Canon G5 X Mark II vs Leica SL2
The Canon PowerShot G5 X Mark II and the Leica SL2 are two digital cameras that were announced, respectively, in July 2019 and November 2019. The G5X Mark II is a fixed lens compact, while the SL2 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (G5X Mark II) and a full frame (SL2) sensor. The Canon has a resolution of 20 megapixels, whereas the Leica provides 46.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G5 X Mark II and the Leica SL2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon G5 X Mark II and the Leica SL2 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica SL2 is considerably larger (131 percent) than the Canon G5 X Mark II. It is noteworthy in this context that the SL2 is splash and dust-proof, while the G5X Mark II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G5X Mark II has a lens built in, whereas the SL2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899|
|2.||Leica SL2||146 mm||107 mm||42 mm||953 g||370||Y||Nov 2019||5,999|
|3.||Canon G7 X Mark III||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749|
|4.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|5.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|6.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|7.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|8.||Leica SL2-S||146 mm||107 mm||83 mm||931 g||510||Y||Dec 2020||4,895|
|9.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995|
|10.||Leica C-LUX||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049|
|11.||Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499|
|12.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699|
|13.||Panasonic S1H||151 mm||114 mm||110 mm||1052 g||400||Y||May 2019||3,999|
|14.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|15.||Panasonic ZS200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|16.||Sony ZV-1||105 mm||60 mm||44 mm||294 g||260||n||May 2020||799|
|17.||Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G5X Mark II was launched at a lower price than the SL2, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G5 X Mark II features an one-inch sensor and the Leica SL2 a full frame sensor. The sensor area in the SL2 is 645 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 46.7MP, the SL2 offers a higher resolution than the G5X Mark II (20MP), but the SL2 nevertheless has larger individual pixels (pixel pitch of 4.30μm versus 2.41μm for the G5X Mark II) due to its larger sensor. Moreover, the SL2 is a somewhat more recent model (by 3 months) than the G5X Mark II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the SL2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica SL2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SL2 for good quality output (200 dots per inch) amounts to 41.8 x 27.9 inches or 106.3 x 70.9 cm, for very good quality (250 dpi) 33.5 x 22.3 inches or 85 x 56.7 cm, and for excellent quality (300 dpi) 27.9 x 18.6 inches or 70.8 x 47.3 cm. The corresponding values for the Canon G5 X Mark II are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
Unlike the G5X Mark II, the SL2 has the capacity to capture high quality composite images (187MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon PowerShot G5 X Mark II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Leica SL2 are ISO 100 to ISO 50000, with the possibility to increase the ISO range to 50-50000.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||583||65|
|2.||Leica SL2||Full Frame||46.7||8368||5584||4K/60p||25.3||14.3||2866||95|
|3.||Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||583||65|
|6.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||260||62|
|7.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||227||61|
|8.||Leica SL2-S||Full Frame||24.0||6000||4000||4K/60p||25.2||14.1||3504||95|
|9.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|11.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|12.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|13.||Panasonic S1H||Full Frame||24.0||6000||4000||6K/30p||25.2||14.2||2805||94|
|14.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||22.8||12.7||979||72|
|17.||Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||22.1||12.3||478||64|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the SL2 provides a faster frame rate than the G5X Mark II. It can shoot movie footage at 4K/60p, while the Canon is limited to 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the SL2 offers a substantially higher resolution than the one in the G5X Mark II (5760k vs 2360k dots). The table below summarizes some of the other core capabilities of the Canon G5 X Mark II and Leica SL2 in connection with corresponding information for a sample of similar cameras.
|1.||Canon G5 X Mark II||2360||n||3.0 / 1040||tilting||Y||1/2000s||30/s||Y||Y|
|2.||Leica SL2||5760||Y||3.2 / 2100||fixed||Y||1/8000s||10.0/s||n||Y|
|3.||Canon G7 X Mark III||none||n||3.0 / 1040||tilting||Y||1/2000s||30/s||Y||Y|
|4.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0/s||Y||n|
|5.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0/s||Y||Y|
|6.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0/s||Y||Y|
|7.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9/s||Y||Y|
|8.||Leica SL2-S||5760||Y||3.2 / 2100||fixed||Y||1/8000s||20.0/s||n||Y|
|9.||Leica Q2||3680||n||3.0 / 1040||fixed||Y||1/2000s||20.0/s||n||Y|
|10.||Leica C-LUX||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|11.||Panasonic S1||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|12.||Panasonic S1R||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|13.||Panasonic S1H||5760||Y||3.2 / 2330||swivel||Y||1/8000s||9.0/s||n||Y|
|14.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|15.||Panasonic ZS200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|16.||Sony ZV-1||none||n||3.0 / 922||swivel||Y||1/2000s||24.0/s||n||Y|
|17.||Sony RX100 VI||2359||n||3.0 / 1229||tilting||Y||1/2000s||24.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The G5X Mark II has one, while the SL2 does not. While the built-in flash of the G5X Mark II is not very powerful, it can at times be useful as a fill-in light.The G5X Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the SL2 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G5 X Mark II and the Leica SL2 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G5X Mark II and the SL2 write their files to SDXC cards. The SL2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G5X Mark II only has one slot. The SL2 supports UHS-II cards (on both slots), while the G5X Mark II can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G5 X Mark II and Leica SL2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G5 X Mark II||-||stereo / mono||-||-||micro||3.1||Y||-||Y|
|2.||Leica SL2||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|3.||Canon G7 X Mark III||-||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|4.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|5.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|6.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|7.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|8.||Leica SL2-S||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|9.||Leica Q2||Y||stereo / mono||-||-||-||-||Y||-||Y|
|10.||Leica C-LUX||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Panasonic S1||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|12.||Panasonic S1R||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|13.||Panasonic S1H||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|14.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|15.||Panasonic ZS200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|16.||Sony ZV-1||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|17.||Sony RX100 VI||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
It is notable that the SL2 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G5X Mark II does not feature such a mic input.
