Canon G16 vs Pentax K-3 II
The Canon PowerShot G16 and the Pentax K-3 II are two digital cameras that were revealed to the public, respectively, in August 2013 and April 2015. The G16 is a fixed lens compact, while the K-3 II is a DSLR. The cameras are based on a 1/1.7-inch (G16) and an APS-C (K-3 II) sensor. The Canon has a resolution of 12 megapixels, whereas the Pentax provides 24.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon G16||Pentax K-3 II|
|Fixed lens compact camera||Digital single lens reflex|
|28-140mm f/1.8-2.8||Pentax K mount lenses|
|12 MP, 1/1.7" Sensor||24.1 MP, APS-C Sensor|
|1080/60p Video||1080/60i Video|
|ISO 80-12800||ISO 100-51200|
|Optical viewfinder||Optical viewfinder|
|3.0" LCD, 922k dots||3.2" LCD, 1037k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|2.2 shutter flaps per second||8.3 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|Not weather sealed||Weathersealed body|
|360 shots per battery charge||720 shots per battery charge|
|109 x 76 x 40 mm, 356 g||131 x 100 x 77 mm, 800 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G16 and the Pentax K-3 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon G16 and the Pentax K-3 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The K-3 II can be obtained in two different colors (black, silver), while the G16 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-3 II is considerably larger (58 percent) than the Canon G16. It is noteworthy in this context that the K-3 II is splash and dust-proof, while the G16 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G16 has a lens built in, whereas the K-3 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon G16»||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549||Canon G16|
|Pentax K-3 II«||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099||Pentax K-3 II|
|Canon 80D« »||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||Canon 80D|
|Canon G1 X Mark II« »||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon 100D« »||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549||Canon 100D|
|Canon G1 X« »||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799||Canon G1 X|
|Canon G15« »||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499||Canon G15|
|Canon M« »||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599||Canon M|
|Canon G12« »||112 mm||76 mm||48 mm||401 g||370||n||Sep 2010||499||Canon G12|
|Fujifilm X30« »||119 mm||72 mm||60 mm||423 g||470||n||Aug 2014||599||Fujifilm X30|
|Fujifilm X20« »||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599||Fujifilm X20|
|Nikon P7800« »||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549||Nikon P7800|
|Panasonic LX7« »||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499||Panasonic LX7|
|Pentax KP« »||132 mm||101 mm||76 mm||703 g||390||Y||Jan 2017||1,099||Pentax KP|
|Pentax K-70« »||126 mm||93 mm||74 mm||688 g||410||Y||Jun 2016||649||Pentax K-70|
|Pentax K-3« »||131 mm||100 mm||77 mm||800 g||560||Y||Oct 2013||1,299||Pentax K-3|
|Pentax K-5« »||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2010||1,099||Pentax K-5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G16 was launched at a lower price than the K-3 II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G16 features a 1/1.7-inch sensor and the Pentax K-3 II an APS-C sensor. The sensor area in the K-3 II is 774 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 1.5. The sensor in the G16 has a native 4:3 aspect ratio, while the one in the K-3 II offers a 3:2 aspect.
With 24.1MP, the K-3 II offers a higher resolution than the G16 (12MP), but the K-3 II nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 1.87μm for the G16) due to its larger sensor. Moreover, the K-3 II is a somewhat more recent model (by 1 year and 7 months) than the G16, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-3 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax K-3 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-3 II for good quality output (200 dots per inch) amounts to 30.1 x 20 inch or 76.4 x 50.8 cm, for very good quality (250 dpi) 24.1 x 16 inch or 61.1 x 40.6 cm, and for excellent quality (300 dpi) 20.1 x 13.3 inch or 50.9 x 33.9 cm. The corresponding values for the Canon G16 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
Unlike the G16, the K-3 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon PowerShot G16 has a native sensitivity range from ISO 80 to ISO 12800. The corresponding ISO settings for the Pentax K-3 II are ISO 100 to ISO 51200 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the K-3 II offers substantially better image quality than the G16 (overall score 26 points higher). The advantage is based on 2.6 bits higher color depth, 1.9 EV in additional dynamic range, and 2.3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon G16||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80||Pentax K-3 II|
|Canon 80D||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon 100D||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon 100D|
|Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Canon G15||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Canon M||APS-C||17.9||5184||3456||1080/30p||22.1||11.2||827||65||Canon M|
|Canon G12||1/1.7||10.0||3648||2736||720/24p||20.4||11.2||161||47||Canon G12|
|Fujifilm X30||2/3||12.0||4000||3000||1080/60p||..||..||..||..||Fujifilm X30|
|Fujifilm X20||2/3||12.0||4000||3000||1080/60p||..||..||..||..||Fujifilm X20|
|Nikon P7800||1/1.7||12.0||4000||3000||1080/30p||21.2||11.7||200||54||Nikon P7800|
|Panasonic LX7||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Pentax KP||APS-C||24.1||6016||4000||1080/60i||..||..||..||..||Pentax KP|
|Pentax K-70||APS-C||24.0||6000||4000||1080/60i||..||..||..||..||Pentax K-70|
|Pentax K-3||APS-C||24.1||6016||4000||1080/60i||23.7||13.4||1216||80||Pentax K-3|
|Pentax K-5||APS-C||16.1||4928||3264||1080/25p||23.7||14.1||1162||82||Pentax K-5|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G16 provides a higher frame rate than the K-3 II. It can shoot video footage at 1080/60p, while the Pentax is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. The G16 and the K-3 II are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The table below summarizes some of the other core capabilities of the Canon G16 and Pentax K-3 II in connection with corresponding information for a sample of similar cameras.
