Canon G1 X vs Fujifilm X-Pro1
The Canon PowerShot G1 X and the Fujifilm X-Pro1 are two enthusiast cameras that were officially introduced in January 2012. The G1X is a fixed lens compact, while the X-Pro1 is a mirrorless interchangeable lens camera. The cameras are based on an 1.5-inch (G1X) and an APS-C (X-Pro1) sensor. The Canon has a resolution of 14.2 megapixels, whereas the Fujifilm provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X and the Fujifilm X-Pro1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Canon G1 X and the Fujifilm X-Pro1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro1 is notably larger (21 percent) than the Canon G1 X. In this context, it is worth noting that neither the G1X nor the X-Pro1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X has a lens built in, whereas the X-Pro1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-Pro1 and their specifications in the Fujinon X Lens Catalog.
Concerning battery life, the G1X gets 250 shots out of its Canon NB-10L battery, while the X-Pro1 can take 300 images on a single charge of its Fujifilm NP-W126 power pack.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G1 X | 117 mm | 81 mm | 65 mm | 534 g | 250 | n | Jan 2012 | 799 | ebay.com | |
2. | Fujifilm X-Pro1 | 140 mm | 82 mm | 43 mm | 450 g | 300 | n | Jan 2012 | 1,699 | ebay.com | |
3. | Canon G1 X Mark II | 116 mm | 74 mm | 66 mm | 553 g | 240 | n | Feb 2014 | 799 | ebay.com | |
4. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | 549 | ebay.com | |
5. | Canon S120 | 100 mm | 59 mm | 29 mm | 217 g | 230 | n | Aug 2013 | 449 | ebay.com | |
6. | Canon SX50 | 123 mm | 87 mm | 106 mm | 595 g | 315 | n | Sep 2012 | 429 | ebay.com | |
7. | Canon T1i | 129 mm | 98 mm | 62 mm | 520 g | 400 | n | Mar 2009 | 799 | ebay.com | |
8. | Canon T3 | 130 mm | 100 mm | 78 mm | 495 g | 700 | n | Feb 2011 | 449 | ebay.com | |
9. | Canon T4i | 133 mm | 100 mm | 79 mm | 575 g | 440 | n | Jun 2012 | 849 | ebay.com | |
10. | Canon XSi | 129 mm | 98 mm | 62 mm | 524 g | 500 | n | Jan 2008 | 799 | ebay.com | |
11. | Fujifilm X-E2 | 129 mm | 75 mm | 37 mm | 350 g | 350 | n | Oct 2013 | 999 | ebay.com | |
12. | Fujifilm X-M1 | 117 mm | 67 mm | 39 mm | 330 g | 350 | n | Jun 2013 | 699 | ebay.com | |
13. | Fujifilm X-Pro2 | 141 mm | 83 mm | 46 mm | 495 g | 350 | Y | Jan 2016 | 1,699 | ebay.com | |
14. | Fujifilm X-T1 | 129 mm | 90 mm | 47 mm | 440 g | 350 | Y | Jan 2014 | 1,299 | ebay.com | |
15. | Fujifilm X100S | 127 mm | 74 mm | 54 mm | 445 g | 330 | n | Jan 2013 | 1,299 | ebay.com | |
16. | Leica V-LUX 3 | 124 mm | 81 mm | 95 mm | 540 g | 410 | n | Dec 2011 | 949 | ebay.com | |
17. | Leica V-LUX 4 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Sep 2012 | 949 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G1X was launched at a lower price than the X-Pro1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon G1 X features an 1.5-inch sensor and the Fujifilm X-Pro1 an APS-C sensor. The sensor area in the X-Pro1 is 40 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.85 and 1.5. The sensor in the G1X has a native 4:3 aspect ratio, while the one in the X-Pro1 offers a 3:2 aspect.
