Canon G1 X Mark III vs Panasonic GX9
The Canon PowerShot G1 X Mark III and the Panasonic Lumix DC-GX9 are two enthusiast cameras that were revealed to the public, respectively, in October 2017 and February 2018. The G1X Mark III is a fixed lens compact, while the GX9 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (G1X Mark III) and a Four Thirds (GX9) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon G1 X Mark III||Panasonic GX9|
|Fixed lens compact camera||Mirrorless system camera|
|24-72mm f/2.8-5.6||Micro Four Thirds lenses|
|24 MP, APS-C Sensor||20.2 MP, Four Thirds Sensor|
|1080/60p Video||4K/30p Video|
|ISO 100-25600||ISO 200-25600|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (2760k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1240k dots|
|Swivel touchscreen||Tilting touchscreen|
|9 shutter flaps per second||9 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|Weathersealed body||Not weather sealed|
|200 shots per battery charge||260 shots per battery charge|
|115 x 78 x 51 mm, 399 g||124 x 72 x 47 mm, 407 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X Mark III and the Panasonic Lumix DC-GX9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon G1 X Mark III and the Panasonic GX9. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The GX9 can be obtained in two different colors (black, silver), while the G1X Mark III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G1 X Mark III and the Panasonic GX9 are of equal size. It is worth mentioning in this context that the G1X Mark III is splash and dust resistant, while the GX9 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X Mark III has a lens built in, whereas the GX9 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GX9 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the G1X Mark III gets 200 shots out of its NB-13L battery, while the GX9 can take 260 images on a single charge of its DMW-BLG10 power pack. The power pack in the GX9 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon G1 X Mark III»||4.5 in||3.1 in||2.0 in||14.1 oz||200||Y||Oct 2017||1,299||Canon G1 X Mark III|
|Panasonic GX9«||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849||Panasonic GX9|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon M6« »||4.4 in||2.7 in||1.8 in||13.8 oz||295||n||Feb 2017||779||-||Canon M6|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||-||Canon 80D|
|Canon SX540« »||4.7 in||3.2 in||3.6 in||15.6 oz||205||n||Jan 2016||399||Canon SX540|
|Fujifilm X-T3« »||5.2 in||3.7 in||2.3 in||19.0 oz||390||Y||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Nikon D7500« »||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299||Nikon D7500|
|Olympus E-M10 II« »||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||649||-||Olympus E-M10 II|
|Panasonic G95« »||5.1 in||3.7 in||3.0 in||18.9 oz||290||Y||Apr 2019||999||Panasonic G95|
|Panasonic LX100 II« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Aug 2018||999||Panasonic LX100 II|
|Panasonic ZS200« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic ZS200|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-||Panasonic GX8|
|Sony A6300« »||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||-||Sony A6300|
|Sony A6500« »||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||-||Sony A6500|
|Sony RX10 III« »||5.2 in||3.7 in||5.0 in||37.1 oz||420||Y||Mar 2016||1,499||Sony RX10 III|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G1 X Mark III features an APS-C sensor and the Panasonic GX9 a Four Thirds sensor. The sensor area in the GX9 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the G1X Mark III has a native 3:2 aspect ratio, while the one in the GX9 offers a 4:3 aspect.
With 24MP, the G1X Mark III offers a higher resolution than the GX9 (20.2MP), but the G1X Mark III nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 3.34μm for the GX9) due to its larger sensor. However, the GX9 is a somewhat more recent model (by 3 months) than the G1X Mark III, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GX9 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon G1 X Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G1X Mark III for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic GX9 are 25.9 x 19.4 inch or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inch or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inch or 43.9 x 32.9 cm for excellent quality prints.
The G1X Mark III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon PowerShot G1 X Mark III has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DC-GX9 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon G1 X Mark III»||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon G1 X Mark III|
|Panasonic GX9«||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic GX9|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon M6« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon M6|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon SX540« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX540|
|Fujifilm X-T3« »||APS-C||26.0||6240||4160||4K/60p||-||-||-||-||Fujifilm X-T3|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X100F|
|Nikon D7500« »||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Olympus E-M10 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Panasonic G95« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic G95|
|Panasonic LX100 II« »||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Panasonic LX100 II|
|Panasonic ZS200« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic ZS200|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Sony A6300« »||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony A6500« »||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Sony RX10 III« »||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70||Sony RX10 III|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GX9 provides a better video resolution than the G1X Mark III. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GX9 offers a higher resolution than the one in the G1X Mark III (2760k vs 2360k dots). The adjacent table lists some of the other core features of the Canon G1 X Mark III and Panasonic GX9 along with similar information for a selection of comparators.
