Canon G16 vs Olympus E-M5 II
The Canon PowerShot G16 and the Olympus OM-D E-M5 Mark II are two digital cameras that were officially introduced, respectively, in August 2013 and February 2015. The G16 is a fixed lens compact, while the E-M5 II is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (G16) and a Four Thirds (E-M5 II) sensor. The Canon has a resolution of 12 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G16 and the Olympus OM-D E-M5 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon G16 and the Olympus E-M5 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The E-M5 II can be obtained in two different colors (black, silver), while the G16 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 II is notably larger (27 percent) than the Canon G16. It is noteworthy in this context that the E-M5 II is splash and dust-proof, while the G16 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G16 has a lens built in, whereas the E-M5 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-M5 II and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon G16||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549|
|Olympus E-M5 II||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099|
|Canon G1 X Mark II||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799|
|Canon SL1||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549|
|Canon G1 X||4.6 in||3.2 in||2.6 in||18.8 oz||250||n||Jan 2012||799|
|Canon G15||4.2 in||3.0 in||1.6 in||12.4 oz||350||n||Sep 2012||499|
|Canon M||4.3 in||2.6 in||1.3 in||10.5 oz||230||n||Jul 2012||599|
|Canon G12||4.4 in||3.0 in||1.9 in||14.1 oz||370||n||Sep 2010||499|
|Fujifilm X30||4.7 in||2.8 in||2.4 in||14.9 oz||470||n||Aug 2014||599|
|Fujifilm X20||4.6 in||2.8 in||2.2 in||12.5 oz||270||n||Jan 2013||599|
|Nikon P7800||4.7 in||3.1 in||2.0 in||14.1 oz||350||n||Sep 2013||549|
|Olympus E-M5 III||4.9 in||3.3 in||2.0 in||14.6 oz||310||Y||Oct 2019||1,199|
|Olympus E-M10 II||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||649|
|Olympus E-M10||4.7 in||3.2 in||1.8 in||14.0 oz||320||n||Jan 2014||699|
|Olympus E-M1||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399|
|Olympus E-M5||4.8 in||3.5 in||1.7 in||15.0 oz||360||Y||Feb 2012||1,299|
|Panasonic LX7||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G16 was launched at a lower price than the E-M5 II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G16 features a 1/1.7-inch sensor and the Olympus E-M5 II a Four Thirds sensor. The sensor area in the E-M5 II is 436 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 15.9MP, the E-M5 II offers a higher resolution than the G16 (12MP), but the E-M5 II nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 1.87μm for the G16) due to its larger sensor. Moreover, the E-M5 II is a somewhat more recent model (by 1 year and 5 months) than the G16, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Olympus E-M5 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M5 II for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Canon G16 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
Unlike the G16, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon PowerShot G16 has a native sensitivity range from ISO 80 to ISO 12800. The corresponding ISO settings for the Olympus OM-D E-M5 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the E-M5 II offers substantially better image quality than the G16 (overall score 19 points higher). The advantage is based on 2 bits higher color depth, 0.8 EV in additional dynamic range, and 1.9 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|Olympus E-M5 III||Four Thirds||20.2||5184||3888||4k/24p||..||..||..||..|
|Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-M5 II has an electronic viewfinder (2360k dots), while the G16 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon G16 and Olympus E-M5 II in connection with corresponding information for a sample of similar cameras.
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y|
|Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y|
|Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y|
|Olympus E-M5 III||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y|
|Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The G16 has one, while the E-M5 II does not. While the built-in flash of the G16 is not very powerful, it can at times be useful as a fill-in light.The E-M5 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the G16 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M5 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G16 and the Olympus E-M5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G16 and the E-M5 II write their files to SDXC cards. The E-M5 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the G16 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G16 and Olympus OM-D E-M5 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-|
|Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
|Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|Olympus E-M5 III||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-|
It is notable that the E-M5 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G16 does not feature such a mic input.
Studio photographers will appreciate that the Olympus E-M5 II (unlike the G16) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The G16 is a recent model that features in the current product line-up of Canon. In contrast, the E-M5 II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-M5 II was succeeded by the Olympus E-M5 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So what is the bottom line? Is there a clear favorite between the Canon G16 and the Olympus E-M5 II? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Canon PowerShot G16:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Ready to shoot: Has a lens built-in, whereas the E-M5 II requires a separate lens.
- More compact: Is smaller (109x76mm vs 124x85mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the E-M5 II).