With 16MP, the X-Pro1 offers a higher resolution than the G1X (14.2MP), but the X-Pro1 nevertheless has larger individual pixels (pixel pitch of 4.80μm versus 4.30μm for the G1X) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the X-Pro1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-Pro1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro1 for good quality output (200 dots per inch) amounts to 24.5 x 16.3 inches or 62.2 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.7 x 33.2 cm, and for excellent quality (300 dpi) 16.3 x 10.9 inches or 41.5 x 27.6 cm. The corresponding values for the Canon G1 X are 21.8 x 16.3 inches or 55.3 x 41.5 cm for good quality, 17.4 x 13.1 inches or 44.2 x 33.2 cm for very good quality, and 14.5 x 10.9 inches or 36.8 x 27.6 cm for excellent quality prints.
The Canon PowerShot G1 X has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Fujifilm X-Pro1 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Like most digital cameras, the G1X uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-Pro1 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G1 X | 1.5-inch | 14.2 | 4352 | 3264 | 1080/24p | 21.7 | 10.8 | 644 | 60 | |
2. | Fujifilm X-Pro1 | APS-C | 16.0 | 4896 | 3264 | 1080/24p | 23.1 | 12.3 | 1238 | 74 | |
3. | Canon G1 X Mark II | 1.5-inch | 13.0 | 4160 | 3120 | 1080/30p | 21.5 | 10.8 | 581 | 58 | |
4. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
5. | Canon S120 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.3 | 11.9 | 246 | 56 | |
6. | Canon SX50 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 20.3 | 11.2 | 179 | 47 | |
7. | Canon T1i | APS-C | 15.1 | 4752 | 3168 | 1080/20p | 21.7 | 11.5 | 663 | 63 | |
8. | Canon T3 | APS-C | 12.2 | 4272 | 2848 | 720/30p | 21.9 | 11.0 | 755 | 62 | |
9. | Canon T4i | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.7 | 11.2 | 722 | 62 | |
10. | Canon XSi | APS-C | 12.2 | 4272 | 2848 | none | 21.9 | 10.8 | 692 | 61 | |
11. | Fujifilm X-E2 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.4 | 12.6 | 1400 | 77 | |
12. | Fujifilm X-M1 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | 23.4 | 12.6 | 1371 | 76 | |
13. | Fujifilm X-Pro2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
14. | Fujifilm X-T1 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.5 | 12.7 | 1426 | 77 | |
15. | Fujifilm X100S | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.3 | 12.5 | 1329 | 75 | |
16. | Leica V-LUX 3 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.7 | 11.0 | 430 | 42 | |
17. | Leica V-LUX 4 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.8 | 11.1 | 501 | 43 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/24p).
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-Pro1 has an electronic viewfinder (1440k dots), while the G1X has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon G1 X, the Fujifilm X-Pro1, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G1 X | optical | n | 3.0 / 922 | swivel | n | 1/4000s | 1.9/s | Y | Y | |
2. | Fujifilm X-Pro1 | 1440 | n | 3.0 / 1230 | fixed | n | 1/4000s | 6.0/s | n | n | |
3. | Canon G1 X Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 5.2/s | Y | Y | |
4. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
5. | Canon S120 | none | n | 3.0 / 922 | fixed | Y | 1/2000s | 12.1/s | Y | Y | |
6. | Canon SX50 | 202 | n | 3.0 / 461 | swivel | n | 1/2000s | 2.2/s | Y | Y | |
7. | Canon T1i | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.4/s | Y | n | |
8. | Canon T3 | optical | n | 2.7 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
9. | Canon T4i | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
10. | Canon XSi | optical | n | 3.0 / 230 | fixed | n | 1/4000s | 3.5/s | Y | n | |
11. | Fujifilm X-E2 | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 7.0/s | Y | n | |
12. | Fujifilm X-M1 | none | n | 3.0 / 920 | tilting | n | 1/4000s | 5.6/s | Y | n | |
13. | Fujifilm X-Pro2 | 2360 | n | 3.0 / 1620 | fixed | n | 1/8000s | 8.0/s | n | n | |
14. | Fujifilm X-T1 | 2360 | n | 3.0 / 1040 | tilting | n | 1/4000s | 8.0/s | n | n | |
15. | Fujifilm X100S | 2360 | n | 2.8 / 460 | fixed | n | 1/4000s | 6.0/s | Y | n | |
16. | Leica V-LUX 3 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
17. | Leica V-LUX 4 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The G1X has one, while the X-Pro1 does not. While the built-in flash of the G1X is not very powerful, it can at times be useful as a fill-in light.
