Canon G3 X vs Panasonic LX5
The Canon PowerShot G3 X and the Panasonic Lumix DMC-LX5 are two digital cameras that were announced, respectively, in June 2015 and July 2010. Both the G3X and the LX5 are fixed lens compact cameras that are based on an one-inch (G3X) and a 1/1.7-inch (LX5) sensor. The Canon has a resolution of 20 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G3 X and the Panasonic Lumix DMC-LX5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon G3 X and the Panasonic LX5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The LX5 can be obtained in two different colors (black, white), while the G3X is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX5 is notably smaller (25 percent) than the Canon G3 X. Moreover, the LX5 is substantially lighter (63 percent) than the G3X. It is worth mentioning in this context that the G3X is splash and dust resistant, while the LX5 does not feature any corresponding weather-sealing.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999|
|2.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|3.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|4.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529|
|5.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799|
|6.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|7.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|8.||Nikon D7200||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199|
|9.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|10.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|11.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|12.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|13.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549|
|14.||Sony RX10 III||133 mm||94 mm||127 mm||1051 g||420||Y||Mar 2016||1,499|
|15.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|16.||Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299|
|17.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX5 was launched at a markedly lower price (by 50 percent) than the G3X, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G3 X features an one-inch sensor and the Panasonic LX5 a 1/1.7-inch sensor. The sensor area in the LX5 is 60 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 4.4. The sensor in the G3X has a native 3:2 aspect ratio, while the one in the LX5 offers a 4:3 aspect. The LX5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 20MP, the G3X offers a higher resolution than the LX5 (10MP), but the G3X nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 2.14μm for the LX5) due to its larger sensor. Moreover, the G3X is a much more recent model (by 4 years and 10 months) than the LX5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon G3 X implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G3X for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Canon PowerShot G3 X has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Panasonic Lumix DMC-LX5 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the G3X provides substantially higher image quality than the LX5, with an overall score that is 22 points higher. This advantage is based on 1.8 bits higher color depth, 1.5 EV in additional dynamic range, and 2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|1.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|4.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|5.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|13.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|14.||Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
|15.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|16.||Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|17.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G3X provides a higher video resolution than the LX5. It can shoot video footage at 1080/60p, while the Panasonic is limited to 720/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The G3X and the LX5 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the EVF-DC1 for the G3X and the DMW-LVF1 for the LX5 – are available as accessories. The table below summarizes some of the other core capabilities of the Canon G3 X and Panasonic LX5 in connection with corresponding information for a sample of similar cameras.
|1.||Canon G3 X||optional||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y|
|4.||Canon G9 X||none||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y|
|5.||Canon 7D II||optical||Y||3.0||1040||fixed||n||1/8000s||10.0||Y||n|
|14.||Sony RX10 III||2359||Y||3.0||1229||tilting||n||1/2000s||14.0||Y||Y|
|15.||Sony RX100 V||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y|
|16.||Sony RX10 II||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y|
|17.||Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G3X has a touchscreen, while the LX5 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G3X has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the LX5 does not have a selfie-screen.
Both the G3X and the LX5 have zoom lenses built in. The G3X has a 24-600mm f/2.8-5.6 optic and the LX5 offers a 24-90mm f/2.0-3.3 (focal lengths in full frame equivalent terms). Hence, the Canon and Panasonic provide the same view at the wide-angle end, but the Panasonic has less tele-photo reach at the long end. The LX5 offers the faster maximum aperture.
Concerning the storage of imaging data, both the G3X and the LX5 write their files to SDXC cards. The G3X supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX5 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G3 X and Panasonic Lumix DMC-LX5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Canon G3 X||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-|
|4.||Canon G9 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|5.||Canon 7D II||Y||stereo||mono||Y||Y||mini||3.0||-||-||-|
|14.||Sony RX10 III||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony RX100 V||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX10 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the G3X has a microphone port, which is missing on the LX5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The G3X is a recent model that features in the current product line-up of Canon. In contrast, the LX5 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the LX5 was succeeded by the Panasonic LX7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Canon G3 X and the Panasonic LX5? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon PowerShot G3 X:
- More detail: Offers more megapixels (20 vs 10MP) with a 44% higher linear resolution.
