Canon G3 X vs Sony NEX-F3
The Canon PowerShot G3 X and the Sony Alpha NEX-F3 are two digital cameras that were announced, respectively, in June 2015 and May 2012. The G3X is a fixed lens compact, while the NEX-F3 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (G3X) and an APS-C (NEX-F3) sensor. The Canon has a resolution of 20 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G3 X and the Sony Alpha NEX-F3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon G3 X and the Sony NEX-F3 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The NEX-F3 can be obtained in three different colors (black, silver, white), while the G3X is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-F3 is notably smaller (17 percent) than the Canon G3 X. It is worth mentioning in this context that the G3X is splash and dust resistant, while the NEX-F3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G3X has a lens built in, whereas the NEX-F3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-F3 and their specifications in the Sony E-Mount Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999|
|2.||Sony NEX-F3||117 mm||67 mm||42 mm||314 g||470||n||May 2012||599|
|3.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|4.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529|
|5.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799|
|6.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|7.||Nikon D7200||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199|
|8.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|9.||Sony RX10 III||133 mm||94 mm||127 mm||1051 g||420||Y||Mar 2016||1,499|
|10.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|11.||Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299|
|12.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|13.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|14.||Sony NEX-5R||111 mm||59 mm||39 mm||276 g||330||n||Aug 2012||749|
|15.||Sony NEX-5N||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699|
|16.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599|
|17.||Sony NEX-5||111 mm||59 mm||38 mm||287 g||330||n||May 2010||699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G3 X features an one-inch sensor and the Sony NEX-F3 an APS-C sensor. The sensor area in the NEX-F3 is 215 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon G3 X offers a higher resolution of 20 megapixels, compared with 16 MP of the Sony NEX-F3. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.78μm for the NEX-F3). However, it should be noted that the G3X is much more recent (by 3 years and 1 month) than the NEX-F3, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon G3 X implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G3X for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Sony NEX-F3 are 24.6 x 16.3 inches or 62.4 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.9 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.6 x 27.6 cm for excellent quality prints.
The Canon PowerShot G3 X has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Sony Alpha NEX-F3 are ISO 100 to ISO 16000 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the NEX-F3 has a markedly higher DXO score than the G3X (overall score 10 points higher), which will translate into better image quality. The advantage is based on 1.3 bits higher color depth, and 1.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|4.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|5.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|9.||Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
|10.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|11.||Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|12.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G3X provides a higher frame rate than the NEX-F3. It can shoot video footage at 1080/60p, while the Sony is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. The G3X and the NEX-F3 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the EVF-DC1 for the G3X and the FDA-EV1S for the NEX-F3 – are available as accessories. The following table reports on some other key feature differences and similarities of the Canon G3 X, the Sony NEX-F3, and comparable cameras.
|1.||Canon G3 X||optional||n||3.2 / 1620||tilting||Y||1/2000s||5.9||Y||Y|
|2.||Sony NEX-F3||optional||n||3.0 / 920||tilting||n||1/4000s||5.5||Y||n|
|3.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|4.||Canon G9 X||none||n||3.0 / 1040||fixed||Y||1/2000s||6.0||Y||Y|
|5.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0||Y||n|
|6.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|7.||Nikon D7200||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|8.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0||Y||Y|
|9.||Sony RX10 III||2359||Y||3.0 / 1229||tilting||n||1/2000s||14.0||Y||Y|
|10.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0||Y||Y|
|11.||Sony RX10 II||2359||Y||3.0 / 1229||tilting||n||1/3200s||14.0||Y||Y|
|12.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0||Y||Y|
|13.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0||Y||n|
|14.||Sony NEX-5R||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0||n||n|
|15.||Sony NEX-5N||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0||n||n|
|16.||Sony NEX-3||optional||n||3.0 / 920||tilting||n||1/4000s||7.0||n||n|
|17.||Sony NEX-5||optional||n||3.0 / 920||tilting||n||1/4000s||7.0||n||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G3X has a touchscreen, while the NEX-F3 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The G3X writes its imaging data to SDXC cards, while the NEX-F3 uses SDXC or Memory Stick PRO Duo cards. The G3X supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-F3 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G3 X and Sony Alpha NEX-F3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G3 X||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|2.||Sony NEX-F3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|4.||Canon G9 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|5.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|6.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|7.||Nikon D7200||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|8.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|9.||Sony RX10 III||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|10.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|11.||Sony RX10 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|12.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|13.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
|14.||Sony NEX-5R||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|15.||Sony NEX-5N||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Sony NEX-3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony NEX-5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the G3X has a microphone port, which is missing on the NEX-F3. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The G3X is a recent model that features in the current product line-up of Canon. In contrast, the NEX-F3 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the NEX-F3 from Sony. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Which of the two cameras – the Canon G3 X or the Sony NEX-F3 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon PowerShot G3 X:
- More detail: Offers more megapixels (20 vs 16MP) with a 12% higher linear resolution.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 920k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Ready to shoot: Has a lens built-in, whereas the NEX-F3 requires a separate lens.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 3 years and 1 month of technical progress since the NEX-F3 launch.
