Canon G16 vs Panasonic FZ80
The Canon PowerShot G16 and the Panasonic Lumix DC-FZ80 (labelled Panasonic FZ82 in some countries) are two digital cameras that were revealed to the public, respectively, in August 2013 and January 2017. Both the G16 and the FZ80 are fixed lens compact cameras that are based on a 1/1.7-inch (G16) and a 1/2.3-inch (FZ80) sensor. The Canon has a resolution of 12 megapixels, whereas the Panasonic provides 18 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G16 and the Panasonic Lumix DC-FZ80? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon G16 and the Panasonic FZ80 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ80 is considerably larger (48 percent) than the Canon G16. Moreover, the FZ80 is substantially heavier (73 percent) than the G16. In this context, it is worth noting that neither the G16 nor the FZ80 are weather-sealed.
Concerning battery life, the G16 gets 360 shots out of its NB-10L battery, while the FZ80 can take 330 images on a single charge of its DMW-BMB9 power pack. The power pack in the FZ80 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|2.||Panasonic FZ80||130 mm||94 mm||119 mm||616 g||330||n||Jan 2017||399|
|3.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|4.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|5.||Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799|
|6.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|7.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|8.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499|
|9.||Canon M||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599|
|10.||Canon G12||112 mm||76 mm||48 mm||401 g||370||n||Sep 2010||499|
|11.||Fujifilm X30||119 mm||72 mm||60 mm||423 g||470||n||Aug 2014||599|
|12.||Fujifilm X20||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599|
|13.||Nikon P7800||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549|
|14.||Panasonic TS7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449|
|15.||Panasonic ZS70||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|16.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|17.||Sony HX350||130 mm||93 mm||103 mm||652 g||300||n||Dec 2016||449|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ80 was launched at a markedly lower price (by 27 percent) than the G16, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G16 features a 1/1.7-inch sensor and the Panasonic FZ80 a 1/2.3-inch sensor. The sensor area in the FZ80 is 33 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
In terms of underlying technology, both cameras are build around BSI-CMOS sensors.
Despite having a smaller sensor, the FZ80 offers a higher resolution of 18 megapixels, compared with 12 MP of the G16. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.25μm versus 1.87μm for the G16). However, it should be noted that the FZ80 is much more recent (by 3 years and 4 months) than the G16, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the FZ80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FZ80 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ80 for good quality output (200 dots per inch) amounts to 24.5 x 18.4 inches or 62.2 x 46.6 cm, for very good quality (250 dpi) 19.6 x 14.7 inches or 49.7 x 37.3 cm, and for excellent quality (300 dpi) 16.3 x 12.2 inches or 41.5 x 31.1 cm. The corresponding values for the Canon G16 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Canon PowerShot G16 has a native sensitivity range from ISO 80 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DC-FZ80 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|5.||Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|7.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ80 provides a better video resolution than the G16. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ80 has an electronic viewfinder (1166k dots), while the G16 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon G16 and Panasonic FZ80 in connection with corresponding information for a sample of similar cameras.
|5.||Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y|
|7.||Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ80 has a touchscreen, while the G16 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ80 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G16 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the G16 and the FZ80 have zoom lenses built in. The G16 has a 28-140mm f/1.8-2.8 optic and the FZ80 offers a 20-1200mm f/2.8-5.9 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Canon. The G16 offers the faster maximum aperture.
Concerning the storage of imaging data, both the G16 and the FZ80 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G16 and Panasonic Lumix DC-FZ80 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|5.||Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
|7.||Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-|
Both the G16 and the FZ80 are recent models that are part of the current product line-up. The G16 replaced the earlier Canon G15, while the FZ80 followed on from the Panasonic FZ70. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Canon G16 and the Panasonic FZ80? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Canon PowerShot G16:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.8 vs f/2.8).
- More compact: Is smaller (109x76mm vs 130x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 260g or 42 percent) and hence easier to carry around.
- More heavily discounted: Has been available for much longer (launched in August 2013).
