Canon G1 X vs Sony NEX-C3
The Canon PowerShot G1 X and the Sony Alpha NEX-C3 are two digital cameras that were officially introduced, respectively, in January 2012 and June 2011. The G1X is a fixed lens compact, while the NEX-C3 is a mirrorless interchangeable lens camera. The cameras are based on an 1.5-inch (G1X) and an APS-C (NEX-C3) sensor. The Canon has a resolution of 14.2 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X and the Sony Alpha NEX-C3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon G1 X and the Sony NEX-C3. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The NEX-C3 can be obtained in three different colors (black, silver, pink), while the G1X is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-C3 is considerably smaller (30 percent) than the Canon G1 X. In this context, it is worth noting that neither the G1X nor the NEX-C3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X has a lens built in, whereas the NEX-C3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-C3 and their specifications in the Sony E-Mount Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|2.||Sony NEX-C3||110 mm||60 mm||33 mm||225 g||400||n||Jun 2011||599|
|3.||Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799|
|4.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|5.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|6.||Canon 650D||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|7.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|8.||Canon 1100D||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|9.||Canon 500D||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|10.||Canon 450D||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|11.||Leica V-LUX 4||125 mm||87 mm||110 mm||588 g||540||n||Sep 2012||949|
|12.||Leica V-LUX 3||124 mm||81 mm||95 mm||540 g||410||n||Dec 2011||949|
|13.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|14.||Sony NEX-F3||117 mm||67 mm||42 mm||314 g||470||n||May 2012||599|
|15.||Sony NEX-5N||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699|
|16.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599|
|17.||Sony NEX-5||111 mm||59 mm||38 mm||287 g||330||n||May 2010||699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G1 X features an 1.5-inch sensor and the Sony NEX-C3 an APS-C sensor. The sensor area in the NEX-C3 is 39 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.85 and 1.5. The sensor in the G1X has a native 4:3 aspect ratio, while the one in the NEX-C3 offers a 3:2 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 16MP, the NEX-C3 offers a higher resolution than the G1X (14.2MP), but the NEX-C3 nevertheless has larger individual pixels (pixel pitch of 4.78μm versus 4.30μm for the G1X) due to its larger sensor. However, the G1X is a somewhat more recent model (by 7 months) than the NEX-C3, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony NEX-C3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-C3 for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inches or 62.4 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.9 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inches or 41.6 x 27.6 cm. The corresponding values for the Canon G1 X are 21.8 x 16.3 inches or 55.3 x 41.5 cm for good quality, 17.4 x 13.1 inches or 44.2 x 33.2 cm for very good quality, and 14.5 x 10.9 inches or 36.8 x 27.6 cm for excellent quality prints.
The Canon PowerShot G1 X has a native sensitivity range from ISO 100 to ISO 12800. The Sony Alpha NEX-C3 offers exactly the same ISO settings.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the NEX-C3 offers substantially better image quality than the G1X (overall score 13 points higher). The advantage is based on 1 bits higher color depth, 1.4 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|3.||Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|11.||Leica V-LUX 4||1/2.3||12.0||4000||3000||1080/60p||19.8||11.1||501||43|
|12.||Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||19.7||11.0||430||42|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G1X provides a higher video resolution than the NEX-C3. It can shoot video footage at 1080/24p, while the Sony is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G1X has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the NEX-C3 relies on live view and the rear LCD for framing. That said, the NEX-C3 can be equipped with an optional viewfinder – the FDA-SV1. The table below summarizes some of the other core capabilities of the Canon G1 X and Sony NEX-C3 in connection with corresponding information for a sample of similar cameras.
|1.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9||Y||Y|
|2.||Sony NEX-C3||optional||n||3.0 / 920||tilting||n||1/4000s||5.5||n||n|
|3.||Canon G1 X Mark II||optional||n||3.0 / 1040||tilting||Y||1/4000s||5.2||Y||Y|
|4.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2||Y||Y|
|5.||Canon S120||none||n||3.0 / 922||fixed||Y||1/2000s||12.1||Y||Y|
|6.||Canon 650D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|7.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2||Y||Y|
|8.||Canon 1100D||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|9.||Canon 500D||optical||n||3.0 / 920||fixed||n||1/4000s||3.4||Y||n|
|10.||Canon 450D||optical||n||3.0 / 230||fixed||n||1/4000s||3.5||Y||n|
|11.||Leica V-LUX 4||1312||n||3.0 / 460||swivel||n||1/4000s||12.0||Y||Y|
|12.||Leica V-LUX 3||202||n||3.0 / 460||swivel||n||1/2000s||12.0||Y||Y|
|13.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0||Y||n|
|14.||Sony NEX-F3||optional||n||3.0 / 920||tilting||n||1/4000s||5.5||Y||n|
|15.||Sony NEX-5N||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0||n||n|
|16.||Sony NEX-3||optional||n||3.0 / 920||tilting||n||1/4000s||7.0||n||n|
|17.||Sony NEX-5||optional||n||3.0 / 920||tilting||n||1/4000s||7.0||n||n|
One difference between the cameras concerns the presence of an on-board flash. The G1X has one, while the NEX-C3 does not. While the built-in flash of the G1X is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The G1X writes its imaging data to SDXC cards, while the NEX-C3 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X and Sony Alpha NEX-C3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Sony NEX-C3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon G1 X Mark II||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|5.||Canon S120||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|6.||Canon 650D||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|7.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Canon 1100D||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Canon 500D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|10.||Canon 450D||Y||- / -||-||-||mini||2.0||-||-||-|
|11.||Leica V-LUX 4||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|12.||Leica V-LUX 3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|13.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
|14.||Sony NEX-F3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Sony NEX-5N||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Sony NEX-3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony NEX-5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
Both the G1X and the NEX-C3 have been discontinued, but can regularly be found used on eBay. The G1X was replaced by the Canon G1X Mark II, while the NEX-C3 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Is the Canon G1 X better than the Sony NEX-C3 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon PowerShot G1 X:
- Better video: Provides higher definition movie capture (1080/24p vs 720/30p).