The G1X has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the X-Pro1 does not have a selfie-screen.Concerning the storage of imaging data, both the G1X and the X-Pro1 write their files to SDXC cards. The X-Pro1 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the G1X cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X and Fujifilm X-Pro1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G1 X | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
2. | Fujifilm X-Pro1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
3. | Canon G1 X Mark II | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
4. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
5. | Canon S120 | - | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
6. | Canon SX50 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
7. | Canon T1i | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
8. | Canon T3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Canon T4i | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
10. | Canon XSi | Y | - / - | - | - | mini | 2.0 | - | - | - | |
11. | Fujifilm X-E2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
12. | Fujifilm X-M1 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
13. | Fujifilm X-Pro2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
14. | Fujifilm X-T1 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
15. | Fujifilm X100S | Y | stereo / mono | - | - | micro | 2.0 | - | - | - | |
16. | Leica V-LUX 3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
17. | Leica V-LUX 4 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - |
Studio photographers will appreciate that the Fujifilm X-Pro1 (unlike the G1X) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the G1X and the X-Pro1 have been discontinued, but can regularly be found used on ebay. The G1X was replaced by the Canon G1X Mark II, while the X-Pro1 was followed by the Fujifilm X-Pro2. Further information on the features and operation of the G1X and X-Pro1 can be found, respectively, in the Canon G1 X Manual (free pdf) or the online Fujifilm X-Pro1 Manual.
Review summary
So what is the bottom line? Is there a clear favorite between the Canon G1 X and the Fujifilm X-Pro1? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon PowerShot G1 X:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has a lens built-in, whereas the X-Pro1 requires a separate lens.
- More compact: Is smaller (117x81mm vs 140x82mm) and thus needs less room in the bag.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
Reasons to prefer the Fujifilm X-Pro1:
- More detail: Has more megapixels (16 vs 14.2MP), which boosts linear resolution by 8%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 922k dots).
- Faster burst: Shoots at higher frequency (6 vs 1.9 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (300 versus 250) out of a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
If the number of relative strengths (bullet points above) is taken as a guide, the X-Pro1 is the clear winner of the contest (13 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X and the Fujifilm X-Pro1 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G1X or the X-Pro1. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G1 X | 5/5 | + | .. | 76/100 | 4/5 | 4.5/5 | Jan 2012 | 799 | ebay.com | |
2. | Fujifilm X-Pro1 | 5/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Jan 2012 | 1,699 | ebay.com | |
3. | Canon G1 X Mark II | 3/5 | + | .. | 77/100 | 4/5 | 4.5/5 | Feb 2014 | 799 | ebay.com | |
4. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 549 | ebay.com | |
5. | Canon S120 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 449 | ebay.com | |