|Canon G1 X Mark III»||2360||n||3.0||1040||swivel||Y||1/2000s||9.0||Y||Y||Canon G1 X Mark III|
|Panasonic GX9«||2760||n||3.0||1240||tilting||Y||1/4000s||9.0||Y||Y||Panasonic GX9|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon M6« »||-||n||3.0||1040||tilting||Y||1/4000s||9.0||Y||n||Canon M6|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Canon SX540« »||-||n||3.0||461||fixed||n||1/2000s||5.9||Y||Y||Canon SX540|
|Fujifilm X-T3« »||3690||n||3.2||1040||tilting||Y||1/8000s||11.0||n||n||Fujifilm X-T3|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Nikon D7500« »||optical||Y||3.2||922||tilting||Y||1/8000s||8.0||Y||n||Nikon D7500|
|Olympus E-M10 II« »||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10 II|
|Panasonic G95« »||2360||n||3.0||1240||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G95|
|Panasonic LX100 II« »||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Panasonic LX100 II|
|Panasonic ZS200« »||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS200|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Sony A6300« »||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Sony A6500« »||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
|Sony RX10 III« »||2359||Y||3.0||1229||tilting||n||1/2000s||14.0||Y||Y||Sony RX10 III|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX9 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G1 X Mark III and the Panasonic GX9 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G1X Mark III and the GX9 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X Mark III and Panasonic Lumix DC-GX9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon G1 X Mark III»||Y||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G1 X Mark III|
|Panasonic GX9«||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon M6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M6|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon SX540« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon SX540|
|Fujifilm X-T3« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm X-T3|
|Fujifilm X100F« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Nikon D7500« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Olympus E-M10 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Panasonic G95« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||Y||Panasonic G95|
|Panasonic LX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Panasonic ZS200« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic ZS200|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Sony A6300« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony A6500« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Sony RX10 III« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 III|
Both the G1X Mark III and the GX9 are recent models that are part of the current product line-up. The G1X Mark III replaced the earlier Canon G1 X Mark II, while the GX9 followed on from the Panasonic GX8. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is the Canon G1 X Mark III better than the Panasonic GX9 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon PowerShot G1 X Mark III:
- More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has a lens built-in, whereas the GX9 requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GX9).
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in October 2017).
Advantages of the Panasonic Lumix DC-GX9:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2760k vs 2360k dots).
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (260 versus 200) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- More modern: Was introduced somewhat (3 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the G1X Mark III is the clear winner of the match-up (14 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X Mark III and the Panasonic GX9 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G1X Mark III or the GX9. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon G1 X Mark III»||+||79/100||4.5/5||-||4.5/5||Oct 2017||1,299||Canon G1 X Mark III|
|Panasonic GX9«||+||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849||Panasonic GX9|
|Canon 6D Mark II« »||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon M6« »||-||80/100||4/5||4.5/5||4/5||Feb 2017||779||-||Canon M6|
|Canon 80D« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||-||Canon 80D|
|Canon SX540« »||-||-||-||-||-||Jan 2016||399||Canon SX540|
|Fujifilm X-T3« »||+ +||88/100||5/5||5/5||5/5||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X100F« »||+||83/100||4.5/5||-||4.5/5||Jan 2017||1,299||Fujifilm X100F|
|Nikon D7500« »||+ +||86/100||5/5||4.5/5||4.5/5||Apr 2017||1,299||Nikon D7500|
|Olympus E-M10 II« »||+ +||80/100||5/5||5/5||5/5||Aug 2015||649||-||Olympus E-M10 II|
|Panasonic G95« »||+||83/100||4.5/5||-||4.5/5||Apr 2019||999||Panasonic G95|
|Panasonic LX100 II« »||+||82/100||4.5/5||-||4.5/5||Aug 2018||999||Panasonic LX100 II|
|Panasonic ZS200« »||+ +||81/100||4.5/5||-||4.5/5||Feb 2018||799||Panasonic ZS200|
|Panasonic GX8« »||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Sony A6300« »||+||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Sony A6500« »||+ +||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399||-||Sony A6500|
|Sony RX10 III« »||+||84/100||4.5/5||4.5/5||4.5/5||Mar 2016||1,499||Sony RX10 III|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D C vs Panasonic GX9
- Canon G1 X Mark III vs Fujifilm GFX 100
- Canon G1 X Mark III vs Fujifilm X-M1
- Canon G1 X Mark III vs Fujifilm X10
- Canon G1 X Mark III vs Nikon D3
- Canon G1 X Mark III vs Panasonic GF2
- Canon G1 X Mark III vs Sony NEX-3
- Canon T5 vs Panasonic GX9
- Olympus E-5 vs Panasonic GX9
- Panasonic FZ1000 vs Panasonic GX9
- Panasonic G90 vs Panasonic GX9
- Panasonic GX8 vs Panasonic GX9
Specifications: Canon G1 X Mark III vs Panasonic GX9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G1 X Mark III||Panasonic GX9|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-72mm f/2.8-5.6||Micro Four Thirds lenses|
|Launch Date||October 2017||February 2018|
|Launch Price||USD 1299||USD 849|
|Sensor Specs||Canon G1 X Mark III||Panasonic GX9|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||20.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.72 μm||3.34 μm|
|Pixel Density||7.22 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||200-25600 ISO|
|ISO Boost||no Enhancement||100-25600 ISO|
|Image Processor||DIGIC 7||Venus|
|Screen Specs||Canon G1 X Mark III||Panasonic GX9|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2760k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1240k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon G1 X Mark III||Panasonic GX9|
|Autofocus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/4000/s|
|Continuous Shooting||9 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon G1 X Mark III||Panasonic GX9|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon G1 X Mark III||Panasonic GX9|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||200 shots per charge||260 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
115 x 78 x 51 mm
(4.5 x 3.1 x 2.0 in)
124 x 72 x 47 mm
(4.9 x 2.8 x 1.9 in)
|Camera Weight||399 g (14.1 oz)||407 g (14.4 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.