Canon G15 vs Fujifilm X-Pro2

The Canon PowerShot G15 and the Fujifilm X-Pro2 are two digital cameras that were announced, respectively, in September 2012 and January 2016. The G15 is a fixed lens compact, while the X-Pro2 is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (G15) and an APS-C (X-Pro2) sensor. The Canon has a resolution of 12 megapixels, whereas the Fujifilm provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon G15		Fujifilm X-Pro2
Fixed lens compact camera		Mirrorless system camera
28-140mm f/1.8-2.8		Fujifilm X mount lenses
12 MP – 1/1.7" sensor		24 MP – APS-C sensor
1080/24p Video		1080/60p Video
ISO 80-12,800		ISO 200-12,800 (100 - 51,200)
Optical viewfinder		Electronic viewfinder (2360k dots)
3.0" LCD – 922k dots		3.0" LCD – 1620k dots
Fixed screen (not touch-sensitive)		Fixed screen (not touch-sensitive)
2.1 shutter flaps per second		8 shutter flaps per second
not weather sealed		Weathersealed body
350 shots per battery charge		350 shots per battery charge
107 x 76 x 40 mm, 352 g		141 x 83 x 46 mm, 495 g

Check G15 offers at
ebay.com
Check X-Pro2 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G15 and the Fujifilm X-Pro2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon G15 and the Fujifilm X-Pro2 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The X-Pro2 can be obtained in two different colors (black, graphite), while the G15 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro2 is considerably larger (44 percent) than the Canon G15. It is noteworthy in this context that the X-Pro2 is splash and dust-proof, while the G15 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G15 has a lens built in, whereas the X-Pro2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-Pro2 and their specifications in the Fujinon X Lens Catalog.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon G15	107 mm	76 mm	40 mm	352 g	350	n	Sep 2012	499	ebay.com
2.		Fujifilm X-Pro2	141 mm	83 mm	46 mm	495 g	350	Y	Jan 2016	1,699	ebay.com
3.		Canon G12	112 mm	76 mm	48 mm	401 g	370	n	Sep 2010	499	ebay.com
4.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	549	ebay.com
5.		Canon S120	100 mm	59 mm	29 mm	217 g	230	n	Aug 2013	449	ebay.com
6.		Canon SX50	123 mm	87 mm	106 mm	595 g	315	n	Sep 2012	429	ebay.com
7.		Canon SX60	128 mm	93 mm	114 mm	650 g	340	n	Sep 2014	549	ebay.com
8.		Fujifilm X-Pro1	140 mm	82 mm	43 mm	450 g	300	n	Jan 2012	1,699	ebay.com
9.		Fujifilm X-Pro3	141 mm	83 mm	46 mm	497 g	440	Y	Oct 2019	1,799	amazon.com
10.		Fujifilm X-T2	133 mm	92 mm	49 mm	507 g	340	Y	Jul 2016	1,599	ebay.com
11.		Fujifilm X-T3	133 mm	93 mm	59 mm	539 g	390	Y	Sep 2018	1,499	ebay.com
12.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270	n	Sep 2011	599	ebay.com
13.		Fujifilm X20	117 mm	70 mm	57 mm	353 g	270	n	Jan 2013	599	ebay.com
14.		Fujifilm X100V	128 mm	75 mm	53 mm	478 g	420	Y	Feb 2020	1,399	ebay.com
15.		Nikon P7800	119 mm	78 mm	50 mm	399 g	350	n	Sep 2013	549	ebay.com
16.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	499	ebay.com
17.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G15 was launched at a lower price than the X-Pro2, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon G15 features a 1/1.7-inch sensor and the Fujifilm X-Pro2 an APS-C sensor. The sensor area in the X-Pro2 is 756 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.6 and 1.5. The sensor in the G15 has a native 4:3 aspect ratio, while the one in the X-Pro2 offers a 3:2 aspect.

