Canon G16 vs Leica V-LUX 2
The Canon PowerShot G16 and the Leica V-LUX 2 are two digital cameras that were announced, respectively, in August 2013 and September 2010. Both the G16 and the V-LUX 2 are fixed lens compact cameras that are based on a 1/1.7-inch (G16) and a 1/2.3-inch (V-LUX 2) sensor. The Canon has a resolution of 12 megapixels, whereas the Leica provides 14 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G16 and the Leica V-LUX 2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Canon G16 and the Leica V-LUX 2 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica V-LUX 2 is notably larger (20 percent) than the Canon G16. Moreover, the V-LUX 2 is substantially heavier (46 percent) than the G16. In this context, it is worth noting that neither the G16 nor the V-LUX 2 are weather-sealed.
Concerning battery life, the G16 gets 360 shots out of its Canon NB-10L battery, while the V-LUX 2 can take 410 images on a single charge of its Leica BP-DC9 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | 549 | ebay.com | |
2. | Leica V-LUX 2 | 124 mm | 80 mm | 95 mm | 520 g | 410 | n | Sep 2010 | 849 | ebay.com | |
3. | Canon G1 X Mark II | 116 mm | 74 mm | 66 mm | 553 g | 240 | n | Feb 2014 | 799 | ebay.com | |
4. | Canon SL1 | 117 mm | 91 mm | 69 mm | 407 g | 380 | n | Mar 2013 | 549 | ebay.com | |
5. | Canon G1 X | 117 mm | 81 mm | 65 mm | 534 g | 250 | n | Jan 2012 | 799 | ebay.com | |
6. | Canon G15 | 107 mm | 76 mm | 40 mm | 352 g | 350 | n | Sep 2012 | 499 | ebay.com | |
7. | Canon M | 109 mm | 66 mm | 32 mm | 298 g | 230 | n | Jul 2012 | 599 | ebay.com | |
8. | Canon G12 | 112 mm | 76 mm | 48 mm | 401 g | 370 | n | Sep 2010 | 499 | ebay.com | |
9. | Fujifilm X30 | 119 mm | 72 mm | 60 mm | 423 g | 470 | n | Aug 2014 | 599 | ebay.com | |
10. | Fujifilm X20 | 117 mm | 70 mm | 57 mm | 353 g | 270 | n | Jan 2013 | 599 | ebay.com | |
11. | Leica V-LUX 4 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Sep 2012 | 949 | ebay.com | |
12. | Leica V-LUX 3 | 124 mm | 81 mm | 95 mm | 540 g | 410 | n | Dec 2011 | 949 | ebay.com | |
13. | Leica V-LUX 1 | 141 mm | 86 mm | 142 mm | 734 g | 360 | n | Sep 2006 | 849 | ebay.com | |
14. | Nikon P7800 | 119 mm | 78 mm | 50 mm | 399 g | 350 | n | Sep 2013 | 549 | ebay.com | |
15. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | 499 | ebay.com | |
16. | Panasonic FZ150 | 124 mm | 82 mm | 92 mm | 528 g | 410 | n | Aug 2011 | 499 | ebay.com | |
17. | Panasonic FZ100 | 124 mm | 82 mm | 92 mm | 540 g | 410 | n | Jul 2010 | 499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G16 was launched at a markedly lower price (by 35 percent) than the V-LUX 2, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G16 features a 1/1.7-inch sensor and the Leica V-LUX 2 a 1/2.3-inch sensor. The sensor area in the V-LUX 2 is 33 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the V-LUX 2 offers a higher resolution of 14 megapixels, compared with 12 MP of the G16. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.41μm versus 1.87μm for the G16). Moreover, it should be noted that the G16 is much more recent (by 2 years and 11 months) than the V-LUX 2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the V-LUX 2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica V-LUX 2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the V-LUX 2 for good quality output (200 dots per inch) amounts to 21.6 x 16.2 inches or 54.9 x 41.1 cm, for very good quality (250 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm, and for excellent quality (300 dpi) 14.4 x 10.8 inches or 36.6 x 27.4 cm. The corresponding values for the Canon G16 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Canon PowerShot G16 has a native sensitivity range from ISO 80 to ISO 12800. The corresponding ISO settings for the Leica V-LUX 2 are ISO 100 to ISO 1600, with the possibility to increase the ISO range to 100-6400.
