Canon G3 X vs G1X Mark II
The Canon PowerShot G3 X and the Canon PowerShot G1 X Mark II are two digital cameras that were revealed to the public, respectively, in June 2015 and February 2014. Both the G3X and the G1X Mark II are fixed lens compact cameras that are based on an one-inch (G3X) and an 1.5-inch (G1X Mark II) sensor. The G3X has a resolution of 20 megapixels, whereas the G1X Mark II provides 13 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon G3 X||Canon G1 X Mark II|
|Fixed lens compact camera||Fixed lens compact camera|
|24-600mm f/2.8-5.6||24-120mm f/2.0-3.9|
|20 MP, 1" Sensor||13 MP, 1.5" Sensor|
|1080/60p Video||1080/30p Video|
|ISO 125-12800 (125-25600)||ISO 100-12800|
|Viewfinder optional||Viewfinder optional|
|3.2" LCD, 1620k dots||3.0" LCD, 1040k dots|
|Tilting touchscreen||Tilting touchscreen|
|5.9 shutter flaps per second||5.2 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|300 shots per battery charge||240 shots per battery charge|
|123 x 77 x 105 mm, 733 g||116 x 74 x 66 mm, 553 g|
Body comparison: Canon G3 X vs G1X Mark II
The side-by-side display below illustrates the physical size and weight of the Canon G3 X and the Canon G1 X Mark II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G1 X Mark II is notably smaller (9 percent) than the Canon G3 X. Moreover, the G1X Mark II is markedly lighter (25 percent) than the G3X. It is worth mentioning in this context that the G3X is splash and dust resistant, while the G1X Mark II does not feature any corresponding weather-sealing.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon G3 X»||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Canon G1 X Mark II«||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||Canon 80D|
|Canon G9 X« »||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529||-||Canon G9 X|
|Canon T6s« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||849||-||Canon T6s|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||-||Canon G7 X|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||-||Canon 70D|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon G1 X« »||4.6 in||3.2 in||2.6 in||18.8 oz||250||n||Jan 2012||799||-||Canon G1 X|
|Canon T1i« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||-||Canon T1i|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic LX100« »||4.5 in||2.6 in||2.2 in||13.9 oz||300||n||Sep 2014||899||Panasonic LX100|
|Sony RX10 III« »||5.2 in||3.7 in||5.0 in||37.1 oz||420||Y||Mar 2016||1,499||Sony RX10 III|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999||Sony RX100 V|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-||Sony RX10 II|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony RX10« »||5.1 in||3.5 in||4.0 in||28.7 oz||420||Y||Oct 2013||1,299||-||Sony RX10|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G1X Mark II was launched at a somewhat lower price (by 20 percent) than the G3X, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon G3 X vs G1X Mark II
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon G3 X features an one-inch sensor and the Canon G1 X Mark II an 1.5-inch sensor. The sensor area in the G1X Mark II is 126 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.85. The sensor in the G3X has a native 3:2 aspect ratio, while the one in the G1X Mark II offers a 4:3 aspect.
Despite having a smaller sensor, the Canon G3 X offers a higher resolution of 20 megapixels, compared with 13 MP of the Canon G1 X Mark II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.49μm for the G1X Mark II). However, it should be noted that the G3X is a somewhat more recent model (by 1 year and 4 months) than the G1X Mark II, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage.
The Canon PowerShot G3 X has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Canon PowerShot G1 X Mark II are ISO 100 to ISO 12800 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the G3X has a notably higher overall DXO score than the G1X Mark II (overall score 5 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.1 bits lower color depth, 1.5 EV in additional dynamic range, and 0.2 stops of reduced low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon G3 X»||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon G1 X Mark II«||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon G9 X« »||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63||Canon G9 X|
|Canon T6s« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon T6s|
|Canon G7 X« »||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Canon 70D« »||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon G1 X« »||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Canon T1i« »||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon T1i|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Panasonic LX100« »||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67||Panasonic LX100|
|Sony RX10 III« »||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70||Sony RX10 III|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony RX10« »||1-inch||20.0||5472||3648||1080/60p||22.9||12.6||474||69||Sony RX10|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G3X provides a higher frame rate than the G1X Mark II. It can shoot video footage at 1080/60p, while the G1X Mark II is limited to 1080/30p.