Reasons to prefer the Panasonic Lumix DC-FZ80:
- More detail: Has more megapixels (18 vs 12MP), which boosts linear resolution by 22%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (10 vs 2.2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Easier travel charging: Can be conveniently charged via its USB port.
- More affordable: Was introduced into a lower priced category (27 percent cheaper at launch).
- More modern: Reflects 3 years and 4 months of technical progress since the G16 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the FZ80 is the clear winner of the contest (13 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G16 and the Panasonic FZ80 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the G16 or the FZ80 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G16||4/5||+||..||4.5/5||4.5/5||Aug 2013||549|
|2.||Panasonic FZ80||..||+ +||..||4.5/5||4.5/5||Jan 2017||399|
|3.||Canon SX740||..||+||..||4/5||4/5||Jul 2018||399|
|4.||Canon SX730||..||+||..||4/5||4/5||Apr 2017||399|
|5.||Canon G1 X Mark II||3/5||+||77/100||4/5||4.5/5||Feb 2014||799|
|6.||Canon SL1||4/5||+||78/100||4/5||4/5||Mar 2013||549|
|7.||Canon G1 X||5/5||+||76/100||4/5||4.5/5||Jan 2012||799|
|8.||Canon G15||4/5||+||76/100||4.5/5||4.5/5||Sep 2012||499|
|9.||Canon M||3/5||+||..||4/5||4/5||Jul 2012||599|
|10.||Canon G12||4/5||+||73/100||4.5/5||4.5/5||Sep 2010||499|
|11.||Fujifilm X30||4/5||..||76/100||4.5/5||4.5/5||Aug 2014||599|
|12.||Fujifilm X20||4/5||+ +||77/100||4.5/5||5/5||Jan 2013||599|
|13.||Nikon P7800||3/5||..||..||4/5||4.5/5||Sep 2013||549|
|14.||Panasonic TS7||..||+||..||..||3.5/5||May 2018||449|
|15.||Panasonic ZS70||..||+ +||..||4/5||4/5||Apr 2017||449|
|16.||Panasonic LX7||3/5||+ +||75/100||4/5||4.5/5||Jul 2012||499|
|17.||Sony HX350||..||..||..||..||4/5||Dec 2016||449|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Canon G16 vs Panasonic FZ80
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G16||Panasonic FZ80|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||28-140mm f/1.8-2.8||20-1200mm f/2.8-5.9|
|Launch Date||August 2013||January 2017|
|Launch Price||USD 549||USD 399|
|Sensor Specs||Canon G16||Panasonic FZ80|
|Sensor Format||1/1.7" Sensor||1/2.3" Sensor|
|Sensor Size||7.44 x 5.58 mm||6.17 x 4.55 mm|
|Sensor Area||41.5152 mm2||28.0735 mm2|
|Sensor Diagonal||9.3 mm||7.7 mm|
|Sensor Resolution||12 Megapixels||18 Megapixels|
|Image Resolution||4000 x 3000 pixels||4896 x 3672 pixels|
|Pixel Pitch||1.87 μm||1.25 μm|
|Pixel Density||28.91 MP/cm2||64.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||80 - 12,800 ISO||80 - 3,200 ISO|
|ISO Boost||no Enhancement||80 - 6,400 ISO|
|Image Processor||DIGIC 6||Venus|
|DXO Sensor Quality (score)||54||..|
|DXO Color Depth (bits)||21.0||..|
|DXO Dynamic Range (EV)||11.7||..|
|DXO Low Light (ISO)||230||..|
|Screen Specs||Canon G16||Panasonic FZ80|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||80%||100%|
|Viewfinder Resolution||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||922k dots||1040k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon G16||Panasonic FZ80|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||2.2 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon G16||Panasonic FZ80|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Canon G16||Panasonic FZ80|
|Battery Life (CIPA)||360 shots per charge||330 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
109 x 76 x 40 mm
(4.3 x 3.0 x 1.6 in)
130 x 94 x 119 mm
(5.1 x 3.7 x 4.7 in)
|Camera Weight||356 g (12.6 oz)||616 g (21.7 oz)|
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