In terms of underlying technology, the G16 is build around a BSI-CMOS sensor, while the V-LUX 2 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
2. | Leica V-LUX 2 | 1/2.3 | 14.0 | 4320 | 3240 | 1080/60i | 19.4 | 10.7 | 321 | 39 | |
3. | Canon G1 X Mark II | 1.5-inch | 13.0 | 4160 | 3120 | 1080/30p | 21.5 | 10.8 | 581 | 58 | |
4. | Canon SL1 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.8 | 11.3 | 843 | 63 | |
5. | Canon G1 X | 1.5-inch | 14.2 | 4352 | 3264 | 1080/24p | 21.7 | 10.8 | 644 | 60 | |
6. | Canon G15 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/24p | 19.9 | 11.5 | 165 | 46 | |
7. | Canon M | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.1 | 11.2 | 827 | 65 | |
8. | Canon G12 | 1/1.7 | 10.0 | 3648 | 2736 | 720/24p | 20.4 | 11.2 | 161 | 47 | |
9. | Fujifilm X30 | 2/3 | 12.0 | 4000 | 3000 | 1080/60p | 20.4 | 11.2 | -312 | 49 | |
10. | Fujifilm X20 | 2/3 | 12.0 | 4000 | 3000 | 1080/60p | 20.1 | 10.9 | -462 | 46 | |
11. | Leica V-LUX 4 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.8 | 11.1 | 501 | 43 | |
12. | Leica V-LUX 3 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.7 | 11.0 | 430 | 42 | |
13. | Leica V-LUX 1 | 1/1.8 | 10.0 | 3648 | 2736 | 480/30p | 18.4 | 9.5 | -727 | 29 | |
14. | Nikon P7800 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/30p | 21.2 | 11.7 | 200 | 54 | |
15. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 | |
16. | Panasonic FZ150 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.4 | 10.9 | 132 | 40 | |
17. | Panasonic FZ100 | 1/2.3 | 14.0 | 4320 | 3240 | 1080/60i | 19.4 | 10.7 | 306 | 39 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G16 provides a higher frame rate than the V-LUX 2. It can shoot video footage at 1080/60p, while the Leica is limited to 1080/60i.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the V-LUX 2 has an electronic viewfinder (202k dots), while the G16 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon G16 and Leica V-LUX 2 in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
2. | Leica V-LUX 2 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 11.0/s | Y | Y | |
3. | Canon G1 X Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 5.2/s | Y | Y | |
4. | Canon SL1 | optical | n | 3.0 / 1040 | fixed | Y | 1/4000s | 4.9/s | Y | n | |
5. | Canon G1 X | optical | n | 3.0 / 922 | swivel | n | 1/4000s | 1.9/s | Y | Y | |
6. | Canon G15 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.1/s | Y | Y | |
7. | Canon M | none | n | 3.0 / 1040 | fixed | Y | 1/4000s | 4.3/s | n | n | |
8. | Canon G12 | optical | n | 2.8 / 461 | swivel | n | 1/4000s | 1.1/s | Y | Y | |
9. | Fujifilm X30 | 2360 | n | 3.0 / 920 | tilting | n | 1/4000s | 12.0/s | Y | Y | |
10. | Fujifilm X20 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 12.0/s | Y | Y | |
11. | Leica V-LUX 4 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
12. | Leica V-LUX 3 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
13. | Leica V-LUX 1 | 235 | n | 2.0 / 207 | tilting | n | 1/2000s | 2.0/s | Y | Y | |
14. | Nikon P7800 | 921 | n | 3.0 / 921 | swivel | n | 1/4000s | 8.0/s | Y | Y | |
15. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
16. | Panasonic FZ150 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
17. | Panasonic FZ100 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 11.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The Canon G16 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the G16 and the V-LUX 2 have zoom lenses built in. The G16 has a 28-140mm f/1.8-2.8 optic and the V-LUX 2 offers a 25-600mm f/2.8-5.2 (focal lengths in full frame equivalent terms). Hence, the Leica provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Canon. The G16 offers the faster maximum aperture.