- Longer lasting: Can take more shots (360 versus 310) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in August 2013).
Reasons to prefer the Olympus OM-D E-M5 Mark II:
- More detail: Has more megapixels (15.9 vs 12MP), which boosts linear resolution by 15%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (19 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (0.8 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.9 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 922k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 2.2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Was introduced somewhat (1 year and 5 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the E-M5 II is the clear winner of the contest (20 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G16 and the Olympus E-M5 II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the G16 or the E-M5 II perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon G16||+||..||4.5/5||4.5/5||4.5/5||Aug 2013||549|
|Olympus E-M5 II||+ +||81/100||5/5||4.5/5||5/5||Feb 2015||1,099|
|Canon G1 X Mark II||+||77/100||4/5||4/5||4.5/5||Feb 2014||799|
|Canon SL1||+||78/100||4/5||4/5||4/5||Mar 2013||549|
|Canon G1 X||+||76/100||4/5||4/5||4.5/5||Jan 2012||799|
|Canon G15||+||76/100||4.5/5||4.5/5||4.5/5||Sep 2012||499|
|Canon M||+||..||4/5||3.5/5||4/5||Jul 2012||599|
|Canon G12||+||73/100||4.5/5||4.5/5||4.5/5||Sep 2010||499|
|Fujifilm X30||..||76/100||4.5/5||4/5||4.5/5||Aug 2014||599|
|Fujifilm X20||+ +||77/100||4.5/5||..||5/5||Jan 2013||599|
|Nikon P7800||..||..||4/5||3.5/5||4.5/5||Sep 2013||549|
|Olympus E-M5 III||+||82/100||4.5/5||5/5||4.5/5||Oct 2019||1,199|
|Olympus E-M10 II||+ +||80/100||5/5||5/5||5/5||Aug 2015||649|
|Olympus E-M10||..||80/100||5/5||4.5/5||5/5||Jan 2014||699|
|Olympus E-M1||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399|
|Olympus E-M5||+ +||80/100||4.5/5||5/5||5/5||Feb 2012||1,299|
|Panasonic LX7||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 250D vs Canon G16
- Canon 6D Mark II vs Olympus E-M5 II
- Canon G16 vs Canon T5
- Canon G16 vs Nikon 1 J5
- Canon G16 vs Nikon D300S
- Canon G16 vs Panasonic FZ1000 II
- Canon G16 vs Panasonic S1
- Nikon D700 vs Olympus E-M5 II
- Nikon Z7 vs Olympus E-M5 II
- Olympus E-M5 II vs Olympus E-PL7
- Olympus E-M5 II vs Olympus E-PM2
- Olympus E-M5 II vs Sony NEX-3N
Specifications: Canon G16 vs Olympus E-M5 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G16||Olympus E-M5 II|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-140mm f/1.8-2.8||Micro Four Thirds lenses|
|Launch Date||August 2013||February 2015|
|Launch Price||USD 549||USD 1,099|
|Sensor Specs||Canon G16||Olympus E-M5 II|
|Sensor Format||1/1.7" Sensor||Four Thirds Sensor|
|Sensor Size||7.44 x 5.58 mm||17.3 x 13.0 mm|
|Sensor Area||41.5152 mm2||224.9 mm2|
|Sensor Diagonal||9.3 mm||21.6 mm|
|Sensor Resolution||12 Megapixels||15.9 Megapixels|
|Image Resolution||4000 x 3000 pixels||4608 x 3456 pixels|
|Pixel Pitch||1.87 μm||3.76 μm|
|Pixel Density||28.91 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||80 - 12,800 ISO||200 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 25,600 ISO|
|Image Processor||DIGIC 6||TruePic VII|
|DXO Sensor Quality (score)||54||73|
|DXO Color Depth (bits)||21.0||23.0|
|DXO Dynamic Range (EV)||11.7||12.5|
|DXO Low Light (ISO)||230||842|
|Screen Specs||Canon G16||Olympus E-M5 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||80%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||922k dots||1037k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon G16||Olympus E-M5 II|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||2.2 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Canon G16||Olympus E-M5 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Canon G16||Olympus E-M5 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||360 shots per charge||310 shots per charge|
109 x 76 x 40 mm
(4.3 x 3.0 x 1.6 in)
124 x 85 x 45 mm
(4.9 x 3.3 x 1.8 in)
|Camera Weight||356 g (12.6 oz)||469 g (16.5 oz)|
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