Y||Y||Y|
It is notable that the G5X Mark II offers wifi support, while the K-50 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The G5X Mark II is a recent model that features in the current product line-up of Canon. In contrast, the K-50 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the K-50 was succeeded by the Pentax K-70. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Pentax websites.
So what is the bottom line? Is the Canon G5 X Mark II better than the Pentax K-50 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon PowerShot G5 X Mark II:
- More detail: Offers more megapixels (20 vs 16.1MP) with a 11% higher linear resolution.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (30 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with a built-in lens, while the K-50 requires a separate lens.
- More compact: Is smaller (111x61mm vs 130x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the K-50).
- Easier travel charging: Can be conveniently charged via its USB port.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 6 years of technical progress since the K-50 launch.
Reasons to prefer the Pentax K-50:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/2000s) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (410 versus 230) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in June 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the G5X Mark II is the clear winner of the match-up (18 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G5 X Mark II and the Pentax K-50 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the G5X Mark II or the K-50 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G5 X Mark II||4/5||+||82/100||..||4/5||Jul 2019||899|
|2.||Pentax K-50||5/5||..||..||5/5||4.5/5||Jun 2013||599|
|3.||Canon G7 X Mark III||..||+ +||81/100||4/5||..||Jul 2019||749|
|4.||Canon M50||..||+||79/100||..||3.5/5||Feb 2018||779|
|5.||Canon SX740||..||+||..||4/5||4/5||Jul 2018||399|
|6.||Canon G7 X Mark II||4.5/5||+ +||81/100||4.5/5||4.5/5||Feb 2016||699|
|7.||Canon G5 X||5/5||+ +||78/100||4.5/5||4.5/5||Oct 2015||799|
|8.||Leica C-LUX||..||..||..||4.5/5||4/5||Jun 2018||1,049|
|9.||Panasonic LX100 II||4.5/5||+||82/100||4.5/5||4.5/5||Aug 2018||999|
|10.||Panasonic ZS200||..||+ +||81/100||4.5/5||4.5/5||Feb 2018||799|
|11.||Pentax K-70||4.5/5||..||79/100||4.5/5||4.5/5||Jun 2016||649|
|12.||Pentax K-500||..||..||..||4.5/5||4.5/5||Jun 2013||549|
|13.||Pentax K-30||4/5||..||78/100||4.5/5||4.5/5||May 2012||849|
|14.||Pentax K-5 II||5/5||..||80/100||5/5||4.5/5||Sep 2012||1,099|
|15.||Pentax K-5||4/5||..||83/100||5/5||4.5/5||Sep 2010||1,099|
|16.||Sony ZV-1||4/5||..||85/100||4/5||4.5/5||May 2020||799|
|17.||Sony RX100 VI||4.5/5||+ +||83/100||4/5||4.5/5||Jun 2018||1,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon G5 X Mark II vs Pentax K-50
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G5 X Mark II||Pentax K-50|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-120mm f/1.8-2.8||Pentax K mount lenses|
|Launch Date||July 2019||June 2013|
|Launch Price||USD 899||USD 599|
|Sensor Specs||Canon G5 X Mark II||Pentax K-50|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.5 x 15.6 mm|
|Sensor Area||116.16 mm2||366.6 mm2|
|Sensor Diagonal||15.9 mm||28.2 mm|
|Sensor Resolution||20 Megapixels||16.1 Megapixels|
|Image Resolution||5472 x 3648 pixels||4928 x 3264 pixels|
|Pixel Pitch||2.41 μm||4.77 μm|
|Pixel Density||17.18 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/30p Video|
|ISO Setting||125 - 12,800 ISO||100 - 51,200 ISO|
|ISO Boost||125 - 25,600 ISO||no Enhancement|
|Image Processor||DIGIC 8||PRIME M|
|DXO Sensor Quality (score)||..||79|
|DXO Color Depth (bits)||..||23.7|
|DXO Dynamic Range (EV)||..||13.0|
|DXO Low Light (ISO)||..||1120|
|Screen Specs||Canon G5 X Mark II||Pentax K-50|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||921k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G5 X Mark II||Pentax K-50|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/6000s|
|Continuous Shooting||30 shutter flaps/s||6 shutter flaps/s|
|Electronic Shutter||up to 1/25600s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon G5 X Mark II||Pentax K-50|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon G5 X Mark II||Pentax K-50|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||230 shots per charge||410 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
111 x 61 x 46 mm
(4.4 x 2.4 x 1.8 in)
130 x 97 x 71 mm
(5.1 x 3.8 x 2.8 in)
|Camera Weight||340 g (12.0 oz)||650 g (22.9 oz)|
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