Concerning the storage of imaging data, both the G16 and the V-LUX 2 write their files to SDXC cards. The G16 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the V-LUX 2 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G16 and Leica V-LUX 2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
2. | Leica V-LUX 2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
3. | Canon G1 X Mark II | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
4. | Canon SL1 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
5. | Canon G1 X | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
6. | Canon G15 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
7. | Canon M | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
8. | Canon G12 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Fujifilm X30 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Fujifilm X20 | Y | stereo / mono | - | - | micro | 2.0 | - | - | - | |
11. | Leica V-LUX 4 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
12. | Leica V-LUX 3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
13. | Leica V-LUX 1 | Y | mono / mono | - | - | - | 2.0 | - | - | - | |
14. | Nikon P7800 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
15. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
16. | Panasonic FZ150 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
17. | Panasonic FZ100 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
It is notable that the G16 offers wifi support, while the V-LUX 2 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the G16 and the V-LUX 2 have been discontinued, but can regularly be found used on ebay. The V-LUX 2 was replaced by the Leica V-LUX 3, while the G16 does not have a direct successor. Further information on the features and operation of the G16 and V-LUX 2 can be found, respectively, in the Canon G16 Manual (free pdf) or the online Leica V-LUX 2 Manual.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Canon G16 or the Leica V-LUX 2 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon PowerShot G16:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.8 vs f/2.8).
- More compact: Is smaller (109x76mm vs 124x80mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 164g or 32 percent) and hence easier to carry around.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (35 percent cheaper at launch).
- More modern: Reflects 2 years and 11 months of technical progress since the V-LUX 2 launch.
Advantages of the Leica V-LUX 2:
- More detail: Has more megapixels (14 vs 12MP), which boosts linear resolution by 8%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (11 vs 2.2 flaps/sec) to capture the decisive moment.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (410 versus 360) out of a single battery charge.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More heavily discounted: Has been around for much longer (launched in September 2010).
If the count of individual advantages (bullet points above) is taken as a guide, the G16 is the clear winner of the match-up (17 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G16 and the Leica V-LUX 2 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the G16 and the V-LUX 2 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 549 | ebay.com | |
2. | Leica V-LUX 2 | .. | .. | .. | .. | .. | .. | Sep 2010 | 849 | ebay.com | |
3. | Canon G1 X Mark II | 3/5 | + | .. | 77/100 | 4/5 | 4.5/5 | Feb 2014 | 799 | ebay.com | |
4. | Canon SL1 | 4/5 | + | .. | 78/100 | 4/5 | 4/5 | Mar 2013 | 549 | ebay.com | |