- Better image quality: Scores substantially higher (22 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.8 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.5 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/60p vs 720/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5.9 vs 2.5 flaps/sec) to capture the decisive moment.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 10 months of technical progress since the LX5 launch.
Reasons to prefer the Panasonic Lumix DMC-LX5:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/2.8).
- More compact: Is smaller (110x65mm vs 123x77mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 462g or 63 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (400 versus 300) out of a single battery charge.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in July 2010).
If the number of relative strengths (bullet points above) is taken as a guide, the G3X is the clear winner of the match-up (20 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G3 X and the Panasonic LX5 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the G3X or the LX5 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G3 X||3.5/5||+||..||4.5/5||4/5||Jun 2015||999|
|2.||Panasonic LX5||4/5||+||73/100||4.5/5||4.5/5||Jul 2010||499|
|3.||Canon 80D||4/5||+ +||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|4.||Canon G9 X||3.5/5||+ +||..||4.5/5||4.5/5||Oct 2015||529|
|5.||Canon 7D II||4.5/5||+||84/100||4/5||4.5/5||Sep 2014||1,799|
|6.||Canon 70D||5/5||+ +||83/100||4.5/5||5/5||Jul 2013||1,199|
|7.||Fujifilm X10||..||..||76/100||4/5||4.5/5||Sep 2011||599|
|8.||Nikon D7200||4/5||+ +||84/100||4.5/5||4.5/5||Mar 2015||1,199|
|9.||Panasonic FZ1000||4/5||+ +||82/100||4.5/5||4.5/5||Jun 2014||899|
|10.||Panasonic FZ200||3/5||+ +||80/100||4.5/5||4.5/5||Jul 2012||599|
|11.||Panasonic LX7||3/5||+ +||75/100||4/5||4.5/5||Jul 2012||499|
|12.||Panasonic FZ150||3/5||+ +||76/100||4/5||4.5/5||Aug 2011||499|
|13.||Panasonic GF3||3/5||82/100||71/100||4.5/5||4/5||Jun 2011||549|
|14.||Sony RX10 III||5/5||+||84/100||4.5/5||4.5/5||Mar 2016||1,499|
|15.||Sony RX100 V||4.5/5||+ +||83/100||4/5||4.5/5||Oct 2016||999|
|16.||Sony RX10 II||5/5||+ +||82/100||4.5/5||4/5||Jun 2015||1,299|
|17.||Sony RX100 IV||4.5/5||+ +||85/100||4/5||4.5/5||Jun 2015||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon G3 X vs Panasonic LX5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G3 X||Panasonic LX5|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-600mm f/2.8-5.6||24-90mm f/2.0-3.3|
|Launch Date||June 2015||July 2010|
|Launch Price||USD 999||USD 499|
|Sensor Specs||Canon G3 X||Panasonic LX5|
|Sensor Format||1" Sensor||1/1.7" Sensor|
|Sensor Size||13.2 x 8.8 mm||7.85 x 5.89 mm|
|Sensor Area||116.16 mm2||46.2365 mm2|
|Sensor Diagonal||15.9 mm||9.8 mm|
|Sensor Resolution||20 Megapixels||10 Megapixels|
|Image Resolution||5472 x 3648 pixels||3648 x 2736 pixels|
|Pixel Pitch||2.41 μm||2.14 μm|
|Pixel Density||17.18 MP/cm2||21.59 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||720/60p Video|
|ISO Setting||125 - 12,800 ISO||80 - 3,200 ISO|
|ISO Boost||125 - 25,600 ISO||80 - 12,800 ISO|
|Image Processor||DIGIC 6||Venus FHD|
|DXO Sensor Quality (score)||63||41|
|DXO Color Depth (bits)||21.4||19.6|
|DXO Dynamic Range (EV)||12.3||10.8|
|DXO Low Light (ISO)||521||132|
|Screen Specs||Canon G3 X||Panasonic LX5|
|Viewfinder Type||Viewfinder optional||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1620k dots||460k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G3 X||Panasonic LX5|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||5.9 shutter flaps/s||2.5 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon G3 X||Panasonic LX5|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon G3 X||Panasonic LX5|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||300 shots per charge||400 shots per charge|
123 x 77 x 105 mm
(4.8 x 3.0 x 4.1 in)
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
|Camera Weight||733 g (25.9 oz)||271 g (9.6 oz)|
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