Feature comparison: Canon G3 X vs G1X Mark II
Apart from body and sensor, cameras can and do differ across a variety of features. The G3X and the G1X Mark II are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the EVF-DC1 for the G3X and the EVF-DC1 for the G1X Mark II – are available as accessories. The adjacent table lists some of the other core features of the Canon G3 X and Canon G1 X Mark II along with similar information for a selection of comparators.
|Canon G3 X»||-||n||3.2||1620||tilting||Y||2000||5.9||Y||Y||Canon G3 X|
|Canon G1 X Mark II«||-||n||3.0||1040||tilting||Y||4000||5.2||Y||Y||Canon G1 X Mark II|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n||Canon 80D|
|Canon G9 X« »||-||n||3.0||1040||fixed||Y||2000||6.0||Y||Y||Canon G9 X|
|Canon T6s« »||optical||Y||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon T6s|
|Canon G7 X« »||-||n||3.0||1040||tilting||Y||2000||6.5||Y||Y||Canon G7 X|
|Canon 70D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n||Canon 70D|
|Canon G16« »||optical||n||3.0||922||fixed||n||4000||2.2||Y||Y||Canon G16|
|Canon G1 X« »||optical||n||3.0||922||Swivel||n||4000||1.9||Y||Y||Canon G1 X|
|Canon T1i« »||optical||n||3.0||920||fixed||n||4000||3.4||Y||n||Canon T1i|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||4000||12.0||Y||Y||Panasonic FZ1000|
|Panasonic LX100« »||2764||n||3.0||921||fixed||n||4000||11.0||n||Y||Panasonic LX100|
|Sony RX10 III« »||2359||Y||3.0||1229||tilting||n||2000||14.0||Y||Y||Sony RX10 III|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||2000||24.0||Y||Y||Sony RX100 V|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||3200||14.0||Y||Y||Sony RX10 II|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||2000||16.0||Y||Y||Sony RX100 IV|
|Sony RX10« »||1440||Y||3.0||1229||tilting||n||3200||10.0||Y||Y||Sony RX10|
Both the G3X and the G1X Mark II have zoom lenses built in. The G3X has a 24-600mm f/2.8-5.6 optic and the G1X Mark II offers a 24-120mm f/2.0-3.9 (focal lengths in full frame equivalent terms). Hence, the G3X and G1X Mark II provide the same view at the wide-angle end, but the G1X Mark II has less tele-photo reach at the long end. The G1X Mark II offers the faster maximum aperture.
Concerning the storage of imaging data, both the G3X and the G1X Mark II write their files to SDXC cards.
Connectivity comparison: Canon G3 X vs G1X Mark II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G3 X and Canon PowerShot G1 X Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon G3 X»||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon G1 X Mark II«||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon G9 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G9 X|
|Canon T6s« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6s|
|Canon G7 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Canon 70D« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon G1 X« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Canon T1i« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T1i|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Panasonic LX100« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic LX100|
|Sony RX10 III« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 III|
|Sony RX100 V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Sony RX10 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony RX10« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10|
It is notable that the G3X has a microphone port, which is missing on the G1X Mark II. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the G3X and the G1X Mark II are recent models that feature in their makers' current product line-up. The G1X Mark II replaced the earlier Canon G1 X, while the G3X does not have a direct predecessor.
Review summary: Canon G3 X vs G1X Mark II
So what is the bottom line? Which of the two cameras – the Canon G3 X or the Canon G1 X Mark II – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon PowerShot G3 X:
- More detail: Offers more megapixels (20 vs 13MP) with a 26% higher linear resolution.
- Better image quality: Scores markedly higher (5 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (1.5 EV of extra DR).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- Faster burst: Shoots at higher frequency (5.9 vs 5.2 flaps/sec) to capture the decisive moment.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Can take more shots (300 versus 240) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More modern: Is somewhat more recent (announced 1 year and 4 months after the G1X Mark II).
Arguments in favor of the Canon PowerShot G1 X Mark II:
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/2.8).
- Less heavy: Has a lower weight (by 180g or 25 percent) and is thus easier to take along.
- More affordable: Was released into a lower priced segment (20 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in February 2014).
