Canon G16 vs Olympus E-5

The Canon PowerShot G16 and the Olympus E-5 are two digital cameras that were announced, respectively, in August 2013 and September 2010. The G16 is a fixed lens compact, while the E-5 is a DSLR. The cameras are based on a 1/1.7-inch (G16) and a Four Thirds (E-5) sensor. The Canon has a resolution of 12 megapixels, whereas the Olympus provides 12.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon G16		Olympus E-5
Fixed lens compact camera		Digital single lens reflex
28-140mm f/1.8-2.8		Four Thirds lenses
12 MP – 1/1.7" sensor		12.2 MP – Four Thirds sensor
1080/60p Video		720/30p Video
ISO 80-12,800		ISO 100-6,400
Optical viewfinder		Optical viewfinder
3.0" LCD – 922k dots		3.0" LCD – 920k dots
Fixed screen (not touch-sensitive)		Swivel screen (not touch-sensitive)
2.2 shutter flaps per second		5 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
360 shots per battery charge		750 shots per battery charge
109 x 76 x 40 mm, 356 g		142 x 117 x 75 mm, 873 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G16 and the Olympus E-5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Canon G16 and the Olympus E-5. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-5 is considerably larger (101 percent) than the Canon G16. It is noteworthy in this context that the E-5 is splash and dust-proof, while the G16 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G16 has a lens built in, whereas the E-5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-5 and their specifications in the Four Thirds Lens Catalog.

Concerning battery life, the G16 gets 360 shots out of its Canon NB-10L battery, while the E-5 can take 750 images on a single charge of its Olympus BLM-5 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	549	ebay.com
2.		Olympus E-5	142 mm	117 mm	75 mm	873 g	750	Y	Sep 2010	1,699	ebay.com
3.		Canon G1 X	117 mm	81 mm	65 mm	534 g	250	n	Jan 2012	799	ebay.com
4.		Canon G1 X Mark II	116 mm	74 mm	66 mm	553 g	240	n	Feb 2014	799	ebay.com
5.		Canon G12	112 mm	76 mm	48 mm	401 g	370	n	Sep 2010	499	ebay.com
6.		Canon G15	107 mm	76 mm	40 mm	352 g	350	n	Sep 2012	499	ebay.com
7.		Canon M	109 mm	66 mm	32 mm	298 g	230	n	Jul 2012	599	ebay.com
8.		Canon SL1	117 mm	91 mm	69 mm	407 g	380	n	Mar 2013	549	ebay.com
9.		Fujifilm X20	117 mm	70 mm	57 mm	353 g	270	n	Jan 2013	599	ebay.com
10.		Fujifilm X30	119 mm	72 mm	60 mm	423 g	470	n	Aug 2014	599	ebay.com
11.		Nikon P7800	119 mm	78 mm	50 mm	399 g	350	n	Sep 2013	549	ebay.com
12.		Olympus E-1	141 mm	104 mm	81 mm	738 g	750	Y	Jun 2003	1,699	ebay.com
13.		Olympus E-3	142 mm	116 mm	75 mm	876 g	750	Y	Oct 2007	1,699	ebay.com
14.		Olympus E-30	142 mm	108 mm	75 mm	701 g	750	n	Nov 2008	1,299	ebay.com
15.		Olympus E-510	136 mm	92 mm	68 mm	538 g	750	n	Mar 2007	799	ebay.com
16.		Olympus E-520	136 mm	92 mm	68 mm	535 g	750	n	May 2008	699	ebay.com
17.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G16 was launched at a lower price than the E-5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon G16 features a 1/1.7-inch sensor and the Olympus E-5 a Four Thirds sensor. The sensor area in the E-5 is 436 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

With 12.2MP, the E-5 offers a higher resolution than the G16 (12MP), but the E-5 nevertheless has larger individual pixels (pixel pitch of 4.29μm versus 1.87μm for the G16) due to its larger sensor. However, the G16 is a much more recent model (by 2 years and 11 months) than the E-5, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.

The Canon PowerShot G16 has a native sensitivity range from ISO 80 to ISO 12800. The corresponding ISO settings for the Olympus E-5 are ISO 100 to ISO 6400 (no boost).

