Canon G5 X Mark II vs Fujifilm X30
The Canon PowerShot G5 X Mark II and the Fujifilm X30 are two digital cameras that were announced, respectively, in July 2019 and August 2014. Both the G5X Mark II and the X30 are fixed lens compact cameras that are based on an one-inch (G5X Mark II) and a 2/3 (X30) sensor. The Canon has a resolution of 20 megapixels, whereas the Fujifilm provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G5 X Mark II and the Fujifilm X30? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon G5 X Mark II and the Fujifilm X30 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The X30 can be obtained in two different colors (black, silver), while the G5X Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X30 is notably larger (27 percent) than the Canon G5 X Mark II. Moreover, the X30 is markedly heavier (24 percent) than the G5X Mark II. In this context, it is worth noting that neither the G5X Mark II nor the X30 are weather-sealed.
Concerning battery life, the G5X Mark II gets 230 shots out of its NB-13L battery, while the X30 can take 470 images on a single charge of its NP-95 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899|
|2.||Fujifilm X30||119 mm||72 mm||60 mm||423 g||470||n||Aug 2014||599|
|3.||Canon G7 X Mark III||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749|
|4.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|5.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|6.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|7.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|8.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|9.||Fujifilm X20||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599|
|10.||Fujifilm XQ1||100 mm||59 mm||33 mm||206 g||240||n||Oct 2013||499|
|11.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|12.||Leica C-LUX||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049|
|13.||Nikon P7800||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549|
|14.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|15.||Panasonic ZS200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|16.||Sony ZV-1||105 mm||60 mm||44 mm||294 g||260||n||May 2020||799|
|17.||Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X30 was launched at a markedly lower price (by 33 percent) than the G5X Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G5 X Mark II features an one-inch sensor and the Fujifilm X30 a 2/3 sensor. The sensor area in the X30 is 50 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 3.9. The sensor in the G5X Mark II has a native 3:2 aspect ratio, while the one in the X30 offers a 4:3 aspect.
With 20MP, the G5X Mark II offers a higher resolution than the X30 (12MP), but the G5X Mark II nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 2.20μm for the X30) due to its larger sensor. Moreover, the G5X Mark II is a much more recent model (by 4 years and 10 months) than the X30, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X30 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon G5 X Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G5X Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Fujifilm X30 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The X30 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon PowerShot G5 X Mark II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Fujifilm X30 are ISO 100 to ISO 12800 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|3.||Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|6.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|7.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|14.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
|17.||Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G5X Mark II provides a higher video resolution than the X30. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The G5X Mark II and the X30 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The table below summarizes some of the other core capabilities of the Canon G5 X Mark II and Fujifilm X30 in connection with corresponding information for a sample of similar cameras.
|1.||Canon G5 X Mark II||2360||n||3.0 / 1040||tilting||Y||1/2000s||30||Y||Y|
|2.||Fujifilm X30||2360||n||3.0 / 920||tilting||n||1/4000s||12.0||Y||Y|
|3.||Canon G7 X Mark III||none||n||3.0 / 1040||tilting||Y||1/2000s||30||Y||Y|
|4.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0||Y||n|
|5.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0||Y||Y|
|6.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0||Y||Y|
|7.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9||Y||Y|
|8.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2||Y||Y|
|9.||Fujifilm X20||optical||n||2.8 / 460||fixed||n||1/4000s||12.0||Y||Y|
|10.||Fujifilm XQ1||none||n||3.0 / 920||fixed||n||1/4000s||12.0||Y||Y|
|11.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0||Y||Y|
|12.||Leica C-LUX||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0||Y||Y|
|13.||Nikon P7800||921||n||3.0 / 921||swivel||n||1/4000s||8.0||Y||Y|
|14.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0||n||Y|
|15.||Panasonic ZS200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0||Y||Y|
|16.||Sony ZV-1||none||n||3.0 / 922||swivel||Y||1/2000s||24.0||n||Y|
|17.||Sony RX100 VI||2359||n||3.0 / 1229||tilting||Y||1/2000s||24.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G5X Mark II has a touchscreen, while the X30 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G5X Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the X30 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G5X Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G5 X Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the G5X Mark II and the X30 have zoom lenses built in. The G5X Mark II has a 24-120mm f/1.8-2.8 optic and the X30 offers a 28-112mm f/2.0-2.8 (focal lengths in full frame equivalent terms). Hence, the Canon provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Fujifilm. The G5X Mark II offers the faster maximum aperture.
