Canon G1 X vs Sony NEX-6
The Canon PowerShot G1 X and the Sony Alpha NEX-6 are two enthusiast cameras that were officially introduced, respectively, in January 2012 and September 2012. The G1X is a fixed lens compact, while the NEX-6 is a mirrorless interchangeable lens camera. The cameras are based on an 1.5-inch (G1X) and an APS-C (NEX-6) sensor. The Canon has a resolution of 14.2 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X and the Sony Alpha NEX-6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon G1 X and the Sony NEX-6. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-6 is notably smaller (15 percent) than the Canon G1 X. In this context, it is worth noting that neither the G1X nor the NEX-6 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X has a lens built in, whereas the NEX-6 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-6 and their specifications in the Sony E-Mount Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|2.||Sony NEX-6||120 mm||67 mm||43 mm||345 g||360||n||Sep 2012||999|
|3.||Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799|
|4.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|5.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|6.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|7.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|8.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|9.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|10.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|11.||Leica V-LUX 4||125 mm||87 mm||110 mm||588 g||540||n||Sep 2012||949|
|12.||Leica V-LUX 3||124 mm||81 mm||95 mm||540 g||410||n||Dec 2011||949|
|13.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|14.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|15.||Sony NEX-5N||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699|
|16.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599|
|17.||Sony NEX-5||111 mm||59 mm||38 mm||287 g||330||n||May 2010||699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G1X was launched at a lower price than the NEX-6, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon G1 X features an 1.5-inch sensor and the Sony NEX-6 an APS-C sensor. The sensor area in the NEX-6 is 39 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.85 and 1.5. The sensor in the G1X has a native 4:3 aspect ratio, while the one in the NEX-6 offers a 3:2 aspect.
With 16MP, the NEX-6 offers a higher resolution than the G1X (14.2MP), but the NEX-6 nevertheless has larger individual pixels (pixel pitch of 4.78μm versus 4.30μm for the G1X) due to its larger sensor. Moreover, the NEX-6 is a somewhat more recent model (by 8 months) than the G1X, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony NEX-6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-6 for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inches or 62.4 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.9 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inches or 41.6 x 27.6 cm. The corresponding values for the Canon G1 X are 21.8 x 16.3 inches or 55.3 x 41.5 cm for good quality, 17.4 x 13.1 inches or 44.2 x 33.2 cm for very good quality, and 14.5 x 10.9 inches or 36.8 x 27.6 cm for excellent quality prints.
The Canon PowerShot G1 X has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Sony Alpha NEX-6 are ISO 100 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the NEX-6 offers substantially better image quality than the G1X (overall score 18 points higher). The advantage is based on 2 bits higher color depth, 2.3 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|3.||Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|11.||Leica V-LUX 4||1/2.3||12.0||4000||3000||1080/60p||19.8||11.1||501||43|
|12.||Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||19.7||11.0||430||42|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the NEX-6 provides a faster frame rate than the G1X. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/24p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the NEX-6 has an electronic viewfinder (2359k dots), while the G1X has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Canon G1 X and Sony NEX-6 along with similar information for a selection of comparators.
|1.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9||Y||Y|
|2.||Sony NEX-6||2359||n||3.0 / 921||tilting||n||1/4000s||10.0||Y||n|
|3.||Canon G1 X Mark II||optional||n||3.0 / 1040||tilting||Y||1/4000s||5.2||Y||Y|
|4.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2||Y||Y|
|5.||Canon S120||none||n||3.0 / 922||fixed||Y||1/2000s||12.1||Y||Y|
|6.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2||Y||Y|
|7.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|8.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|9.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4||Y||n|
|10.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5||Y||n|
|11.||Leica V-LUX 4||1312||n||3.0 / 460||swivel||n||1/4000s||12.0||Y||Y|
|12.||Leica V-LUX 3||202||n||3.0 / 460||swivel||n||1/2000s||12.0||Y||Y|
|13.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
|14.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0||Y||n|
|15.||Sony NEX-5N||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0||n||n|
|16.||Sony NEX-3||optional||n||3.0 / 920||tilting||n||1/4000s||7.0||n||n|
|17.||Sony NEX-5||optional||n||3.0 / 920||tilting||n||1/4000s||7.0||n||n|
The G1X writes its imaging data to SDXC cards, while the NEX-6 uses SDXC or Memory Stick PRO Duo cards. The NEX-6 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the G1X cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X and Sony Alpha NEX-6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Sony NEX-6||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|3.||Canon G1 X Mark II||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|5.||Canon S120||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|6.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|10.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|11.||Leica V-LUX 4||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|12.||Leica V-LUX 3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|13.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
|15.||Sony NEX-5N||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Sony NEX-3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony NEX-5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the NEX-6 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the G1X does not provide wifi capability.