In terms of underlying technology, the G16 is build around a BSI-CMOS sensor, while the E-5 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
2.		Olympus E-5	Four Thirds	12.2	4032	3024	720/30p	21.6	10.5	519	56
3.		Canon G1 X	1.5-inch	14.2	4352	3264	1080/24p	21.7	10.8	644	60
4.		Canon G1 X Mark II	1.5-inch	13.0	4160	3120	1080/30p	21.5	10.8	581	58
5.		Canon G12	1/1.7	10.0	3648	2736	720/24p	20.4	11.2	161	47
6.		Canon G15	1/1.7	12.0	4000	3000	1080/24p	19.9	11.5	165	46
7.		Canon M	APS-C	17.9	5184	3456	1080/30p	22.1	11.2	827	65
8.		Canon SL1	APS-C	17.9	5184	3456	1080/30p	21.8	11.3	843	63
9.		Fujifilm X20	2/3	12.0	4000	3000	1080/60p	20.1	10.9	-462	46
10.		Fujifilm X30	2/3	12.0	4000	3000	1080/60p	20.4	11.2	-312	49
11.		Nikon P7800	1/1.7	12.0	4000	3000	1080/30p	21.2	11.7	200	54
12.		Olympus E-1	Four Thirds	4.9	2560	1920	none	20.0	9.7	-145	44
13.		Olympus E-3	Four Thirds	10.0	3648	2736	none	21.6	10.5	571	56
14.		Olympus E-30	Four Thirds	12.2	4032	3024	none	21.3	10.4	530	55
15.		Olympus E-510	Four Thirds	10.0	3648	2736	none	21.2	10.0	442	52
16.		Olympus E-520	Four Thirds	10.0	3648	2736	none	21.4	10.4	548	55
17.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G16 provides a higher video resolution than the E-5. It can shoot video footage at 1080/60p, while the Olympus is limited to 720/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The G16 and the E-5 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The adjacent table lists some of the other core features of the Canon G16 and Olympus E-5 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
2.		Olympus E-5	optical	Y	3.0 / 920	swivel	n	1/8000s	5.0/s	Y	Y
3.		Canon G1 X	optical	n	3.0 / 922	swivel	n	1/4000s	1.9/s	Y	Y
4.		Canon G1 X Mark II	optional	n	3.0 / 1040	tilting	Y	1/4000s	5.2/s	Y	Y
5.		Canon G12	optical	n	2.8 / 461	swivel	n	1/4000s	1.1/s	Y	Y
6.		Canon G15	optical	n	3.0 / 922	fixed	n	1/4000s	2.1/s	Y	Y
7.		Canon M	none	n	3.0 / 1040	fixed	Y	1/4000s	4.3/s	n	n
8.		Canon SL1	optical	n	3.0 / 1040	fixed	Y	1/4000s	4.9/s	Y	n
9.		Fujifilm X20	optical	n	2.8 / 460	fixed	n	1/4000s	12.0/s	Y	Y
10.		Fujifilm X30	2360	n	3.0 / 920	tilting	n	1/4000s	12.0/s	Y	Y
11.		Nikon P7800	921	n	3.0 / 921	swivel	n	1/4000s	8.0/s	Y	Y
12.		Olympus E-1	optical	Y	1.8 / 134	fixed	n	1/4000s	3.0/s	n	n
13.		Olympus E-3	optical	Y	2.5 / 230	swivel	n	1/8000s	5.0/s	Y	Y
14.		Olympus E-30	optical	Y	2.7 / 230	swivel	n	1/8000s	5.0/s	Y	Y
15.		Olympus E-510	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	Y
16.		Olympus E-520	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	Y
17.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the E-5, but is missing on the G16 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The Canon G16 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The G16 writes its imaging data to SDXC cards, while the E-5 uses Compact Flash or xD Picture cards. The E-5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G16 only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G16 and Olympus E-5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
2.		Olympus E-5	Y	stereo / -	-	-	mini	2.0	-	-	-
3.		Canon G1 X	Y	stereo / mono	-	-	mini	2.0	-	-	-
4.		Canon G1 X Mark II	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
5.		Canon G12	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Canon G15	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Canon M	Y	stereo / mono	Y	-	mini	2.0	-	-	-
8.		Canon SL1	Y	mono / mono	Y	-	mini	2.0	-	-	-
9.		Fujifilm X20	Y	stereo / mono	-	-	micro	2.0	-	-	-
10.		Fujifilm X30	Y	stereo / mono	-	-	micro	2.0	Y	-	-
11.		Nikon P7800	Y	stereo / mono	Y	-	mini	2.0	-	-	-
12.		Olympus E-1	Y	- / -	-	-	-	2.0	-	-	-
13.		Olympus E-3	Y	- / -	-	-	-	2.0	-	-	-
14.		Olympus E-30	Y	- / -	-	-	-	2.0	-	-	-
15.		Olympus E-510	Y	- / -	-	-	-	2.0	-	-	-
16.		Olympus E-520	Y	- / -	-	-	-	2.0	-	-	-
17.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the G16 offers wifi support, while the E-5 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Studio photographers will appreciate that the Olympus E-5 (unlike the G16) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the G16 and the E-5 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Canon and Olympus. Further information on the features and operation of the G16 and E-5 can be found, respectively, in the Canon G16 Manual (free pdf) or the online Olympus E-5 Manual.