Studio photographers will appreciate that the Leica SL2 (unlike the G5X Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the G5X Mark II and the SL2 are recent models that are part of the current product line-up. The G5X Mark II replaced the earlier Canon G5 X, while the SL2 followed on from the Leica SL (Typ 601). Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Leica websites.
So what conclusions can be drawn? Which of the two cameras – the Canon G5 X Mark II or the Leica SL2 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon PowerShot G5 X Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (30 vs 10 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the SL2 requires a separate lens.
- More compact: Is smaller (111x61mm vs 146x107mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the SL2).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in July 2019).
Reasons to prefer the Leica SL2:
- More detail: Has more megapixels (46.7 vs 20MP), which boosts linear resolution by 53%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 2360k dots).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (370 versus 230) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More modern: Was introduced somewhat (3 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the SL2 is the clear winner of the contest (25 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G5 X Mark II and the Leica SL2 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the G5X Mark II and the SL2 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G5 X Mark II||4/5||+||4/5||82/100||..||4/5||Jul 2019||899|
|2.||Leica SL2||4/5||..||4.5/5||..||4.5/5||4/5||Nov 2019||5,999|
|3.||Canon G7 X Mark III||..||+ +||4/5||81/100||4/5||..||Jul 2019||749|
|4.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779|
|5.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399|
|6.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699|
|7.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799|
|8.||Leica SL2-S||4/5||..||4/5||..||4.5/5||4.5/5||Dec 2020||4,895|
|9.||Leica Q2||..||..||..||84/100||4.5/5||4/5||Mar 2019||4,995|
|10.||Leica C-LUX||..||..||3.5/5||..||4.5/5||4/5||Jun 2018||1,049|
|11.||Panasonic S1||4.5/5||+ +||4.5/5||88/100||4.5/5||4/5||Feb 2019||2,499|
|12.||Panasonic S1R||4.5/5||..||4.6/5||89/100||4.5/5||4.5/5||Feb 2019||3,699|
|13.||Panasonic S1H||..||..||4/5||90/100||..||..||May 2019||3,999|
|14.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999|
|15.||Panasonic ZS200||..||+ +||..||81/100||4.5/5||4.5/5||Feb 2018||799|
|16.||Sony ZV-1||4/5||..||4.5/5||85/100||4/5||4.5/5||May 2020||799|
|17.||Sony RX100 VI||4.5/5||+ +||..||83/100||4/5||4.5/5||Jun 2018||1,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
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Specifications: Canon G5 X Mark II vs Leica SL2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G5 X Mark II||Leica SL2|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-120mm f/1.8-2.8||Leica L mount lenses|
|Launch Date||July 2019||November 2019|
|Launch Price||USD 899||USD 5,999|
|Sensor Specs||Canon G5 X Mark II||Leica SL2|
|Sensor Format||1" Sensor||Full Frame Sensor|
|Sensor Size||13.2 x 8.8 mm||36.0 x 24.0 mm|
|Sensor Area||116.16 mm2||864 mm2|
|Sensor Diagonal||15.9 mm||43.3 mm|
|Sensor Resolution||20 Megapixels||46.7 Megapixels|
|Image Resolution||5472 x 3648 pixels||8368 x 5584 pixels|
|Pixel Pitch||2.41 μm||4.30 μm|
|Pixel Density||17.18 MP/cm2||5.41 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/60p Video|
|ISO Setting||125 - 12,800 ISO||100 - 50,000 ISO|
|ISO Boost||125 - 25,600 ISO||50 - 50,000 ISO|
|Image Processor||DIGIC 8||Maestro III|
|Screen Specs||Canon G5 X Mark II||Leica SL2|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||5760k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||2100k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Canon G5 X Mark II||Leica SL2|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/8000s|
|Continuous Shooting||30 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/25600s||up to 1/40000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon G5 X Mark II||Leica SL2|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 3.1||USB 3.1|
|HDMI Port||micro HDMI||full HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon G5 X Mark II||Leica SL2|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||230 shots per charge||370 shots per charge|
|In-Camera Charging||USB charging||USB charging|
111 x 61 x 46 mm
(4.4 x 2.4 x 1.8 in)
146 x 107 x 42 mm
(5.7 x 4.2 x 1.7 in)
|Camera Weight||340 g (12.0 oz)||953 g (33.6 oz)|
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