Reasons to prefer the Sony Alpha NEX-F3:
- Better image quality: Scores markedly higher (10 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.3 bits more color depth).
- Better low-light sensitivity: Can shoot in dim conditions (1.1 stops ISO advantage).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (117x67mm vs 123x77mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (470 versus 300) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in May 2012).
If the count of relative strengths (bullet points above) is taken as a measure, the G3X is the clear winner of the match-up (14 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G3 X and the Sony NEX-F3 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the G3X or the NEX-F3 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G3 X||3.5/5||+||..||..||4.5/5||4/5||Jun 2015||999|
|2.||Sony NEX-F3||4/5||..||..||74/100||4.5/5||4.5/5||May 2012||599|
|3.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|4.||Canon G9 X||3.5/5||+ +||..||..||4.5/5||4.5/5||Oct 2015||529|
|5.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799|
|6.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199|
|7.||Nikon D7200||4/5||+ +||..||84/100||4.5/5||4.5/5||Mar 2015||1,199|
|8.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899|
|9.||Sony RX10 III||5/5||+||..||84/100||4.5/5||4.5/5||Mar 2016||1,499|
|10.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999|
|11.||Sony RX10 II||5/5||+ +||..||82/100||4.5/5||4/5||Jun 2015||1,299|
|12.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|13.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499|
|14.||Sony NEX-5R||..||..||..||..||4.5/5||4.5/5||Aug 2012||749|
|15.||Sony NEX-5N||3/5||+ +||..||79/100||4.5/5||4.5/5||Aug 2011||699|
|16.||Sony NEX-3||..||..||..||70/100||4.5/5||4/5||May 2010||599|
|17.||Sony NEX-5||3/5||+ +||..||71/100||4.5/5||4/5||May 2010||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 450D vs Sony NEX-F3
- Canon 760D vs Sony NEX-F3
- Canon G3 X vs Nikon D7000
- Canon G3 X vs Pentax K-70
- Canon G3 X vs Samsung NX1
- Canon G3 X vs Sony A7
- Canon G3 X vs Sony NEX-C3
- Canon G3 X vs Sony RX100 III
- Canon G7 X Mark III vs Sony NEX-F3
- Canon G9 X Mark II vs Sony NEX-F3
- Canon SX70 vs Sony NEX-F3
- Nikon W300 vs Sony NEX-F3
Specifications: Canon G3 X vs Sony NEX-F3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G3 X||Sony NEX-F3|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-600mm f/2.8-5.6||Sony E mount lenses|
|Launch Date||June 2015||May 2012|
|Launch Price||USD 999||USD 599|
|Sensor Specs||Canon G3 X||Sony NEX-F3|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.4 x 15.6 mm|
|Sensor Area||116.16 mm2||365.04 mm2|
|Sensor Diagonal||15.9 mm||28.1 mm|
|Sensor Resolution||20 Megapixels||16 Megapixels|
|Image Resolution||5472 x 3648 pixels||4912 x 3264 pixels|
|Pixel Pitch||2.41 μm||4.78 μm|
|Pixel Density||17.18 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60i Video|
|ISO Setting||125 - 12,800 ISO||100 - 16,000 ISO|
|ISO Boost||125 - 25,600 ISO||no Enhancement|
|Image Processor||DIGIC 6||BIONZ|
|DXO Sensor Quality (score)||63||73|
|DXO Color Depth (bits)||21.4||22.7|
|DXO Dynamic Range (EV)||12.3||12.3|
|DXO Low Light (ISO)||521||1114|
|Screen Specs||Canon G3 X||Sony NEX-F3|
|Viewfinder Type||Viewfinder optional||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1620k dots||920k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G3 X||Sony NEX-F3|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||5.9 shutter flaps/s||5.5 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon G3 X||Sony NEX-F3|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon G3 X||Sony NEX-F3|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||300 shots per charge||470 shots per charge|
123 x 77 x 105 mm
(4.8 x 3.0 x 4.1 in)
117 x 67 x 42 mm
(4.6 x 2.6 x 1.7 in)
|Camera Weight||733 g (25.9 oz)||314 g (11.1 oz)|
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