Concerning the storage of imaging data, both the G5X Mark II and the X30 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G5 X Mark II and Fujifilm X30 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G5 X Mark II||-||stereo / mono||-||-||micro||3.1||Y||-||Y|
|2.||Fujifilm X30||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Canon G7 X Mark III||-||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|4.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|5.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|6.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|7.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|8.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|9.||Fujifilm X20||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|10.||Fujifilm XQ1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Leica C-LUX||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Nikon P7800||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|14.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|15.||Panasonic ZS200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|16.||Sony ZV-1||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|17.||Sony RX100 VI||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
It is notable that the X30 has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The G5X Mark II does not feature such an accessory-socket.
Both the G5X Mark II and the X30 are recent models that are part of the current product line-up. The X30 replaced the earlier Fujifilm X20, while the G5X Mark II followed on from the Canon G5 X. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what is the bottom line? Which of the two cameras – the Canon G5 X Mark II or the Fujifilm X30 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon PowerShot G5 X Mark II:
- More detail: Offers more megapixels (20 vs 12MP) with a 32% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (30 vs 12 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.8 vs f/2.0).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More compact: Is smaller (111x61mm vs 119x72mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 83g or 20 percent) and hence easier to carry around.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 4 years and 10 months of technical progress since the X30 launch.
Advantages of the Fujifilm X30:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Longer lasting: Gets more shots (470 versus 230) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in August 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the G5X Mark II is the clear winner of the match-up (21 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G5 X Mark II and the Fujifilm X30 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the G5X Mark II or the X30 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G5 X Mark II||4/5||+||4/5||82/100||..||4/5||Jul 2019||899|
|2.||Fujifilm X30||4/5||..||..||76/100||4.5/5||4.5/5||Aug 2014||599|
|3.||Canon G7 X Mark III||..||+ +||4/5||81/100||4/5||..||Jul 2019||749|
|4.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779|
|5.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399|
|6.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699|
|7.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799|
|8.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|9.||Fujifilm X20||4/5||+ +||..||77/100||4.5/5||5/5||Jan 2013||599|
|10.||Fujifilm XQ1||..||..||..||..||4.5/5||4.5/5||Oct 2013||499|
|11.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599|
|12.||Leica C-LUX||..||..||..||..||4.5/5||4/5||Jun 2018||1,049|
|13.||Nikon P7800||3/5||..||..||..||4/5||4.5/5||Sep 2013||549|
|14.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999|
|15.||Panasonic ZS200||..||+ +||..||81/100||4.5/5||4.5/5||Feb 2018||799|
|16.||Sony ZV-1||4/5||..||4.5/5||85/100||4/5||4.5/5||May 2020||799|
|17.||Sony RX100 VI||4.5/5||+ +||..||83/100||4/5||4.5/5||Jun 2018||1,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Canon G5 X Mark II vs Fujifilm X30
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G5 X Mark II||Fujifilm X30|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-120mm f/1.8-2.8||28-112mm f/2.0-2.8|
|Launch Date||July 2019||August 2014|
|Launch Price||USD 899||USD 599|
|Sensor Specs||Canon G5 X Mark II||Fujifilm X30|
|Sensor Format||1" Sensor||Two Thirds Sensor|
|Sensor Size||13.2 x 8.8 mm||8.8 x 6.6 mm|
|Sensor Area||116.16 mm2||58.08 mm2|
|Sensor Diagonal||15.9 mm||11 mm|
|Sensor Resolution||20 Megapixels||12 Megapixels|
|Image Resolution||5472 x 3648 pixels||4000 x 3000 pixels|
|Pixel Pitch||2.41 μm||2.20 μm|
|Pixel Density||17.18 MP/cm2||20.66 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||125 - 12,800 ISO||100 - 12,800 ISO|
|ISO Boost||125 - 25,600 ISO||no Enhancement|
|Image Processor||DIGIC 8||EXR Processor II|
|Screen Specs||Canon G5 X Mark II||Fujifilm X30|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G5 X Mark II||Fujifilm X30|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||30 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||up to 1/25600s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon G5 X Mark II||Fujifilm X30|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon G5 X Mark II||Fujifilm X30|
|Battery Life (CIPA)||230 shots per charge||470 shots per charge|
|In-Camera Charging||USB charging||USB charging|
111 x 61 x 46 mm
(4.4 x 2.4 x 1.8 in)
119 x 72 x 60 mm
(4.7 x 2.8 x 2.4 in)
|Camera Weight||340 g (12.0 oz)||423 g (14.9 oz)|
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