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Ready to shoot: Has a lens built-in, whereas the NEX-C3 requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More modern: Is somewhat more recent (announced 7 months after the NEX-C3).
Reasons to prefer the Sony Alpha NEX-C3:
- More detail: Has more megapixels (16 vs 14.2MP), which boosts linear resolution by 8%.
- Better image quality: Scores substantially higher (13 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1.4 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.7 stops ISO advantage).
- Faster burst: Shoots at higher frequency (5.5 vs 1.9 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (110x60mm vs 117x81mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (400 versus 250) out of a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in June 2011).
If the number of relative strengths (bullet points above) is taken as a guide, the NEX-C3 emerges as the winner of the match-up (9 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X and the Sony NEX-C3 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the G1X or the NEX-C3 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799|
|2.||Sony NEX-C3||3/5||+ +||..||74/100||4.5/5||4/5||Jun 2011||599|
|3.||Canon G1 X Mark II||3/5||+||..||77/100||4/5||4.5/5||Feb 2014||799|
|4.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|5.||Canon S120||..||+ +||..||..||4.5/5||4.5/5||Aug 2013||449|
|6.||Canon 650D||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|7.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429|
|8.||Canon 1100D||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|9.||Canon 500D||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|10.||Canon 450D||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799|
|11.||Leica V-LUX 4||..||..||..||..||..||..||Sep 2012||949|
|12.||Leica V-LUX 3||..||..||..||..||..||..||Dec 2011||949|
|13.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499|
|14.||Sony NEX-F3||4/5||..||..||74/100||4.5/5||4.5/5||May 2012||599|
|15.||Sony NEX-5N||3/5||+ +||..||79/100||4.5/5||4.5/5||Aug 2011||699|
|16.||Sony NEX-3||..||..||..||70/100||4.5/5||4/5||May 2010||599|
|17.||Sony NEX-5||3/5||+ +||..||71/100||4.5/5||4/5||May 2010||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D X Mark II vs Sony NEX-C3
- Canon 1Ds vs Sony NEX-C3
- Canon 200D vs Canon G1 X
- Canon G1 X vs Fujifilm X-T2
- Canon G1 X vs Leica Q2
- Canon G1 X vs Nikon D300
- Canon G1 X vs Nikon D3X
- Canon G1 X vs Nikon D750
- Canon T7 vs Sony NEX-C3
- Panasonic FT7 vs Sony NEX-C3
- Panasonic G7 vs Sony NEX-C3
- Sony NEX-C3 vs Sony RX0
Specifications: Canon G1 X vs Sony NEX-C3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G1 X||Sony NEX-C3|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-112mm f/2.8-5.8||Sony E mount lenses|
|Launch Date||January 2012||June 2011|
|Launch Price||USD 799||USD 599|
|Sensor Specs||Canon G1 X||Sony NEX-C3|
|Sensor Format||1.5" Sensor||APS-C Sensor|
|Sensor Size||18.7 x 14.0 mm||23.4 x 15.6 mm|
|Sensor Area||261.8 mm2||365.04 mm2|
|Sensor Diagonal||23.4 mm||28.1 mm|
|Sensor Resolution||14.2 Megapixels||16 Megapixels|
|Image Resolution||4352 x 3264 pixels||4912 x 3264 pixels|
|Pixel Pitch||4.30 μm||4.78 μm|
|Pixel Density||5.43 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/24p Video||720/30p Video|
|ISO Setting||100 - 12,800 ISO||100 - 12,800 ISO|
|Image Processor||DIGIC 5||BIONZ|
|DXO Sensor Quality (score)||60||73|
|DXO Color Depth (bits)||21.7||22.7|
|DXO Dynamic Range (EV)||10.8||12.2|
|DXO Low Light (ISO)||644||1083|
|Screen Specs||Canon G1 X||Sony NEX-C3|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||74%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||922k dots||920k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon G1 X||Sony NEX-C3|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||1.9 shutter flaps/s||5.5 shutter flaps/s|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon G1 X||Sony NEX-C3|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon G1 X||Sony NEX-C3|
|Battery Life (CIPA)||250 shots per charge||400 shots per charge|
117 x 81 x 65 mm
(4.6 x 3.2 x 2.6 in)
110 x 60 x 33 mm
(4.3 x 2.4 x 1.3 in)
|Camera Weight||534 g (18.8 oz)||225 g (7.9 oz)|
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