With 24MP, the X-Pro2 offers a higher resolution than the G15 (12MP), but the X-Pro2 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 1.89μm for the G15) due to its larger sensor. Moreover, the X-Pro2 is a much more recent model (by 3 years and 3 months) than the G15, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm X-Pro2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro2 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon G15 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The X-Pro2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon PowerShot G15 has a native sensitivity range from ISO 80 to ISO 12800. The corresponding ISO settings for the Fujifilm X-Pro2 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Like most digital cameras, the G15 uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-Pro2 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon G15	1/1.7	12.0	4000	3000	1080/24p	19.9	11.5	165	46
2.		Fujifilm X-Pro2	APS-C	24.0	6000	4000	1080/60p	23.7	13.0	1608	80
3.		Canon G12	1/1.7	10.0	3648	2736	720/24p	20.4	11.2	161	47
4.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
5.		Canon S120	1/1.7	12.0	4000	3000	1080/60p	21.3	11.9	246	56
6.		Canon SX50	1/2.3	12.0	4000	3000	1080/24p	20.3	11.2	179	47
7.		Canon SX60	1/2.3	14.2	4608	3072	1080/60p	19.2	10.8	127	39
8.		Fujifilm X-Pro1	APS-C	16.0	4896	3264	1080/24p	23.1	12.3	1238	74
9.		Fujifilm X-Pro3	APS-C	26.0	6240	4160	4K/30p	24.1	13.6	1968	84
10.		Fujifilm X-T2	APS-C	24.0	6000	4000	4K/30p	23.8	13.1	1653	81
11.		Fujifilm X-T3	APS-C	26.0	6240	4160	4K/60p	24.0	13.4	1853	83
12.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
13.		Fujifilm X20	2/3	12.0	4000	3000	1080/60p	20.1	10.9	-462	46
14.		Fujifilm X100V	APS-C	26.0	6240	4160	4K/30p	24.2	13.6	1996	84
15.		Nikon P7800	1/1.7	12.0	4000	3000	1080/30p	21.2	11.7	200	54
16.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
17.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the X-Pro2 provides a faster frame rate than the G15. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/24p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), while the G15 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Canon G15 and Fujifilm X-Pro2 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon G15	optical	n	3.0 / 922	fixed	n	1/4000s	2.1/s	Y	Y
2.		Fujifilm X-Pro2	2360	n	3.0 / 1620	fixed	n	1/8000s	8.0/s	n	n
3.		Canon G12	optical	n	2.8 / 461	swivel	n	1/4000s	1.1/s	Y	Y
4.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
5.		Canon S120	none	n	3.0 / 922	fixed	Y	1/2000s	12.1/s	Y	Y
6.		Canon SX50	202	n	3.0 / 461	swivel	n	1/2000s	2.2/s	Y	Y
7.		Canon SX60	922	n	3.0 / 922	swivel	n	1/2000s	6.4/s	Y	Y
8.		Fujifilm X-Pro1	1440	n	3.0 / 1230	fixed	n	1/4000s	6.0/s	n	n
9.		Fujifilm X-Pro3	3690	n	3.0 / 1620	tilting	Y	1/8000s	8.0/s	n	n
10.		Fujifilm X-T2	2360	n	3.0 / 1040	full-flex	n	1/8000s	8.0/s	n	n
11.		Fujifilm X-T3	3690	n	3.0 / 1040	full-flex	Y	1/8000s	11.0/s	n	n
12.		Fujifilm X10	optical	n	2.8 / 460	fixed	n	1/4000s	10.0/s	Y	Y
13.		Fujifilm X20	optical	n	2.8 / 460	fixed	n	1/4000s	12.0/s	Y	Y
14.		Fujifilm X100V	3690	n	3.0 / 1620	tilting	Y	1/4000s	11.0/s	n	n
15.		Nikon P7800	921	n	3.0 / 921	swivel	n	1/4000s	8.0/s	Y	Y
16.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
17.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The G15 has one, while the X-Pro2 does not. While the built-in flash of the G15 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm X-Pro2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the G15 and the X-Pro2 write their files to SDXC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G15 only has one slot. The X-Pro2 supports UHS-II cards on its first slot and UHS-I on its second one, while the G15 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G15 and Fujifilm X-Pro2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon G15	Y	stereo / mono	-	-	mini	2.0	-	-	-
2.		Fujifilm X-Pro2	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
3.		Canon G12	Y	stereo / mono	-	-	mini	2.0	-	-	-
4.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
5.		Canon S120	-	stereo / mono	-	-	mini	2.0	Y	-	-
6.		Canon SX50	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Canon SX60	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
8.		Fujifilm X-Pro1	Y	stereo / mono	-	-	mini	2.0	-	-	-
9.		Fujifilm X-Pro3	Y	stereo / mono	Y	-	-	3.1	Y	-	Y
10.		Fujifilm X-T2	Y	stereo / mono	Y	-	micro	3.0	Y	-	-
11.		Fujifilm X-T3	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
12.		Fujifilm X10	Y	stereo / mono	-	-	mini	2.0	-	-	-
13.		Fujifilm X20	Y	stereo / mono	-	-	micro	2.0	-	-	-
14.		Fujifilm X100V	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
15.		Nikon P7800	Y	stereo / mono	Y	-	mini	2.0	-	-	-
16.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
17.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the X-Pro2 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the G15 does not provide wifi capability.