Review summary

So how do things add up? Which of the two cameras – the Canon G16 or the Olympus E-5 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Canon PowerShot G16:

• More dynamic range: Captures a larger spectrum of light and dark details (1.2 EV of extra DR).
• Better video: Provides higher definition movie capture (1080/60p vs 720/30p).
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Comes with a built-in lens, while the E-5 requires a separate lens.
• More compact: Is smaller (109x76mm vs 142x117mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the E-5).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 2 years and 11 months of technical progress since the E-5 launch.

Advantages of the Olympus E-5:

• Better low-light sensitivity: Can shoot in dim conditions (1.2 stops ISO advantage).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (5 vs 2.2 flaps/sec) to capture the decisive moment.
• More flexible: Makes it possible to change lenses and thus to use specialty optics.
• Longer lasting: Gets more shots (750 versus 360) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been around for much longer (launched in September 2010).

If the count of individual advantages (bullet points above) is taken as a guide, the E-5 emerges as the winner of the match-up (12 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon G16 and the Olympus E-5 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G16 or the E-5. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	549	ebay.com
2.		Olympus E-5	4/5	..	..	75/100	4/5	4.5/5	Sep 2010	1,699	ebay.com
3.		Canon G1 X	5/5	+	..	76/100	4/5	4.5/5	Jan 2012	799	ebay.com
4.		Canon G1 X Mark II	3/5	+	..	77/100	4/5	4.5/5	Feb 2014	799	ebay.com
5.		Canon G12	4/5	+	..	73/100	4.5/5	4.5/5	Sep 2010	499	ebay.com
6.		Canon G15	4/5	+	..	76/100	4.5/5	4.5/5	Sep 2012	499	ebay.com
7.		Canon M	3/5	+	..	..	4/5	4/5	Jul 2012	599	ebay.com
8.		Canon SL1	4/5	+	..	78/100	4/5	4/5	Mar 2013	549	ebay.com
9.		Fujifilm X20	4/5	+ +	..	77/100	4.5/5	5/5	Jan 2013	599	ebay.com
10.		Fujifilm X30	4/5	..	..	76/100	4.5/5	4.5/5	Aug 2014	599	ebay.com
11.		Nikon P7800	3/5	..	..	..	4/5	4.5/5	Sep 2013	549	ebay.com
12.		Olympus E-1	..	..	..	+	o	..	Jun 2003	1,699	ebay.com
13.		Olympus E-3	..	88/100	..	+ +	o	4/5	Oct 2007	1,699	ebay.com
14.		Olympus E-30	..	..	..	71/100	4.5/5	4/5	Nov 2008	1,299	ebay.com
15.		Olympus E-510	..	89/100	..	+ +	3.5/5	4.5/5	Mar 2007	799	ebay.com
16.		Olympus E-520	..	87/100	..	+ +	4.5/5	4.5/5	May 2008	699	ebay.com
17.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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