If the count of individual advantages (bullet points above) is taken as a guide, the G3X is the clear winner of the match-up (13 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the G3X or the G1X Mark II. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Canon G3 X vs G1X Mark II
This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Canon G3 X»||Rec||-||4.5/5||3.5/5||4/5||Jun 2015||999||Canon G3 X|
|Canon G1 X Mark II«||Rec||77/100||4/5||4/5||4.5/5||Feb 2014||799||Canon G1 X Mark II|
|Canon 80D« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||Canon 80D|
|Canon G9 X« »||HiRec||-||4.5/5||4/5||4.5/5||Oct 2015||529||-||Canon G9 X|
|Canon T6s« »||Rec||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||849||-||Canon T6s|
|Canon G7 X« »||HiRec||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699||-||Canon G7 X|
|Canon 70D« »||HiRec||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199||-||Canon 70D|
|Canon G16« »||Rec||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon G1 X« »||Rec||76/100||4/5||4/5||4.5/5||Jan 2012||799||-||Canon G1 X|
|Canon T1i« »||HiRec||74/100||4.5/5||5/5||4.5/5||Mar 2009||799||-||Canon T1i|
|Panasonic FZ1000« »||HiRec||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic LX100« »||HiRec||85/100||5/5||4/5||5/5||Sep 2014||899||Panasonic LX100|
|Sony RX10 III« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Mar 2016||1,499||Sony RX10 III|
|Sony RX100 V« »||HiRec||83/100||4/5||5/5||4.5/5||Oct 2016||999||Sony RX100 V|
|Sony RX10 II« »||HiRec||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-||Sony RX10 II|
|Sony RX100 IV« »||HiRec||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony RX10« »||Rec||80/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,299||-||Sony RX10|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 550D vs Canon G9 X
- Canon 60D vs Canon 1000D
- Canon T6 vs Olympus E-PL9
- Contax N Digital vs Fujifilm XF10
- Leica Digilux 3 vs Panasonic GX8
- Nikon D5 vs Fujifilm XP130
- Nikon D850 vs Leica D-LUX 7
- Panasonic LX100 vs Sony RX1
- Panasonic S1R vs Sony A99
- Pentax K-1 II vs Panasonic TZ200
- Sony A7S II vs Sony RX100 II
- Sony RX10 III vs Panasonic FZ2500
Specifications: Canon G3 X vs Canon G1 X Mark II
|Camera Model||Canon G3 X||Canon G1 X Mark II|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-600mm f/2.8-5.6||24-120mm f/2.0-3.9|
|Launch Date||June 2015||February 2014|
|Launch Price||USD 999||USD 799|
|Sensor Format||1" Sensor||1.5" Sensor|
|Sensor Size||13.2 x 8.8 mm||18.7 x 8.8 mm|
|Sensor Area||116.16 mm2||261.8 mm2|
|Sensor Diagonal||15.9 mm||23.4 mm|
|Sensor Resolution||20 Megapixels||13 Megapixels|
|Image Resolution||5472 x 3648 pixels||4160 x 3120 pixels|
|Pixel Pitch||2.41 μm||4.49 μm|
|Pixel Density||17.18 MP/cm2||4.96 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/30p Video|
|ISO Setting||125-12800 ISO||100-12800 ISO|
|ISO Boost||125-25600 ISO||no Enhancement|
|Image Processor||DIGIC 6||DIGIC 6|
|DXO Sensor Quality (score)||63||58|
|DXO Color Depth (bits)||21.4||21.5|
|DXO Dynamic Range (EV)||12.3||10.8|
|DXO Low Light (ISO)||521||581|
|Viewfinder Type||Viewfinder optional||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1620k dots||1040k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Maximum Shutter Speed||1/2000s||1/4000s|
|Continuous Shooting||5.9 shutter flaps/s||5.2 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Type||NB-10L power pack||NB-12L power pack|
|Battery Life (CIPA)||300 shots per charge||240 shots per charge|
123 x 77 x 105 mm
(4.8 x 3.0 x 4.1 in)
116 x 74 x 66 mm
(4.6 x 2.9 x 2.6 in)
|Camera Weight||733 g (25.9 oz)||553 g (19.5 oz)|
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