Studio photographers will appreciate that the Fujifilm X-Pro2 (unlike the G15) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the G15 and the X-Pro2 have been discontinued, but can regularly be found used on ebay. The G15 was replaced by the Canon G16, while the X-Pro2 was followed by the Fujifilm X-Pro3. Further information on the features and operation of the G15 and X-Pro2 can be found, respectively, in the Canon G15 Manual (free pdf) or the online Fujifilm X-Pro2 Manual.

Review summary

So what conclusions can be drawn? Is the Canon G15 better than the Fujifilm X-Pro2 or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Canon PowerShot G15:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Ready to shoot: Has a lens built-in, whereas the X-Pro2 requires a separate lens.
• More compact: Is smaller (107x76mm vs 141x83mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the X-Pro2).
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been available for much longer (launched in September 2012).

Arguments in favor of the Fujifilm X-Pro2:

• More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher movie framerates (1080/60p versus 1080/24p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More detailed LCD: Has a higher resolution rear screen (1620k vs 922k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (8 vs 2.1 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
• More modern: Reflects 3 years and 3 months of technical progress since the G15 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the X-Pro2 is the clear winner of the contest (22 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon G15 and the Fujifilm X-Pro2 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the G15 or the X-Pro2 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon G15	4/5	+	..	76/100	4.5/5	4.5/5	Sep 2012	499	ebay.com
2.		Fujifilm X-Pro2	..	+	..	83/100	4.5/5	4.5/5	Jan 2016	1,699	ebay.com
3.		Canon G12	4/5	+	..	73/100	4.5/5	4.5/5	Sep 2010	499	ebay.com
4.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	549	ebay.com
5.		Canon S120	..	+ +	..	..	4.5/5	4.5/5	Aug 2013	449	ebay.com
6.		Canon SX50	3/5	+ +	..	72/100	4.5/5	4.5/5	Sep 2012	429	ebay.com
7.		Canon SX60	3/5	+ +	..	75/100	4/5	4.5/5	Sep 2014	549	ebay.com
8.		Fujifilm X-Pro1	5/5	+ +	..	79/100	4.5/5	4.5/5	Jan 2012	1,699	ebay.com
9.		Fujifilm X-Pro3	4/5	+	4/5	85/100	4/5	..	Oct 2019	1,799	amazon.com
10.		Fujifilm X-T2	5/5	+ +	..	86/100	4.5/5	5/5	Jul 2016	1,599	ebay.com
11.		Fujifilm X-T3	5/5	+ +	4.5/5	88/100	5/5	5/5	Sep 2018	1,499	ebay.com
12.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	599	ebay.com
13.		Fujifilm X20	4/5	+ +	..	77/100	4.5/5	5/5	Jan 2013	599	ebay.com
14.		Fujifilm X100V	5/5	+ +	4.5/5	86/100	5/5	4.5/5	Feb 2020	1,399	ebay.com
15.		Nikon P7800	3/5	..	..	..	4/5	4.5/5	Sep 2013	549	ebay.com
16.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	499	ebay.com
17.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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