Canon G1 X Mark III vs Panasonic G6
The Canon PowerShot G1 X Mark III and the Panasonic Lumix DMC-G6 are two digital cameras that were announced, respectively, in October 2017 and April 2013. The G1X Mark III is a fixed lens compact, while the G6 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (G1X Mark III) and a Four Thirds (G6) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X Mark III and the Panasonic Lumix DMC-G6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon G1 X Mark III and the Panasonic G6 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The G6 can be obtained in three different colors (black, silver, white), while the G1X Mark III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G6 is notably larger (16 percent) than the Canon G1 X Mark III. It is worth mentioning in this context that the G1X Mark III is splash and dust resistant, while the G6 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X Mark III has a lens built in, whereas the G6 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G6 and their specifications in the Micro Four Thirds Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon G1 X Mark III||4.5 in||3.1 in||2.0 in||14.1 oz||200||Y||Oct 2017||1,299|
|2.||Panasonic G6||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599|
|3.||Canon 6D Mark II||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999|
|4.||Canon 80D||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199|
|5.||Canon SX540||4.7 in||3.2 in||3.6 in||15.6 oz||205||n||Jan 2016||399|
|6.||Fujifilm X100V||5.0 in||3.0 in||2.1 in||16.9 oz||420||Y||Feb 2020||1,399|
|7.||Fujifilm X-T3||5.2 in||3.7 in||2.3 in||19.0 oz||390||Y||Sep 2018||1,499|
|8.||Fujifilm X100F||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299|
|9.||Nikon D7500||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299|
|10.||Panasonic G7||4.9 in||3.4 in||3.0 in||14.5 oz||350||n||May 2015||649|
|11.||Panasonic GF6||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499|
|12.||Panasonic GX7||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999|
|13.||Panasonic G5||4.7 in||3.3 in||2.8 in||14.0 oz||320||n||Jul 2012||599|
|14.||Panasonic G3||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599|
|15.||Sony A6300||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999|
|16.||Sony A6500||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399|
|17.||Sony RX10 III||5.2 in||3.7 in||5.0 in||37.1 oz||420||Y||Mar 2016||1,499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G1 X Mark III features an APS-C sensor and the Panasonic G6 a Four Thirds sensor. The sensor area in the G6 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the G1X Mark III has a native 3:2 aspect ratio, while the one in the G6 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24MP, the G1X Mark III offers a higher resolution than the G6 (15.9MP), but the G1X Mark III has marginally smaller individual pixels (pixel pitch of 3.72μm versus 3.76μm for the G6). However, the G1X Mark III is a much more recent model (by 4 years and 5 months) than the G6, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon G1 X Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G1X Mark III for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G6 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The G1X Mark III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon PowerShot G1 X Mark III has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DMC-G6 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 160-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|1.||Canon G1 X Mark III||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|2.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|10.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|11.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|12.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|13.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..|
|14.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|17.||Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the G1X Mark III offers a substantially higher resolution than the one in the G6 (2360k vs 1440k dots). The adjacent table lists some of the other core features of the Canon G1 X Mark III and Panasonic G6 along with similar information for a selection of comparators.
|1.||Canon G1 X Mark III||2360||n||3.0||1040||swivel||Y||1/2000s||9.0||Y||Y|
|3.||Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n|
|17.||Sony RX10 III||2359||Y||3.0||1229||tilting||n||1/2000s||14.0||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G1 X Mark III and the Panasonic G6 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G1X Mark III and the G6 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X Mark III and Panasonic Lumix DMC-G6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Canon G1 X Mark III||Y||stereo||mono||-||-||micro||2.0||Y||Y||Y|
|3.||Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y|
|17.||Sony RX10 III||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the G6 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G1X Mark III does not feature such a mic input.
The G1X Mark III is a recent model that features in the current product line-up of Canon. In contrast, the G6 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the G6 was succeeded by the Panasonic G7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Is there a clear favorite between the Canon G1 X Mark III and the Panasonic G6? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon PowerShot G1 X Mark III:
- More detail: Offers more megapixels (24 vs 15.9MP) with a 25% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1440k dots).