6. | Canon SX50 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4.5/5 | Sep 2012 | 429 | ebay.com | |
7. | Canon T1i | .. | + + | .. | 74/100 | 4.5/5 | 4.5/5 | Mar 2009 | 799 | ebay.com | |
8. | Canon T3 | .. | 80/100 | .. | 69/100 | 4/5 | 4.5/5 | Feb 2011 | 449 | ebay.com | |
9. | Canon T4i | 4/5 | + + | .. | 77/100 | 4.5/5 | 4.5/5 | Jun 2012 | 849 | ebay.com | |
10. | Canon XSi | .. | + + | .. | + + | 4/5 | 4.5/5 | Jan 2008 | 799 | ebay.com | |
11. | Fujifilm X-E2 | 4/5 | .. | .. | 80/100 | 4.5/5 | 5/5 | Oct 2013 | 999 | ebay.com | |
12. | Fujifilm X-M1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Jun 2013 | 699 | ebay.com | |
13. | Fujifilm X-Pro2 | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Jan 2016 | 1,699 | ebay.com | |
14. | Fujifilm X-T1 | 5/5 | + + | .. | 84/100 | 5/5 | 5/5 | Jan 2014 | 1,299 | ebay.com | |
15. | Fujifilm X100S | 5/5 | + + | .. | 81/100 | 4.5/5 | 5/5 | Jan 2013 | 1,299 | ebay.com | |
16. | Leica V-LUX 3 | .. | .. | .. | .. | .. | .. | Dec 2011 | 949 | ebay.com | |
17. | Leica V-LUX 4 | .. | .. | .. | .. | .. | .. | Sep 2012 | 949 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5DS R vs Canon G1 X
- Canon G1 X vs Canon T7i
- Canon G1 X vs Nikon D200
- Canon G1 X vs Nikon Z9
- Canon G1 X vs Olympus Stylus 1s
- Canon G1 X vs Sony A5000
- Canon SL2 vs Fujifilm X-Pro1
- Fujifilm X-E1 vs Fujifilm X-Pro1
- Fujifilm X-E3 vs Fujifilm X-Pro1
- Fujifilm X-Pro1 vs Fujifilm X-T10
- Fujifilm X-Pro1 vs Olympus E-PL9
- Fujifilm X-Pro1 vs Panasonic FZ200
Specifications: Canon G1 X vs Fujifilm X-Pro1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon G1 X | Fujifilm X-Pro1 |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 28-112mm f/2.8-5.8 | Fujifilm X mount lenses |
Launch Date | January 2012 | January 2012 |
Launch Price | USD 799 | USD 1,699 |
Sensor Specs | Canon G1 X | Fujifilm X-Pro1 |
Sensor Technology | CMOS | CMOS |
Sensor Format | 1.5" Sensor | APS-C Sensor |
Sensor Size | 18.7 x 14.0 mm | 23.6 x 15.6 mm |
Sensor Area | 261.8 mm2 | 368.16 mm2 |
Sensor Diagonal | 23.4 mm | 28.3 mm |
Crop Factor | 1.85x | 1.5x |
Sensor Resolution | 14.2 Megapixels | 16 Megapixels |
Image Resolution | 4352 x 3264 pixels | 4896 x 3264 pixels |
Pixel Pitch | 4.30 μm | 4.80 μm |
Pixel Density | 5.43 MP/cm2 | 4.34 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 1080/24p Video | 1080/24p Video |
ISO Setting | 100 - 12,800 ISO | 200 - 6,400 ISO |
ISO Boost | no Enhancement | 100 - 25,600 ISO |
Image Processor | DIGIC 5 | EXR Processor |
DXO Sensor Quality (score) | 60 | .. |
DXO Color Depth (bits) | 21.7 | .. |
DXO Dynamic Range (EV) | 10.8 | .. |
DXO Low Light (ISO) | 644 | .. |
Screen Specs | Canon G1 X | Fujifilm X-Pro1 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 74% | 100% |
Viewfinder Resolution | 1440k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 922k dots | 1230k dots |
LCD Attachment | Swivel screen | Fixed screen |
Shooting Specs | Canon G1 X | Fujifilm X-Pro1 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 1.9 shutter flaps/s | 6 shutter flaps/s |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Canon G1 X | Fujifilm X-Pro1 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | mini HDMI |
Wifi Support | no Wifi | no Wifi |
Body Specs | Canon G1 X | Fujifilm X-Pro1 |
Battery Type | Canon NB-10L | Fujifilm NP-W126 |
Battery Life (CIPA) | 250 shots per charge | 300 shots per charge |
Body Dimensions |
117 x 81 x 65 mm (4.6 x 3.2 x 2.6 in) |
140 x 82 x 43 mm (5.5 x 3.2 x 1.7 in) |
Camera Weight | 534 g (18.8 oz) | 450 g (15.9 oz) |
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.