Both the G1X and the NEX-6 have been discontinued, but can regularly be found used on eBay. The G1X was replaced by the Canon G1X Mark II, while the NEX-6 was followed by the Sony A6000. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Which of the two cameras – the Canon G1 X or the Sony NEX-6 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon PowerShot G1 X:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has a lens built-in, whereas the NEX-6 requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in January 2012).
Advantages of the Sony Alpha NEX-6:
- More detail: Has more megapixels (16 vs 14.2MP), which boosts linear resolution by 8%.
- Better image quality: Scores substantially higher (18 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.3 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.7 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60i versus 1080/24p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Faster burst: Shoots at higher frequency (10 vs 1.9 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (120x67mm vs 117x81mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (360 versus 250) out of a single battery charge.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Was introduced somewhat (8 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the NEX-6 is the clear winner of the contest (14 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X and the Sony NEX-6 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G1X or the NEX-6. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799|
|2.||Sony NEX-6||5/5||+ +||..||78/100||4.5/5||4.5/5||Sep 2012||999|
|3.||Canon G1 X Mark II||3/5||+||..||77/100||4/5||4.5/5||Feb 2014||799|
|4.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|5.||Canon S120||..||+ +||..||..||4.5/5||4.5/5||Aug 2013||449|
|6.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429|
|7.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|8.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|9.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|10.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799|
|11.||Leica V-LUX 4||..||..||..||..||..||..||Sep 2012||949|
|12.||Leica V-LUX 3||..||..||..||..||..||..||Dec 2011||949|
|13.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599|
|14.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499|
|15.||Sony NEX-5N||3/5||+ +||..||79/100||4.5/5||4.5/5||Aug 2011||699|
|16.||Sony NEX-3||..||..||..||70/100||4.5/5||4/5||May 2010||599|
|17.||Sony NEX-5||3/5||+ +||..||71/100||4.5/5||4/5||May 2010||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon G1 X vs Canon T7
- Canon G1 X vs Nikon 1 V2
- Canon G1 X vs Nikon D7000
- Canon G1 X vs Olympus E-PL9
- Canon G1 X vs Panasonic S1
- Canon G1 X vs Pentax K-70
- Canon M6 vs Sony NEX-6
- Canon SX520 vs Sony NEX-6
- Fujifilm GFX 50S vs Sony NEX-6
- Panasonic FZ1000 vs Sony NEX-6
- Sony A58 vs Sony NEX-6
- Sony H300 vs Sony NEX-6
Specifications: Canon G1 X vs Sony NEX-6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G1 X||Sony NEX-6|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-112mm f/2.8-5.8||Sony E mount lenses|
|Launch Date||January 2012||September 2012|
|Launch Price||USD 799||USD 999|
|Sensor Specs||Canon G1 X||Sony NEX-6|
|Sensor Format||1.5" Sensor||APS-C Sensor|
|Sensor Size||18.7 x 14.0 mm||23.4 x 15.6 mm|
|Sensor Area||261.8 mm2||365.04 mm2|
|Sensor Diagonal||23.4 mm||28.1 mm|
|Sensor Resolution||14.2 Megapixels||16 Megapixels|
|Image Resolution||4352 x 3264 pixels||4912 x 3264 pixels|
|Pixel Pitch||4.30 μm||4.78 μm|
|Pixel Density||5.43 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/24p Video||1080/60i Video|
|ISO Setting||100 - 12,800 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC 5||BIONZ|
|DXO Sensor Quality (score)||60||78|
|DXO Color Depth (bits)||21.7||23.7|
|DXO Dynamic Range (EV)||10.8||13.1|
|DXO Low Light (ISO)||644||1018|
|Screen Specs||Canon G1 X||Sony NEX-6|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||74%||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||922k dots||921k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon G1 X||Sony NEX-6|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||1.9 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon G1 X||Sony NEX-6|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon G1 X||Sony NEX-6|
|Battery Life (CIPA)||250 shots per charge||360 shots per charge|
117 x 81 x 65 mm
(4.6 x 3.2 x 2.6 in)
120 x 67 x 43 mm
(4.7 x 2.6 x 1.7 in)
|Camera Weight||534 g (18.8 oz)||345 g (12.2 oz)|
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