- Faster burst: Shoots at higher frequency (9 vs 7 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the G6 requires a separate lens.
- More compact: Is smaller (115x78mm vs 122x85mm) and thus needs less room in the bag.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 4 years and 5 months of technical progress since the G6 launch.
Advantages of the Panasonic Lumix DMC-G6:
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (340 versus 200) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in April 2013).
If the count of relative strengths (bullet points above) is taken as a measure, the G1X Mark III is the clear winner of the match-up (14 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X Mark III and the Panasonic G6 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the G1X Mark III or the G6 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G1 X Mark III||5/5||+||79/100||4.5/5||4.5/5||Oct 2017||1,299|
|2.||Panasonic G6||4/5||+ +||..||5/5||4.5/5||Apr 2013||599|
|3.||Canon 6D Mark II||4/5||+||80/100||4.5/5||4/5||Jun 2017||1,999|
|4.||Canon 80D||4/5||+ +||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|5.||Canon SX540||..||..||..||..||..||Jan 2016||399|
|6.||Fujifilm X100V||5/5||+ +||86/100||5/5||4.5/5||Feb 2020||1,399|
|7.||Fujifilm X-T3||5/5||+ +||88/100||5/5||5/5||Sep 2018||1,499|
|8.||Fujifilm X100F||5/5||+||83/100||4.5/5||4.5/5||Jan 2017||1,299|
|9.||Nikon D7500||4.5/5||+ +||86/100||5/5||4.5/5||Apr 2017||1,299|
|10.||Panasonic G7||4/5||+ +||80/100||5/5||4.5/5||May 2015||649|
|11.||Panasonic GF6||..||+ +||..||4.5/5||4.5/5||Apr 2013||499|
|12.||Panasonic GX7||4/5||+||79/100||5/5||5/5||Aug 2013||999|
|13.||Panasonic G5||3/5||+ +||..||4.5/5||4.5/5||Jul 2012||599|
|14.||Panasonic G3||3/5||+ +||75/100||4.5/5||5/5||May 2011||599|
|15.||Sony A6300||4.5/5||+||85/100||5/5||5/5||Feb 2016||999|
|16.||Sony A6500||5/5||+ +||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|17.||Sony RX10 III||5/5||+||84/100||4.5/5||4.5/5||Mar 2016||1,499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon G1 X Mark III vs Panasonic G6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G1 X Mark III||Panasonic G6|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-72mm f/2.8-5.6||Micro Four Thirds lenses|
|Launch Date||October 2017||April 2013|
|Launch Price||USD 1,299||USD 599|
|Sensor Specs||Canon G1 X Mark III||Panasonic G6|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||15.9 Megapixels|
|Image Resolution||6000 x 4000 pixels||4608 x 3456 pixels|
|Pixel Pitch||3.72 μm||3.76 μm|
|Pixel Density||7.22 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100 - 25,600 ISO||160 - 12,800 ISO|
|ISO Boost||no Enhancement||160 - 25,600 ISO|
|Image Processor||DIGIC 7||Venus|
|DXO Sensor Quality (score)||..||61|
|DXO Color Depth (bits)||..||21.3|
|DXO Dynamic Range (EV)||..||11.5|
|DXO Low Light (ISO)||..||639|
|Screen Specs||Canon G1 X Mark III||Panasonic G6|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1036k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon G1 X Mark III||Panasonic G6|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||9 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/4000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon G1 X Mark III||Panasonic G6|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon G1 X Mark III||Panasonic G6|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||200 shots per charge||340 shots per charge|
115 x 78 x 51 mm
(4.5 x 3.1 x 2.0 in)
122 x 85 x 71 mm
(4.8 x 3.3 x 2.8 in)
|Camera Weight||399 g (14.1 oz)||390 g (13.8 oz)|
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