|Canon G16||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Pentax K-3 II||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||n||Y||Pentax K-3 II|
|Canon 80D||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Canon 100D||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon 100D|
|Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y||Canon G1 X|
|Canon G15||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Canon M||none||n||3.0||1040||fixed||Y||1/4000s||4.3||n||n||Canon M|
|Canon G12||optical||n||2.8||461||swivel||n||1/4000s||1.1||Y||Y||Canon G12|
|Fujifilm X30||2360||n||3.0||920||tilting||n||1/4000s||12.0||Y||Y||Fujifilm X30|
|Fujifilm X20||optical||n||2.8||460||fixed||n||1/4000s||12.0||Y||Y||Fujifilm X20|
|Nikon P7800||921||n||3.0||921||swivel||n||1/4000s||8.0||Y||Y||Nikon P7800|
|Panasonic LX7||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Pentax KP||optical||n||3.0||921||tilting||n||1/6000s||7.0||Y||Y||Pentax KP|
|Pentax K-70||optical||n||3.0||921||swivel||n||1/6000s||6.0||Y||Y||Pentax K-70|
|Pentax K-3||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||Y||Y||Pentax K-3|
|Pentax K-5||optical||Y||3.0||921||fixed||n||1/8000s||7.0||Y||Y||Pentax K-5|
One difference between the cameras concerns the presence of an on-board flash. The G16 has one, while the K-3 II does not. While the built-in flash of the G16 is not very powerful, it can at times be useful as a fill-in light.
The Canon G16 and the Pentax K-3 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G16 and the K-3 II write their files to SDXC cards. The K-3 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the G16 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G16 and Pentax K-3 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon G16||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Pentax K-3 II||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3 II|
|Canon 80D||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon 100D||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 100D|
|Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Canon G15||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Canon M||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon M|
|Canon G12||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G12|
|Fujifilm X30||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X30|
|Fujifilm X20||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X20|
|Nikon P7800||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon P7800|
|Panasonic LX7||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Pentax KP||Y||stereo||mono||Y||-||none||2.0||Y||-||-||Pentax KP|
|Pentax K-70||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Pentax K-70|
|Pentax K-3||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3|
|Pentax K-5||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Pentax K-5|
It is notable that the G16 offers wifi support, while the K-3 II does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Pentax K-3 II (unlike the G16) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the K-3 II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the G16 and the K-3 II are recent models that are part of the current product line-up. The G16 replaced the earlier Canon G15, while the K-3 II followed on from the Pentax K-3. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Pentax websites.
So what conclusions can be drawn? Is the Canon G16 better than the Pentax K-3 II or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon PowerShot G16:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Ready to shoot: Comes with a built-in lens, while the K-3 II requires a separate lens.
- More compact: Is smaller (109x76mm vs 131x100mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the K-3 II).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in August 2013).
Advantages of the Pentax K-3 II:
- More detail: Has more megapixels (24.1 vs 12MP), which boosts linear resolution by 44%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (26 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.6 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.9 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.3 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 922k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (8.3 vs 2.2 flaps/sec) to capture the decisive moment.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (720 versus 360) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Was introduced somewhat (1 year and 7 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the K-3 II is the clear winner of the contest (22 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G16 and the Pentax K-3 II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G16 or the K-3 II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D vs Canon G16
- Canon 5D vs Pentax K-3 II
- Canon G16 vs Fujifilm X-Pro2
- Canon G16 vs Nikon 1 J5
- Canon G16 vs Nikon D500
- Canon G16 vs Panasonic G10
- Canon G16 vs Panasonic G2
- Canon G16 vs Panasonic G90
- Canon G16 vs Panasonic GM1
- Canon G16 vs Panasonic TZ100
- Pentax K-3 II vs Sony NEX-C3
- Pentax K-3 II vs Sony RX1
Specifications: Canon G16 vs Pentax K-3 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G16||Pentax K-3 II|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||28-140mm f/1.8-2.8||Pentax K mount lenses|
|Launch Date||August 2013||April 2015|
|Launch Price||USD 549||USD 1099|
|Sensor Specs||Canon G16||Pentax K-3 II|
|Sensor Format||1/1.7" Sensor||APS-C Sensor|
|Sensor Size||7.44 x 5.58 mm||23.5 x 15.6 mm|
|Sensor Area||41.5152 mm2||366.6 mm2|
|Sensor Diagonal||9.3 mm||28.2 mm|
|Sensor Resolution||12 Megapixels||24.1 Megapixels|
|Image Resolution||4000 x 3000 pixels||6016 x 4000 pixels|
|Pixel Pitch||1.87 μm||3.90 μm|
|Pixel Density||28.91 MP/cm2||6.56 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60i Video|
|ISO Setting||80-12800 ISO||100-51200 ISO|
|Image Processor||DIGIC 6||PRIME III|
|DXO Sensor Quality (score)||54||80|
|DXO Color Depth (bits)||21.0||23.6|
|DXO Dynamic Range (EV)||11.7||13.6|
|DXO Low Light (ISO)||230||1106|
|Screen Specs||Canon G16||Pentax K-3 II|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||80%||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||922k dots||1037k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon G16||Pentax K-3 II|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||2.2 shutter flaps/s||8.3 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon G16||Pentax K-3 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Canon G16||Pentax K-3 II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||360 shots per charge||720 shots per charge|
109 x 76 x 40 mm
(4.3 x 3.0 x 1.6 in)
131 x 100 x 77 mm
(5.2 x 3.9 x 3.0 in)
|Camera Weight||356 g (12.6 oz)||800 g (28.2 oz)|
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