5. | Canon G1 X | 5/5 | + | .. | 76/100 | 4/5 | 4.5/5 | Jan 2012 | 799 | ebay.com | |
6. | Canon G15 | 4/5 | + | .. | 76/100 | 4.5/5 | 4.5/5 | Sep 2012 | 499 | ebay.com | |
7. | Canon M | 3/5 | + | .. | .. | 4/5 | 4/5 | Jul 2012 | 599 | ebay.com | |
8. | Canon G12 | 4/5 | + | .. | 73/100 | 4.5/5 | 4.5/5 | Sep 2010 | 499 | ebay.com | |
9. | Fujifilm X30 | 4/5 | .. | .. | 76/100 | 4.5/5 | 4.5/5 | Aug 2014 | 599 | ebay.com | |
10. | Fujifilm X20 | 4/5 | + + | .. | 77/100 | 4.5/5 | 5/5 | Jan 2013 | 599 | ebay.com | |
11. | Leica V-LUX 4 | .. | .. | .. | .. | .. | .. | Sep 2012 | 949 | ebay.com | |
12. | Leica V-LUX 3 | .. | .. | .. | .. | .. | .. | Dec 2011 | 949 | ebay.com | |
13. | Leica V-LUX 1 | .. | .. | .. | .. | .. | .. | Sep 2006 | 849 | ebay.com | |
14. | Nikon P7800 | 3/5 | .. | .. | .. | 4/5 | 4.5/5 | Sep 2013 | 549 | ebay.com | |
15. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | 499 | ebay.com | |
16. | Panasonic FZ150 | 3/5 | + + | .. | 76/100 | 4/5 | 4.5/5 | Aug 2011 | 499 | ebay.com | |
17. | Panasonic FZ100 | .. | + | .. | .. | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 750D vs Canon G16
- Canon G15 vs Canon G16
- Canon G16 vs Fujifilm X-M1
- Canon G16 vs Leica D-LUX 6
- Canon G16 vs Panasonic GX8
- Canon G16 vs Sony A1
- Canon T7i vs Leica V-LUX 2
- Fujifilm X-A1 vs Leica V-LUX 2
- Leica M10-P vs Leica V-LUX 2
- Leica V-LUX 2 vs Nikon D500
- Leica V-LUX 2 vs Nikon D5600
- Leica V-LUX 2 vs Sony RX100 VII
Specifications: Canon G16 vs Leica V-LUX 2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon G16 | Leica V-LUX 2 |
---|---|---|
Camera Type | Fixed lens compact camera | Fixed lens compact camera |
Camera Lens | 28-140mm f/1.8-2.8 | 25-600mm f/2.8-5.2 |
Launch Date | August 2013 | September 2010 |
Launch Price | USD 549 | USD 849 |
Sensor Specs | Canon G16 | Leica V-LUX 2 |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | 1/1.7" Sensor | 1/2.3" Sensor |
Sensor Size | 7.44 x 5.58 mm | 6.17 x 4.55 mm |
Sensor Area | 41.5152 mm2 | 28.0735 mm2 |
Sensor Diagonal | 9.3 mm | 7.7 mm |
Crop Factor | 4.65x | 5.6x |
Sensor Resolution | 12 Megapixels | 14 Megapixels |
Image Resolution | 4000 x 3000 pixels | 4320 x 3240 pixels |
Pixel Pitch | 1.87 μm | 1.41 μm |
Pixel Density | 28.91 MP/cm2 | 49.86 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 1080/60p Video | 1080/60i Video |
ISO Setting | 80 - 12,800 ISO | 100 - 1,600 ISO |
ISO Boost | no Enhancement | 100 - 6,400 ISO |
DXO Sensor Quality (score) | 54 | .. |
DXO Color Depth (bits) | 21.0 | .. |
DXO Dynamic Range (EV) | 11.7 | .. |
DXO Low Light (ISO) | 230 | .. |
Screen Specs | Canon G16 | Leica V-LUX 2 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 80% | 100% |
Viewfinder Resolution | 202k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 922k dots | 460k dots |
LCD Attachment | Fixed screen | Swivel screen |
Shooting Specs | Canon G16 | Leica V-LUX 2 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 2.2 shutter flaps/s | 11 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | no |
Connectivity Specs | Canon G16 | Leica V-LUX 2 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | mini HDMI |
Wifi Support | Wifi built-in | no Wifi |
Body Specs | Canon G16 | Leica V-LUX 2 |
Battery Type | Canon NB-10L | Leica BP-DC9 |
Battery Life (CIPA) | 360 shots per charge | 410 shots per charge |
Body Dimensions |
109 x 76 x 40 mm (4.3 x 3.0 x 1.6 in) |
124 x 80 x 95 mm (4.9 x 3.1 x 3.7 in) |
Camera Weight | 356 g (12.6 oz) | 520 g (18.3 oz) |
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